Thematische Bibliographien / Byzantine heritage

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Auswahl der wissenschaftlichen Literatur zum Thema „Byzantine heritage“

Autor: Grafiati

Veröffentlicht am 18. Mai 2024

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Zeitschriftenartikel zum Thema "Byzantine heritage"

Bulanin, Dmitriy Mikhailovich, Mikhail Vladimirovich Dmitriev, Oleg Ivanovich Dzyarnovich, Andrey Vitalyevich Korenevsky, Konstantin Alexandrovich Kostromin, Tatiana Viktorovna Kushch, Russell Martin, Dmitriy Igorevich Polyvyanny und Rustam Mukhammadovich Shukurov. „Byzantium after Byzantium? Forum“. Studia Slavica et Balcanica Petropolitana 31, Nr. 1 (2022): 3–35. http://dx.doi.org/10.21638/spbu19.2022.101.

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The Byzantine Empire has existed longer than all the empires that were on Earth — more than 1000 years. She created the «Byzantine Commonwealth» of countries (D. D. Obolensky’s term), stretching from the South Baltic to the Mediterranean and from the Adriatic Sea to the Caucasus Mountains. The Commonwealth countries had religious and cultural unity, a close political culture and a similar tragic fate. All of them fell victim to foreign conquest, from the Mongols to the Ottomans, and with great difficulty, centuries later, regained their sovereignty. With the death of the Byzantine Empire in 1453, its historical role did not stop. Byzantium remained a relevant historical actor for a long time, as an ideal and as a symbol, as a heritage and as a hope for the revival of its former greatness. It is not for nothing that the ideas of «lasting Rome», «New Constantinople», etc., were so popular. According to the Romanian historian Nicolae Iorga, the time of «Byzantium after Byzantium» has come, which continues to this day. In the article, historians, specialists in the history of Byzantium, consider the following questions: 1) What is «Byzantium after Byzantium»? Is it an symbolic image, is it a historical memory of a bygone empire, is it a political, spiritual, cultural ideal? Or is it a fictitious concept, Byzantium died in 1453? 2) How long did «Byzantium after Byzantium» exist? What is the chronological depth of Byzantine influence in the Balkans, in Eastern Europe? 3) There is a point of view about the «unfavorable heritage» of Byzantium — all countries belonging to the «Byzantine Commonwealth» have a difficult historical fate. Is this a fatal coincidence, or the negative influence of the «Byzantine heritage»? 4) Did Byzantium have a successor (cultural, political, spiritual)? To what extent can they consider Russia, the Balkan states?

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Belokonev, S. Yu, V. G. Ivanov und E. V. Levina. „Byzantine heritage in contemporary Turkey: Research features and political significance“. RUDN Journal of Sociology 23, Nr. 1 (16.03.2023): 89–99. http://dx.doi.org/10.22363/2313-2272-2023-23-1-89-99.

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The article considers the politics of memory of the Turkish government in relation to the Byzantine heritage in the country and the reaction of the states whose historical narrative and identity are associated with the Byzantine Empire’s legacy. The article is based on a wide range of sources in Turkish, Greek, English and Russian. The authors believe that the Turkish policy of Islamization and the ideology of neo-Ottomanism, which are implemented by the ruling AK Party under the leadership of the President R.T. Erdogan, lead to the gradual dismantling of the remaining Byzantine heritage, which was proved by the transformation of the Monastery of the Choir and the Hagia Sophia into mosques. Turkish society, except for a few dissidents many of whom have already left the country, does not show interest in the history of Byzantium and perceives the policy of the ruling party quite pragmatically, according to the opinion polls. The international reaction to the decisions of the Turkish leadership was quite restrained and in general did not focus on Byzantium and its role in history. Thus, European politicians and researchers criticized mainly the anti-Western idea of Erdogan’s actions and rhetoric, while Greece fears mostly the revival of Ottoman imperialism and considers the Byzantine legacy as a part of Hellenism. The authors conclude that it was Russian society that defined the policy of Erdogan as the destruction of the Byzantine heritage of the Eastern Orthodox civilization (primarily due to the position of the Russian Orthodox Church), which made the Russian political leadership discuss this issue at the highest level. Moreover, in the international dimension, Ankara’s consistent policy to dismantle the Byzantine heritage affects the image and ideology of the Russian state to a greater extent than that of Greece, which is determined by the sustainable perception of Russia as the successor of the Byzantine tradition.

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Joksimović, Milena. „Rediscovering the Greeks“. Tabula, Nr. 17 (16.11.2020): 169–204. http://dx.doi.org/10.32728/tab.17.2020.6.

