Dissertationen zum Thema „Central Americans in motion pictures“
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Mann, Erika Noelle. „Cinema's green is gold the commodification of Irishness in film /“. CONNECT TO THIS TITLE ONLINE, 2008. http://etd.lib.umt.edu/theses/available/etd-05082008-102020/.
Der volle Inhalt der QuelleWillis, Corin Charles. „The signifier returns to haunt the referent : blackface and the stereotyping of African-Americans in Hollywood early sound film“. Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/55891/.
Der volle Inhalt der QuelleHuang, Ying. „Multiple interplays : Americans' perceptions of two Chinese Wuxia movies /“. Available to subscribers only, 2006. http://proquest.umi.com/pqdweb?did=1203584091&sid=4&Fmt=2&clientId=1509&RQT=309&VName=PQD.
Der volle Inhalt der QuelleGunckel, Colin. „"A theater worthy of our race" the exhibition and reception of Spanish language film in Los Angeles, 1911-1942 /“. Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1997008061&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleAlbertson, Mark C. „Cultivating Chicana/o images negotiating the cinematic mainstream for cultural survival /“. To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2007. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.
Der volle Inhalt der QuelleUrquijo-Ruiz, Rita E. „Las figuras de la peladita/el peladito y la pachuca/el pachuco en la producción cultural chicana y mexicana de 1920 a 1990 /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2004. http://wwwlib.umi.com/cr/ucsd/fullcit?p3138840.
Der volle Inhalt der QuelleAccompanied by compact disc sound recording of 11 Pachuco trio songs by Lalo Guerrero with Trio Imperial. Vita. Includes bibliographical references (leaves 200-209).
Khor, Denise. „Asian Americans at the movies race, labor, and migration in the Transpacific West, 1900-1945 /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3291752.
Der volle Inhalt der QuelleTitle from first page of PDF file (viewed March 17, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 297-213).
Lamberti, Justin V. Winn J. Emmett. „Fagidaboudit the American dream and Italian-American gangster movies /“. Auburn, Ala., 2005. http://repo.lib.auburn.edu/2005%20Summer/master's/LAMBERTI_JUSTIN_26.pdf.
Der volle Inhalt der QuelleWillmets, Simon. „Falling out with history : Hollywood and the Central Intelligence Agency, 1945 - 1975“. Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/47074/.
Der volle Inhalt der QuelleCork, Kevin James. „Twenty-four miles around Nelungaloo : the history and importance of cinema exhibition in pre-television times to a country area of central-western New South Wales /“. View thesis, 1994. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030916.125146/index.html.
Der volle Inhalt der QuelleFranks, Kristin N. „Exclusion at the Border: Female Smugglers in Maria Full of Grace and Frozen River“. Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1244470239.
Der volle Inhalt der QuelleNdounou, Monica White. „The color of Hollywood the cultural politics controlling the production of African American original screenplays, stage plays and novels adapted into films from 1980 to 2000 /“. Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1180535612.
Der volle Inhalt der QuelleMartins, de Souza Luiz Carlos 1968. „Cartas para quem? = o funcionamento discursivo da "falta" no filme Central do Brasil“. [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/268941.
