Auswahl der wissenschaftlichen Literatur zum Thema „Brecht“
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Zeitschriftenartikel zum Thema "Brecht"
Schechter, Joel. „Brecht After Brecht“. Theater 17, Nr. 2 (1986): 4. http://dx.doi.org/10.1215/01610775-17-2-4.
Der volle Inhalt der QuelleBornheim, Gerd. „Brecht ainda hoje?“ Pandaemonium Germanicum, Nr. 4 (05.11.2000): 47. http://dx.doi.org/10.11606/1982-8837.pg.2000.64137.
Der volle Inhalt der QuelleZurbach, Christine. „Homem = Homem? Brecht = Brecht?“ Sinais de cena, Nr. 8 (Dezember 2007): 93–95. http://dx.doi.org/10.51427/cet.sdc.2007.0054.
Der volle Inhalt der QuelleWestermann, Bernd. „Hundert Jahre Brecht – Brechts Jahrhundert?“ Informationen Deutsch als Fremdsprache 27, Nr. 2-3 (01.06.2000): 238–41. http://dx.doi.org/10.1515/infodaf-2000-2-363.
Der volle Inhalt der QuelleMARKELL, PATCHEN. „POLITICS AND THE CASE OF POETRY: ARENDT ON BRECHT“. Modern Intellectual History 15, Nr. 2 (22.11.2016): 503–33. http://dx.doi.org/10.1017/s1479244316000366.
Der volle Inhalt der QuelleAsimakoulas, Dimitris. „Brecht in dark times“. Target. International Journal of Translation Studies 17, Nr. 1 (31.12.2005): 93–110. http://dx.doi.org/10.1075/target.17.1.06asi.
Der volle Inhalt der QuelleMartin, Carol. „Brecht, Feminism, and Chinese Theatre“. TDR/The Drama Review 43, Nr. 4 (Dezember 1999): 77–85. http://dx.doi.org/10.1162/105420499760263543.
Der volle Inhalt der QuelleSousa, Celeste H. M. Ribeiro de. „Da imagem do Brasil ao teatro de Brecht: A peça Baal“. Pandaemonium Germanicum, Nr. 4 (05.11.2000): 109. http://dx.doi.org/10.11606/1982-8837.pg.2000.64165.
Der volle Inhalt der QuelleEvenden, M. „Die Burgschaft, or "Brecht ohne Brecht"“. Theater 30, Nr. 3 (01.01.2000): 63–75. http://dx.doi.org/10.1215/01610775-30-3-63.
Der volle Inhalt der QuelleCosta, Iná Camargo. „O teatro épico de Brecht“. Pandaemonium Germanicum, Nr. 4 (05.11.2000): 27. http://dx.doi.org/10.11606/1982-8837.pg.2000.64058.
Der volle Inhalt der QuelleDissertationen zum Thema "Brecht"
Wood, Jesse Cannon. „"Aber das Geistige, das sehen Sie, das ist nichts." Collisions with Hegel in Bertolt Brecht's Early Materialism“. The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1345231617.
Der volle Inhalt der QuelleBonnaud, Irène. „Brecht, période américaine“. Paris 3, 2001. http://www.theses.fr/2001PA030007.
Der volle Inhalt der QuelleĎurik, Andrej. „Bertolt Brecht Život Galileiho (možnosti interpretace B. Brechta v současném divadle)“. Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2007. http://www.nusl.cz/ntk/nusl-78664.
Der volle Inhalt der QuelleSiljeholm, Olof. „Die Funktion der Bibel in Brechts Parabelstück Der gute Mensch von Sezuan und in zwei seiner Vorlagen“. Tönning Lübeck Marburg Der Andere Verl, 2009. http://d-nb.info/997031301/04.
Der volle Inhalt der QuelleMiranda, Rita Alves. „O teatro experimental de Brecht“. Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/11641.