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The article explores the impact of Byzantines on Istrian Humanism and Renaissance. In the introduction author describes the alienation of the territories which used to be Eastern and Western part of the Roman Empire and, congruently, the fate of the classical (particularly Greek) heritage in the Dark and Middle Ages in those territories. This is followed by a description of the historical events that led to rapprochement of the East and West, with particular emphasis on the Byzantine exodus to Italy. The author then provides a methodological framework by analyzing the main aspects of „rediscovering” Greek cultural heritage and the influence of the Byzantine immigrants on them. The author than turns to Istria, providing, first, a short summary of Istrian contacts with the Greek cultural heritage throughout history and then the settlement of the Byzantines in Istria. The main part of the article follows, containing a detailed analysis of the described elements of „rediscovering” Greek cultural heritage – interest in Greek language, literature, culture and philosophy (particularly Neoplatonism), in translations, the editing and publishing of Greek classics, as well as in the presence of the idea of a common European identity based on a common ancient heritage, and the voices advocating for the formation of a united Christian European front against the Ottomans.

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Vаrаbyou, Pavel Anatolievich. „The image of Byzantium in the narratives of the Grand Duchy of Lithuania and the Polish-Lithuanian Commonwealth (15th – first half of the 17th century)“. Studia Slavica et Balcanica Petropolitana 31, Nr. 1 (2022): 117–32. http://dx.doi.org/10.21638/spbu19.2022.107.

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The article is devoted to the perception of the heritage of Byzantium in the socio-political thought of the Grand Duchy of Lithuania and the Polish-Lithuanian Commonwealth in the period from 1453 to the middle of the 17th century. Already in the second half of the 17th century, the Left-Bank Ukraine left the Polish-Lithuanian Commonwealth, and the Metropolitanate of Kyiv withdrew from the jurisdiction of the Patriarchate of Constantinople. The process of influence of the Byzantine civilization on the East Slavic culture after the fall of the Byzantine Empire is investigated. According to the findings, in the process of discussing the Union of Brest in the written tradition of the GDL and the Polish-Lithuanian Commonwealth, Orthodox, Uniate, Catholic and Reformation narratives developed, in which the image of Byzantium had different shades: from positive to extremely negative, respectively. However, these narratives, which well complement the rather meager information about Byzantium in local letopis sources, are similar in one thing: they tend to see in it not the imperial past, but the current church heritage of the Greek people, which had a significant impact on the historical fate of the lands of Rus’. For the Polish-Lithuanian szlachta as an estate, the heritage of Byzantium was not a source of their own identity. Attempts to update the political idea of the liberation of Constantinople from the rule of the Turks came from the environment of the Greek diaspora of the Polish-Lithuanian Commonwealth. However, such projects were not approved here and were cut off from life. And even a major Orthodox magnate, Prince Wasyl-Konstanty Ostrogski, did not support, albeit difficult to implement, but a more realistic project to transfer the residence of the Patriarch of Constantinople to the city of Ostrog. He also did not claim political succession from the Byzantine emperors, but did not interfere with the idea of his spiritual succession. The article pays more attention to the writings of Orthodox polemicists, because the heritage of Byzantium is very important and deserves special attention.

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Pantelić, Bratislav. „The last Byzantines: perceptions of identity, culture, and heritage in Serbia“. Nationalities Papers 44, Nr. 3 (Mai 2016): 430–55. http://dx.doi.org/10.1080/00905992.2015.1105205.

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Focusing on material culture, this article considers a range of issues concerning the cultural policies, ideologies, and identities that have underlain Serbian development since the Middle Ages, and tests some widely held yet previously uncontested views. In particular it questions the Serbs' perceived affiliation with the Byzantine Empire and challenges the view that this affiliation was so pervasive that it influenced Serbian development and national formation in the modern age. It is argued that Byzantium had little if any role in the Serbs' cultural development - neither in historical memories nor in surviving traditions. Serbia's Byzantine culture is largely a myth developed in the 1930s by the Serbian clergy as a corollary of the Russian-inspired Svetosavlje ideology. This myth was meant to dislocate Serbia's cultural identity from its secular European sources and reposition it closer to Orthodox Russia.

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Marsili, Giulia, und Lucia Maria Orlandi. „Digital Humanities and Cultural Heritage Preservation“. Studies in Digital Heritage 3, Nr. 2 (13.06.2020): 144–55. http://dx.doi.org/10.14434/sdh.v3i2.27721.

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The development of Information Technology and Digital Humanities has brought numerous significant changes to the Cultural Heritage domain. The Digital Humanities has become a dynamic and fertile research field, and new projects and opportunities are constantly flourishing. The BYZART project perfectly fits this context. This project is coordinated by the Department of History and Cultures of the University of Bologna, embracing a wide consortium of partners from Bulgaria, Greece and Italy. It aims at enhancing Byzantine and Post-Byzantine artistic and cultural heritage within the Europeana platform. This project will enrich the existing Europeanacollections with about 75,000 new cultural and artistic multimedia objects relevant to Byzantine history and culture, including collections of digitized photos, video and audio content, and 3-D surveys and reconstructions. We have also established a liaison between the new materials and Byzantine-related content already existing on Europeana. The archival material collected and digitized by the BYZART consortium is of the greatest cultural and art-historical importance, but until now, it has not been properly evaluated or published. For this reason, BYZART aims to guarantee the preservation and evaluation of significant cultural heritage objects from a wide range of contexts, while also making them accessible to scholarly and general audiences alike.

