Dissertationen zum Thema „Cameroon comic books, strips“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Machen Sie sich mit Top-50 Dissertationen für die Forschung zum Thema "Cameroon comic books, strips" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Sehen Sie die Dissertationen für verschiedene Spezialgebieten durch und erstellen Sie Ihre Bibliographie auf korrekte Weise.
Lorenz, Peter. „Maßnahmen zur Schaffung einer zukunftsfähigen Organisation der Comic-Spezialbibliothek "Bei Renate"“. Berlin : Humboldt-Universität zu Berlin, 2005. http://books.google.com/books?id=SYtQAAAAMAAJ.
Der volle Inhalt der QuellePevey, Aaron. „From Superman to superbland the Man of Steel's popular decline among postmodern youth /“. unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04172007-133407/.
Der volle Inhalt der QuelleTitle from file title page. Chris Kocela, committee chair; Paul Schmidt, Michael Galchinsky, committee members. Electronic text (95 p. : ill. 9some col.)) : digital, PDF file. Description based on contents viewed Nov. 16, 2007. Includes bibliographical references (p. 78-81).
Herman, Janique Luschan Vogl. „An interrogation of morality, power and plurality as evidenced in superhero comic books: a postmodernist perspective“. Thesis, University of Fort Hare, 2013. http://hdl.handle.net/10353/d1005646.
Der volle Inhalt der QuelleYoung, Hiu-tung. „Problems of translating contemporary Japanese comics into Chinese the case of Crayon Shinchan /“. Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B39848863.
Der volle Inhalt der QuelleGay, Stephanye Anne. „ShieldCross an exploration of sequential art ; an honors project /“. [Jefferson City, Tenn. : Carson-Newman College], 2009. http://library.cn.edu/HonorsPDFs_2009/Gay_Stephanye_Anne.pdf.
Der volle Inhalt der QuelleFrail, James H. „Powers and abilities far behind those of mortal men an examination of the comic book industry and subculture through a feminist sociological perspective /“. Huntington, WV : [Marshall University Libraries], 2004. http://www.marshall.edu/etd/descript.asp?ref=424.
Der volle Inhalt der QuelleMcCoy, Kuleen O. „The funnies are a serious business : how local newspaper editors make decisions concerning diverse and controversial comic strips /“. Thesis, This resource online, 1992. http://scholar.lib.vt.edu/theses/available/etd-08222009-040404/.
Der volle Inhalt der QuelleDu, Plessis Carla (Carla Susan). „Reconsidering the conventions employed in comix and comix strips“. Thesis, Stellenbosch : Stellenbosch University, 2005. http://hdl.handle.net/10019.1/21211.
Der volle Inhalt der QuelleYoung, Hiu-tung, und 楊曉彤. „Problems of translating contemporary Japanese comics into Chinese: the case of Crayon Shinchan“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B39848863.
Der volle Inhalt der QuelleBrienza, Casey Elizabeth. „Domesticating Manga : Japanese comics, American publishing, and the transnational production of culture“. Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648154.
Der volle Inhalt der QuelleKondo, Tomoko. „The making of a corporate : elite adult targeted comic magazines of Japan“. Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22450.
Der volle Inhalt der QuelleDavies, Paul Fisher. „Making meanings with comics : a functional approach to graphic narrative“. Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/69049/.
Der volle Inhalt der QuelleChenault, Wesley. „Working the Margins: Women in the Comic Book Industry“. unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04232007-124907/.
Der volle Inhalt der QuelleTitle from file title page. Marian Meyers, committee chair; Layli Phillips, Amira Jarmakani, committee members. Description based on contents viewed June 3, 2008. Includes bibliographical references (p. 120-123).
Leland, Jennie. „The Phoenix Always Rises: The Evolution of Superheroines in Feminist Culture“. Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/LelandJ2007.pdf.
Der volle Inhalt der QuelleVan, Staden Leonora. „Bitterkomix en Stripshow : pornografie en satire in Afrikaanse ondergrondse strippe“. Thesis, Link to the online version, 2006. http://hdl.handle.net/10019/1330.
