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Zeitschriftenartikel zum Thema "Catherine II, Empress of Russia, 1729-1796 – Drama"
Suraeva, Natalia G. „THE IMAGE OF CHINA IN THE CORRESPONDENCE OF CATHERINE II“. Scientific and analytical journal Burganov House. The space of culture 17, Nr. 4 (10.11.2021): 62–78. http://dx.doi.org/10.36340/2071-6818-2021-17-4-62-78.
Der volle Inhalt der QuelleDissertationen zum Thema "Catherine II, Empress of Russia, 1729-1796 – Drama"
Evstratov, Alexei. „Le théâtre francophone à Saint-Pétersbourg sous le règne de Catherine II (1762-1796) : organisation, circulation et symboliques des spectacles dramatiques“. Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040149.
Der volle Inhalt der QuelleEighteenth-Century Russia was a period of accelerating modernisation, where specifically, under the reign of Catherine II, the new Empire launched into the international political scene. Despite real diplomatic hostility between France and Russia during the period, French theatre was always considered the most perfect expression of the dramatic arts. French theatre was imported into Russia as an important means to provide and influence social and political representation.From the earliest studies, including Robert-Aloys Mooser’s work on the opéra-comique, this important period of Francophone theatre in Russia has never been systematically analysed. Thus the first goal of this present study is to gather the diverse and geographically dispersed elements regarding the Francophone theatre of Russian courts at the time. A chronological list of these performances, as well as an inventory of plays preformed, accompanies this study as a separate volume. My second goal is to explore the diffusion of these dramatic texts and theatrical practices in Saint Petersburg in an analytical essay on the sociology and ideology of theatrical circulation. Although the main stage of the capital was at the Russian court, this was not the only theatrical venue: the city’s theatre, school stages, théâtres de société (private theatres owned by local nobility)—several theatrical enterprises welcomed Francophone performances at the time. After having examined how these theatres were influenced by the court, I analyse the reasons behind this dramatic diversity and its affect on the theatrical experiences of Russia’s multiple theatre publics
McBurney, Erin. „Art and Power in the Reign of Catherine the Great: The State Portraits“. Thesis, 2014. https://doi.org/10.7916/D8CC0XT5.
Der volle Inhalt der QuelleBücher zum Thema "Catherine II, Empress of Russia, 1729-1796 – Drama"
Vincent, Zu. Catherine the Great: Empress of Russia. New York: Scholastic, 2009.
Den vollen Inhalt der Quelle findenMadariaga, Isabel De. Catherine the Great: A short history. New Haven: Yale University Press, 1990.
Den vollen Inhalt der Quelle findenErickson, Carolly. Great Catherine. London: Robson Books, 1998.
Den vollen Inhalt der Quelle findenMcGuire, Leslie. Catherine the Great. New York: Chelsea House, 1986.
Den vollen Inhalt der Quelle findenRounding, Virginia. Catherine the Great: Love, sex and power. London: Hutchinson, 2006.
Den vollen Inhalt der Quelle findenSimon, Dixon. Catherine the Great. New York: HarperCollins, 2009.
Den vollen Inhalt der Quelle findenSimon, Dixon. Catherine the Great. New York: Ecco, 2009.
Den vollen Inhalt der Quelle findenDukes, Paul. Catherine the Great and the Russian nobilty: A study based on the materials of the legislative commission of 1767. Cambridge: Cambridge University Press, 2008.
Den vollen Inhalt der Quelle findenAlexander, John T. Catherine the Great: Life and legend. London: The Folio Society, 1999.
Den vollen Inhalt der Quelle findenCatherine. Love & conquest: Personal correspondence of Catherine the Great and Prince Grigory Potemkin. DeKalb: Northern Illinois University Press, 2005.
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