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Voutounos, Chrysanthos, und Andreas Lanitis. „A Cultural Semiotic Aesthetic Approach for a Virtual Heritage Project“. Techné: Research in Philosophy and Technology 20, Nr. 3 (2016): 198–215. http://dx.doi.org/10.5840/techne201653147.

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This paper presents an integrated framework applied towards the design and evaluation of a virtual museum of Byzantine art that combines the theorized fields of semiotics, virtual heritage (VH), and Byzantine art. A devised semiotic model, the case study semiosphere, synthesizes important principles from the theoretical background justifying the overall design and evaluation methodology. The approach presented has theoretical extensions to the understanding of the role technology plays in promoting a consummatory aesthetic experience for Byzantine art in virtual environments, complementing the experience received from traditional Byzantine art media. Part A of the work presents the development of the semiotic foundation of the study prior to presenting the applied potential of the approach in design and evaluation of VH for Byzantine art, which appears in Part B. The final task of the proposed approach aims to support a meaningful interpretation, assisting in the promotion of the significance (value) of the virtual museum to potential interpreters/visitors.

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Abukarki, Hanan Jazaa, Havva Arslangazi Uzunahmet und Zeynep Onur. „The Influence of Place Attachment on Heritage Discourse in Contemporary Places: A Case Study of Jordanian Byzantine Mosaics“. Sustainability 15, Nr. 10 (22.05.2023): 8395. http://dx.doi.org/10.3390/su15108395.

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This study looks at the influence of place attachment on heritage discourse in contemporary places, specifically, Byzantine mosaics in Jordan, where the Byzantine Empire left behind a rich mosaic heritage. Today, these mosaics are replicated in contemporary architectural environments. The purpose of this article is to explore the heritage discourse surrounding Byzantine mosaics in Jordanian contemporary places with a particular focus on the replication and interpretation of the mosaics in contemporary places. To do that, the relationship between the attachments to the Byzantine mosaic places, the community’s level of awareness, and the replicated heritage discourse was examined. The research was conducted using several different methods, where structural equation modelling (SEM) was used to examine the relationship between these factors. Confirmatory factor analysis (CFA) was used to assess the measurement models of the latent components and examine their construct validity and reliability. In addition, the study was conducted in Madaba Archaeological Park in the Jordanian city of Madaba, known as the “city of mosaics”, which is rich in tourism and culture, as a subject of study. The results show that the phenomena of heritage replications in contemporary places rely on the expanding interest in history, which is manifested through realizing the historical value and unique features of heritage. This attachment, knowledge, and understanding of heritage sites based on socio-cultural norms help shape the discourse of heritage replication in the contemporary built environment. These findings provide an understanding of the reasons behind the replication behavior of heritage designs in contemporary places, which can be supported in future research and used to create an appropriate contemporary sense of place. In addition to the possibility of using it as a strategy for the sustainability of heritage designs in local culture and contemporary places, not only in Jordan but also in other heritage environments, finally, some useful suggestions emerge on which future research can be based.

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Valiavitcharska, Vessela. „Byzantine Oratorical Rhythm and the Classical Heritage“. Jahrbuch der Österreichischen Byzantinistik 59 (2010): 213–28. http://dx.doi.org/10.1553/joeb59s213.

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Mavroudi, Maria. „Byzantine Translations from Arabic into Greek: Old and New Historiography in Confluence and in Conflict“. Journal of Late Antique, Islamic and Byzantine Studies 2, Nr. 1-2 (September 2023): 215–88. http://dx.doi.org/10.3366/jlaibs.2023.0021.

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Scholarly demand to re-evaluate underappreciated cultures has grown since the 1980s. This generated a call to re-write the nineteenth-century narrative on the transmission of knowledge from the ancient Near East to the Graeco-Roman, Islamic, Western medieval, and early modern European world. The paper surveys the modern study of Byzantine translations from Arabic into Greek in order to propose a new narrative frame, no longer linear but attentive to continuous and bi-directional contact between medieval civilisations. The paper offers the contact between Byzantium and various parts of the Islamic world as an example. It discusses the presumed insularity of Byzantine literary culture and its relationship with ancient Greek literary heritage. Problems of dating, localising, and socially contextualising the translations (through information on their authors and patrons) are also examined.

