Bücher: „Character types - fiction“

1

Edelstein, Linda. The writer's guide to character traits: Includes profiles of human behaviors and personality types. Cincinnati, Ohio: Writer's Digest Books, 1999.

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2

The writer's guide to character traits: Includes profiles of human behaviors and personality types. Cincinnati, Ohio: Writer's Digest Books, 2004.

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3

Blom, Joleen. Video Game Characters and Transmedia Storytelling. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463722957.

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Characters are a vital aspect of today’s transmedia practices. Combining theories on fictional persons from Japanese and Euro-American practices, this book discusses video game characters embedded in our popular media culture in which they are constantly produced and re-imagined. This book introduces the dynamic game character, a type of game character with a development structure that consists of multiple outcomes in a game. Through their actions and choices, players can influence these game characters’ identities and affect their possible destinies. Games subvert the idea that fictional persons must maintain a coherent identity. This book shows that dynamic game characters challenge strategies of top-down control through close readings of the Mass Effect series, Persona 5, Hades, Animal Crossing: New Horizons and more. It is directed to all scholars interested in the topics of transmedia storytelling, video games, characters, and Japanese narratology.

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4

The pioneer woman: A Canadian character type. Montreal: McGill-Queen's University Press, 1991.

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5

1947-, Patterson James, Charbonnet Gabrielle und Reader's Digest Partners for Sight Foundation, Hrsg. Select Editions Large Type: Volume 159. Pleasantville, N.Y: Reader's Digest Partners for Sight Foundation, 2009.

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6

Barrett, Lorna. Not the killing type. Detroit: Thorndike Press, a part of Gale. Cengage Learning, 2013.

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7

Hatcher, Robin Lee. A matter of character: The sisters of Bethlehem Springs. Waterville, Me: Thorndike Press, 2010.

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8

Greenleaf, Stephen. Blood type: The new John Marshall Tanner mystery. New York: Morrow, 1992.

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9

Greenleaf, Stephen. Blood type: The new John Marshall Tanner mystery. New York: Bantam Books, 1993.

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10

Alan, Titchmarsh, und Reader's Digest Partners for Sight Foundation, Hrsg. Select Editions Large Type: Volume 150. Pleasantville, NY: Reader's Digest Partners for Sight Foundation, 2007.

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11

Grafton, Sue. Reader's digest select editions: Large type. New York, N.Y: Reader's Digest Large Edition, 2000.

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12

Child, Lee. Select Editions Large Type: Volume 118. New York, N.Y: Reader's Digest Partners for Sight Foundation, 2002.

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13

Jane, Austen. Emma (Classic Fiction). Redhill, Surrey, UK: Naxos Audiobooks, 1996.

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14

Thomas, Hardy. The mayor of Casterbridge: The life and death of a man of character. London: Penguin Books, 1997.

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15

Thomas, Hardy. The mayor of Casterbridge: The life and death of a man of character. London: Penguin Books, 2003.

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16

Alcott, Louisa May. Little Women: In Easy-to-Read Type. Mineola, N.Y: Dover Publications, 1997.

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17

Cussler, Clive. Night probe! New York: Bantam Books, 2014.

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18

Bendell, Don. War bonnet. Rockland, MA: Wheeler Pub., 2001.

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19

1905-1974, Bates H. E., Hrsg. Perfick!: A celebration of the television series The Darling buds of May. Long Preston: Magna, 1992.

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20

Thomas, Hardy. Life and death of the mayor of Casterbridge: A story of a man of character. Peterborough, Ont: Broadview Press, 1997.

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21

Griffin, W. E. B. The Traffickers. New York: Penguin USA, Inc., 2009.

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22

Bates, H. E. When the green woods laugh. Bath: Chivers, 1994.

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23

Thomas, Hardy. The life and death of the Mayor of Casterbridge: The story of a man of character. New York: Signet Classic, 1999.

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24

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman und Stephanie Sandler. Types. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0027.

