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Thematische Bibliographien / British black identity / Bücher

Bücher zum Thema „British black identity“

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Autor: Grafiati

Veröffentlicht am 25. Mai 2024

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1

The art of being Black: The creation of Black British youth identities. Oxford: Clarendon Press, 1996.

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2

Black arts in Britain: Literary, visual, performative. Roma: Aracne, 2011.

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3

Alston, Jacquelyn G. Comparative nationalism: Definitions, interpretations and the Black American and British West African experience to 1947. Washington, D.C: J.G. Alston, 1985.

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4

Comparative nationalism: Definitions, interpretations, and the Black American and British West African experience to 1947. 2. Aufl. Washington, D.C: Historical Dimensions Press, 1985.

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5

Eshun, Ekow. Black gold of the sun: Searching for home in Africa and beyond. New York: Pantheon Books, 2006.

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6

Black gold of the sun: Searching for home in Africa and beyond. New York: Pantheon, 2005.

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7

Mercer, Kobena. Welcome to the jungle: New positions in Black cultural studies. New York: Routledge, 1994.

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8

Welcome to the jungle: New positions in Black cultural studies. New York: Routledge, 1994.

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9

Dias, Magan. A critique of race within the films 'Flame in the Streets' and 'Sapphire': Understanding the portrayal of black identity within British society. London: LCP, 1999.

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10

Fielding, Henry. The history of Tom Jones, a foundling. New York: Knopf, 1991.

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11

Henri, Fielding. The history ofTom Jones, a foundling. Ware: Wordsworth Editions, 1992.

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12

Fielding, Henry. Tom Jones. Oxford: Oxford University Press, 2008.

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13

Fielding, Henry. The history of Tom Jones, a foundling. New York: Modern Library, 1994.

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14

Fielding, Henry. The history of Tom Jones. New York, N.Y., U.S.A: Penguin, 1989.

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15

Fielding, Henry. (Tom Jones) The history of Tom Jones. Harmondsworth: Penguin Books, 1985.

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16

Fielding, Henry. Tom Jones: The authoritative text, contemporary reactions, criticism. 2. Aufl. New York: Norton, 1995.

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17

Alexander, Claire E. Art of Being Black: The Creation of Black British Youth Identities. Oxford University Press, 1996.

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18

Olusoga, David. Black and British: A Forgotten History. Pan Books, 2018.

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19

Black Film British Cinema II. Goldsmiths, University London, 2021.

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20

Morey, Peter. Black British and British Asian Fiction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198749394.003.0029.

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This chapter explores some issues in black British and British Asian fiction since the 1980s. It shows certain key characteristics of the white British apprehension of those non-white imperial subjects who, after decolonization, were to arrive, in increasing numbers, on British shores. This chapter takes a sample of five writers — three women and two men — and explores those key recurring themes that give a unity to their otherwise very different novels. Through the work of Caryl Phillips, Andrea Levy, Zadie Smith, Hanif Kureishi, and Monica Ali, this chapter traces the persistence of issues of race and racism. The chapter also considers the importance of recuperating black history, the rise of identity politics, and the tenacity with which the gaze of the racial Other — whether white on black or black on white — fixes its object in the expectation of certain forms of limiting and supposedly ‘authentic’ behaviour.

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21

Olusoga, David. Black and British: A Forgotten History. Pan Books, 2017.

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22

Pirker, Eva Ulrike. Narrative Projections of a Black British History. Taylor & Francis Group, 2012.

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23

Pirker, Eva Ulrike. Narrative Projections of a Black British History. Taylor & Francis Group, 2012.

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24

Pirker, Eva Ulrike. Narrative Projections of a Black British History. Taylor & Francis Group, 2012.

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25

Narrative Projections of a Black British History. Taylor & Francis Group, 2011.

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26

Olusoga, David. Black and British: A Forgotten History. Picador, 2021.

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27

Olusoga, David. Black and British: An Illustrated History. Pan Macmillan, 2021.

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28

Olusoga, David. Black and British: A Short Essential History. Pan Macmillan, 2020.

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29

Olusoga, David. Black and British: A Short Essential History. Pan Macmillan, 2020.