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Dissertationen zum Thema "Byzantine heritage"

Tarhan, Hakan. „Public Perceptions of ‘the Other’s’ Heritage: Ottoman Heritage in Greece and Byzantine Heritage in Turkey“. Thesis, IMT Alti Studi Lucca, 2022. http://e-theses.imtlucca.it/360/1/Tarhan_phdthesis.pdf.

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The relationship between cultural heritage and identity has long been acknowledged. Due to this relevance, utilizing past and its material remains for political purposes has been a common practice for the states; a phenomenon that has its roots in antiquity and is still actively used. Modern states have been active agents in this process by defining what constitutes their ‘national identity’ and ‘national heritage’. This selection brings together the exclusion of the pasts and their remains that are ’dissonant’ with the national historiography, thus resulting in the deliberate and non-deliberate destruction of ‘the Other’s’ heritage. Due to their attachment to public memory, historical monuments are the most affected subjects of this process. This study investigates the historical and contemporary effects of ‘exclusion’ of cultural heritage from the national narratives by focusing on the Ottoman heritage in Greece and the Byzantine heritage in Turkey. The research focuses on the two particular aspects of ‘public’: the state and the people. It critically analyses cultural heritage laws in Greece and Turkey and the states’ contemporary cultural policies with regards to ‘the Other’s’ heritage. People’s perceptions of heritage are investigated through public opinion surveys conducted in two case studies from the two countries. The research deals with a topical subject, ‘heritage and identity’, which is of high relevance to contemporary societies and the heritage literature. Its originality lies in its scope, ‘the Other’s’ heritages in Greece and Turkey, and the novel results it produces. In summary, the research shows that people’s and states' perceptions of ‘the Other’s’ heritage are interrelated and mostly governed by the states’ policies. The inclusion of the Ottoman heritage in the cultural heritage management in Greece has positively influenced the people’s perceptions. In Turkey, the ‘otherness’ of the Byzantine heritage is still felt by the people, but the potential benefits of their utilization enhance their protection by the public.

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Sumanov, Lazar. „Conservation and seismic strengthening of architecutural heritage : Byzantine churches of the ninth till the fourteenth centuries in Macedonia“. Thesis, University of York, 1999. http://etheses.whiterose.ac.uk/10935/.

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Üre, Pınar. „Byzantine heritage, archaeology, and politics between Russia and the Ottoman Empire : Russian Archaeological Institute in Constantinople (1894-1914)“. Thesis, London School of Economics and Political Science (University of London), 2014. http://etheses.lse.ac.uk/1005/.

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This dissertation will analyse the history of the Russian Archaeological Institute in Constantinople, which operated between 1895 and 1914. Established under the administrative structure of the Russian Embassy in Constantinople, the institute occupied a place at the intersection of science and politics. Focusing nearly exclusively on Byzantine and Slavic antiquities in the Ottoman Empire, the activities of the institute reflected the imperial identity of Russia at the turn of the century. As was explicitly expressed by Russian diplomats, bureaucrats, and scholars, the establishment of an archaeological institution in the Ottoman capital was regarded as a foreign policy tool to extend Russia’s influence in the Near East, a tool of “soft power” in modern parlance. On the Ottoman side, foreign archaeological activities were regarded with suspicion especially in the later part of the 19th century. In an attempt to preserve its vulnerable sovereignty, Ottoman Empire closely monitored foreign archaeological activities on its territories. For the Ottoman Empire, archaeology was also a way of projecting its image as a modern, Westernised empire. For both Russian and Ottoman archaeologists, European scholarship was regarded as an example that should be followed, and a rival at the same time. Russian archaeologists had to close down their office with the outbreak of World War I. The complications that arose with the disintegration of the institute were solved only in the late 1920s between the Soviet Union and Republican Turkey, under completely different political circumstances.

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Berk, Bensu. „The Byzantine Church of Santa Croce in Ravenna (Italy): Experimental Investigation on Historic Materials and Monitoring of Rising Damp“. Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.

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Rising damp is an almost inevitable and hazardous phenomenon for historic buildings. This phenomenon, which already exists in buildings (to a lesser or greater extent), accelerates when faced with disasters that dramatically increase the water content within the building. While researchers are developing new monitoring methods to examine the effects of rising damp on structures effectively, organizations are designing new risk management plans to minimize the impact of disasters to which cultural heritages are exposed. The case study presented in this thesis includes studies carried out in the Byzantine church of Santa Croce in Ravenna, Italy, which was exposed to rising moisture from flooding due to soil submersion. By analyzing the samples collected from the church, the extent of the decay was determined. Moreover, a new method ensured that the monitoring of moisture in the church was reliable. The data obtained can be used to support the multi-disciplinary studies carried out in the church of Santa Croce, which was selected as part of the EU Horizon 2020 SHELTER project.