Der volle Inhalt der QuelleConselho Nacional de Desenvolvimento Científico e Tecnológico
This master s thesis aims to approach the passage of Bertolt Brecht through the theater history and the influence of his proposal for the contemporary art. Initially, we analyzed Brecht s criticism towards some traditional conceptions of theater and the path taken by the author to think the crisis of drama that had settled times before. Along the way were considered some references and possible objections from Brecht to Aristotle and the Aristotelian model of theater. In this controversial debate, we analyzed the references to the Greek philosopher, to clarify weather Brecht really wanted to reject Aristotle, or he proposed an appropriation of that formal model. It is known that the Aristotelian model of theater was removed from the Poetics of Aristotle and suffered different appropriations in different epochs, one of them being the bourgeois reading. This view is refuted by Brecht, when he analyzes the reality of bourgeois drama and realizes that it was necessary that it be revised immediately, because the theater is no longer affecting the people, in the sense that their willingness depended on a relationship of passivity on the part of viewers. Facing this crisis of drama, some artists tried to reformulate it without however succeeding. Brecht, when began his work, had knowledge of these attempts and facing their failures, the goal was to make theater inaugurate a new place in society. In search of the best place he has in mind a place of production of consciousness, radically opposed to the bourgeois-capitalist logic that sought the alienation of individuals. So, now located outside the debate of reckoning with the past, Brecht focuses on your present and faces the ideas of György Lukács which oppose Brecht by thinking art in a different manner and attributing to him the image of Formalist. We also deal whit defending Brecht from these charges. This dissertation, different from common aspect of texts on Bertolt Brecht is not intended to scrutinize the techniques developed by the playwright in the formulation of the Epic Theater, or talking about the formal aspects of his work, but it is based on a philosophical approach, passing briefly through a few moments of the author s thought until it reaches the stage considered as a mature conception of theater, which is also the last phase of his career, when he revised many of his previous positions. This phase is one in which he writes pieces like The Good Soul of Setsuan (1939-1942) and Life of Galileo (1938-1939). Being so, our focus was this mature conception of the author s work and the characteristics of his thinking at that time, thinking that we take as very Brechtian itself. We focus at this moment of his work, to show the compatibility of his thought and a contemporary conception of theater
Este trabalho tem por objetivo abordar a passagem de Bertolt Brecht pela história do teatro e a influência de sua proposta na fase contemporânea da arte. Inicialmente, analisamos a crítica de Brecht dirigida a algumas concepções tradicionais de teatro e o caminho percorrido pelo autor para pensar a crise do drama que se instalara tempos antes. Nesse percurso foram consideradas algumas referências e possíveis objeções de Brecht a Aristóteles e ao modelo aristotélico de teatro. Nesse debate polêmico, analisamos as referências ao filósofo grego, a fim de esclarecer se o que Brecht pretendia era rejeitar mesmo Aristóteles, ou mais uma apropriação daquele modelo formal. Sabe-se que o modelo aristotélico de teatro foi retirado da obra Poética de Aristóteles e que sofreu apropriações segundo as épocas, sendo uma delas a leitura burguesa. Essa leitura é rebatida por Brecht que revê a realidade do drama burguês e percebe que era preciso que ele fosse revisto imediatamente, pois o teatro já não atingia mais as pessoas, mas sua disposição dependia de uma relação de passividade por parte dos espectadores. Frente a dessa crise do drama, alguns artistas, tentaram reformulá-lo sem, no entanto, obter sucesso. Brecht, quando deu início a seu trabalho, já tinha conhecimento dessas tentativas e diante desses fracassos, o objetivo era fazer o teatro inaugurar um novo lugar dentro da sociedade. Em busca do melhor lugar, ele tem em mente um lugar de produção de consciências, opondo-se radicalmente à logica burguesa-capitalista que buscava a alienação dos indivíduos. Assim, localizado já fora do debate de acerto de contas com o passado, Brecht concentrase em seu presente e enfrenta György Lukács que se opõe a Brecht ao pensar a arte de uma forma diferente, atribuindo a este a imagem de Formalista. Nos ocupámos de defender Brecht também dessas acusações. Esta dissertação, diferente do aspecto comum de textos sobre Bertolt Brecht não se propõe a analisar minuciosamente as técnicas desenvolvidas pelo dramaturgo na formulação do Teatro Épico, ou a falar dos aspectos formais de sua obra, senão que se apoia numa abordagem filosófica, que passa rapidamente por alguns momentos do pensamento do autor até chegar à fase considerada como fase de uma concepção madura de teatro, que é também a última fase de sua carreira, quando ele reviu muitas de suas posições anteriores. Esta fase é aquela em que ele escreve peças como A Alma Boa de Setsuan (1939-1942) e Vida de Galileu (1938- 1939). Neste momento do trabalho nosso foco foi essa dada concepção madura da obra do autor e as características de seu pensamento nessa época, pensamento que tomamos como próprio brechtiano. Concentramos nossa atenção neste momento da obra, a fim de mostrar a compatibilidade desse pensamento e uma concepção de teatro contemporânea
Baker, Clara Martha. „Bertolt Brecht and the Bible“. PDXScholar, 1985. https://pdxscholar.library.pdx.edu/open_access_etds/3436.