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30

Alston, Jacquelyn G. Comparative Nationalism: Definitions, Interpretations and the Black American and British West African Experience to 1947. iUniverse, Inc., 2006.

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31

Black Gold of the Sun. Penguin, 2006.

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32

Eshun, Ekow. Black Gold of the Sun: Searching for Home in England and Africa. Penguin Books, Limited, 2006.

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33

Black Gold of the Sun: Searching for Home in Africa and Beyond (Vintage). Vintage, 2007.

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34

Nwonka, Clive Chijioke. Black Boys. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781501352850.

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In Black Boys: The Aesthetics of British Urban Film, Nwonka offers the first dedicated analysis of Black British urban cinematic and televisual representation as a textual encounter with Blackness, masculinity and urban identity where the generic construction of images and narratives of Black urbanity is informed by the (un)knowable allure of Black urban Otherness. Foregrounding the textual Black urban identity as a historical formation, and drawing on a range of theoretical frameworks that allow for an examination of the emergence and continued social, cultural and industrial investment in the fictitious and non-fictitious images of Black urban identities and geographies, Nwonka convenes a dialogue between the disciplines of Film and Television Studies, Philosophy, Cultural Studies, Black Studies, Sociology and Criminology. Here, Nwonka ventures beyond what can be understood as the perennial and simplistic optic of racial stereotype in order to advance a more expansive reading of the Black British urban text as the outcome of a complex conjunctural interaction between social phenomena, cultural policy, political discourse and the continuously shifting politics of Black representation. Through the analysis of a number of texts and political and socio-cultural moments, Nwonka identifies Black urban textuality as conditioned by a bidirectionality rooted in historical and contemporary questions of race, racism and anti-Blackness but equally attentive to the social dynamics that render the screen as a site of Black recognition, authorship and authenticity. Analysed in the context of realism, social and political allegory, urban multiculture, Black corporeality and racial, gender and sexual politics, in integrating such considerations into the fabrics of a thematic reading of the Black urban text and through the writings of Stuart Hall, Paul Gilroy, Judith Butler and Derrida, Black Boys presents a critical rethinking of the contextual and aesthetic factors in the visual constructions of Black urban identity.

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35

Black Africans in the British Imagination: English Narratives of the Early Atlantic World. LSU Press, 2016.

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36

Black Gold of the Sun: Searching for Home in England and Africa. Hamish Hamilton, 2005.

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37

Malik, Sarita. Representing Black Britian: Black and Asian Images on Television (Culture, Representation and Identity series). Sage Publications Ltd, 2002.

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38

Fantazzini, Fabio. Dread Inna Inglan: Identità, Musica e Lotte Politiche Della Controcultura Black British 1948-1981. Independently Published, 2020.

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39

Boje, John. The Aftermath of War. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039560.003.0008.

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This chapter examines the aftermath of the South African War, focusing on the period from the conclusion of peace, when Lord (Horatio) Kitchener shook hands with the Boer delegates and pledged, “We are good friends now,” to the establishment of the National Party with anti-British and anti-black bias. The chapter begins with a discussion of the postwar reconstruction, the reintegration of hendsoppers (surrendered Boers) and joiners, and the consolidation of Afrikaners’ national identity. It then considers the role of the Dutch Reformed Church in rebuilding community, along with the political resurgence of the adversaries of “protected burghers” in the Free State. It also looks at the 1914 rebellion that articulated a republican protest against the modernizing state. Finally, it highlights the postwar trauma suffered by blacks, their political marginalization, and the establishment of the African National Congress (ANC).

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40

Crenshaw, Kimberlé, Kehinde Andrews und Annabel Wilson, Hrsg. Blackness at the Intersection. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350234970.