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CAPRI, FABIO. „Gli Ostrogoti. Sopravvivenze sociali e culturali nell'Italia medievale“. Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/243.

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Ridefinizione del tema delle origini dei Goti secondo il recente dibattito e indagine storico-prosopografica basata su fonti narrative, documentarie, archeologiche ed epigrafiche sulla fisionomia identitaria e sociale degli Ostrogoti insediati in Italia e sopravvissuti nel periodo successivo alla Guerra Greco-Gotica (dalla seconda metà del VI sec. d.C..), con particolare attenzione alle aree di dominio bizantino. Il lascito della loro memoria etnica, storica e istituzionale nel Regnum longobardo e in alcune fonti narrative italiane medievali.
Redefinition of the Goths-origins them in the recent debate, and historical -prosopographical research based on narrative, documentary, archaeological and epigraphic sources about the identity and social make-up of living and surviving Ostrogoths in Italy after the Greek-Gothic War (from 2nd half of VIth century), particularly for the areas under Byzantine rule. The heritage of their ethnic, historical, and institutional remembrance in the Lombard kingdom and in some Italian middle-age narrative sources.

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CAPRI, FABIO. „Gli Ostrogoti. Sopravvivenze sociali e culturali nell'Italia medievale“. Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/243.

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Blaha, Isabelle. „Laïques et ecclésiastiques entre religion citadine et Contre-réforme à Naples des débuts du XVIe siècle aux début du XVII siècle : résister, contrôler et discipliner“. Electronic Thesis or Diss., Lyon 2, 2022. http://www.theses.fr/2022LYO20048.

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Appréhender la foi des laïcs napolitains au XVIe siècle est une entreprise ardue tant en raison des difficultés matérielles d’accès aux sources, que de leur discontinuité temporelle, qui rendent difficile toute reconstruction historique systématique fondée sur la longue durée, ou l’étude de séries homogènes de sources. Malgré cette réalité, les difficultés matérielles ont été contournées par des dépouillements systématiques de fonds d’une grande diversité, tant des archives archidiocésaines ou d’État de Naples,que de la Curie généralice de la Compagnie de Jésus, et que celles du Saint-Siège, tout en recourant à une méthodologie qualitative.Les caractères singuliers d’une piété laïque et urbaine ont d’abord été privilégiés, puis l’analyse s’est attachée, dans la capitale du vice-royaume d’Espagne, aux relations entre laïcs et ecclésiastiques avant et après le concile de Trente. En effet, l’approche diachronique choisie se concentre sur le “siècle de transition” de l’histoire de l’Église catholique moderne, celui du XVIe siècle.Émergent de cette thèse la reconstruction de multiples identités religieuses de laïcs et d’ecclésiastiques napolitains, comme leur manière d’appréhender la religion et l’Église catholique, grâce aux précieux éléments fournis par l’examen des visites pastorales tridentines, ou de celui plus ou moins répressif des procès-verbaux des tribunaux archidiocésains et de “l’Inquisition napolitaine” du Saint Office. Les Napolitains sont ainsi peu enclins à l’application des normes tridentines, alimentant un contexte de tension sociale grandissant, et de criminalisation religieuse. En témoignent également des sources singulières pour l’histoire de la sensibilité religieuse, en l'occurence les procès-verbaux des veilles d’exécutions capitales de laïcs, dressés par les “greffiers” de la Compagnie des Bianchi della Giustizia.Face à cette situation, des stratégies sont mises en œuvre par la Curie généralice et les responsables du Collège jésuite napolitain, afin de réformer la vie religieuse, très contrastée au regard également des sources de la Curie de l’archidiocèse. Enfin, laïcs et clercs font bien souvent cause commune face aux tentatives de réformes romaines, ce qui ne diffère guère d’une grande partie des villes de l’Europe catholique.Le tableau présenté dans cette thèse fait apparaître une religion citadine encore “très médiévale”, -selon toute vraisemblance enracinée dans un héritage byzantin-, témoignant des fortes résistances locales laïques et ecclésiastiques, rendant très laborieuse l’introduction du nouveau modèle de vie chrétienne dans la capitale du royaume de Naples jusqu’à la réforme de 1598 du cardinal et archevêque Alfonso Gesualdo
Understanding Neapolitan lay people’s faith in the sixteenth century is an arduous undertaking, both because of the material difficulties of accessing sources and because of their temporal discontinuity, which makes it difficult to carry out any historical systematic reconstruction based on the long term, orto study homogeneous series of sources. In spite of this reality, material difficulties have been overcome by systematically examining a wide variety of collections, both from the archdiocesan and state archivesof Naples, the General Curia (Curia Generalice) of the Society of Jesus, and the Holy See, using aqualitative methodology.The particular characteristics of a lay and urban piety were first privileged, then the analysis focused on the relations between laymen and ecclesiastics in the capital of the vice-kingdom of Spain before and after the Council of Trent. In fact, the diachronic approach chosen focuses on the "transitional century"of the history of the modern Catholic Church, that of the 16th century.From this thesis emerges the reconstruction of multiple religious identities of Neapolitan laymen and clergymen, as well as their way of apprehending religion and the Catholic Church, thanks to the precious elements provided by the examination of the Tridentine pastoral visits, or of the more or less repressive one of the minutes of the archdiocesan tribunals and of the "Neapolitan Inquisition" of the Holy Office.Thus, Neapolitans were reluctant to apply the Tridentine norms, increasing a context of growing social tension and religious criminalisation. This is also demonstrated by the essential sources for the historyof religious sensitivity, in this case the minutes of the vigil of capital executions of laymen, drawn up by the "clerks" of the Company of the Bianchi della Giustizia. Faced with this situation, strategies were implemented by the General Curia and those in charge of the Neapolitan Jesuit College, in order toreform religious life, which was very contrasted according to the sources of the Curia of the archdiocesetoo. Finally, laymen and clerics often made common cause in the face of attempts at Roman reform,which was not that different from most Catholic European cities.This thesis shows a city religion that is still "very medieval", - in all likelihood rooted in a Byzantine heritage -, testifying to strong local lay and ecclesiastical resistance, making the introduction of the new model of Christian life very laborious in the capital of the Kingdom of Naples until the 1598’s reformof Cardinal and Archbishop Alfonso Gesualdo

