Auswahl der wissenschaftlichen Literatur zum Thema „British – virginia – fiction“
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Zeitschriftenartikel zum Thema "British – virginia – fiction"
Haley, Madigan. „On Gathering: Or, The Birth of Global Fiction from the Spirit of Tragedy“. Novel 53, Nr. 1 (01.05.2020): 76–95. http://dx.doi.org/10.1215/00295132-8139339.
Der volle Inhalt der QuelleNicklas, Charlotte. „‘It is the Hat that Matters the Most’: Hats, Propriety and Fashion in British Fiction, 1890–1930“. Costume 51, Nr. 1 (März 2017): 78–102. http://dx.doi.org/10.3366/cost.2017.0006.
Der volle Inhalt der QuelleStrout, Laura. „Casting Shadows at Chesney Wold: Empty-House-Time and Realism in the British Novel“. Novel 53, Nr. 2 (01.08.2020): 165–92. http://dx.doi.org/10.1215/00295132-8309533.
Der volle Inhalt der QuelleSchabert, Ina. „English Fiction in France: A Cross-Channel Dialogue at the Turn of the Twenty-First Century“. Nottingham French Studies 61, Nr. 1 (März 2022): 45–59. http://dx.doi.org/10.3366/nfs.2022.0338.
Der volle Inhalt der QuelleToth, Naomi. „Generic images, gendered responses: Virginia Woolf and the representation of belligerent violence“. Journal of European Studies 51, Nr. 3-4 (November 2021): 228–38. http://dx.doi.org/10.1177/00472441211033413.
Der volle Inhalt der QuelleDizdar, Srebren. „Od uzora do prezira / from admiration to contempt“. Journal of the Faculty of Philosophy in Sarajevo / Radovi Filozofskog fakulteta u Sarajevu, ISSN 2303-6990 on-line, Nr. 25 (23.12.2022): 415–72. http://dx.doi.org/10.46352/23036990.2022.415.
Der volle Inhalt der QuelleGilbert, Nora. „A Servitude of One’s Own“. Nineteenth-Century Literature 69, Nr. 4 (01.03.2015): 455–80. http://dx.doi.org/10.1525/ncl.2015.69.4.455.
Der volle Inhalt der QuelleDrąg, Wojciech. „The Curricular Canon of Twentieth- and Twenty-First Century British and Irish Literature at Polish Universities“. Anglica Wratislaviensia 56 (22.11.2018): 45–56. http://dx.doi.org/10.19195/0301-7966.56.4.
Der volle Inhalt der QuelleHenry, Holly. „Bertrand Russell in Blue Spectacles: His Fascination with Astronomy“. Culture and Cosmos 08, Nr. 0102 (Oktober 2004): 107–20. http://dx.doi.org/10.46472/cc.01208.0221.
Der volle Inhalt der QuelleBernard, Catherine. „LAURA M a LOJO RODRIGUEZ, ed. — Moving across a Century. Women’s Short Fiction from Virginia Woolf to Ali Smith. (Bern : Peter Lang, 2013, 131 pp., 37.50 €.) NICK TURNER. — Post-War British Women Novelists and the Canon . (London: Continuum, 2010, VI + 195 pp., 33.50 €.)“. Études anglaises Vol. 67, Nr. 3 (09.12.2014): 369–70. http://dx.doi.org/10.3917/etan.673.0348n.
Der volle Inhalt der QuelleDissertationen zum Thema "British – virginia – fiction"
Taylor, Elspeth Anne. „Disruption and disappointment: relationships of children and nostalgia in British interwar fiction“. Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/1090.
Der volle Inhalt der QuelleMukherjee, Srilata. „Truncated transgressions : fictions of female authorship by British women writers of the late-nineteenth and early-twentieth centuries /“. Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004346.
Der volle Inhalt der QuelleManocha, Nisha. „Generic insistence : Joseph Conrad and the document in selected British and American modernist fiction“. Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:f28ba054-3443-4ba3-9e1b-c7939edc3d91.
Der volle Inhalt der QuelleLopoukhine, Juliana. „The poetics and politics of urban spaces; sexual difference under pressure in British women's fiction 1910-1930: Rose Macaulay, Katherine Mansfield, Virginia Woolf & Jean Rhys“. Thesis, Keele University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.572425.
Der volle Inhalt der QuelleStead, Lisa Rose. „Women's writing and British female film culture in the silent era“. Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3138.
Der volle Inhalt der QuelleThirriard, Maryam. „Crafting the new biography : Virginia Woolf, Harold Nicolson and Lytton Strachey“. Thesis, Aix-Marseille, 2019. http://www.theses.fr/2019AIXM0471.