Der volle Inhalt der QuelleTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-20T05:11:48Z (GMT). No. of bitstreams: 1 MartinsdeSouza_LuizCarlos_D.pdf: 3983729 bytes, checksum: 646abf82afc9908b41ae8e482668e965 (MD5) Previous issue date: 2012
Resumo: Prezado viajante, Este bilhete lhe dá direito a uma viagem pela estrada metodológica da Análise de Discurso Materialista para que você contemple o filme em DVD ?Central do Brasil?, de Walter Salles Jr. Você passará por três estações a partir da ausência do pai como principal metáfora articuladora dos trilhos narrativos, para que você veja o entrecruzamento entre dois caminhos: o discurso religioso e o discurso psicanalítico, na estruturação do funcionamento da falta metaforizada nessa ausência, movimentando o político no social. Inicialmente você verá os mapas da viagem, circunscritos na perspectiva materialista de Análise de Discurso: a apresentação do corpus, e a indicação dos principais conceitos nele operacionalizados. Em seguida a viagem se dará em três ?estações? através do batimento sinuoso entre descrição e interpretação: na primeira estação se dá a descrição da estrutura organizacional da superfície linguageira em suas condições de produção e circulação, e a formulação narrativa da falta, lhe direcionando para o deslocamento desta em objetos discursivos. Na estação seguinte você se deterá na observação dessa falta nos dois significantes representados como sujeitos: Dora e Josué. Vendo isso, você estará apto para a próxima estação: a inscrição da falta em metáforas e metonímias discursivas: nas imagens de Santa Maria e de Jesus Cristo, em relação a Dora e a Josué, no pai e nas cartas, e noutros objetos cênicos, como um pião e um lenço, objetos discursivos visibilizados nos planos como unidades de significação pela fragmentação da montagem do filme. Esperamos que você perceba que o Cristianismo intervém na superfície textual e discursiva, como também a Psicanálise, no tratamento dado às constelações familiares, à Metáfora Paterna, à lettre lacaniana (carta, letra, significante) e às projeções entre Dora e Josué. Não se assuste: há um embate do sujeito com o Real, em derivas e deslocamentos em torno de posições de sujeito. Entenda conosco quais processos discursivos estão em jogo nessa viagem, tomando a falta como um gesto estruturante do político nas relações sociais. Na chegada possível, você verá que os sentidos são possíveis pela relação e determinação entre o Real da história, o Real da linguagem e o Real do inconsciente, de forma que as condições sócio-históricas são constitutivas das significações do texto. Agradecemos sua preferência. Boa viagem
Abstract: This work assumes the Materialist Discourse Analysis methodology to analyze the DVD movie "Central Station", by Walter Salles Jr. Taking into consideration that the father's absence is the main metaphor that articulates the narrative surface, the intention was to understand this absence in the intersection between religious discourse and psychoanalytic discourse, asking about the politics in social relations. The introduction circumscribes the materialist perspective of Discourse Analysis, and presents the corpus, and the main concepts employed into it. The following chapters are formulated as "stations" around the stages of analysis: on the first step the language's organizational structure surface is described under certain conditions of production and circulation, the narrative design of the ?lack? and its displacement as discoursive objects. Observing the treatments in the screenplay, it was noticed the inscription of the sense effects on the names of biblical characters (Joshua, Jesus, Moses, Isaiah, Hannah, Pedrão - Big Peter), references to images of St. Mary and Jesus Christ - stage props noticed as units of meaning in the fragmentation of the shots of film edition. Psychoanalysis derives from the treatment given to family constellations, to the Paternal Metaphor, to the lacanian letter and to the projections between Dora and Joshua. From the crossing between description and interpretation, it was intended to give evidence to the clash between the subject and the Real, drifts and shifts in the subject positions. The last step of the analysis examines the discursive processes, which make the ?lack? a structuring gesture of the politics in social relations. The audiovisual, object of aesthetic completion and an important commodity in the contemporary world, acts as a massive investment in the subject, determining, renewing and contradicting the circulation of capital, and the effects of the spectacle's ideology, imposed by the logic of the market. The [meanings] senses are possible through the relation and the determination between the Real from the History, the Real from the language and the Real from the unconscious, so that the socio-historical conditions constitutes the meanings of the text
Doutorado
Linguistica
Doutor em Linguística
Gutierrez, Robert Daniel. „Mainstream and marginalized the framing of black athletes in Glory road /“. To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2008. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.
Der volle Inhalt der QuelleWellborn, Brecken. „Musicals and the Margins: African-Americans, Women, and Queerness in the 21st Century American Musical“. Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404583/.
Der volle Inhalt der QuelleEsquivel-King, Reyna M. „Mexican Film Censorship and the Creation of Regime Legitimacy, 1913-1945“. The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555601229993353.
Der volle Inhalt der QuelleWellborn, Brecken. „Musicals and the Margins: African-Americans, Women, and Queerness in the Twenty-First Century American Musical“. Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc1404583/.
Der volle Inhalt der QuelleYoung, Kelcei. „And the Stereotype Award Goes to...: A Comparative Analysis of Directors using African American Stereotypes in Film“. Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609173/.
Der volle Inhalt der QuelleArora, Kulvinder. „Assimilation and its counter-narratives twentieth-century European and South Asian immigrant narratives to the United States /“. Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3200730.
Der volle Inhalt der QuelleTitle from first page of PDF file (viewed March 1, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 240-248).
Prince, Rob. „Say Hello to My Little Friend: De Palma's Scarface, Cinema Spectatorship, and the Hip Hop Gangsta as Urban Superhero“. Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1256860175.