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Bücher zum Thema "Byzantine heritage"

Yıldız, Şule Kılıç. Byzantium between "East" and "West": Perceptions and architectural historiography of the byzantine heritage. Istanbul: Libra, 2021.

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Katriĭ, I͡Ulii͡an I͡A. The Christian heritage of the Eastern Church. Detroit: Basilian Fathers Publications, 1991.

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Baert, Barbara. A heritage of holy wood: The legend of the true Cross in text and image. Leiden: Brill, 2004.

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Cavarnos, Constantine. The Hellenic heritage: Two lectures dealing with Greek culture: ancient, Byzantine, and modern. Belmont, Mass., U.S.A: Institute for Byzantine and Modern Greek studies, 1999.

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1937-, Børtnes Jostein, und Lunde Ingunn 1969-, Hrsg. Cultural discontinuity and reconstruction: The Byzanto-Slav heritage and the creation of a Russian national literature in the nineteenth century. Oslo: Solum, 1997.

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Kakissis, Amalia G. Byzantium and British Heritage. London: Routledge, 2023. http://dx.doi.org/10.4324/9781351119825.

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Volodymyr, Didukh, Hrsg. Zberez︠h︡enni︠a︡ ta vykorystanni︠a︡ kulʹturnoï spadshchyny Ukraïny: Problemy ta perspektyvy materialy miz︠h︡narodnoï i︠u︡vileĭnoï naukovoï konferent︠s︡iï Halych, 4-6 lystopada 2004 = Preserving and using of Ukrainian cultural heritage problems and prospects : materials of international anniversary scientific conference Halych, 4-6 November. Halych: Nat︠s︡ionalʹnyĭ zapovidnyk "Davniĭ Halych", 2004.

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Echevarria, Estela. Byzantine Art and Architecture (The World Heritage). Childrens Pr, 1995.

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Kakissis, Amalia G. Byzantium and British Heritage: Byzantine Influences on the Arts and Crafts Movement. Taylor & Francis Group, 2022.

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Kakissis, Amalia G. Byzantium and British Heritage: Byzantine Influences on the Arts and Crafts Movement. Routledge, 2022.

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Buchteile zum Thema "Byzantine heritage"

Boeck, Elena N. „Internationalizing Russia’s Byzantine heritage“. In The Eloquence of Art, 29–46. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Birmingham Byzantine and Ottoman studies: Routledge, 2020. http://dx.doi.org/10.4324/9781351185592-3.

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Holder, Julian. „‘Byzantine Art Still Exists’; W.R. Lethaby and the Byzantine Revival“. In Byzantium and British Heritage, 110–37. London: Routledge, 2023. http://dx.doi.org/10.4324/9781351119825-7.

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Bullen, J. B. „The Byzantine Revival in Europe“. In Byzantium and British Heritage, 3–25. London: Routledge, 2023. http://dx.doi.org/10.4324/9781351119825-2.

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Altan, Barış. „Changing approaches to Turkey's Byzantine heritage“. In The Routledge International Handbook of Heritage and Politics, 326–44. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003300984-29.

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Kourelis, Kostis. „Walter S. George and the Byzantine House“. In Byzantium and British Heritage, 159–88. London: Routledge, 2023. http://dx.doi.org/10.4324/9781351119825-9.

