Auswahl der wissenschaftlichen Literatur zum Thema „Changes (Musical group)“
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Zeitschriftenartikel zum Thema "Changes (Musical group)"
Barrachina, Solange, und Dominique Saint Martin. „The GRM ‘beyond the walls’?“ Organised Sound 12, Nr. 3 (30.11.2007): 233–39. http://dx.doi.org/10.1017/s1355771807001896.
Der volle Inhalt der QuelleDuishenaliev, Jumabek. „EVOLUTION OF GROUP SINGING IN KYRGYZ MUSICAL FOLKLORE AT THE END OF THE XIX CENTURY“. Alatoo Academic Studies 20, Nr. 2 (30.06.2020): 223–28. http://dx.doi.org/10.17015/aas.2020.202.26.
Der volle Inhalt der QuellePrachumwan, Komphorn, und Chalermpol Ataso. „Influence of Long-Term Communist Confrontation on Inducing Changes in Society and Musical Culture of Hmong Ethnic Group in Thailand“. Asian Culture and History 12, Nr. 1 (18.12.2019): 1. http://dx.doi.org/10.5539/ach.v12n1p1.
Der volle Inhalt der QuelleHung, Ning-Hui. „Transmission and Innovation of Kasidah (Lagu Islam) in Indonesian (1975~) Take a Case Study on Nasida Ria Kasidah Modern in Semarang“. International Journal of Creative and Arts Studies 4, Nr. 1 (01.06.2017): 49. http://dx.doi.org/10.24821/ijcas.v4i1.1954.
Der volle Inhalt der QuelleKim, Dong Hwan, und Hyun Soo Kim. „The Effects of Music Appreciation Using Classical Music Activities on Musical Aptitude of Young Children“. Korean Association For Learner-Centered Curriculum And Instruction 24, Nr. 1 (15.01.2024): 447–57. http://dx.doi.org/10.22251/jlcci.2024.24.1.447.
Der volle Inhalt der QuelleKim, Byeong-Soo, Ji-Youn Kim, Sam-Ho Park und Myung-Mo Lee. „Effects of a Senior Musical Program on the Physical Function and Cognitive Abilities of Older Women in the Community“. Healthcare 11, Nr. 8 (19.04.2023): 1174. http://dx.doi.org/10.3390/healthcare11081174.
Der volle Inhalt der QuelleAlcântara, Yara Bagali, Willians Walace Fante Toledo, Karoline Ribeiro de Lima, Aline Tenório Lins Carnaúba, Eduardo Federighi Baisi Chagas und Ana Claudia Figueiredo Frizzo. „Changes in cortical auditory evoked potentials in response to auditory training in elderly hearing aid users: A pilot study“. PLOS Global Public Health 2, Nr. 5 (03.05.2022): e0000356. http://dx.doi.org/10.1371/journal.pgph.0000356.
Der volle Inhalt der QuelleA., Ghazian Arka Fikry, und Mochammad Usman Wafa. „Creation of Bundengan Organology“. Jurnal Seni Musik 12, Nr. 2 (31.12.2023): 260–72. http://dx.doi.org/10.15294/jsm.v12i2.73207.
Der volle Inhalt der QuelleTaylor, Angela. „Using repertory grids to explore musical skills and attitudes in a mature-age adult at the early stages of learning for self-fulfilment: A case study of James“. British Journal of Music Education 29, Nr. 2 (02.04.2012): 233–50. http://dx.doi.org/10.1017/s0265051712000010.
Der volle Inhalt der QuelleTorppa, Ritva, Andrew Faulkner, Teija Kujala, Minna Huotilainen und Jari Lipsanen. „Developmental Links Between Speech Perception in Noise, Singing, and Cortical Processing of Music in Children with Cochlear Implants“. Music Perception 36, Nr. 2 (01.12.2018): 156–74. http://dx.doi.org/10.1525/mp.2018.36.2.156.
Der volle Inhalt der QuelleDissertationen zum Thema "Changes (Musical group)"
Carter, Bethany. „The Impact of Beginner Group Harp Learning on Self Efficacy and Musical/Harp Self Concept: Changes to Perceptions, Approaches and Behaviours in Non-Harp Settings“. Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29369.
Der volle Inhalt der QuelleAlkhatib, Hani [Verfasser], Susanne [Akademischer Betreuer] Binas-Preisendörfer und Martin [Akademischer Betreuer] Greve. „Diversification of Jordanian Music Culture in the Early 21st Century and Important Changes in the New Musical Groups / Hani Alkhatib ; Susanne Binas-Preisendörfer, Martin Greve“. Oldenburg : BIS der Universität Oldenburg, 2019. http://d-nb.info/1204199663/34.