Der volle Inhalt der QuelleLucchine, Dana P. „Beneath the mask and spandex reviewing, revising, and re-appropriating the superhero myth in Alan Moore's Watchmen /“. Click here for download, 2009. http://proquest.umi.com.ps2.villanova.edu/pqdweb?did=1943369611&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.
Der volle Inhalt der QuelleCompton, Adam Delk. „The American comic book industry, 1936-1954 : creativity in an age of conformity /“. View online, 2006. http://ecommons.txstate.edu/phystad/1/.
Der volle Inhalt der QuelleSmith, Benjamin. „Spandex cinema : three approaches to comic book film adaptation /“. Read thesis online, 2009. http://library.uco.edu/UCOthesis/SmithBP2009.pdf.
Der volle Inhalt der QuelleBryant, Emi. „"I am Michi!" identity politics in Osamu Tezuka's Metropolis /“. Diss., Connect to the thesis, 2006. http://thesis.haverford.edu/174/01/2006BryantE.pdf.
Der volle Inhalt der QuelleLam, Sui-kwong Sunny. „The impact of translated Japanese comics on Hong Kong cinematic production : cultural imperialism or local redeployment? /“. Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18598389.
Der volle Inhalt der QuelleMcKenny, Stewart Noel. „Consumer attitudes to the products of Issue one comics“. Thesis, Queensland University of Technology, 1999.
Den vollen Inhalt der Quelle findenBrowning, Sheila Rose Takeuchi Naoko. „Pretty little girl warriors : a study of images of femininity in Japanese Sailor Moon comics /“. free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1426050.
Der volle Inhalt der QuelleNewell, Kathleen Ellen. „What we talk about when we talk about adaptation“. Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 1.30 Mb., 233 p, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3221075.
Der volle Inhalt der QuelleGagnon, Michel 1969. „Eléments discursifs, sociolinguistiques et actes de parole dans les BD“. Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29824.
Der volle Inhalt der QuelleKowalczyk, Brian P. „EGANWO : the graphic novel's escape to digital media /“. Online version of thesis, 2009. http://hdl.handle.net/1850/11652.
Der volle Inhalt der QuelleLee, Moon. „Ineffable a spatial installation : thesis submitted to the Auckland University of Technology in partial fulfillment of the degree of Master of Arts in Art and Design, 2004 /“. Full thesis. Abstract, 2004.
Den vollen Inhalt der Quelle findenBrown, Jennifer L. „Female protagonists in shōjo manga from the rescuers to the rescued /“. Connect to this title, 2008. http://scholarworks.umass.edu/theses/137/.
Der volle Inhalt der QuellePlowman, Nicola Streeten. „A cultural history of feminist cartoons and comics in Britain from 1970 to 2010“. Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/70775/.
Der volle Inhalt der QuelleChen, Shangyu. „Popular art and political movements an aesthetic inquiry into Chinese pictorial stories /“. online access from Digital dissertation consortium, 1996. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9701484.
Der volle Inhalt der QuelleEhritz, Andrew A. „FROM INDOCTRINATION TO HETEROGLOSSIA: THE CHANGING RHETORICAL FUNCTION OF THE COMIC BOOK SUPERHERO“. Oxford, Ohio : Miami University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1155044370.
Der volle Inhalt der QuelleGuarino, Jeffrey Mark. „Comix in the classroom: A resource guide for graphic novels and comic books“. CSUSB ScholarWorks, 1998. https://scholarworks.lib.csusb.edu/etd-project/1503.
Der volle Inhalt der QuelleSmida, Megan Alice Moore Alan. „(Re)telling Ripper in Alan Moore's From hell : history and narrative in the graphic novel“. Dayton, Ohio : University of Dayton, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1272574121.
Der volle Inhalt der QuelleTitle from PDF t.p. (viewed 06/23/10). Advisor: James Boehnlein. Includes bibliographical references (p. 44-46). Available online via the OhioLINK ETD Center.