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Chlepa, Eleni-Anna. „The Restoration of Byzantine Monuments in Nineteenth-Century Greece“. In Byzantium and British Heritage, 57–77. London: Routledge, 2023. http://dx.doi.org/10.4324/9781351119825-4.

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Butler, Richard J. „The Byzantine Research and Publication Fund Architect Walter Sykes George (1881–1962)“. In Byzantium and British Heritage, 266–89. London: Routledge, 2023. http://dx.doi.org/10.4324/9781351119825-14.

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Maronidis, Anastasios, und Andreas Lanitis. „An Automated Methodology for Assessing the Damage on Byzantine Icons“. In Progress in Cultural Heritage Preservation, 320–29. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34234-9_32.

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Jabi, Wassim, und Iakovos Potamianos. „Parameterizing the Geometry and Visualizing the Lighting Method of Byzantine Church Domes“. In Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection, 171–83. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-48496-9_14.

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Varfi, G. T., A. Asvestas, D. A. Exarchos, S. Farmaki, G. Mastrotheodoros, D. F. Anagnostopoulos und T. E. Matikas. „Nondestructive Assessment of Post-Byzantine Icon“. In Advanced Nondestructive and Structural Techniques for Diagnosis, Redesign and Health Monitoring for the Preservation of Cultural Heritage, 16–27. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-03795-5_2.

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Konferenzberichte zum Thema "Byzantine heritage"

Cosentino, Antonino, Mariarita Sgarlata, Carmelo Scandurra, Samantha Stout, Mariateresa Galizia und Cettina Santagati. „Multidisciplinary investigations on the byzantine oratory of the Catacombs of Saint Lucia in Syracuse“. In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7419471.

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Vassallo, V., N. Kyriacou, S. Hermon und I. Eliades. „Tracing provenance of lost and found Cypriot Byzantine icons“. In 2013 Digital Heritage International Congress (DigitalHeritage). IEEE, 2013. http://dx.doi.org/10.1109/digitalheritage.2013.6743813.

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Ghelfi, Giorgio. „The parish church of San Michele Arcangelo in Metelliano: the path of knowledge of a vernacular architecture“. In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15675.

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The parish church of San Michele a Metelliano, located in Tuscany near the city of Arezzo, is a unique case of vernacular architecture. The building is the result of a synthesis of traditional local architecture and a strong Byzantine influence. It became a national monument in 1907.

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Bandiera, A., P. Arthur, M. Leo Imperiale, M. Frigione, F. Montagna, A. Maffezzoli und G. M. Signore. „Replicating degradable artefacts. A project for analysis and exhibition of early medieval objects from the Byzantine village at Scorpo (Supersano, Italy)“. In 2013 Digital Heritage International Congress (DigitalHeritage). IEEE, 2013. http://dx.doi.org/10.1109/digitalheritage.2013.6743726.

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Vassallo, V., E. Athanasiou, S. Hermon und I. Eliades. „Publishing cultural heritage content for digital libraries: The case of the collections of the Byzantine Museum and Art Gallery of the Archbishop Makarios III foundation“. In 2013 Digital Heritage International Congress (DigitalHeritage). IEEE, 2013. http://dx.doi.org/10.1109/digitalheritage.2013.6744816.

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Trematerra, Adriana. „Il castello di Trikala in Grecia: conoscenza, conservazione e strategie di valorizzazione“. In FORTMED2024 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.17952.

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The Mediterranean fortified heritage, as is well known, represents an architectural testimony of considerable interest that has often been subject to destruction, reconstruction and abandonment over the centuries. Significant in the field of the conservation of this heritage was the ICOMOS Guidelines on fortifications and military heritage (2021), which attempted to establish basic principles for restoration work on these artefacts, with the objective of guaranteeing the authenticity and integrity of both morphological and functional works. Among the principles contained in the cited Guidelines is that of conservation through activities and research aimed at a preliminary knowledge of the constructive and material complexity of the heritage under investigation. The present paper, being part of this context and of a wider ongoing research focused on the analysis of the Balkan fortified heritage, proposes the knowledge of the Byzantine Fortress of Trikala in Greece through the discipline of restoration. The research intends to show the state of conservation of the analysed castle in order to propose possible enhancement strategies starting from an instrumental survey carried out using digital cameras and drones. The objective is to obtain an accurate preliminary knowledge of the place, making possible the subsequent elaboration of strategies aimed at the conservation and enhancement of an heritage with a high testimonial value that is little known and not adequately enhanced.

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Galaicu, Violina. „Th e autochthonous element in Byzantine pew singing from the Romanian area in the XVI - XVII centuries“. In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.16.

