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Zeitschriftenartikel zum Thema "Celebrities – Homes and haunts"

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Smitheram, Jan, Akari Nakai Kidd und Sharon Lam. „Celebrified homes: architecture and spacing celebrities“. Celebrity Studies 9, Nr. 3 (27.02.2018): 375–90. http://dx.doi.org/10.1080/19392397.2018.1439393.

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Lynch, Deidre. „Homes and Haunts: Austen's and Mitford's English Idylls“. PMLA/Publications of the Modern Language Association of America 115, Nr. 5 (Oktober 2000): 1103–8. http://dx.doi.org/10.2307/463282.

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Bourrier, Karen, Hannah Anderson, Sonia Jarmula, David Lapins, Kaelyn Macaulay, Peter Peller, Ingrid Reiche, John Brosz und Dan Jacobson. „Mapping Victorian Homes and Haunts: A Methodological Introduction“. Journal of Victorian Culture 26, Nr. 2 (01.04.2021): 300–309. http://dx.doi.org/10.1093/jvcult/vcab003.

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Lutz, Deborah. „Homes and Haunts: Touring Writers’ Shrines and Countries“. Nineteenth-Century Contexts 40, Nr. 2 (28.01.2018): 201–2. http://dx.doi.org/10.1080/08905495.2018.1432248.

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Booth, Alison. „Revisiting the Homes and Haunts of Mary Russell Mitford“. Nineteenth-Century Contexts 30, Nr. 1 (März 2008): 39–65. http://dx.doi.org/10.1080/08905490801945538.

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Booth, Alison. „The Real Right Place of Henry James: Homes and Haunts“. Henry James Review 25, Nr. 3 (2004): 216–27. http://dx.doi.org/10.1353/hjr.2004.0019.

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Jackson, Lee. „Homes and Haunts: Touring Writers' Shrines and Countries by Alison Booth“. Biography 42, Nr. 4 (2019): 882–85. http://dx.doi.org/10.1353/bio.2019.0086.

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McCormick, Richard W., Cornelius Schnauber und Barbara Zeisl Schoenberg. „Hollywood Haven: Homes and Haunts of the European Emigres and Exiles in Los Angeles“. German Quarterly 72, Nr. 4 (1999): 403. http://dx.doi.org/10.2307/408483.

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Boccagni, Paolo. „Haunting Homes and Emerging Dilemmas of Being in the World: A Commentary“. Zeitschrift für Anglistik und Amerikanistik 71, Nr. 1 (01.03.2023): 87–94. http://dx.doi.org/10.1515/zaa-2023-2008.

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Abstract Home ‘haunts’ in much fiction literature, as the contributors to this volume of ZAA reveal by engaging in fruitful conversation with the scholarship on migration, displacement, exile, settler colonialism, and human/non-human relations, on all scales from local to global. This commentary underlines the promise of more extended exchanges between art, humanities, and social sciences in home studies. This is critical to make sense of the myriad imaginaries, emotions, and moralities associated with home, while being alert to the underlying ideological interests and subtexts. Writing on home and displacement, at the intersection between multiple disciplines, yields unique insights into long-term historical processes and biographical developments that shape our perception of home as a natural state of things, and our unequal opportunities to make ourselves at home. I eventually outline three research pathways that would benefit from a more systematic transition from the ‘haunting’ to the ‘emergence’ of home. These concern the ways of using home as a discursive category, the sensorial embeddedness of home, and the intimately political significance of home.
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Bose, Pablo, und Elizabeth Lunstrum. „Introduction Environmentally Induced Displacement and Forced Migration“. Refuge: Canada's Journal on Refugees 29, Nr. 2 (26.02.2014): 5–10. http://dx.doi.org/10.25071/1920-7336.38163.

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Disappearing coastlines, fields and homes flooded by rising waters, lands left cracked and barren by desertification, a snowpack shrinking in circumpolar regions year by year—these are only a few of the iconic images of climate change that have evoked discussion, debate, and consternation within communities both global and local. Equally alarming has been the threat of what such degraded and destroyed landscapes might mean for those who depend upon them for their livelihoods—as their homes, as their means of sustenance, and as an integral part of their cultural and social lives. A mass of humanity on the move—some suggest 50 million, 150 million, perhaps even a billion people1—the spectre of those forced to flee not as the result of war or conflict but rather a changed environment haunts the imaginaries of national governments, international institutions, and public discourse alike. Are these environmental refugees? Should they be granted the same protections and support as those who can prove their fear of and flight from persecution? Do the sheer numbers contemplated by the scale of the events and factors threaten to overwhelm the international refugee system?
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Dissertationen zum Thema "Celebrities – Homes and haunts"

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Lovell, Bonnie Alice. „Home: A Memoir“. Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2841/.

