Thematische Bibliographien / Charles

Auswahl der wissenschaftlichen Literatur zum Thema „Charles“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 25. Mai 2024

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Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Zeitschriftenartikel zum Thema "Charles":

1

Barry, Herbert. „Characters Named Charles or Charley in Novels by Charles Dickens“. Psychological Reports 101, Nr. 2 (Oktober 2007): 497–500. http://dx.doi.org/10.2466/pr0.101.2.497-500.

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12 fictional characters named Charles or Charley are contained in eight of the 14 completed novels by Charles Dickens. Most of the author's namesakes have humorous attributes, an unusually close relationship with one or more other characters, and a happy subsequent life. Three stages of the author's adult life are youthful, mature, and after separation from his wife. The fictional namesakes are most humorous in the author's youthful stage and least humorous after separation from his wife. The 12 fictional namesakes of Charles Dickens are compared with the two fictional namesakes of Jane Austen.
2

III, HERBERT BARRY. „CHARACTERS NAMED CHARLES OR CHARLEY IN NOVELS BY CHARLES DICKENS“. Psychological Reports 101, Nr. 6 (2007): 497. http://dx.doi.org/10.2466/pr0.101.6.497-500.

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3

Gwynne, Peter. „Charles Lieber found guilty over China links“. Physics World 35, Nr. 2 (01.02.2022): 12i. http://dx.doi.org/10.1088/2058-7058/35/02/16.

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4

KELSEY, SEAN. „THE DEATH OF CHARLES I“. Historical Journal 45, Nr. 4 (Dezember 2002): 727–54. http://dx.doi.org/10.1017/s0018246x02002650.

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By the winter of 1648–9, demands for retributive justice on Charles I and his supporters had built to a crescendo. But regicide was generally regarded as an extremely bad idea, and the king's trial was contrived as a final bid for peaceful settlement, not a prelude to king-killing. In return for a place at the heart of a new constitutional order, Charles I was required to abdicate his negative voice by pleading to charges brought on the sole authority of the House of Commons. This was a high-risk strategy inspired and justified by the weakening of opposition to the trial in the House of Lords, the city of London and at Edinburgh, and by some of the encouraging signals emanating from deep within the royalist camp itself. However, in their anxiety to avoid having their ultimate sanction forced upon them, the commissioners of the high court of justice gave the king rather more opportunities to plead to the charges against him than was consistent with the maintenance of their own authority. Rather than persuading him to give in, they encouraged him to stand firm, with fatal consequences. Far from being a providential act of vengeance, or indeed the inexorable fate of a man predestined to martyrdom, the execution of Charles I was a highly adventitious occurrence – predictable, perhaps, yet contingent on a wide range of unpredictable circumstances.
5

Bethany Halford. „Charles Lieber pleads not guilty to charges“. C&EN Global Enterprise 98, Nr. 31 (17.08.2020): 15. http://dx.doi.org/10.1021/cen-09831-polcon1.

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6

Radin, Dean. „Charles Tart’s Contributions to Parapsychology“. Journal of Anomalous Experience and Cognition 3, Nr. 2 (29.08.2023): 248–66. http://dx.doi.org/10.31156/jaex.25229.

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In this Festschrift in honor of Charles Tart, I originally intended to focus on how Charley – as his friends call him – influenced the discipline of parapsychology from his entry into the field in the 1960s to the present day. That turned out to be an overly ambitious goal because Charley has made so many influential contributions, and in so many facets of parapsychology, that it is not possible to cover them all without writing a lengthy monograph. So instead, I offer a few words about how Charley influenced my own involvement in the field, then I mention four topics that continue to shape the way I think about and approach the study of psi phenomena, and I finish my tribute with an edited transcript of a delightful chat I had with him in preparation for writing this article.
7

Schymalla, Aleksandra. „Charles Swann e Athos Fadigati: la figura dell'ebreo e dell'innamorato in Proust e Bassani“. Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 17 (12.10.2018): 115–25. http://dx.doi.org/10.24917/20811853.17.10.