Wang, Ruoxing, und 王若星. „Cultural prorogation in mainland China: a case study of BL culture“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50434548.
Der volle Inhalt der Quellepublished_or_final_version
Modern Languages and Cultures
Master
Master of Philosophy
Foster, John E. „A critical, social and stylistic study of Australian children's comics /“. Title page, contents and introduction only, 1989. http://web4.library.adelaide.edu.au/theses/09PH/09phf755.pdf.
Der volle Inhalt der QuelleRawson, Angela. „A critical linguistic analysis of a popular comic genre in Japan“. Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2001. https://ro.ecu.edu.au/theses/1021.
Der volle Inhalt der QuelleLopes, Romildo Sergio [UNESP]. „Identidades secretas: representações do negro nas Histórias em quadrinhos norte-americanas“. Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/123697.
Der volle Inhalt der QuellePensando as histórias em quadrinhos enquanto veículo de comunicação de massa, cuja história moderna atravessou por todo século XX até chegar à contemporaneidade, mantendo sua linguagem quase que inalterada, é possível inferir sobre a grande força do meio e, consequentemente, grande impacto das representações que elas criam com quem circulam pela sociedade. A proposta desse trabalho é discutir quais são as identidades do negro nas histórias em quadrinhos americanas da editora Marvel Comics publicadas no Brasil. Temos por hipótese o quanto tais representações podem criar identificação com modelo de conformidade ou reforçar preconceitos por meio dos estereótipos clássicos de minoria racial nos Estados Unidos. A metodologia aplicada é a junção de dois campos, a semiótica aplicada é a junção de dois campos: a semiótica de matriz pierciana, enquanto técnica de pesquisa, responsável por dar relevo às representações e a seus argumentos, bem como a sociologia, a qual se valeu das noções de cultura e identidade explorados por Stuart Hall e Anthony Giddens para as análises dos resultados. A amostra parte de uma coleção de revistas da Marvel Comics publicadas no Brasil pela Panini, no período de 01 de julho a 31 de dezembro de 2011, adquiridas nas bandas e lojas especializadas, perfazendo 76 revistas, com 252 histórias analisadas em que foram identificadas 1370 participações relevantes dos personagens, dessas apenas 75, ou seja, 5,47% foram geridas por negros, demonstrando uma baixa representatividade. Essa percentagem constitui de fato o recorte que é o corpus da pesquisa. Nele, identificamos 16 personagens negros relevantes que, poderiam ser agrupados em 5 modelos possíveis de identidades, muitas das quais alinhadas aos demais campos como cinema e música. Por conclusão, podemos dizer que os dois personagens que se alinham com modelos positivos e mais polifônicos são Tempestade e Luke Cage. Contudo a...
Thinking of the comicsas a vehicle of mass communication, whose modern history crossed through all twentieth century until contemporary times, keeping his language almost unchanged, it is possible to infer about the great strength of the medium and, consequently, the large impacts of the representations it creates and circulates through society by then. The purpose of this paper is to discuss the identities of the black American in the comics of Marvel Comics, published in Brazil. We have as hypothesis, how such representations can create identification with models of conformity or reinforce prejudicies through the classic stereotypes of racional minority in the United States. We have applied as methodology a junction of two fields; a Pierce's semiotic matrix, as a research technique to reveal the representations and their arguments, as well as sociology, which drew on the notions of culture and identity explored by Stuart Hall and Anthony Giddens for analysis of results. The samples comes from Marvel Comics magazines published by Panini, in the period from July 1 to December, 2011, in a collection purchased at news stands and specialized shops. Totaling 76 magazines, with 252 analyzed stories which form identified significant shareholdings of 1370 characters, among these only 75, or 5,47% were managed by blacks, demonstrating a low representation. This percentage is actually the remnant which is the research corpus. 16 black important chacters were identified, those would be grouped into five possible models of identities many of them are related to other fields such as cinema and music. As a whole, we can say thay the two characters that are compared to positive models and are more polyphonic, are Storm and Luke Cage. However, the low representativeness and excess characterization make comics analyzed at, a very fertile field identification by the Brazilian public
Wilson, Robyn Joan. „Last Man Hanging This exegisis is submitted to the Auckland University of Technology for the degree of Bachelor in Art & Design, Honours,(Graphic Design). 2005 /“. Full dissertation Abstract, 2005.