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Beginning in mid-nineteenth century, Russian writers make use of type as a principle of character construction, creating personalities conditioned by social codes. From Romanticism onward, outcasts, superfluous men, geniuses, madmen, little men, and provincials appear in fiction to express the writers’ responses both to literature and society. Most nineteenth-century novels and stories reflect the reality of Russian life by portraying representatives of different classes and their interactions and specifying the social practices to which these characters were subjected. The chapter pays attention to how critics of different persuasions reacted to new literary works and each other’s opinions about them.

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25

Birkhold, Matthew H. Characters Before Copyright. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198831976.001.0001.

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How did authors control the literary fates of fictional characters before the existence of copyright? Could a second author do anything with another author’s character? Situated between the decline of the privilege system and the rise of copyright, literary borrowing in eighteenth-century Germany has long been considered unregulated. This book tells a different story. Characters before Copyright documents the surprisingly widespread eighteenth-century practice of writing fan fiction—literary works written by readers who appropriate preexisting characters invented by other authors—and reconstructs the contemporaneous debate about the literary phenomenon. Like fan fiction today, these texts took the form of sequels, prequels, and spinoffs. Analyzing the evolving reading, writing, and consumer habits of late-eighteenth-century Germany, Characters before Copyright identifies the social, economic, and aesthetic changes that fostered the rapid rise of fan fiction after 1750. Based on archival work and an ethnographic approach borrowed from legal anthropology, this book then uncovers the unwritten customary norms that governed the production of these works. Characters before Copyright thus reinterprets the eighteenth-century “literary commons,” arguing that what may appear to have been the free circulation of characters was actually circumscribed by an exacting set of rules and conditions. These norms translated into a unique type of literature that gave rise to remarkable forms of collaborative authorship and originality. Characters before Copyright provides a new perspective on the eighteenth-century book trade and the rise of intellectual property, reevaluating the concept of literary property, the history of moral rights, and the tradition of free culture.

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26

Slusser, George. Fictional Directions. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038228.003.0004.

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This chapter considers how Gregory Benford became a scientist-writer by focusing on the two directions that his subsequent fiction will take. As a writer, Benford came up through the science fiction pathway. The goal from the outset was to write serious fiction about the new world that science offered to mankind, and to present, in fictional works, the role of scientists in shaping and understanding that brave new world. Benford published his first novel in 1970, to be followed by a formative period of intense creative activity from the early 1970s to the early 1980s. This chapter examines how the interweaving of fictional directions in Benford's career as a scientist-writer find their common focus in the defining of a single character type—the scientist, or person of scientific vision, at work doing science. To this end, the chapter analyzes two “bookend” novels: Deeper than the Darkness (1970) and Against Infinity (1983).

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27

Neibauer, Alan R. Type A. Belayne Publishing, 2002.

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28

Attridge, Steve. Character, Sacrifice, and Scapegoats. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198806516.003.0006.

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While Lord Kitchener was lauded at home for his self-sacrificial qualities, in the field he implemented scorched-earth policies and pioneered the use of concentration camps. Writers including Rudyard Kipling exposed the cruel practices on which the British Army depended in the course of the Boer Wars (1899–1902), critiquing the military leadership. A space then opened in fictional narrative for the representation of a new type of protagonist—the rebel, the self-reliant adventurer or irregular who could make personal sacrifices through individual ethical choice rather than as a consequence of military expediency: in response, the regular Army sought to maintain a monopoly on the representation of heroism (occasionally scapegoating irregulars). Arguably, this period sees the high watermark of the popularity of tropes of military sacrifice in the nineteenth century, but also points towards later changes, where large armies face guerrilla bands fighting in their own homelands.

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29

Greenleaf, Stephen. Blood Type. Crimeline, 1993.

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30

Greenleaf, Stephen. Blood Type. MysteriousPress.com, 2016.

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31

Johnson, Claudia Durst. Youth Gangs in Literature. Greenwood Publishing Group, Inc., 2004. http://dx.doi.org/10.5040/9798216040132.