Der volle Inhalt der QuelleThe aim of this dissertation is to offer a study of a characteristic form of biography developed by modernist writers in the 1920s and 1930s, which became known as the New Biography. This research focuses on a group of biographers who developed this seminal praxis: Virginia Woolf, Harold Nicolson and Lytton Strachey, whom Woolf assembles in her “new school for biographies” (“The New Biography”). The dynamic discussion these authors animated in the 20s and 30s reveal the existence of a movement among biographers and I shall argue that this group of writers, all linked to “the New Biography”, had a crucial impact on the development of biography as a literary genre. Furthermore, the thesis will result in the mapping of the epistemological network to which the New Biography belongs. By localising New Biography on its literary, cultural and historical map, by systematizing its theory and the poetics of its narrative, this study seeks to chart the influence of the New Biography on the genre of biography as a literary form and its impact as an avant-gardist form of historiography
Castle, Jacob C. „Virginia Woolf’s Fictional Biographies, Orlando and Flush, as Prefigures of Postmodernism“. Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3158.
Der volle Inhalt der QuelleLudtke, Laura Elizabeth. „The lightscape of literary London, 1880-1950“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:99e199bf-6a17-4635-bfbf-0f38a02c6319.
Der volle Inhalt der QuelleZacks, Aaron Shanohn. „Publishing short stories : British modernist fiction and the literary marketplace“. Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-08-6327.
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McArthur, Elizabeth Andrews. „Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan“. Thesis, 2012. https://doi.org/10.7916/D89Z9BV7.
Der volle Inhalt der QuelleBücher zum Thema "British – virginia – fiction"
Woolf, Virginia. The complete shorter fiction of Virginia Woolf. London: Hogarth Press, 1985.
Den vollen Inhalt der Quelle findenWoolf, Virginia. The complete shorter fiction of Virginia Woolf. Edinburgh: Chambers, 1989.
Den vollen Inhalt der Quelle findenWoolf, Virginia. The complete shorter fiction of Virginia Woolf. 2. Aufl. San Diego: Harcourt Brace Jovanovich, 1989.
Den vollen Inhalt der Quelle findenWoolf, Virginia. The complete shorter fiction of Virginia Woolf. London: Hogarth, 1989.
Den vollen Inhalt der Quelle findenWoolf, Virginia. The complete shorter fiction of Virginia Woolf. San Diego: Harcourt Brace Jovanovich, 1985.
Den vollen Inhalt der Quelle findenSu, Reid, Hrsg. Mrs. Dalloway and To the lighthouse, Virginia Woolf. New York: St. Martin's Press, 1993.
Den vollen Inhalt der Quelle findenWoolf, Virginia. The definitive collected edition of the novels of Virginia Woolf. London: Hogarth Press, 1990.
Den vollen Inhalt der Quelle findenWoolf, Virginia. Jacob's room: Authoritative text, Virginia Woolf and the novel, criticism. New York, NY: W. W. Norton & Company, 2007.
Den vollen Inhalt der Quelle findenHow British women writers transformed the campus novel: Virginia Woolf, Dorothy L. Sayers, Margaret Drabble, Anita Brookner, Jeanette Winterson. Lewiston, NY: Edwin Mellen Press, 2011.
Den vollen Inhalt der Quelle findenWoolf, Virginia. Orlando: Eine Biographie / Virginia Woolf ; Deutsch von Brigitte Walitzek. Frankfurt am Main: S. Fischer, 1990.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "British – virginia – fiction"
Fernald, Anne E. „Virginia Woolf and Experimental Fiction“. In A Companion to British Literature, 246–59. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118827338.ch90.
Der volle Inhalt der QuelleSnyder, Carey J. „Self-nativizing in Virginia Woolf’s The Voyage Out“. In British Fiction and Cross-Cultural Encounters, 97–117. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1007/978-1-137-03947-7_4.
Der volle Inhalt der QuelleJohnson, George M. „“The Spirit of the Age”: Virginia Woolf’s Response to Dynamic Psychology“. In Dynamic Psychology in Modernist British Fiction, 176–205. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230288072_7.
Der volle Inhalt der Quelle„Virginia Woolf: Fact, fiction and photography“. In Writing, Authorship and Photography in British Literary Culture, 1880–1920. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350196216.ch-007.
Der volle Inhalt der QuelleShackleton, David. „Virginia Woolf and the Pageant of History“. In British Modernism and the Anthropocene, 122–57. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192857743.003.0005.
Der volle Inhalt der Quelle„Joseph Conrad, Ford Madox Ford, and Virginia Woolf“. In The Cambridge Introduction to British Fiction, 1900–1950, 58–68. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139248907.005.
Der volle Inhalt der QuelleKopley, Emily. „Woolf and the Thirties Poets“. In Virginia Woolf and Poetry, 243–74. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198850861.003.0008.
Der volle Inhalt der QuelleWhitehead, Anne. „Empathy and Ethics“. In Medicine and Empathy in Contemporary British Fiction, 59–90. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9780748686186.003.0003.
Der volle Inhalt der QuelleDeen, Stella. „The Spinster in Eden: Reclaiming Civilisation in Interwar British Rural Fiction“. In Rural Modernity in Britain, 135–48. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474420952.003.0009.
Der volle Inhalt der QuelleConnor, John T. „Hope Mirrlees and Virginia Woolf in the ‘footprints of Sir Walter Scott’“. In Mid-Century Romance, 35–72. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191953057.003.0002.
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