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Charles Swann i Athos Fadigati: postać Żyda i kochanka w utworach Prousta i BassaniegoStreszczenieCelem badań jest znalezienie związków pomiędzy cyklem Marcela Prousta W poszukiwaniustraconego czasu i Powieścią ferraryjską Giorgia Bassaniego. Analiza sposobu, w jaki autorzykonstruują postać Żyda, została przeprowadzona w świetle refleksji Giacoma Debenedettiegoi Hannah Arendt poświęconych naturze tożsamości żydowskiej. W opowiadaniu BassaniegoZłote okulary w szczególny sposób uczuciowość i pozycja społeczna homoseksualisty AthosaFadigatiego znajdują analogię w figurze Charlesa Swanna, ,,światowego Żyda”. W tej perspektywieProust staje się świadkiem zmiany, obserwatorem początku procesu prowadzącegodo powstania obozów zagłady, elementów rzeczywistości, z którą Bassani musi siękonfrontować.Słowa kluczowe: Marcel Proust, Giorgio Bassani, Charles Swann, Żyd, kochanek, homoseksualista,sprawa Dreyfusa Charles Swann and Athos Fadigati: the figure of the Jew and the lover in Proust and BassaniAbstractThe aim of the research is to find a link between Recherche of Marcel Proust and GiorgioBassani’s Novel of Ferrara, analyzing the way both of them construct the figure of a Jew, inthe light of Giacomo Debenedetti’s and Hannah Arendt’s position related to Jewish identity.Giorgio Bassani’s novel The Gold Rimmed Spectacles has been chosen because Athos Fadigati,a homosexual, and Charles Swann, a Juif mondain, demonstrate some similarities in termsof sensitivity and their social position. Here Proust witnesses a change, the beginning ofa process leading to extermination camps: the reality Bassani must confront.Keywords: Marcel Proust, Giorgio Bassani, Charles Swann, Jew, lover, homosexual, theDreyfus affair
8

KISHLANSKY, MARK. „TYRANNY DENIED: CHARLES I, ATTORNEY GENERAL HEATH, AND THE FIVE KNIGHTS' CASE“. Historical Journal 42, Nr. 1 (März 1999): 53–83. http://dx.doi.org/10.1017/s0018246x98008279.

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This article exonerates Charles I and Attorney General Sir Robert Heath from charges that they tampered with the records of the court of King's Bench in the Five Knights' Case. It refutes allegations made by John Selden in the parliament of 1628 and repeated by modern historians. Selden's attack on Heath and the king's government was based on a fundamental misunderstanding of the nature of King's Bench enrolments and a radical view of the crown's intentions in imprisoning loan resisters. The view that Charles was attempting to establish the prerogative right to imprison opponents without remedy at common law has no basis in either the arguments presented during the Five Knights' Case or the king's behaviour both before and during the parliament. By accepting the most radical critique of Caroline government at face value, historians have concluded that Charles was attempting to establish a ‘legal tyranny’. This article rejects these views.
9

Applewhite, James. „Charles“. Hudson Review 52, Nr. 3 (1999): 383. http://dx.doi.org/10.2307/3853435.

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Picker. „CHARLES“. Perspectives of New Music 56, Nr. 2 (2018): 199. http://dx.doi.org/10.7757/persnewmusi.56.2.0199.

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Zeitschriftenartikel Dissertationen Bücher

Dissertationen zum Thema "Charles":

1

Soleiman, Achwak. „Charles Sorel romancier“. Grenoble 3, 1991. http://www.theses.fr/1991GRE39038.

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Charles sorel est un polygraphe. Cette etude propose une analyse analytique de l'ensemble de ses oeuvres romanesques, en envisageant chaque roman, pour en degager ses differentes caracteristiques. Les romans sont etudies selon l'ordre chronologique de leur production, en trois parties: - la premiere partie qui represente la periode des essais romanesques de sorel, comprend: - l'histoire amoureuse de cleagenor et de doristee (1621). - le palais d'angelie (1622). - les nouvelles francoises (1623). Le romancier commence tot a faire paraitre ses facultes, en contribuant a fixer en particulier un genre encore balbutiant: la nouvelle francaise. La deuxieme partie est l'etape florissante de sa carriere romanesque avec: -l'histoire comique de francion (1623-1633). - l'orphize de chrysante (1626). -le berger extravagant (1627-1628). Dans cette periode l'auteur a donne son chefd'oeuvre l'histoire comique de francion qu'on peut considerer comme comique unique dans son temps. La troisieme partie est celle du declin, avec: -la vraye suite des advantures de la polyxene (1634). - la solitude et l'amour philosophique de cleomede (1640). -la maison des jeux (1642). -nouveau recueil des pieces les plus agreables de ce temps (1644). - polyandre, histoire comique (1648). - le parasite mormon, histoire comique (1650). Sorel donne a la litterature francaise un nouvel elan, il ouvre la porte du realisme en essayant de combattre les invraisemblances qui regnaient dans la production litteraire de l'epoque
Charles sorel is an polygraph. This work propose an analyse of all his novels, in considering every novel appearing by its different characteristics. The novels are studied by their chronologic order of their production in three parties: the first party wich shows the novels essays period of sorel, is composed: - l'histoire amoureuse de cleagenor et de doristee (1621). - le palais d'angelie (1622). - les nouvelles francoises (1623). The novelist starts to appear earlier by its characteristics in contributing particularly a fixed syllabus which is still an earlier trial. The second party is the succesful step of his novels carrier with: l'histoire comique de francion (1623-1633). - l'orphize de chrysante (1626). - le berger extravagant (1627-1628). In this period, the author had given his prosperious work : l'histoire comique de francion wich can be considered as unique of this period. The third party is one of declination with: -la vraye suite des advantures de bla polyxene (1634). - la solitude et l'amour philosophique de cleomede (1640). - la maison des jeux (1642). - nouveau recueil des pieces les plus agreables de ce temps (1644). -polyandre, histoire comique (1648). - le parasite mormon; histoire comique (1650). Sorel give to the french literature a new push, he open the door of reality in trying to struggle the invraisemblance which are spread in the literaraire production of the century
2