Den vollen Inhalt der Quelle findenPrint copy accompanied by CD. Includes bibliographical references. Also held in print (99 p. : col. ill. ; 20 cm. + CD (3 in.)) in City Campus Theses Collection (T 707 WIL)
Lopes, Romildo Sergio. „Identidades secretas : representações do negro nas Histórias em quadrinhos norte-americanas /“. Bauru, 2013. http://hdl.handle.net/11449/123697.
Der volle Inhalt der QuelleBanca: Maximiliano Martin Vicente
Banca: Waldomiro de Castro Santos Vergueiro
Resumo: Pensando as histórias em quadrinhos enquanto veículo de comunicação de massa, cuja história moderna atravessou por todo século XX até chegar à contemporaneidade, mantendo sua linguagem quase que inalterada, é possível inferir sobre a grande força do meio e, consequentemente, grande impacto das representações que elas criam com quem circulam pela sociedade. A proposta desse trabalho é discutir quais são as identidades do negro nas histórias em quadrinhos americanas da editora Marvel Comics publicadas no Brasil. Temos por hipótese o quanto tais representações podem criar identificação com modelo de conformidade ou reforçar preconceitos por meio dos estereótipos clássicos de minoria racial nos Estados Unidos. A metodologia aplicada é a junção de dois campos, a semiótica aplicada é a junção de dois campos: a semiótica de matriz pierciana, enquanto técnica de pesquisa, responsável por dar relevo às representações e a seus argumentos, bem como a sociologia, a qual se valeu das noções de cultura e identidade explorados por Stuart Hall e Anthony Giddens para as análises dos resultados. A amostra parte de uma coleção de revistas da Marvel Comics publicadas no Brasil pela Panini, no período de 01 de julho a 31 de dezembro de 2011, adquiridas nas bandas e lojas especializadas, perfazendo 76 revistas, com 252 histórias analisadas em que foram identificadas 1370 participações relevantes dos personagens, dessas apenas 75, ou seja, 5,47% foram geridas por negros, demonstrando uma baixa representatividade. Essa percentagem constitui de fato o recorte que é o corpus da pesquisa. Nele, identificamos 16 personagens negros relevantes que, poderiam ser agrupados em 5 modelos possíveis de identidades, muitas das quais alinhadas aos demais campos como cinema e música. Por conclusão, podemos dizer que os dois personagens que se alinham com modelos positivos e mais polifônicos são Tempestade e Luke Cage. Contudo a...
Abstract: Thinking of the comicsas a vehicle of mass communication, whose modern history crossed through all twentieth century until contemporary times, keeping his language almost unchanged, it is possible to infer about the great strength of the medium and, consequently, the large impacts of the representations it creates and circulates through society by then. The purpose of this paper is to discuss the identities of the black American in the comics of Marvel Comics, published in Brazil. We have as hypothesis, how such representations can create identification with models of conformity or reinforce prejudicies through the classic stereotypes of racional minority in the United States. We have applied as methodology a junction of two fields; a Pierce's semiotic matrix, as a research technique to reveal the representations and their arguments, as well as sociology, which drew on the notions of culture and identity explored by Stuart Hall and Anthony Giddens for analysis of results. The samples comes from Marvel Comics magazines published by Panini, in the period from July 1 to December, 2011, in a collection purchased at news stands and specialized shops. Totaling 76 magazines, with 252 analyzed stories which form identified significant shareholdings of 1370 characters, among these only 75, or 5,47% were managed by blacks, demonstrating a low representation. This percentage is actually the remnant which is the research corpus. 16 black important chacters were identified, those would be grouped into five possible models of identities many of them are related to other fields such as cinema and music. As a whole, we can say thay the two characters that are compared to positive models and are more polyphonic, are Storm and Luke Cage. However, the low representativeness and excess characterization make comics analyzed at, a very fertile field identification by the Brazilian public
Mestre
Breytenbach, Jesse-Ann. „A critical analysis of South African underground comics“. Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002192.