Der volle Inhalt der QuelleNeureuter, Hans-Peter. „Brecht in Finnland : Studien zu Leben und Werk, 1940-1941 /“. Frankfurt am Main : Suhrkamp, 2007. http://catalogue.bnf.fr/ark:/12148/cb41341779d.
Der volle Inhalt der QuelleLang, Joachim. „Episches Theater als Film : Bühnenstücke Bertolt Brechts in den audiovisuellen Medien“. Würzburg Königshausen & Neumann, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2864715&prov=M&dokv̲ar=1&doke̲xt=htm.
Der volle Inhalt der QuelleBai, Rongning. „Brecht and China : a mutual response“. Thesis, University of Warwick, 1996. http://wrap.warwick.ac.uk/4493/.
Der volle Inhalt der QuelleTackels, Bruno. „Histoire d'aura. Benjamin, brecht, adorno, heidegger“. Université Marc Bloch (Strasbourg) (1971-2008), 1994. http://www.theses.fr/1994STR20043.
Der volle Inhalt der QuelleBücher zum Thema "Brecht"
1942-, Knobloch Hans-Jörg, Koopmann Helmut und Johannesburger Germanistentreffen (4th : 1998), Hrsg. Hundert Jahre Brecht-Brechts Jahrhundert? Tübingen: Stauffenburg, 1998.
Den vollen Inhalt der Quelle findenFrank-Michael, Raddatz, Hrsg. Brecht frisst Brecht. [Berlin]: Henschel, 2007.
Den vollen Inhalt der Quelle findenGibson, Cima Gay, Hrsg. Brecht/"Brecht": A symposium. New Haven, CT: Yale School of Drama/Yale Repertory Theater, 1994.
Den vollen Inhalt der Quelle findenBrecht, Bertolt. Brecht. [s.l.]: Y Colegiwm Cymraeg, 1987.
Den vollen Inhalt der Quelle findenHayman, Ronald. Brecht. Barcelona: Editorial Argos Vergara, S.A., 1985.
Den vollen Inhalt der Quelle findenHans, Mayer. Brecht. Frankfurt am Main: Suhrkamp, 1996.
Den vollen Inhalt der Quelle findenJones, G. L. Brecht. Dinbych: Gwasg Gee, 1985.
Den vollen Inhalt der Quelle findenGermany), Brecht-Tage (1985 Berlin. Brecht 85: Zur Ästhetik Brechts : Fortsetzung eines Gesprächs über Brecht und Marxismus : Dokumentation. Herausgegeben von Gellert Inge und Brecht-Zentrum der DDR. Berlin: Henschelverlag Kunst und Gesellschaft, 1986.
Den vollen Inhalt der Quelle findenGermany), Brecht-Tage (2009 Berlin. Müller Brecht Theater: Brecht-Tage 2009. Berlin: Theater der Zeit, 2010.
Den vollen Inhalt der Quelle findenMarc, Silberman, Hrsg. Essays on Brecht =: Versuche über Brecht. Madison, Wis: University of Wisconsin for the International Brecht Society, 1990.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Brecht"
Dehner, Anne, und Jan Knopf. „Brecht, Bertolt: Bertolt Brechts Hauspostille“. In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6060-1.
