Auswahl der wissenschaftlichen Literatur zum Thema „Central Americans in motion pictures“
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Zeitschriftenartikel zum Thema "Central Americans in motion pictures"
Sarat, Austin, Madeline Chan, Maia Cole, Melissa Lang, Nicholas Schcolnik, Jasjaap Sidhu und Nica Siegel. „Scenes of Execution: Spectatorship, Political Responsibility, and State Killing in American Film“. Law & Social Inquiry 39, Nr. 03 (2014): 690–719. http://dx.doi.org/10.1111/lsi.12084.
Der volle Inhalt der QuelleBetancourt, Michael. „‘Cinema’ as a Modernist Conception of Motion Pictures“. AM Journal of Art and Media Studies, Nr. 16 (05.09.2018): 55. http://dx.doi.org/10.25038/am.v0i16.254.
Der volle Inhalt der QuelleToka, Karolina. „Progression or Stagnancy? Portraying Native Americans in Michael Apted’s Thunderheart (1992)“. Ad Americam 22 (28.03.2021): 87–100. http://dx.doi.org/10.12797/adamericam.22.2021.22.06.
Der volle Inhalt der QuelleAngelone, Bonnie L., Daniel T. Levin und Daniel J. Simons. „The Relationship between Change Detection and Recognition of Centrally Attended Objects in Motion Pictures“. Perception 32, Nr. 8 (August 2003): 947–62. http://dx.doi.org/10.1068/p5079.
Der volle Inhalt der QuellePorter, Pete. „Engaging the Animal in the Moving Image“. Society & Animals 14, Nr. 4 (2006): 399–416. http://dx.doi.org/10.1163/156853006778882411.
Der volle Inhalt der QuelleDriscoll, Catherine, und Liam Grealy. „In the name of the nation: Media classification, globalisation, and exceptionalism“. International Journal of Cultural Studies 22, Nr. 3 (05.07.2018): 383–99. http://dx.doi.org/10.1177/1367877918784606.
Der volle Inhalt der QuelleZubko, Olha. „Movie in the life of ukrainian emigration in the interwar CHSR (1921–1939)“. Bulletin of Mariupol State University. Series: Philosophy, culture studies, sociology 9, Nr. 18 (2019): 37–43. http://dx.doi.org/10.34079/2226-2849-2019-9-18-37-43.
Der volle Inhalt der QuelleMitroiu, Simona. „Challenging the Roma Structural Discrimination: Deterritorialization Practices in Romanian Cinema“. Metacritic Journal for Comparative Studies and Theory 7, Nr. 2 (17.12.2021): 46–68. http://dx.doi.org/10.24193/mjcst.2021.12.03.
Der volle Inhalt der QuelleBasilowski, M., B. Schönfeld, S. Esser, A. Jatho, M. Kownatka, J. Signerski-Krieger, H. Esselmann et al. „From Bones to Brain: 50 Years of Star Trek and Changes in the Stigmatization of Psychological Disorders“. Current Psychology 39, Nr. 5 (19.05.2018): 1705–14. http://dx.doi.org/10.1007/s12144-018-9868-9.
Der volle Inhalt der QuelleSaville, Julie. „TRIBUTES TO JOHN HOPE FRANKLIN“. Du Bois Review: Social Science Research on Race 7, Nr. 1 (2010): 12–15. http://dx.doi.org/10.1017/s1742058x1000010x.
Der volle Inhalt der QuelleDissertationen zum Thema "Central Americans in motion pictures"
Mann, Erika Noelle. „Cinema's green is gold the commodification of Irishness in film /“. CONNECT TO THIS TITLE ONLINE, 2008. http://etd.lib.umt.edu/theses/available/etd-05082008-102020/.
Der volle Inhalt der QuelleWillis, Corin Charles. „The signifier returns to haunt the referent : blackface and the stereotyping of African-Americans in Hollywood early sound film“. Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/55891/.
Der volle Inhalt der QuelleHuang, Ying. „Multiple interplays : Americans' perceptions of two Chinese Wuxia movies /“. Available to subscribers only, 2006. http://proquest.umi.com/pqdweb?did=1203584091&sid=4&Fmt=2&clientId=1509&RQT=309&VName=PQD.
Der volle Inhalt der QuelleGunckel, Colin. „"A theater worthy of our race" the exhibition and reception of Spanish language film in Los Angeles, 1911-1942 /“. Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1997008061&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleAlbertson, Mark C. „Cultivating Chicana/o images negotiating the cinematic mainstream for cultural survival /“. To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2007. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.
Der volle Inhalt der QuelleUrquijo-Ruiz, Rita E. „Las figuras de la peladita/el peladito y la pachuca/el pachuco en la producción cultural chicana y mexicana de 1920 a 1990 /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2004. http://wwwlib.umi.com/cr/ucsd/fullcit?p3138840.
Der volle Inhalt der QuelleAccompanied by compact disc sound recording of 11 Pachuco trio songs by Lalo Guerrero with Trio Imperial. Vita. Includes bibliographical references (leaves 200-209).
