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Zeitschriftenartikel zum Thema "Catholics – England – Poetry"
de Flon, Nancy M. „Mary and Roman Catholicism in Mid Nineteenth-Century England: The Poetry of Edward Caswall“. Studies in Church History 39 (2004): 308–18. http://dx.doi.org/10.1017/s0424208400015187.
Der volle Inhalt der QuelleHarrington, Emily. „The Expiration of Commitments in Adelaide Procter's “Homeward Bound”“. Victorian Literature and Culture 48, Nr. 2 (2020): 435–44. http://dx.doi.org/10.1017/s1060150320000042.
Der volle Inhalt der QuelleBahr, Stephanie. „On the Discovery of an Elizabethan “Sonet in the commendation of Sir Thomas More Knyght”: Memory, Martyrdom, and Poetry“. Moreana 57 (Number 214), Nr. 2 (Dezember 2020): 121–43. http://dx.doi.org/10.3366/more.2020.0081.
Der volle Inhalt der QuelleBoneham, John. „Reserve and Physical Imagery in the Tractarian Poetry of Isaac Williams (1802–65)“. Studies in Church History 48 (2012): 246–58. http://dx.doi.org/10.1017/s0424208400001352.
Der volle Inhalt der QuelleJaved, Muhammad. „A Study of Elizabethan Period (1558-1603)“. IJOHMN (International Journal online of Humanities) 6, Nr. 2 (21.04.2020): 65–86. http://dx.doi.org/10.24113/ijohmn.v6i2.174.
Der volle Inhalt der QuelleCoonradt, Nicole. „Shakespeare's Grand Deception: The Merchant of Venice—Anti-Semitism as "Uncanny Causality" and the Catholic-Protestant Problem“. Religion and the Arts 11, Nr. 1 (2007): 74–97. http://dx.doi.org/10.1163/156852907x172430.
Der volle Inhalt der QuelleMortensen, Viggo. „Et rodfæstet menneske og en hellig digter“. Grundtvig-Studier 49, Nr. 1 (01.01.1998): 268–72. http://dx.doi.org/10.7146/grs.v49i1.16282.
Der volle Inhalt der QuelleHyland, Paul, R. C. Richardson, Ivan Roots, Elizabeth Truax, Stevie Simkin, Kate McLuskie, William Lamont et al. „Reviews: The Study of History: A Bibliographical Guide, the English Idea of History from Coleridge to Collingwood, the Changing Face of English Local History, Arthur and the English: The Arthurian Legend in Medieval English Life and Literature, Enacting Gender on the English Renaissance Stage, Shakespeare's Feminine Endings, Writing the English Republic: Poetry, Rhetoric and Politics 1627–1660, New Stories for Old: Biblical Patterns in the Novel, Catholicism and Anti-Catholicism in Early Modern English Texts, Primogeniture and Entail in England: A Survey of Their History and Representation in Literature, the English Civil War Through the Restoration in Fiction: An Annotated Bibliography, Diana, Self-Interest, and British National Identity, Dryden and the Traces of Classical Rome, between the Ancients and the Moderns: Baroque Culture in Restoration England, Bacchus in Romantic England: Writers and Drink, 1780–1830, Misogynous Economies: The Business of Literature in Eighteenth-Century Britain, the House of Forgery in Eighteenth-Century Britain, the Clothes That Wear Us, An Oxford Companion to the Romantic Age: British Culture, 1776–1832, Domestic Space: Reading the Nineteenth-Century Interior, Victorians in Theory: From Derrida to Browning, the Age of Virtue: British Culture from the Restoration to Romanticism, Woeful Afflictions: Disability and Sentimentality in Victorian America, Women Writers of the First World War: An Annotated Bibliography, the Pub in Literature, British Industrial Fictions, the Insatiability of Human Wants: Economics and Aesthetics in Market SocietyRichardsonR. C., The Study of History: A Bibliographical Guide , 2nd ed., Manchester University Press, 2000, pp. xiv + 140, £40.00.ParkerChristopher, The English Idea of History from Coleridge to Collingwood , Ashgate Publishing, 2000, pp. vii + 244, £45.RichardsonR. C. (ed.), The Changing Face of English Local History , Ashgate, 2000, pp. viii + 218, £45.00.BarronW. R. J. (ed.), Arthur and the English: The Arthurian Legend in Medieval English Life and Literature , University of Wales Press, 1999, pp. 398, £35.00.ComensoliViviana and RussellAnne (eds), Enacting