Der volle Inhalt der QuelleLehmann, Jürgen. „Bertolt Brecht“. In Russische Literatur in Deutschland, 199–220. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05373-2_7.
Der volle Inhalt der QuelleCatani, Stephanie. „Bertolt Brecht“. In Handbuch Kriminalliteratur, 123–26. Stuttgart: J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-05430-2_15.
Der volle Inhalt der QuelleBanghard, Melanie, und Jan Knopf. „Bertolt Brecht“. In Kindler Kompakt: Lyrik des 20. Jahrhunderts, 139–42. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04504-1_26.
Der volle Inhalt der QuelleWidmaier, Michael, Nicole Welz, Petra Haubner, Ann Christine Zuber, Rebekka Braun und Jan Knopf. „Bertolt Brecht“. In Kindler Kompakt: Drama des 20. Jahrhunderts, 85–94. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04526-3_15.
Der volle Inhalt der QuelleHayman, Ronald. „Bertolt Brecht“. In The Craft of Literary Biography, 186–98. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-07452-5_12.
Der volle Inhalt der QuellePrateek. „Politicising Brecht“. In Brecht in India, 90–110. Abingdon, Oxon ; New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003030317-4.
Der volle Inhalt der QuelleKnopf, Jan. „Brecht, Bertolt“. In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6041-1.
Der volle Inhalt der QuelleHaubner, Petra, Ann Christine Zuber, Jan Knopf, Manuela Dietz und Denise Kratzmeier. „Bertolt Brecht“. In Kindler Kompakt: Deutsche Literatur, 20. Jahrhundert, 78–86. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05520-0_10.
Der volle Inhalt der QuelleForcht, Georg W. „Bertolt Brecht“. In Reihe Sprach- und Literaturwissenschaft, 59–78. Herbolzheim: Centaurus Verlag & Media, 2012. http://dx.doi.org/10.1007/978-3-86226-990-7_4.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Brecht"
Carvalho, Ricardo. „BRECHT: UMA ABORDAGEM PEDAGÓGICA NO CENÁRIO CONTEMPORÂNEO DO ENSINO- APRENDIZAGEM“. In Colóquio Internacional De Pedagogia Do Teatro. Campinas - SP, Brazil: Galoa, 2018. http://dx.doi.org/10.17648/colipete-2018-86091.
Der volle Inhalt der Quelle„The Symbolic Representation of the Female Body in the Poems by Bertolt Brecht“. In International Conference on Humanities, Literature and Management. International Centre of Economics, Humanities and Management, 2015. http://dx.doi.org/10.15242/icehm.ed0115091.
Der volle Inhalt der QuelleCimpoi, Mihai. „Folclorul și valorile imaginației“. In Conferința științifică națională "Sergiu Moraru: 75 de ani de la naștere". “Bogdan Petriceicua-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/sm.75.2021.02.
Der volle Inhalt der QuelleRodríguez Pulecio, Laura Sofía, und Sara Aída Rodríguez Pulecio. „EFECTO SOBRE LA BRECHA ECONÓMICA ENTRE HOMBRES Y MUJERES DE LA BAJA PARTICIPACIÓN DE LAS MUJERES EN INGENIERÍA EN COLOMBIA“. In Mujeres en ingeniería: empoderamiento, liderazgo y compromiso. Asociacion Colombiana de Facultades de Ingeniería - ACOFI, 2021. http://dx.doi.org/10.26507/ponencia.1597.
Der volle Inhalt der QuelleDe Lorenzo, Marco, Philippe Lafon, Yann Bartosiewicz und Jean-Marie Seynhaeve. „Physical and Numerical Investigations for the Development of a New Experimental Facility for Studying Blowdown Phenomena“. In 2016 24th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/icone24-60988.
Der volle Inhalt der QuelleBarbosa, Gabriel, Thaiana Lima, Rodrigo Santos und Claudia Werner. „Brechó-SocialSECO: Uma Ferramenta para Apoiar Modelagem e Análise de Ecossistemas de Software“. In IV Brazilian Workshop on Social Network Analysis and Mining. Sociedade Brasileira de Computação - SBC, 2015. http://dx.doi.org/10.5753/brasnam.2015.6793.