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Home: A Memoir, a creative non-fiction thesis, is a memoir in the form of personal essays, each exploring some aspect of the meaning of home, how my sense of self has been formed by my relationship to home, and the inevitability of leaving home. Chapter I explores the nature of memory and of memoir, their relationship to each other and to truth, and how a writer's voice shapes memoir. Chapter II, “Paternity,” is an attempt to remember my father, resulting in renewed interest in his past and renewed awareness of his legacy. Chapter III, “Home,” is on the surface about my grandparents' house, but is really about my grandmother. Chapter IV, “Dixie,” is about my contradictory feelings for the South, and my eventual acceptance of the South's complexities.
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Blanch, Christina L. „Because of her Victorian upbringing : gender archaeology at the Moore-Youse House“. Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1337189.

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This study focuses on the Moore-Youse family in Muncie, Indiana, a medium size city in Delaware County, Indiana, as a microcosm of Victorian ideology and material culture using the methods of historical archaeology and social history. The following thesis examines material conditions among this middle-class, female-centered, lineal family during the Victorian period using gender theory. In this study, archaeological materials and historical documents are used to explore the priorities and choices that influenced Muncie's middle class in making material decisions during the Victorian period.The Victorian Period in America was marked by rapid social change, growing industrialization and the transformation of gender roles. These changes created an expanded middle-class in communities across America. For the middle class the home was a sanctuary and Victorian women were expected to devote themselves to the home and family. Thus began the "cult of domesticity". This thesis explores the influence of gender roles in 19th century Indiana.
Department of Anthropology
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Koyama, Takuya. „The Town Where Mickey Mouse has Lived“. Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc278156/.

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The Town Where Mickey Mouse Has Lived is a documentary video program in which people talk about themselves and the life of a small town. The town is known as the boyhood home of Walt Disney, which he recalled as the most charming place in his life. The interviews explore the personal perspectives of the people and why they stay in Marceline despite the fact that Disneyland, full of Disney's memories of Marceline, attracts people while the town has been obsolescent for a long time.
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McCloskey, Erin J. „The Pope Estate historic preservation plan : Tallac Historic Site, south Lake Tahoe, California“. Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1355591.

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This creative project focuses on the Pope Estate, a part of the Tallac Historic Site in South Lake Tahoe, California. This preservation plan includes a history, architectural description and condition assessment for the nineteen buildings located on the estate, owned and operated by the United States Forest Service. The purpose of the architectural investigation is to document and assess the condition of the existing buildings and develop a set of recommendations for immediate and future work. The document will serve as a preservation tool for the Tallac Historic Site management team.
Department of Architecture
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Boyle, Catherine Sheryl. „North Eros : the Temple of Love at Gennevilliers“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq64105.pdf.

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Heymans, Vincent. „Architecture et habitants: les intérieurs privés de la bourgeoisie à la fin du XIXe siècle :Bruxelles, quartier Léopold-extension nord-est“. Doctoral thesis, Universite Libre de Bruxelles, 1994. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212653.

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Hanna, Elizabeth H. „Arthur and the Scots : narratives, nations, and sovereignty in the later Middle Ages“. Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/9750.

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Wahlstrom, Christine M. „Vereinsleben in Indianapolis : the social culture of the liberal German-American population as reflected in the design of community buildings, 1851-1918“. Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1136710.

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Beginning in the middle of the nineteenth century, a thriving German immigrant community could be found in the city of Indianapolis. The more liberal members of the German community established organizations which catered to their athletic, intellectual, and social needs. This community life was called Vereinsleben, from the German words for club/association (Verein) and life (Leben). Fitting homes were needed for the clubs. Thus, several structures central to the Vereinsleben of the liberal German community were constructed. The buildings were built to be recognized as the homes of these clubs and to provide all the necessary facilities. This thesis examines the history of the community as well as the individual clubs and uses the buildings as documents in that process.
Department of Architecture
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Harbison, Brian P. „The Lightcroft Estate : Hagerstown, Indiana home of Charles and Leora Teetor“. 2011. http://liblink.bsu.edu/uhtbin/catkey/1656584.

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This final creative project involved preparation of a cultural landscape report for the properties that were previously known as The Lightcroft Estate. This study has determined the historical significance of The Lightcroft Estate as a designed historic landscape and presents preservation guidelines for future improvement at the site. Historical evidence indicates that the Lightcroft Estate was developed over a period of forty-three years under the direction of Mr. and Mrs. Charles N. Teetor with the services of an architect Charles E. Werking and the possible collaboration of an engineer, John W. Mueller. Existing features in the landscape surrounding the home suggest an extensive landscape that included a Japanese Garden, two fishing lakes, a formal garden with tea house, pergola, fountains and basins, a power house/roller wheel with adjacent water works and water features throughout the landscape. The home and the grounds are found to be significant for its association with the Country Place Era in landscape architecture and the role the Teetor family served in bringing prosperity to their family and community during the industrial revolution and early automotive industry. A cultural landscape report is presented which follows the Secretary of the Interior’s Standards for the Treatment of Historic Properties with Guidelines for the Treatment of Cultural Landscapes. Treatment recommendations are presented which focus on the preservation of existing features, reconstruction of the formal garden.
Department of Landscape Architecture
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Barile, Kerri Saige. „Archaeology, architecture, and Alexander Spotswood: redefining the Georgian worldview at the Enchanted Castle, Germanna, Orange County, Virginia“. Thesis, 2004. http://hdl.handle.net/2152/2556.