Der volle Inhalt der QuelleCrum, Melissa Renee. „THE CREATION OF BLACK CHARACTER FORMULAS: A CRITICAL EXAMINATION OF STEREOTYPICAL ANTHROPOMORPHIC DEPICTIONS AND THEIR ROLE IN MAINTAINING WHITENESS“. The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1268255174.
Der volle Inhalt der QuelleBurton, Mary Ashley. „Contextos nacionales y transnacionales: la nueva reencarnación del melodrama mexicano en la película Bella (2006, Alejandro Monteverde)“. Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1334192023.
Der volle Inhalt der QuelleDavidson, Daryl Malarry. „Joey Connor Larry Darrell: A Television/Streaming Series a Clef“. Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1578318342890128.
Der volle Inhalt der QuelleBozzone, Daniella N. Young Tricia Henry. „Embodying the Italian-American an analytical look at bodily performances of Italian-Americans in film /“. 2004. http://etd.lib.fsu.edu/theses/available/etd-07182004-003452.
Der volle Inhalt der QuelleAdvisor: Dr. Tricia Henry Young, Florida State University, College of Visual Arts and Dance, Dept. of Dance. Title and description from dissertation home page (viewed Nov. 15, 2004). Includes bibliographical references.
List, Jean Christine. „Chicano images strategies for ethnic self-representation in mainstream cinema /“. 1992. http://catalog.hathitrust.org/api/volumes/oclc/28968483.html.
Der volle Inhalt der QuelleUMI 9229953. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references p. 320-335).
Puente, Henry Schatz Thomas. „The promotion of U.S. Latino films“. 2004. http://wwwlib.umi.com/cr/utexas/fullcit?p3143452.
Der volle Inhalt der QuelleSeward, Adrienne Lanier. „Early Black film and folk tradition an interpretive analysis of the use of folklore in selected all-Black cast feature films /“. 1985. http://catalog.hathitrust.org/api/volumes/oclc/17241141.html.
Der volle Inhalt der QuelleAlonzo, Juan J. „Derision and desire the ambivalence of Mexican identity in American literature and film /“. 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3119657.
Der volle Inhalt der QuellePuente, Henry. „The promotion of U.S. Latino films“. Thesis, 2004. http://hdl.handle.net/2152/1296.
Der volle Inhalt der QuelleLim, Kevin. „Asian North American film : images, reactions and criticisms /“. 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR38801.
Der volle Inhalt der QuelleTypescript. Includes bibliographical references (leaves 86-91). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR38801
Park, Chi Hyun Watkins S. Craig Downing John. „Orientalism in U.S. cyberpunk cinema from Blade runner to the Matrix“. 2004. http://repositories.lib.utexas.edu/bitstream/handle/2152/2159/parkch042.pdf.
Der volle Inhalt der QuelleAlonzo, Juan José. „Derision and desire: the ambivalence of Mexican identity in American literature and film“. Thesis, 2003. http://hdl.handle.net/2152/432.
Der volle Inhalt der QuelleMoser, Joseph Paul. „Patriarchs, pugilists, and peacemakers : interrogating masculinity in Irish film“. 2008. http://hdl.handle.net/2152/17943.
Der volle Inhalt der Quelletext
Park, Chi Hyun. „Orientalism in U.S. cyberpunk cinema from Blade runner to the Matrix“. Thesis, 2004. http://hdl.handle.net/2152/2159.
Der volle Inhalt der QuelleBeltrán, Mary Caudle. „Bronze seduction the shaping of Latina stardom in Hollywood film and star publicity /“. 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3108457.
Der volle Inhalt der QuelleBojadzija, Amira. „Nostalgic (re)construction of the Central European cultural space“. 2004. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=94968&T=F.
Der volle Inhalt der QuelleBeltrán, Mary Caudle. „Bronze seduction: the shaping of Latina stardom in Hollywood film and star publicity“. Thesis, 2002. http://hdl.handle.net/2152/456.
Der volle Inhalt der QuelleMetzler, Jessica Lhamon W. T. „Genuine spectacle sliding positionality in the works of Pauline E. Hopkins, Zora Neale Hurston, Langston Hughes, and Spike Lee /“. Diss., 2006. http://etd.lib.fsu.edu/theses/available/etd-01192006-155938.
Der volle Inhalt der QuelleAdvisor: W.T. Lhamon, Florida State University, College of Arts and Sciences, Dept. of English. Title and description from dissertation home page (viewed June 9, 2006). Document formatted into pages; contains vii, 67 pages. Includes bibliographical references.