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Gang culture is one of the most volatile issues to have impacted young people throughout history and around the world. By focusing on the fictional representation of youth gangs, this work presents a unique perspective on an all-too-real phenomenon and its many manifestations. Organized chronologically and topically, the volume begins with a powerful essay tracing the origins and developments of youth gangs, from the early days of the Wild West to immigration gangs in 19th- and 20th-century America and the Twenty chapters, each introduced with a primary document, fully explore the different types of gangs, identifying their time, place, struggles, and demographic character. Included are the early gangs of New York City, prison gangs, Asian gangs, school gangs, African American gangs, and girl gangs. Each chapter analyzes one or more works of fiction in terms of its thematic message and the light it sheds on the nature of the depicted gang situation. The examined fiction will be of special interest to students and educators, and includes works often found on assigned reading lists, such as The Chocolate War, The Outsiders, and Lord of the Flies. Popular works, such as Gangs of New York, provide an historical perspective on early immigrant gangs, while presenting timeless themes of identity struggles that resonate for young people everywhere. In addition to the literary works and primary documents, suggestions for additional titles and sources for further information on the topics are offered.

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32

Parker, Ann. Silver Lies [LARGE TYPE EDITION]. Poisoned Pen Press, 2003.

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33

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman und Stephanie Sandler. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0021.

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Part IV outlines the development of literature within its social and historical context, charting the growth of a mass readership and literary journalism. It explores how the establishment of a sustainable system of royalties enabled the professionalization of literature, arguing that the so-called thick journals, thanks to their financial success, played a particularly important role in this process. The Part explores how autobiographical genres and poetry each in its own way expressed subjectivities. The Part discusses the growth of the novel and the diversification of character types, and, rejecting an entrenched model of a changeover between ages of prose and poetry, argues that poetry remained vibrant. The roles of women as writers producing poetry and fiction and as readers consuming literature are explored. The Part argues that literature paid close attention to society, raising questions and fictionalizing scenarios that stimulated individual moral exploration and searching for national identity.

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34

Kent, Alexander. Inshore Squadron: Naval Fiction. Penguin Random House, 2008.

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35

Barrett, Lorna. Not the killing type. 2014.

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36

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman und Stephanie Sandler. Literary identity and social structure of the imperial period. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0026.

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The chapter explores how works of literature in the nineteenth century increasingly mapped the complex social structure of imperial Russia. It explains why social class and group identity features so prominently in the representation of characters in nineteenth-century Russian literature. The chapter demonstrates that different types of space, such as the capitals (St. Petersburg and Moscow), the village, or the estate, have specific cultural associations in literature. It discusses the phenomenon of the Petersburg mythology and the genre of Petersburg fiction, examines the provincial spaces as presented by Gogol and Chekhov, and colonial spaces such as the Caucasus as portrayed by Tolstoy.

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37

Burroughs, Edgar Rice. Tarzan: In Easy-to-Read Type (Children's Thrift Classics). Dover Publications, 1997.

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38

Mausoleum (Large Type Edition): A Ben Abbott Mystery. Poisoned Pen Press, 2007.

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39

Greenwood, Kerry. Ruddy Gore [LARGE TYPE EDITION] (Phryne Fisher Mysteries). Poisoned Pen Press, 2005.

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40

Woodman, Richard. The Corvette: A Nathaniel Drinkwater Novel (Mariner's Library Fiction Classics) (Mariner's Library Fiction Classics). Sheridan House, 2000.

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41

Hills, Kathleen. Witch Cradle [LARGE TYPE EDITION]. Poisoned Pen Press, 2006.

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42

Frolund, Tina. Read On...History. Libraries Unlimited, 2013. http://dx.doi.org/10.5040/9798216005032.

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Make history come alive! This book helps librarians and teachers as well as readers themselves find books they will enjoy—titles that will animate and explain the past, entertain, and expand their minds. This invaluable resource offers reading lists of contemporary and classic non-fiction history books and historical fiction, covering all time periods throughout the world, and including practically all manner of human endeavors. Every book included is hand-selected as an entertaining and enlightening read! Organized by appeal characteristics, this book will help readers zero in on the history books they will like best—for instance, titles that emphasize character, tell a specific type of historical story, convey a mood, or are presented in a particular setting. Every book listed has been recommended based on the author's research, and has proved to be a satisfying and worthwhile read.