Ochsner, Beate. „Charles Nodier : Digressionen /“. Heidelberg : C. Winter, 1998. http://catalogue.bnf.fr/ark:/12148/cb36991997j.

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3

Fantina, Richard. „Charles Reade's Sensational Realism“. Scholarly Repository, 2007. http://scholarlyrepository.miami.edu/oa_dissertations/60.

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Sensation fiction, which flourished in England from the 1850s to the 1880s, was viewed by Victorian establishment figures as a threat to prevailing social values. This dissertation focuses on the work of Charles Reade, who along with Wilkie Collins and Mary Elizabeth Braddon, was among the most well-known sensation novelists. While several novels by Collins and Braddon have been rediscovered by scholars since the 1980s, Reade's fiction remains neglected. With its explicit critique of the emerging regimes of power/knowledge in the fields of medicine, criminal justice, and sexual mores, Reade's work anticipates Michel Foucault's theories elaborated a century later. Although previous readings of Victorian fiction have drawn on the ideas of Foucault in an attempt to identify sensation novels as cultural productions complicit with a developing bourgeois hegemony, I argue that these novels represent a narrative genre that challenges and resists these disciplinary constraints. In addition, Reade's work provides a rare glimpse of alternative sexualities and gender identities in nineteenth-century fiction that can be read in light of feminist and gender theory. This dissertation recovers the fiction of Charles Reade as a body of work that anticipates recent trends in literary and cultural theory and that speaks to us today with an uncanny familiarity.
4

Carpentier, Godeleine. „Charles J. Kickham, écrivain“. Paris 3, 1987. http://www.theses.fr/1987PA030178.

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Les époques de crise délaissent volontiers l'art pur pour la propagande mais l'intérêt que suscite la littérature au service d'une cause est souvent éphémère, et le nom même de ce type d'écrivain est vite oublié. Kickham n'a pas sombré dans l'oubli et sa mémoire est toujours honorée dans son pays natal. Des circonstances exceptionnelles ont attiré l'attention sur l'oeuvre littéraire de cet homme dont l'histoire personnelle suit de près l'histoire de l'Irlande et celle des mouvements révolutionnaire de son époque. Sa production poétique ne se caractérise ni par la continuité dans le temps, ni par une quelconque maturation sur le plan esthétique. Le poète s'y révèle l'héritier d'une tradition populaire et nationale dans les thèmes comme dans la forme. Ses oeuvres en prose, au contraire, dont la production est quasi continue de 1857 à la mort de l'écrivain, évoluent selon un schéma qu'une lecture chronologique met parfaitement en évidence. Des premiers récits de "faits divers" authentiques, dont le mode narratif est proche de celui de la littérature orale, aux oeuvres majeures qui leur succèdent, l'écrivain s'oriente délibérément vers une forme de plus en plus littéraire où la recherche d'effets esthétiques prend une part croissante. Toute cette oeuvre est centrée sur une description de l'Irlande rurale à une période d'importantes mutations. Kickham évoque son pays sous ses divers aspects, géographique, ethnologique, sociologique et politique. Nationale par ses thèmes, c'est une oeuvre qui est aussi intensément nationaliste. Écrivain engagé, Kickham a subordonné son inspiration à une finalité politique et idéologique. Dans son oeuvre comme dans sa vie, il a incarné le sentiment national populaire irlandais
In times of crisis, writers readily swing away from pure art to propaganda. Yet the interest raised by propagandist literature is often short-lived and these writers soon fall into oblivion. Kickham, however, has not known such a fate and he still lives on in the irish memory mainly through a handful of ballads and his famous knocknagow. Unusual circumstances have drawn attention to the work of this writer whose personal history closely follows the history of ireland and of the revolutionary movements of his times. His poetical career falls largely into three well-separated productive periods. Yet there is no clear development or maturation in his poetry which follows the popular and national literary tradition, both in form and content. Unlike his verse work, kickham's prose, regularly published from 1857 to the writer's death, follows a recognisable pattern of development. From the first tales based on fact and told mostly in the manner of the oral story-teller, to the later major works, one can find clear signs of a shift towards a more sophisticated literary tradition together with a growing concern for aesthetic effectiveness. Kickham's principal subject-matter is ireland. His description of post-famine ireland covers a wide range of aspects - geographical, eth- nological as well as sociological and political - and is all the more valuable as it deals with a time of great changes in irish society. Not only national in its themes, kickham's work, written from a poli- tical and ideological standpoint, is also intensely nationalist. In his work as in his life, kickham embodies the popular irish nationalist spirit
5

