Auswahl der wissenschaftlichen Literatur zum Thema „Character types - fiction“
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Zeitschriftenartikel zum Thema "Character types - fiction"
Gultom, Feriyanti Elina. „The Relationship between Theme and Character in Fiction Movie Inside Out“. BAHAS 33, Nr. 1 (15.06.2022): 3. http://dx.doi.org/10.24114/bhs.v33i1.35546.
Der volle Inhalt der QuelleBennema, Cornelis. „A Theory of Character in the Fourth Gospel with Reference to Ancient and Modern Literature“. Biblical Interpretation 17, Nr. 4 (2009): 375–421. http://dx.doi.org/10.1163/156851508x329700.
Der volle Inhalt der QuelleHnatkovska, Olena. „The Syntax of Unreliable Narrators’ I-Utterances in ‘Gone Girl’ by G. Flynn“. Linguaculture 9, Nr. 1 (15.06.2018): 69–83. http://dx.doi.org/10.47743/lincu-2018-1-0114.
Der volle Inhalt der QuelleNamukuru, Milcah, Dr Joseph Musungu und Felix Orina. „Contemporary Kenyan Contexts and Adult Character types in Select Children’s Literature.“ International Journal of Research and Innovation in Social Science VII, Nr. VIII (2023): 839–50. http://dx.doi.org/10.47772/ijriss.2023.7861.
Der volle Inhalt der QuelleMcCorkell, Tobias. „Colonial Australian fiction: character types, social formations and the colonial economy“. Journal of Postcolonial Writing 55, Nr. 2 (04.03.2019): 290–91. http://dx.doi.org/10.1080/17449855.2019.1614263.
Der volle Inhalt der QuelleRatih, Ni Wayan Nari, Made Buadiarsa und Gede Primahadi Wijaya Rajeg. „Characterization of the Characters in The Pursuit Of Happyness Movie“. Udayana Journal of Social Sciences and Humanities (UJoSSH) 6, Nr. 1 (05.05.2022): 5. http://dx.doi.org/10.24843/ujossh.2022.v06.i01.p02.
Der volle Inhalt der QuelleKAYA, Ahmet. „TYPES IN THE NOVEL "A WEDDING NIGHT"“. RIMAK International Journal of Humanities and Social Sciences 04, Nr. 02 (01.03.2022): 417–25. http://dx.doi.org/10.47832/2717-8293.16.27.
Der volle Inhalt der QuelleGonzález-Díaz, Victorina. „‘A patient act of adjustment’: Subjectivisation, adjectives and Jane Austen“. Language and Literature: International Journal of Stylistics 30, Nr. 3 (27.06.2021): 276–98. http://dx.doi.org/10.1177/09639470211023245.
Der volle Inhalt der QuelleKINSUI, Satoshi, und Hiroko YAMAKIDO. „Role Language and Character Language“. Acta Linguistica Asiatica 5, Nr. 2 (29.12.2015): 29–42. http://dx.doi.org/10.4312/ala.5.2.29-42.
Der volle Inhalt der QuelleEnsslin, Astrid. „The Interlocutor in Print and Digital Fiction: Dialogicity, Agency, (De-)Conventionalization“. Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 6, Nr. 3 (10.08.2018): 21–34. http://dx.doi.org/10.14195/2182-8830_6-3_2.
Der volle Inhalt der QuelleDissertationen zum Thema "Character types - fiction"
Glazzard, Andrew. „Character types from populist genres in Joseph Conrad's urban fiction“. Thesis, Royal Holloway, University of London, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.590818.
Der volle Inhalt der QuelleLong, Bruce Raymond. „Informationist Science Fiction Theory and Informationist Science Fiction“. Thesis, The University of Sydney, 2009. http://hdl.handle.net/2123/5838.
Der volle Inhalt der QuelleLong, Bruce Raymond. „Informationist Science Fiction Theory and Informationist Science Fiction“. University of Sydney, 2009. http://hdl.handle.net/2123/5838.
Der volle Inhalt der QuelleInformationist Science Fiction theory provides a way of analysing science fiction texts and narratives in order to demonstrate on an informational basis the uniqueness of science fiction proper as a mode of fiction writing. The theoretical framework presented can be applied to all types of written texts, including non-fictional texts. In "Informationist Science Fiction Theory and Informationist Science Fiction" the author applies the theoretical framework and its specific methods and principles to various contemporary science fiction works, including works by William Gibson, Neal Stephenson and Vernor Vinge. The theoretical framework introduces a new informational theoretic re-framing of existing science fiction literary theoretic posits such as Darko Suvin's novum, the mega-text as conceived of by Damien Broderick, and the work of Samuel R Delany in investigating the subjunctive mood in SF. An informational aesthetics of SF proper is established, and the influence of analytic philosophy - especially modal logic - is investigated. The materialist foundations of the metaphysical outlook of SF proper is investigated with a view to elucidating the importance of the relationship between scientific materialism and SF. SF is presented as The Fiction of Veridical, Counterfactual and Heterogeneous Information.