Der volle Inhalt der QuelleNell, Wendy Desre. „Afrikaanse liedtekste in konteks : die liedtekste van Bok van Blerk, Fokofpolisiekar, the Buckfever Underground en Karen Zoid“. Diss., 2014. http://hdl.handle.net/10500/18832.
Der volle Inhalt der QuelleDie doel van hierdie studie is om op die liedtekste van die kunstenaars, Bok van Blerk, Fokofpolisiekar, The Buckfever Underground (en Toast Coetzer) en Karen Zoid te fokus en om te bepaal wat hulle funksie in die eietydse Afrikaanse kultuurlandskap is, en wat hulle rol in die definiëring van kulturele identiteit is. In hierdie studie sal daar ook klem gelê word op die sosiopolitieke faktore wat tot die opbloei van die Afrikaanse musiekbedryf gelei het. Deur die analise van dié kunstenaars se lirieke, sal ek vasstel of hulle wel betekenisvolle werk van literêre gehalte lewer. Ek het spesifiek hierdie musikante gekies omdat hulle jong eietydse musikante is.
The purpose of this study is to focus on the song texts of artists, Karen Zoid, Fokofpolisiekar, The Buckfever Underground (and Toast Coetzer) and Bok van Blerk and to determine their function in today’s cultural reality, and whether these musicians and their music have an influence on today’s youth and their search for a Cultural Identity. This study will also focus on the socio-political factors that led to the rise of the Afrikaans Music Industry. By analyzing these artists’ lyrics, I want to determine whether they are significant works of literary quality. These musicians were chosen because they are regarded as young contemporary musicians.
Afrikaans & Theory of Literature
M.A. (Afrikaans)
Bücher zum Thema "Changes (Musical group)"
group), Changes (Musical, Hrsg. The Times they are The Changes. [Zurich, Switzerland]: Nieves, 2008.
Den vollen Inhalt der Quelle findenNeil, Ancil Anthony. Voices from the hills: Despers & Laventille : the steelband and its effects on poverty, stigma & violence in a community : a classic study of the social, political and economic changes in a community. [Trinidad]: [s.n.], 1987.
Den vollen Inhalt der Quelle findenNeil, Ancil Anthony. Voices from the hills: Despers & Laventille : the steelband and its effects on poverty, stigma & violence in a community : a classic study of the social, political, and economic changes in a community. [New York?]: A.A. Neil, 1987.
Den vollen Inhalt der Quelle findenKölbl, Marko, und Fritz Trümpi, Hrsg. Music and Democracy. Vienna, Austria / Bielefeld, Germany: mdwPress / transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456576.
Der volle Inhalt der QuelleDovrat, Ran. Ḥazaḳim be-Rusyah: Big in Russia. Tel Aviv: Aḥuzat bayit, 2016.
Den vollen Inhalt der Quelle findenAndy, Schwartz, Hrsg. Icons of rock: An encyclopedia of the legends who changed music forever. Westport, Conn: Greenwood Press, 2008.
Den vollen Inhalt der Quelle findenNeate, Patrick. Culture is our weapon: Making music and changing lives in Rio de Janeiro. New York: Penguin Books, 2010.
Den vollen Inhalt der Quelle findenNeate, Patrick. Culture is our weapon: AfroReggae in the favelas of Rio. London: Latin America Bureau, 2006.
Den vollen Inhalt der Quelle findenDamian, Platt, Hrsg. Culture is our weapon: Making music and changing lives in Rio de Janeiro. New York: Penguin Books, 2010.
Den vollen Inhalt der Quelle findenWatkinson, David. Yes: Perpetual Change. Plexus Publishing, 2001.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Changes (Musical group)"
Kölbl, Marko, und Fritz Trümpi. „Ambivalences in Music and Democracy: Introductory Remarks“. In Music and Democracy, 7–16. Vienna, Austria / Bielefeld, Germany: mdwPress / transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456576-001.
Der volle Inhalt der QuelleBogunović, Blanka. „12. Motivation and Personality as Factors of Musical Accomplishments“. In Psychological Perspectives on Musical Experiences and Skills, 255–80. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0389.12.
Der volle Inhalt der QuelleCarabal-Montagud, María Ángeles, Guillem Escorihuela-Carbonell, Virginia Santamarina-Campos und Javier Pérez-Catalá. „The Impact of the COVID-19 Pandemic on Musical Societies in the Valencian Region, Spain“. In Music as Intangible Cultural Heritage, 119–37. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_8.
Der volle Inhalt der QuelleSmith, Neil Thomas, und Peter Peters. „9. Roundtable 3“. In Classical Music Futures, 177–90. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0353.09.