Carpentier, Godeleine. „Charles J. Kickham, écrivain“. Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37603636r.

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6

Gustin-Gomez, Clémentine Fumaroli Marc. „Charles de la Fosse /“. Dijon : Faton, 2006. http://catalogue.bnf.fr/ark:/12148/cb409695642.

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7

Schulze, Klaus-Heinrich. „Charles Dickens'ds child-novels“. reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106165.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Florianópolis, 1981.
Made available in DSpace on 2013-12-05T19:28:26Z (GMT). No. of bitstreams: 1 321773.pdf: 11274676 bytes, checksum: 56a3b5622939ef146127d901a00a1704 (MD5)
8

JUBAULT, RICHARD. „L'hysterie chez charles dickens“. Rennes 1, 1992. http://www.theses.fr/1992REN1M098.

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9

Ravignat, Mathieu G. „Charles Fourier and Charles Taylor, romantic expressivism and the socialist philosophy of labour“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ58498.pdf.

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10

Key, Nancy Martin. „A narrative history of Lake Charles Little Theatre, Lake Charles, Louisiana, 1927-1982“. Lake Charles, La. : McNeese State University, Frazar Memorial Library, Dept. of Archives and Special Collections, 2008. http://library.mcneese.edu/depts/archive/FTBooks/key.htm.

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Bücher zum Thema "Charles":

1

Eberly, John. Collected Charles Charles. Wichita, KS: J. Eberly, 1985.

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Piersanti, Claudio. Charles. Milano: Feltrinelli, 2000.

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Claudio, Piersanti. Charles. 2. Aufl. Ancona: Transeuropa, 1988.

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4

Shirley, Jackson. Charles. Mankato, MN: Creative Education, 1991.

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5

Junor, Penny. Charles. London: Sidgwick & Jackson, 1987.

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Claudio, Piersanti. Charles. Milano: Feltrinelli, 2000.

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Junor, Penny. Charles. New York: St. Martin's Press, 1987.

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Claudio, Piersanti. Charles. Ancona: Il lavoro editoriale, 1986.

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9

Béquié, Jean-Michel. Charles. Paris: Editions de minuit, 1993.

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Hume, Stephen. Charles. Markham, ON: Fitzhenry and Whiteside, 2018.

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Buchteile zum Thema "Charles":

1

Makover, Richard B. „Charles“. In Annotated Psychotherapy, 154–95. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003353003-7.

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Gessinger, Joachim. „Charles Lyell und Charles Darwin“. In Language and Earth, 323–56. Amsterdam: John Benjamins Publishing Company, 1992. http://dx.doi.org/10.1075/sihols.66.16ges.

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Frank, J. Howard, J. Howard Frank, Michael C. Thomas, Allan A. Yousten, F. William Howard, Robin M. Giblin-davis, John B. Heppner et al. „Potter, Charles“. In Encyclopedia of Entomology, 3030–31. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6359-6_3096.

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4

Kiewitt, Stefanie. „Taylor, Charles“. In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_20317-1.

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Luscher, Renate. „Charles Perrault“. In Kindler Kompakt: Philosophie der Neuzeit, 205–7. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04347-4_56.

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Maack, Annegret. „Charles Dickens“. In Kindler Kompakt: Märchen, 128–30. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04359-7_25.

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Kll. „Charles Perrault“. In Kindler Kompakt: Märchen, 58–59. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04359-7_7.

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Lozada, María Cecilia. „Stanish, Charles“. In Encyclopedia of Global Archaeology, 10204–6. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2592.