Gender on the English Renaissance Stage , University of Illinois Press, 1999, pp. 270, £18.95; SaundersEve Rachel, Gender and Literacy on Stage in Early Modern England , Cambridge University Press, 1999, pp. 260, £35.BerryPhilippa, Shakespeare's Feminine Endings , Routledge, 1999, pp. 197, £15.99 pb.; BellIlona, Elizabethan Women and the Poetry of Courtship , Cambridge University Press, 1998, pp. 262, £35.00.NorbrookDavid, Writing the English Republic: Poetry, Rhetoric and Politics 1627–1660 , Cambridge University Press, 1999, pp. xiii + 509, £40.FischHarold, New Stories for Old: Biblical Patterns in the Novel , Macmillan, 1998, pp. x + 236, £42.50; FischHarold, The Biblical Presence in Shakespeare, Milton and Blake , Clarendon Press, 1999, pp. xi + 330, £45.MarottiArthur F. (ed.), Catholicism and Anti-Catholicism in Early Modern English Texts , Macmillan, 1999, pp. xvii + 266, £47.50; ShellAlison, Catholicism, Controversy and the English Literary Imagination, 1558–1660 , Cambridge University Press, 1999, pp. xi + 309, £37.50.JamoussiZouheir, Primogeniture and Entail in England: A Survey of their History and Representation in Literature , Centre de Publication Universitaire, Tunis, 1999, pp. 293, 8 DT.MurphRoxane C., The English Civil War through the Restoration in Fiction: An Annotated Bibliography , Greenwood Press, Westport, CT., 2000, pp. viii + 349, £63.95.HammondPaul, Dryden and the Traces of Classical Rome , Clarendon Press, Oxford, 1999, pp. 305, £45.00.LevineJoseph M., Between the Ancients and the Moderns: Baroque Culture in Restoration England , Yale University Press, 1999, pp. xiv + 279, £27.50.TaylorAnya, Bacchus in Romantic England: Writers and Drink, 1780–1830 , Macmillan, 1999, pp. xi + 264, £47.50.MandellLaura, Misogynous Economies: The Business of Literature in Eighteenth-century Britain , University of Kentucky, 1999, pp. x + 228, $42.00.BainesPaul, The House of Forgery in Eighteenth-century Britain , Ashgate, 1999, pp. viii + 195, £47.50.MunnsJessica and RichardsPenny (eds), The Clothes that Wear Us , Newark, University of Delaware Press, 1999, pp. 362, £37.McCalmanIain (ed.), An Oxford Companion to the Romantic Age: British Culture, 1776–1832 , Oxford University Press, 1999, p. xii + 780, £85.BrydenInga and FloydJanet (eds), Domestic Space: Reading the Nineteenth-century Interior , Manchester University Press, 1999, pp. xii + 219, £40.00; KiddAlan and NichollsDavid (eds), Gender, Civic Culture and Consumerism: Middle-class Identity in Britain 1800–1940 , Manchester University Press, 1999, pp. xiv + 223, £46.00, pb. £14.99.SchadJohn Victorians in Theory: From Derrida to Browning , Manchester University Press, 1999, pp. x + 180, £40.MorseDavid, The Age of Virtue: British Culture from the Restoration to Romanticism , Macmillan, 2000, pp. viii + 330, £45.KlagesMary, Woeful Afflictions: Disability and Sentimentality in Victorian America , University of Pennsylvania Press, 1999, pp. 211, $36.50.OudittSharon, Women Writers of the First World War: An Annotated Bibliography , Routledge, 2000, pp. 230, £75; TyleeClaire with TurnerElaine and CardinalAgnes (eds), War Plays by Women: An International Anthology , Routledge, 2000, pp. 225, £16.99 pb.TaylorJohn A., Diana, Self-Interest, and British National Identity , Praeger, 2000, pp. 169, £44.95.EarnshawSteven, The Pub in Literature , Manchester University Press, 2000, pp. x + 294, £45 and £15.99 pb.KlausH. Gustav and KnightS. (eds), British Industrial Fictions , University of Wales Press, 2000, pp. viii + 212, £14.99 pb.; BalchJack S., Lamps at High Noon , University of Illinois Press, 2000, pp. xl + 404, $19.45 pb.; ConroyJack, A World to Win , University of Illinois Press, 2000, pp. xxxv + 348, $17.95 pb.GagnierRegenia, The Insatiability of Human Wants: Economics and Aesthetics in Market Society , University of Chicago Press, 2000, pp. 352, £10.50 pb.“ Literature & History 10, Nr. 2 (November 2001): 84–119. http://dx.doi.org/10.7227/lh.10.2.6.