Der volle Inhalt der QuelleMeanwell, Peter, Tine Rude und Brandon Farnsworth. „“We Started Expanding the ‘Us,’ Rather Than Including Someone Else”—Peter Meanwell and Tine Rude Interviewed by Brandon Farnsworth“. In New Music and Institutional Critique, 165–70. Berlin, Heidelberg: Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_12.
Der volle Inhalt der Quellede-Miguel-Molina, María, und Virginia Santamarina-Campos. „Conclusions: Music as an Economic, Social, Cultural, Creative and Resilient Activity“. In Music as Intangible Cultural Heritage, 139–44. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_9.
Der volle Inhalt der QuellePiekut, Benjamin. „Black Music’s Institutional Critique“. In New Music and Institutional Critique, 101–15. Berlin, Heidelberg: Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_6.
Der volle Inhalt der QuelleIddon, Martin. „Darmstadt and Its Discontents“. In New Music and Institutional Critique, 69–84. Berlin, Heidelberg: Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_4.
Der volle Inhalt der QuelleWatkins, Cornelia, und Laurie Scott. „Musicality“. In From the Stage to the Studio, 10—C1S13. 2. Aufl. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197578667.003.0002.
Der volle Inhalt der QuelleOosthuizen, Helen. „‘There is a good spot in my heart’: A story of a music therapy group that enables young sex offenders to reconnect with themselves, their stories, and their communities“. In Handbook of Music, Adolescents, and Wellbeing, 197–206. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198808992.003.0018.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Changes (Musical group)"
Kitto, Kathleen L. „Integrating Finite Element Analysis and Computer Aided Design Into Materials Engineering and Undergraduate Research Projects: Active and Engaged Students“. In ASME 2007 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/detc2007-34901.
Der volle Inhalt der QuelleLopes, Marcelo Garcez, und Helena Lucia Sobral Alves da Cunha. „Educational Program “To Practice Safety Is to Value Life”“. In 2008 7th International Pipeline Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/ipc2008-64327.
Der volle Inhalt der QuelleBarbosa, Gabriel R. G., Bruna C. Melo, Gabriel P. Oliveira, Mariana O. Silva, Danilo B. Seufitelli und Mirella M. Moro. „Hot Streaks in the Brazilian Music Market: A Comparison Between Physical and Digital Eras“. In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19440.
Der volle Inhalt der QuelleTonkoglaz, Anastasia, Evgeniya Vekhter und Aleksey Shklyar. „The Relationship of Musical and Color Preferences of a Person in Computer Graphics“. In 31th International Conference on Computer Graphics and Vision. Keldysh Institute of Applied Mathematics, 2021. http://dx.doi.org/10.20948/graphicon-2021-3027-781-785.
Der volle Inhalt der QuelleSHIMIZU, Daisuke, Tadahiko FUKUDA und Midori KEZUKA. „51 Examination on Measured Equivalent Sound Pressure Level and Sensory Evaluation for PWC Operating Sound“. In Small Engine Technology Conference & Exposition. 10-2 Gobancho, Chiyoda-ku, Tokyo, Japan: Society of Automotive Engineers of Japan, 2002. http://dx.doi.org/10.4271/2002-32-1820.
Der volle Inhalt der QuelleDaliņa, Dace, und Vēsma Ozoliņa. „Problems of Group Management in Preschool Music Lessons and Possible Solutions“. In 78th International Scientific Conference of University of Latvia. University of Latvia, 2020. http://dx.doi.org/10.22364/htqe.2020.15.
Der volle Inhalt der QuelleZhang, Hui, Xinjie Liang und Yingping Cao. „The Influence of Background Music Popularity on Consumer Online Shopping Behavior: A Model Analysis“. In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005414.
Der volle Inhalt der QuelleWang, Qiurui, Jun Hu, Zhenyu Liu und Caihong He. „The Effects of Happy and Sad Dynamic Digital Art on Relieving Stress“. In 10th International Conference on Human Interaction and Emerging Technologies (IHIET 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004087.
Der volle Inhalt der QuelleSong, Zilong. „On Development and Change of Cucurbit Flute Music of the Dai Ethnic Group in Yunnan“. In 2016 International Conference on Education, Sports, Arts and Management Engineering. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icesame-16.2016.53.
Der volle Inhalt der QuelleHishida, Hirotoshi, Shigehiro Hashimoto, Kaito Saeki, Hikaru Kono und Keiko Hishida. „Basic Research on Music Prescriptions - Second Experiment With Classical Music“. In ASME 2023 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2023. http://dx.doi.org/10.1115/imece2023-113358.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Changes (Musical group)"
Kerrigan, Susan, Phillip McIntyre und Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Geelong and Surf Coast. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206969.
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