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Weed, Nathan C., und Halie Brooks. „Burdsal, Charles“. In Encyclopedia of Personality and Individual Differences, 568–69. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-24612-3_124.

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Charles, Susan T. „Charles, Susan“. In Encyclopedia of Personality and Individual Differences, 631–32. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-24612-3_130.

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Konferenzberichte zum Thema "Charles":

1

Guette, propos recueillis par Henri. „Entretien avec Charles Pennequin“. In Charles Pennequin : poésie tapage. Fabula, 2022. http://dx.doi.org/10.58282/colloques.7799.

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Santi, Sylvain. „Le rire à Charles“. In Charles Pennequin : poésie tapage. Fabula, 2022. http://dx.doi.org/10.58282/colloques.7838.

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Chanjou, Philippe. „Charles Pennequin, l’être et l’existence“. In Charles Pennequin : poésie tapage. Fabula, 2022. http://dx.doi.org/10.58282/colloques.7807.

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Royère, Anne-Christine, und Gaëlle Théval. „Introduction : poésie tapage“. In Charles Pennequin : poésie tapage. Fabula, 2022. http://dx.doi.org/10.58282/colloques.7780.

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Guette, table ronde animée par Henri. „L’armée noire, « un joyeux bordel de création permanente »“. In Charles Pennequin : poésie tapage. Fabula, 2022. http://dx.doi.org/10.58282/colloques.7804.

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Théval, Gaëlle. „« Bidouiller la bande passante du vivant » : Charles Pennequin l’enregistré“. In Charles Pennequin : poésie tapage. Fabula, 2022. http://dx.doi.org/10.58282/colloques.7802.

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Puff, Jean-François. „Le premier jet. De l’amour chez Charles Pennequin“. In Charles Pennequin : poésie tapage. Fabula, 2022. http://dx.doi.org/10.58282/colloques.7801.

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Pennequin, Charles, und Dominique Jégou. „Peux-je (2013) — Entretien“. In Charles Pennequin : poésie tapage. Fabula, 2022. http://dx.doi.org/10.58282/colloques.7806.

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Martin, Serge. „De Péguy à Pennequin : quel peuple de voix ?“ In Charles Pennequin : poésie tapage. Fabula, 2022. http://dx.doi.org/10.58282/colloques.7783.

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10

Toqué, Benoît. „Quelques réflexions à partir de la notion de « gesticulation » chez Charles Pennequin“. In Charles Pennequin : poésie tapage. Fabula, 2022. http://dx.doi.org/10.58282/colloques.7836.

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Berichte der Organisationen zum Thema "Charles":

1

Kane, Edward. Charles Kindleberger. Cambridge, MA: National Bureau of Economic Research, Oktober 2004. http://dx.doi.org/10.3386/w10847.

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2

Leib, Thomas, und Dan Cole. Lake Charles CCS Project. Office of Scientific and Technical Information (OSTI), Juni 2015. http://dx.doi.org/10.2172/1214722.

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3

Doug Cathro. The Lake Charles CCS Project. Office of Scientific and Technical Information (OSTI), Juni 2010. http://dx.doi.org/10.2172/1010957.

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4

Yang, Bo, Pamela Blackmore und Yue Zhang. Charles City Permeable Streetscape Phase 1. Landscape Architecture Foundation, 2012. http://dx.doi.org/10.31353/cs0390.

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5

Cook, D. G., B. C. MacLean und D. W. Morrow. Geology, St Charles Creek, Northwest Territories. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2009. http://dx.doi.org/10.4095/226661.

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6

Hahn, III, Pearson Thurston und Charles E. A Cultural Resources Survey of the St. Charles Parish Hurricane Protection Levee, St. Charles Parish, Louisiana. Fort Belvoir, VA: Defense Technical Information Center, September 1988. http://dx.doi.org/10.21236/ada203322.

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7

Remington, S. M. St. Charles County well field monitoring project. Office of Scientific and Technical Information (OSTI), Januar 1989. http://dx.doi.org/10.2172/7025198.

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8

Remington, S. St. Charles county well field monitoring project. Office of Scientific and Technical Information (OSTI), Januar 1989. http://dx.doi.org/10.2172/5658944.

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9

Kass, Andrew, Alex Rude, Jacob Tjaden, Travis Kleinschmidt, Tabatha Miller und Michael Palermo. Water Quality Credit Trading and Charles City. University of Iowa, Mai 2011. http://dx.doi.org/10.17077/jo9n-8dv7.

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10

Remington, S. St. Charles County well field monitoring project. Office of Scientific and Technical Information (OSTI), Januar 1990. http://dx.doi.org/10.2172/6999511.

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