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Bücher zum Thema "Celebrities – Homes and haunts"

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Beijing ba jia ming ren gu ju ji nian guan. Wen hua ming ren yu wen hua jing guan: 2016 nian Beijing ba jia ming ren gu ju ji nian guan huo dong ji shi. 8. Aufl. Beijing: Zhongguo she hui ke xue chu ban she, 2017.

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Xianyao, Li, und Feng Yidai, Hrsg. Gu yuan xun meng. 8. Aufl. Beijing Shi: Jing ji ri bao chu ban she, 2001.

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(Bangladesh), Bāṃlā Ekāḍemī, Hrsg. Ātmasmr̥tite Pūrbabaṅga: Atmasmritite Purbabanga. Ḍhākā: Bāṃlā Ekāḍemi, 2018.

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Noskov, A. I. Minuvshee prokhodit predo mnoi͡u︡--: O slavnykh samart͡s︡akh i samarskikh dni͡a︡kh znamenitykh rossii͡a︡n. Samara: Samarskiĭ Dom pechati, 1998.

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Makarov, Pavel. Istoricheskie lichnosti na Nikopolʹshchine. Dnipropetrovsʹk: Porohy, 2007.

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Kapocsy, György. Itt ringatták bölcsőm,--: Híres magyarok szülőházai. [Szentendre?]: Kairosz, 2004.

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Sandrine, Roudeix, Hrsg. Le jardin secret des stars. Paris: Flammarion, 2010.

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Cordier, Marcel. Hommes et lieux de mémoire en Lorraine. Sarreguemines: Editions Pierron, 1991.

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Lovatt-Smith, Lisa. Mediterranean living. New York: Whitney Library, 1998.

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Dalal, Suresh Parshottamdas. Dharatīno cheḍo ghara. Mumbaī: Imeja Pablikeśansa, 2009.

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Buchteile zum Thema "Celebrities – Homes and haunts"

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Watson, Nicola J. „Homes and Haunts“. In The Literary Tourist, 90–127. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230584563_4.

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Sanders, Valerie. „Mrs Ellis H. Chadwick, Mrs Gaskell: Haunts, Homes, and Stories (London: Sir Isaac Pitman and Sons, 1910)“. In Lives of Victorian Literary Figures, Part III, Volume 1, 305–38. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003513001-21.

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Booth, Alison. „Introduction“. In Homes and Haunts, 1–18. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780198759096.003.0001.

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Booth, Alison. „Tours, Texts, Houses, and Things“. In Homes and Haunts, 19–58. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780198759096.003.0002.

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Booth, Alison. „Verifying Pilgrimage“. In Homes and Haunts, 59–101. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780198759096.003.0003.

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Booth, Alison. „Ladies with Pets and Flowers; with Graveyards and Windswept Moors“. In Homes and Haunts, 102–57. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780198759096.003.0004.

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Booth, Alison. „Tenants in Author Country“. In Homes and Haunts, 158–204. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780198759096.003.0005.

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Booth, Alison. „The Sage, his Wife, the Maid, and her Lover“. In Homes and Haunts, 205–54. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780198759096.003.0006.

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Booth, Alison. „Haunting Dickens World“. In Homes and Haunts, 255–80. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780198759096.003.0007.

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Atkinson, Rowland, und Sarah Blandy. „The myths and meanings of home security“. In Domestic Fortress. Manchester University Press, 2016. http://dx.doi.org/10.7228/manchester/9781784995300.003.0002.

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This chapter paints in some of the background to the process by which the contemporary fortress home has become normalised. Social changes in the second half of the twentieth century have accompanied a shift from more communal ways of life and collective responses to risk and insecurity, to much more individual perspectives. Neoliberal governments have complemented this trajectory with policies designed to encourage ownership, a project advantaged by engendering a fear of crime. However, at the same time as owners have come to see their homes as commodified financial assets, the state has increasingly withdrawn its guarantee to protect households from crime and disorder. This has meant that the home has taken on the role of assuring the survival of the familial unit against an ongoing assault on public systems of assistance. The need to defend this asset / haven is further exaggerated by media accounts of the elaborate security measures employed to protect the homes of celebrities and the wealthy, which feed perceptions of home as both a site of vulnerability, and of prestige and status.
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