Der volle Inhalt der QuelleLau, Cheung-cheung. „A study of Manga and adolescent popular fiction in Hong Kong /“. Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20354010.
Der volle Inhalt der QuelleWalsh, Susan F. „Modifing risk perceptions of Japanese university students using a culturally compatible mode of instruction“. Morgantown, W. Va. : [West Virginia University Libraries], 1999. http://etd.wvu.edu/templates/showETD.cfm?recnum=427.
Der volle Inhalt der QuelleTitle from document title page. Written by Susan F. Walsh. Document formatted into pages; contains viii, 67 p. : ill. Vita. Includes abstract. Includes bibliographical references (p. 40-45).
Acres, Harley Blue. „Gender bending and comic books as art issues of appropriation, gender, and sexuality in Japanese art /“. Birmingham, Ala. : University of Alabama at Birmingham, 2007. http://www.mhsl.uab.edu/dt/2007m/acres.pdf.
Der volle Inhalt der QuelleGaudry, Frédéric. „Principales caractéristiques de l'esthétique de la bande dessinée et leur application à Chlorophylle“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq25587.pdf.
Der volle Inhalt der QuelleGravely, Gary T. „Roles of the quest superhero in Kavalier and Clay and three graphic novels a thesis presented to the faculty of the Graduate School, Tennessee Technological University /“. Click to access online, 2009. http://proquest.umi.com/pqdweb?index=42&did=1913184321&SrchMode=1&sid=1&Fmt=6&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1264782934&clientId=28564.
Der volle Inhalt der QuelleRohrdanz, Jessica Lynn. „Superheroes for a Superpower: Batman, Spider-Man and the Quest for an American Identity“. Connect to resource online, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1242442545.
Der volle Inhalt der QuelleO'Brien, Amy Ann. „Boys' Love and Female Friendships: The Subculture of Yaoi as a Social Bond between Women“. unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-11202008-150110/.
Der volle Inhalt der QuelleTitle from file title page. Jennifer Patico, committee chair; Emanuela Guano, Megan Sinnott, committee members. Description based on contents viewed Sept. 10, 2009. Includes bibliographical references (p. 141-147).
Mok, Ka-lai Cynthia, und 莫嘉麗. „The sociolinguistics of written Chinese in local comic booksubculture: stigmatised language varieties inHong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31221488.
Der volle Inhalt der QuelleRheeder, A. O. I. „Bitterkomix : teks, konteks, interteks, en die literere strokies van Conrad Botes en Anton Kannemeyer“. Thesis, Stellenbosch : University of Stellenbosch, 2000. http://hdl.handle.net/10019.1/930.
Der volle Inhalt der Quelle230 leaves printed single pages,numbered pages 1-230.Includes bibliography.Digitized at 600 dpi grayscale to pdf format (OCR),using an Bizhub 250 Konica Minolta Scanner.