Hurst, Darin Scott. „El amor, la belleza, y el arte en la novela decadente hispanoamericana la dialéctica de la decadencia /“. Oxford, Ohio : Miami University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1051278715.
Der volle Inhalt der QuelleKlímová, Kamila. „Postava komunisty jako specifický typ významově zatížené postavy v současné české próze“. Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-327842.
Der volle Inhalt der QuelleBücher zum Thema "Character types - fiction"
Edelstein, Linda. The writer's guide to character traits: Includes profiles of human behaviors and personality types. Cincinnati, Ohio: Writer's Digest Books, 1999.
Den vollen Inhalt der Quelle findenThe writer's guide to character traits: Includes profiles of human behaviors and personality types. Cincinnati, Ohio: Writer's Digest Books, 2004.
Den vollen Inhalt der Quelle findenBlom, Joleen. Video Game Characters and Transmedia Storytelling. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463722957.
Der volle Inhalt der QuelleThe pioneer woman: A Canadian character type. Montreal: McGill-Queen's University Press, 1991.
Den vollen Inhalt der Quelle finden1947-, Patterson James, Charbonnet Gabrielle und Reader's Digest Partners for Sight Foundation, Hrsg. Select Editions Large Type: Volume 159. Pleasantville, N.Y: Reader's Digest Partners for Sight Foundation, 2009.
Den vollen Inhalt der Quelle findenBarrett, Lorna. Not the killing type. Detroit: Thorndike Press, a part of Gale. Cengage Learning, 2013.
Den vollen Inhalt der Quelle findenHatcher, Robin Lee. A matter of character: The sisters of Bethlehem Springs. Waterville, Me: Thorndike Press, 2010.
Den vollen Inhalt der Quelle findenGreenleaf, Stephen. Blood type: The new John Marshall Tanner mystery. New York: Morrow, 1992.
Den vollen Inhalt der Quelle findenGreenleaf, Stephen. Blood type: The new John Marshall Tanner mystery. New York: Bantam Books, 1993.
Den vollen Inhalt der Quelle findenAlan, Titchmarsh, und Reader's Digest Partners for Sight Foundation, Hrsg. Select Editions Large Type: Volume 150. Pleasantville, NY: Reader's Digest Partners for Sight Foundation, 2007.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Character types - fiction"
Gelder, Ken, und Rachael Weaver. „Colonial Australian Detectives, Character Type and the Colonial Economy“. In New Directions in Popular Fiction, 43–66. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-52346-4_3.
Der volle Inhalt der QuelleDynel, Marta. „When Both Utterances and Appearances are Deceptive: Deception in Multimodal Film Narrative“. In Perspectives in Pragmatics, Philosophy & Psychology, 205–52. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-56696-8_12.
Der volle Inhalt der QuelleLindberg, Julianne. „I Could Write a Book (Musical)“. In Pal Joey, 89–109. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190051204.003.0005.
Der volle Inhalt der QuelleSmith, Murray. „Engaging Characters“. In Engaging Characters, 73–109. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198871071.003.0004.
Der volle Inhalt der QuelleBont, Leslie de. „Portrait of the Female Character as a Psychoanalytical Case: The Ambiguous Influence of Freud on May Sinclair’s Novels“. In May Sinclair. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474415750.003.0004.
Der volle Inhalt der QuelleCarter, David. „Introductory Remarks“. In Inception, 7–8. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325055.003.0001.
Der volle Inhalt der QuelleTate, Claudia. „Notes on the Invisible Women in Ralph Ellison’s Invisible Man“. In Ralph Ellison’s Invisible Man, 253–66. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195145359.003.0011.
Der volle Inhalt der Quelle„Activity Types and Characterisation in Dramatic Discourse“. In Characters in Fictional Worlds, herausgegeben von Jens Eder, Fotis Jannidis und Ralf Schneider. Berlin, New York: DE GRUYTER, 2010. http://dx.doi.org/10.1515/9783110232424.3.176.
Der volle Inhalt der QuelleBusse, Kristina. „Canon Compliance and Creative Analysis in Vorkosigan Saga Fan Fiction“. In Biology and Manners, 269–86. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621730.003.0015.
Der volle Inhalt der QuelleOlszewska, Bożena. „Literackie wizerunki chłopców i mężczyzn w prozie historycznej Antoniny Domańskiej... Między tradycją a nowatorstwem“. In (Re)konstrukcje przeszłości w prozie Antoniny domańskiej, 212–29. Wydawnictwo Naukowe Uniwersytetu Pedagogicznego w Krakowie, 2019. http://dx.doi.org/10.24917/9788380844193.13.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Character types - fiction"
Kozmina, E. „GENRE OF THE STORY IN SOVIET SCIENCE FICTION OF THE 1950S-1970S“. In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3702.rus_lit_20-21/100-103.
Der volle Inhalt der QuelleKramskova, Anna S. „TESTIMONIAL EVIDENTIALITY AT EXPRESSING EMOTIONAL-EVALUATIVE INTENSION IN TIBETAN“. In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.15.
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