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43

Mills, Wendy Howell. Island Intrigue [LARGE TYPE EDITION]. Poisoned Pen Press, 2006.

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44

Greenwood, Kerry. Away With The Fairies [Large Type]. Poisoned Pen Press, 2005.

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45

Greenwood, Kerry. Death at Victoria Dock [LARGE TYPE] (Phryne Fisher Mysteries). Poisoned Pen Press, 2006.

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46

Carter, David. Inception. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325055.001.0001.

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Christopher Nolan's Inception (2010) is a difficult film to categorize. It partakes of various genres, blurring the distinctions between them. It is science fiction, but it does not contain many of the ingredients associated with that genre. It can also be identified as a kind of heist film, and there are shades of film noir as well, not only because of the heist motifs but also due to its character types. It can also be described as a psychological thriller, telling the story of one man's attempt to flee his past and regain access to his family, of his coming to terms with the death of his wife. In addition, it plays with time, questioning the certainty of consciously experienced real time, and revealing that the personal experience of the passing of time is variable. The film also explores the nature of the mind and how dreams are related to the conscious and unconscious mind. This book covers all of these facets of a complex, yet highly successful, film, as well as considering it in the context of the director's other work.

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47

Royal, Priscilla. Wine of Violence [LARGE TYPE EDITION]. 2. Aufl. Poisoned Pen Press, 2003.

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48

de Beauvoir, Simone, Janella D. Moy und Joe Feigl. The Novel and the Theater. Übersetzt von Marybeth Timmermann. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036347.003.0006.

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The novel and the theater are two forms of fiction: in both cases, it is a matter of creating an imaginary world, and making characters, whose story constitutes what is called the plot, enter into this world. In order for the impact of the work to surpass that of simple entertainment, the story must also have a signification. Through carefully constructed lies, the book, like the play, strives to communicate a general human truth, but they do not rely on the same devices, and they do not seek the same type of truth....

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49

Gibson, Curtis S., und Susan Baker. Gore Vidal. Greenwood, 1997. http://dx.doi.org/10.5040/9798400658549.

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Gore Vidal has been entertaining, and occasionally outraging, the American public for fifty years. In the course of his long career, Vidal has set new intellectual and artistic standards for American historical fiction and has also established himself in the first rank of contemporary social satirists. This is the first full-length study to include Vidal's most recent novels and the first designed to meet the needs of the general reader as well as students of contemporary literature. It includes discussions ofLincoln,Empire,Hollywood, andLive from Golgotha, as well as his earlier novels. Baker and Gibson show that while Vidal's novels are tremendously entertaining, they are also serious examinations of a recurring theme—the decline of the West in general and the decline of the United States in particular. A biographical sketch of the writer precedes a general discussion of Vidal's early novels. Each of the following chapters examines an individual novel, fromJulian(1964) toLive from Golgotha(1992), with special emphasis on artistic development and historical and intellectual context. To help the reader understand the recurring themes in Vidal's fiction, Baker and Gibson group the novels by type. First are the historical fictions, those of the ancient world (Julian,Creation), and the American Chronicles, Vidal's family saga of the United States over the course of its history. Second are the social satires, what Vidal calls his inventions, of which the best known isMyra Breckinridge.The discussion of each novel includes sections on plot and character development, thematic issues, narrative style, and an alternative critical approach from which to read the novel. A complete bibliography of Vidal's fiction, select bibliography of his other works, and bibliography of reviews and criticism of the works examined complete the book and will be helpful to students, librarians, and adult book discussion participants. This long-needed up-to-date study of Gore Vidal is a key purchase by secondary school and public libraries.

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50

Corwin, C. R. Morgue Mama [LARGE TYPE EDITION]: The Cross Kisses Back (Morgue Mama Mysteries). Poisoned Pen Press, 2004.

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Bücher zum Thema „Character types - fiction“

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