Der volle Inhalt der QuelleErkoç Yeni, Seda. „“Kings more than Men, Men less then Beasts”: a discussion of the rise and fall of the Ottoman Empire in Fulke Greville’s Treatises“. İçtimaiyat, 13.05.2024. http://dx.doi.org/10.33709/ictimaiyat.1411822.
Der volle Inhalt der QuelleHackett, Lisa J., und Jo Coghlan. „Conjuring Up a King“. M/C Journal 26, Nr. 5 (02.10.2023). http://dx.doi.org/10.5204/mcj.2986.
Der volle Inhalt der QuelleDissertationen zum Thema "Catholics – England – Poetry"
Benedict, Mark Russell. „The Ministry of Passion and Meditation: Robert Southwell's Marie Magdalens Funeral Teares and the Adaptation of Continental Influences“. Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/79.
Der volle Inhalt der QuelleRoger, Vincent. „De la "beauté de la sainteté" à la sainte beauté : l'esthétique théologique de la poésie de Richard Crashaw“. Paris 3, 2008. http://ezproxy.normandie-univ.fr/login?url=http://www.classiques-garnier.com/numerique-bases/garnier?filename=vrrms01.
Der volle Inhalt der QuelleThe aim of this thesis is to demonstrate how Richard Crashaw (1612-1649), when faced with the reticence about images he inherited from the iconoclasm of the Reformation as well as from the influence of his father, a Puritan preacher, filled this “aesthetic vacuum” through close contact with the Cambridge “High Church” set, Jesuit neo-Latin poets and also the saints and martyrs of the Catholic Church. His works are, in fact, the poetic expression of his own personal pilgrimage as he moved from the Anglicanism of Archbishop William Laud, with his ideal of “the beauty of holiness”, to the Roman Catholicism of the Counter- Reformation which basically regarded Beauty as an inherent transcendental quality in the same way as Good and Truth. The strong influence of Francis de Sales on Crashaw can be seen in his emphasis on sweetness in the divine eloquence. The “Doctor of Divine Love”’s affective theology also left its imprint on the poet’s universe. Deeply attached to the miracles and mysteries of faith, Crashaw composed poems of celebration and joy which reveal God’s radiant love and in which the mediating figure of Christ the Son is the centre and the aesthetic model of all Beauty: a theology of the pulchrum, a form of truly theological aesthetics is at work in Crashaw’s sacramental poetry which explores the unity and beauty specific to the Christian Revelation. In an England still highly suspicious of transcendental Beauty, the mixture of sensitivity and spirituality in Crashaw’s poetic works represents one of the most vibrant expressions of Baroque aesthetics
Friesen, Sandra A. „The rise and fall of Seigneur Dildoe: the figure of the dildo in restoration literature and culture“. Thesis, 2017. http://hdl.handle.net/1828/7750.
Der volle Inhalt der QuelleGraduate
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Bücher zum Thema "Catholics – England – Poetry"
Roberts, Gerald. Gerard Manley Hopkins: A literary life. Houndmills, Hampshire, U.K: Macmillan, 1994.