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A ground-breaking collection applying Crenshaw’s concept of intersectionality to the black diasporic experience in Britain. In the 1980s, Professor Kimberlé Crenshaw first coined the term ‘intersectionality’. Since then, the concept has spread across national and disciplinary boundaries, and has had a transformative impact on the way in which we understand identity and the experience of discrimination. But outside the US, the application of intersectional theory has largely been disconnected from any analysis of ‘Blackness’, despite intersectionality’s origins in critical race theory (CRT). Curated by Crenshaw, Andrews and Wilson as well as several of the leading scholars of CRT, this collection bridges that gap, and is the first to apply both these concepts to contexts outside the US. Focusing on Blackness in Britain, the contributors examine how scholars and activists are employing intersectionality to foreground Black British experiences. Its essays encompass key issues such as gender and Black womanhood, issues of representation within contemporary British culture, and the position of Black Britons within institutions such as the family, education and health. The book also looks to the role intersectionality can play in shaping future political activism, and in forging links beyond ‘Blackness’ to other social movements.

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41

Macharia, Keguro. Frottage. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9781479881147.001.0001.

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“Frottage” elaborates a conceptual framework for the book. It describes how black diasporic geohistories reframe queer studies and how queer studies, in turn, reframe black diaspora studies. I identify three key terms in black diaspora studies: kinship, hybridity, and thinghood. Dominant approaches in black diaspora studies have framed the black diaspora as a search for kinship, whether biological or fictive, creating what I describe as a genealogical imperative for black diasporic intellectual and cultural production. Attempting to redress this genealogical imperative, and the racial and ethnic policing it produces, scholars including Stuart Hall, Hazel Carby, and Paul Gilroy advanced the concept of hybridity, arguing that the cultural promiscuities produced through immigration and urbanization offered a way to imagine blackness as strategic and coalitional, rather than biological and ethnic. As the concept of hybridity moved from its black British context to the United States, it was appropriated by a genealogical imperative that privileged biological mixing as a “solution” to the problem of ethno-racial antagonisms. Thus, “hybridity” became a hetero-reproductive structure. I break from this genealogical imperative by arguing that “thinghood,” as theorized by Hortense Spillers and Fred Moten, provides an alternative paradigm for theorizing black being. I argue that “thinghood” is the central challenge that black diaspora studies poses for queer studies. The chapter introduces the four key figures in the book: Frantz Fanon, René Maran, Jomo Kenyatta, and Claude McKay.

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42

Strategies for Success among African-Americans and Afro-Caribbeans: Overachieve, Be Cheerful, or Confront. Rowman & Littlefield Publishers, Incorporated, 2017.

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43

Janoski, Thomas, und Chrystal Y. Grey. Strategies for Success among African-Americans and Afro-Caribbeans: Overachieve, Be Cheerful, or Confront. Lexington Books/Fortress Academic, 2018.

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44

Shoup, John A. The History of the United Arab Emirates. ABC-CLIO, LLC, 2021. http://dx.doi.org/10.5040/9798400665622.

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This volume explores the political, cultural, and economic history of the United Arab Emirates, from early antiquity to the present. The United Arab Emirates is a relatively young country in the Middle East, made up of seven emirates: Abu Dhabi, Ajman, Dubai, Fujairah, Ras Al Khaimah, Sharjah, and Umm Al Quwain. How did these seven separate emirates come together to form the United Arab Emirates? This volume explores the long, rich history of these seven emirates, focusing on political history but also highlighting culture, society, economy, and religion. Chronologically arranged chapters examine major eras and turning points in history, such as antiquity, the rise of Islam, British trade, and the discovery of black gold: oil. Readers will learn how today, most of the UAE's citizens are foreigners from other countries, as well as how much of the country's economy and livelihood depend on oil. An appendix of Notable People in the History of the United Arab Emirates serves to identify key players in the region's history, and an annotated bibliographic essay provides readers with sources for further research. Ideal for students, this volume is an important addition to the Greenwood Histories of the Modern Nations series.

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45

Fielding, Henry. History of Tom Jones, a Foundling. Creative Media Partners, LLC, 2011.

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46

Fielding, Henry. History of Tom Jones, a Foundling. Creative Media Partners, LLC, 2011.

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47

Fielding, Henry. History of Tom Jones, a Foundling. Classic Books, 2001.

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48

Fielding, Henry. The History of Tom Jones, a Foundling. Simon & Brown, 2016.

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49

Fielding, Henry. History of Tom Jones, a Foundling. CreateSpace Independent Publishing Platform, 2014.

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50

Fielding, Henry. TOM JONES. GALLIMARD, 2000.

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