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A fi rst and precious Romanian contribution to the Byzantine musical heritage of the designated period is contained in the codices from medieval Putna (most of them date from the XVI century). Th e psalters of Putna, led by Evstatie Protopsaltu, developed, through joint eff ort, a special melodic style, recognizable in the landscape of Eastern European Byzantine sound art. Th e songs written or transcribed in Putna (with texts in Greek and Slavonic) stand out for their melismatic luxuriance, the variety of rhythmic structures, the improvisational momentum in the melodic proliferation. Even if it does not bring into the equation phenomena of the scope of the Musical School of Putna, the XVII century makes the decisive turning point towards the Romanization of religious singing of the Byzantine tradition. Among the catalyzing circumstances of the process are: the reforming current coming from the West through Transylvania, the grounding of printing in the Romanian countries, the crystallization of the Romanian literary language, the act of uniting with Rome of a part of Transylvanian Romanians. Th e socio-cultural and identity ferment of the XVI – XVII centuries prepared the spiritual eff ervescence of the Brancovean era and the launch of the fi rst collection of sacred chants with Romanian text - the Romanian Psalticha by Filotei sin Agăi Jipei.

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Ismail, Salah. „The Hidden Heritage of Ankara Citadel: an Ambigous Future between Conservation and Transformation“. In INTERNATIONAL CONFERENCE ON ARCHITECTURAL AND CIVIL ENGINEERING 2020. Cihan University-Erbil, 2021. http://dx.doi.org/10.24086/aces2020/paper.223.

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Although Ankara gained international attention mainly after its declaration as Capital of the Turkish Republic in 1923, the city hosts many buildings and monuments from different historical eras. The remains of Roman, Byzantine, Seljuk and Ottoman Empires discovered in the center of the city, clearly bear witness to the rich and diverse heritage of the capital. However, this heritage appears as less documented, studied and even not properly conserved. The citadel of Ankara, which dominates the narrow streets of the old city has withstood its long history very well and today houses a small neighborhood made up of valuable Ottoman wooden buildings. The link to the Roman and Medieval periods is still tangible. The Roman theatre remains at the foot of the hill are still observable, while the stone columns and beams used in the construction of the walls in a later era. The aim of this paper is to document and present the different historical eras of the castle, focusing on the remains of the medieval era. Analyzing the key features of the castle and the previous intervention on it will support the identification of the potentials of the site. Finally, recommendations for future work of architectural preservation will be elaborated on the basis of national and international conservation guidelines.

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Chastina, Alla. „The history of the 2nd male gymnasium in Chisinau and the house church built with it at the end of the 19th – 20th centuries (for the 120th anniversary of the construction of the church)“. In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.11.

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Th e educational institution was opened in Chisinau in 1871. It was transformed into the 2nd Chisinau gymnasium in 1884. Th ere are various documents on the construction of the building of this 2nd male gymnasium during 1892-1893 in the National Archives of the Republic of Moldova. Plans and projects for this construction of the building were drawn up by the diocesan architect Demosfen Mazirov. Th e educational institution had the right to own a chapel and thanks to the honorary trustee of the gymnasium Constantin Namestnic, a temple was built in the Byzantine-Russian style according to the project of the diocesan architect Mikhail Serotsinsky. On May 19, 1902 it was consecrated. In April 1962, a planetarium was opened in the church building as a center of astronomy. Later it was returned to the Orthodox Church. Today it is the Transfi guration of the Savior Church (Biserica Schimbarea la Față a Mântuitorului), which is an architectural monument of national importance representing a part of the rich cultural heritage of the Republic of Moldova.

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Abderrahim Mahindad, Naima. „Les caractéristiques architecturales et constructives de la muraille médievale à la période Hammadite à Bejaia (Algérie)“. In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11381.

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The architectural and constructive characteristics of the medieval wall of Bejaia city during the Hammadite periodBejaia, is a coastal city of Central-East Algerian which has seen succeeding on its lands several civilizations: Byzantine, Roman, Hammadite, Spanish and Ottoman It reached its peak from the beginning of the eleventh century, when the Hammadite ruler, An-Nasir made it the capital. The city maintained this important status until the sixteenth century, when it was considered the jewel of the Maghreb. At that time, the city was fortified with a large surrounding wall, which spanned more than 5000 m. This city wall was flanked with bastions and towers, and rose in tiers from the sea-side to Mount Gouraya. Its layout was perfectly designed and blended with the city’s topography It consisted of three walls: one to the east and another to the west, which were connected by a third wall, which ran along the seaside. Today, two gates are preserved from the city of Bejaia’s rich defensive heritage: Bab El Bahr, which opens onto the sea, and Bab El Fouka, which opens onto the plains, as well as some parts of the walls, dotted around different parts of the city. This heritage is threatened and its preservation, restoration and enhancement require a comprehensive knowledge of the architectural and constructive styles, which characterize it, and of the materials used in its construction. This contribution aims to identify the architectural and constructive features of this defense system, developed by the Hammadites, as well as a characterization of the construction materials used, such mortar, through physical, chemical and petrographic analyses.

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