Den vollen Inhalt der Quelle findenRoberts, Gerald. Gerard Manley Hopkins: A literary life. New York: St. Martin's Press, 1994.
Den vollen Inhalt der Quelle findenBernard, Bergonzi. Jerādo manrī hopukinzu den. Tōkyō: Hokuseidōshoten, 1985.
Den vollen Inhalt der Quelle findenMuller, Jill. Gerard Manley Hopkins and Victorian Catholicism: A heart in hiding. New York: Routledge, 2003.
Den vollen Inhalt der Quelle findenJoaquin, Kuhn, und Feeney Joseph J, Hrsg. Hopkins variations: Standing round a waterfall. Philadelphia: Saint Joseph's University Press, 2002.
Den vollen Inhalt der Quelle findenKilroy, Gerard. Edmund Campion: Memory and transcription. Aldershot, Hants, England: Ashgate, 2005.
Den vollen Inhalt der Quelle findenFlon, Nancy Marie De. Edward Caswall: Newman's brother and friend. Leominster, Herefordshire [England]: Gracewing, 2005.
Den vollen Inhalt der Quelle findenMcKenzie, Tim. Vocation in the poetry of the priest-poets George Herbert, Gerard Manley Hopkins, and R.S. Thomas. Lewiston, N.Y: Edwin Mellen Press, 2003.
Den vollen Inhalt der Quelle findenMariani, Paul L. Gerard Manley Hopkins. New York: Penguin Group USA, Inc., 2008.
Den vollen Inhalt der Quelle findenMariani, Paul L. Gerard Manley Hopkins: A life. New York: Viking, 2008.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Catholics – England – Poetry"
Miola, Robert S. „Richard Verstegan“. In Early Modern Catholicism, 422–29. Oxford University PressOxford, 2007. http://dx.doi.org/10.1093/oso/9780199259854.003.0068.
Der volle Inhalt der QuelleLewis, C. S. „Drab Age Prose—Religious Controversy And Translation“. In Poetry and Prose in The Sixteenth Century, 157–221. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198122319.003.0004.
Der volle Inhalt der QuelleMiola, Robert S. „Thomas More“. In Early Modern Catholicism, 49–54. Oxford University PressOxford, 2007. http://dx.doi.org/10.1093/oso/9780199259854.003.0004.
Der volle Inhalt der QuelleBrooks, Francesca. „‘The Axile Tree’“. In Poet of the Medieval Modern, 209–59. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198860136.003.0006.
Der volle Inhalt der Quelle„Robert Southwell, In praise of religious poetry (1595)“. In English Renaissance Literary Criticism, herausgegeben von Brian Vickers, 395–97. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198186793.003.0018.
Der volle Inhalt der QuelleHardie, Philip. „Late Sixteenth Century to the Exaltation of Newton“. In Celestial Aspirations, 106–60. Princeton University Press, 2022. http://dx.doi.org/10.23943/princeton/9780691197869.003.0003.
Der volle Inhalt der QuelleMoul, Victoria. „Grammar in verse: Latin pedagogy in seventeenth-century England“. In The History of Grammar in Foreign Language Teaching. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463724616_ch06.
Der volle Inhalt der Quelle„Gertrude Thimelby, NéE Aston (c.1615-c.1670)“. In Early Modern Women Poets (1520-1700), herausgegeben von Jane Stevenson Peter Davidson, Meg Bateman, Kate Chedgzoy und Julie Saunders, 254–56. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198184263.003.0090.
Der volle Inhalt der QuelleCallison, Jamie. „Sacred Ground: Orthodoxy, Poetry and Religious Change“. In The Edinburgh Companion to Modernism, Myth and Religion, herausgegeben von Suzanne Hobson und Andrew Radford, 373–88. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474494786.003.0024.
Der volle Inhalt der QuelleStevenson, Jane, und Peter Davidson. „Mary Astell (1666-1731)“. In Early Modern Women Poets (1520-1700), 484–85. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198184263.003.0169.
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