ENGLISH ABSTRACT: Anton Kannemeyer and Conrad Botes have been publishing Bitterkomix,, their comics magazine, for nearly a decade in South Africa. These comics are a structured satyrical attack on the South African and specifically Afrikaans culture. Both artists employ different narrative strategies to convey their sometimes shocking message. The reaction on their writing and drawing shows an unwillingness in certain academic circles to analyse their texts critically. As a result Bitterkomix has drawn very little academic attention. This unwillingness is a product of the modernist approach to the comic as "low" literature. Modernists didn't regard comics as worthy material for critical analyses. The literary paradigm shift towards popular culture, and therefore comics, and the pluralistic reading strategy ofpostmodemism make it possible for an academic approach towards this previously ill-treated art form. This thesis is an attempt to suggest an approach strategy to Bitterkomix as a South African underground comics magazine. As a backdrop the study looks at the development of comics in general, as well as the changes that took place in the traditional approach strategies to the modem comic. It also focusses on selected texts by Kannemeyer and Botes to demonstrate how Bitterlwmix functions as an underground comic in the changing South African society. The writers draw upon methods and strategies used by underground comix artists in the United States during the sixties. Their specific employment of the drawing styles and narrative contents of artists like Robert Crumb, S. Clay Wilson and also the Belgian artist, Herge, makes intertextuality one of the strongest postmodemist aspects of Bitterlwmix. Botes's and Kannemeyer's combined use of intertextuality and other postmodemist metafictional narrative strategies gives Bitterlwmix a literary value that requires an academic approach.
AFRIKAANSE OPSOMMING: Anton Kannemeyer en Conrad Botes se strokiestydskrif Bitterkomix verskyn reeds bykans 'n dekade in Suid-Afrika. Hulle strokies, wat van 'n akademiese en literere uitgangspunt getuig, is 'n berekende satiriese aanval op die Suid-Afrikaanse samelewing en meer spesifiek die Afrikanerdom. Beide skrywers span 'n verskeidenheid vertelstrategiee in om hulle somtyds skokkende boodskap oor te dra. Die reaksie op hulle skryf- en tekenwerk spreek egter van 'n onvermoe ofonwilligheid by die akademici om die tekste op kritiese wyse te analiseer. Gevolglik het Bilterkomix tot dusver min akademiese aandag gekry. Hierdie onvermoe stam myns insiens moontlik uit 'n modemistiese miskenning van die strokie as kunsvorm. Strokies is as "lae" literatuur gekategoriseer en is volgens modemiste dus nie geskikte materiaal vir 'n diepsinnige bespreking me. Die literere paradigma ten opsigte van populere kultuur en dus strokies het egter intussen verander en die pluralistiese leesstrategie van 'n postrnodemistiese benadering maak dit moontlik om akademiese aandag aan hierdie voorheen miskende kunsvorm te skenk. Die tesis is 'n poging om 'n benaderingswyse voor te stel tot Bitterkomix as Suid-Afrikaanse underground-strokiestydskrif. As agtergrondstudie ondersoek dit die ontstaan en ontwikkeling van die strokie in die algemeen, asook die veranderinge wat plaasgevind het in die tradisionele benaderingswyses tot die modeme strokie. Daama fokus die bespreking op geselekteerde tekste uit die oeuvres van Botes en Kannemeyer om te probeer aantoon hoe Bitterkomix as underground-strokie binne die veranderende Suid-Afrikaanse samelewing funksioneer. Die skrywers gebruik onder andere uitgangspunte en strategiee van die underground-strokie, soos dit veral in die sestigerjare in Arnerika gevind is. Hulle doelbewuste inspeling op beide die tekenstyle en verhaalinhoude van skrywers soos Robert Crumb, S. Clay Wilson asook die Belgiese Herge maak intertekstualiteit een van die sterkste postmodemistiese kenmerke van Bitterkomix. Botes en Kannemeyer se gebruik van intertekstualiteit, metafiksionaliteit, en ander postrnodemistiese vertelstrategiee verleen aan Bitterkomix 'n literere kwaliteit wat om 'n akademiese benaderingswyse vra.
Instituut vir Navorsingsontwikkeling van die Raad vir Geesteswetenskaplike Navorsing
Phelps, Valarie L. „Pedagogy of Graphic Novels“. TopSCHOLAR®, 2011. http://digitalcommons.wku.edu/theses/1065.
Der volle Inhalt der QuelleCorin, Gemma. „From "ambiguously gay duos" to homosexual superheroes the implications for media fandom practices /“. The University of Waikato, 2008. http://hdl.handle.net/10289/2367.
Der volle Inhalt der Quelle