Khor, Denise. „Asian Americans at the movies race, labor, and migration in the Transpacific West, 1900-1945 /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3291752.
Der volle Inhalt der QuelleTitle from first page of PDF file (viewed March 17, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 297-213).
Lamberti, Justin V. Winn J. Emmett. „Fagidaboudit the American dream and Italian-American gangster movies /“. Auburn, Ala., 2005. http://repo.lib.auburn.edu/2005%20Summer/master's/LAMBERTI_JUSTIN_26.pdf.
Der volle Inhalt der QuelleWillmets, Simon. „Falling out with history : Hollywood and the Central Intelligence Agency, 1945 - 1975“. Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/47074/.
Der volle Inhalt der QuelleCork, Kevin James. „Twenty-four miles around Nelungaloo : the history and importance of cinema exhibition in pre-television times to a country area of central-western New South Wales /“. View thesis, 1994. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030916.125146/index.html.
Der volle Inhalt der QuelleBücher zum Thema "Central Americans in motion pictures"
Carballo, Willian. Centroamérica, una película de Hollywood: Representación de los países del Área y sus migrantes en series y filmes estadounidenses de 1990 a 2015. La Libertad, El Salvador: Escuela de Comunicación Mónica Herrera, 2016.
Den vollen Inhalt der Quelle findenHames, Peter, und Catherine Portuges. Cinemas in transition in Central and Eastern Europe after 1989. Philadelphia: Temple University Press, 2013.
Den vollen Inhalt der Quelle findenTötösy de Zepetnek, Steven, 1950-, Hrsg. Comparative Central European culture. West Lafayette, Ind: Purdue University Press, 2002.
Den vollen Inhalt der Quelle findenIordanova, Dina. Cinema of the other Europe: The industry and artistry of East Central European film. London: Wallflower, 2003.
Den vollen Inhalt der Quelle findenAmir, Labaki, Hrsg. O cinema brasileiro: De O pagador de promessas a Central do Brasil = The films from Brazil : from The given word to Central Station. 2. Aufl. São Paulo, SP: Publifolha, 1998.
Den vollen Inhalt der Quelle findenKeim, Norman O. Our movie houses: A history of film and cinematic innovation in Central New York. Syracuse: Syracuse University Press, 2008.
Den vollen Inhalt der Quelle findenAbikeyeva, Gulnara. The heart of the world: Films from Central Asia. Almaty: Complex, 2003.
Den vollen Inhalt der Quelle findenCamaiti, Hostert Anna, und Tamburri Anthony Julian, Hrsg. Screening ethnicity: Cinematographic representations of Italian Americans in the United States. Boca Raton, FL: Bordighera Press, 2002.
Den vollen Inhalt der Quelle findenUniversity of Illinois (Urbana-Champaign campus). Press., Hrsg. African Americans in cinema: The first half century. Urbana: University of Illinois Press, 2003.
Den vollen Inhalt der Quelle findenRichard, Alfred Charles. Contemporary Hollywood's negative Hispanic image: An interpretive filmography, 1956-1993. Westport, Conn: Greenwood Press, 1994.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Central Americans in motion pictures"
Molenda, Michael H. „History and Development of Instructional Design and Technology“. In Handbook of Open, Distance and Digital Education, 1–18. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0351-9_4-1.
Der volle Inhalt der QuelleMolenda, Michael H. „History and Development of Instructional Design and Technology“. In Handbook of Open, Distance and Digital Education, 57–74. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-2080-6_4.
Der volle Inhalt der QuelleNoam, Eli. „Electronic Media and Their Impact“. In Television in Europe, 58–69. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069426.003.0005.
Der volle Inhalt der QuelleBrennan, Nathaniel. „The Cinema Intelligence Apparatus“. In Cinema's Military Industrial Complex. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520291508.003.0008.
Der volle Inhalt der QuelleKalinak, Kathryn. „A history of film music I“. In Film Music: A Very Short Introduction, 30—C4P35. 2. Aufl. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/actrade/9780197628034.003.0004.
Der volle Inhalt der QuelleTsika, Noah. „Veto Power“. In Screening the Police, 131–94. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197577721.003.0004.
Der volle Inhalt der QuelleGleeson-White, Sarah. „Black Authorship at the Movies: Oscar Micheaux, Paul Laurence Dunbar, Wallace Thurman“. In Silent Film and the Formations of U.S. Literary Culture, 67–104. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780197558058.003.0003.
Der volle Inhalt der QuelleAron, Stephen. „Chimney Rock“. In Peace and Friendship, 136—C5.F5. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197622780.003.0005.
Der volle Inhalt der QuelleClark, Walter Aaron. „Doing the Samba on Sunset Boulevard“. In Tide Was Always High. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520294394.003.0004.
Der volle Inhalt der QuelleCharbonneau, Oliver. „Moros in America“. In Civilizational Imperatives, 143–67. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501750724.003.0007.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Central Americans in motion pictures"
Kobus, C. J., und Y. P. Chang. „Teaching Kinematics and Kinetics From a Project-Based Experience Analyzing Sci-Fi Motion Pictures: A Star Trek Example“. In ASME 2012 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/imece2012-88215.
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