Der volle Inhalt der QuelleKuroda, Flávia, Cicero Andrade Urban, Marcelo Paula Loureiro, Mateus Ricardo Ulsan Lourenço und Bernardo Passos Sobreiro. „A PROSPECTIVE EVALUATION OF BREAST SATISFACTION AND EXPECTATION IN PREOPERATIVE BREAST RECONSTRUCTION PATIENTS“. In Scientifc papers of XXIII Brazilian Breast Congress - 2021. Mastology, 2021. http://dx.doi.org/10.29289/259453942021v31s1092.
Der volle Inhalt der QuelleKurniasari, Lia, Aji Mohammad Irfannur, Ayu Mardiana, Elvi Natalia, Erlinda Rara Sulviana und Nur Ainun Jariah. „Predisposing and Reinforcing Factors in Patients with Breast Cancer in Samarinda, East Kalimantan“. In The 7th International Conference on Public Health 2020. Masters Program in Public Health, Universitas Sebelas Maret, 2020. http://dx.doi.org/10.26911/the7thicph.01.32.
Der volle Inhalt der QuelleRunning, During. „Biomechanical Model of Bare-Breasts“. In Applied Human Factors and Ergonomics Conference. AHFE International, 2020. http://dx.doi.org/10.54941/ahfe100423.
Der volle Inhalt der QuelleGupta, Vivek, Amita Mishra, Namit Kalra und Bhawna Narula. „A rare case report of incidental solitary uterine metastasis in primary invasive lobular carcinoma of breast“. In 16th Annual International Conference RGCON. Thieme Medical and Scientific Publishers Private Ltd., 2016. http://dx.doi.org/10.1055/s-0039-1685401.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Brecht"
Baker, Clara. Bertolt Brecht and the Bible. Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.5319.
Der volle Inhalt der QuellePatrick, Brigitte. Der Verfremdungseffekt von Brecht bis Handke. Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.2412.
Der volle Inhalt der QuelleDeWolfe, Brigitte. Aspekte des Charakterbegriffs im Werk von Bertolt Brecht. Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.2862.
Der volle Inhalt der QuelleFolk, Robert. Illusion und Verfremdung: Begriff, Form und Wirkung; Bezogen auf Bertolt Brecht: "Der gute Mensch von Sezuan,". Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.953.
Der volle Inhalt der QuelleAguerrevere, Gabriela, María Caridad Araujo, Mariano Bosch, Mariángela Mendoza, Andrea Ortega, Pablo Picón, Laura Ripani und María Teresa Villanueva. La gran oportunidad: De la crisis a la transformación del empleo femenino. Inter-American Development Bank, April 2021. http://dx.doi.org/10.18235/0003222.
Der volle Inhalt der QuelleGarcía Zaballos, Antonio, und Enrique Iglesias Rodriguez. Informe anual del Índice de Desarrollo de la Banda Ancha: IDBA 2020: Brecha digital en América Latina y el Caribe. Inter-American Development Bank, Juni 2021. http://dx.doi.org/10.18235/0003337.
Der volle Inhalt der QuelleAuguste, Sebastián, Jordi Prat und Gisele Braun. Brecha de género en el acceso al financiamiento en Centroamérica y República Dominicana. Inter-American Development Bank, März 2021. http://dx.doi.org/10.18235/0003151.
Der volle Inhalt der QuellePuig Gabarró, Pau, Ricardo Martínez Garza Fernández, Antonio García Zaballos, Enrique Iglesias Rodriguez und Maribel Dalio. La última milla: conectividad digital en municipios: análisis de barreras e iniciativas públicas en América Latina y el Caribe. Inter-American Development Bank, Dezember 2022. http://dx.doi.org/10.18235/0004657.
Der volle Inhalt der QuelleUrquidi, Manuel, Miguel Chalup und Guillaume Durand. Brecha de ingresos laborales por género en Paraguay: un análisis de su evolución año por año entre 2002 y 2019. Banco Interamericano de Desarrollo, September 2022. http://dx.doi.org/10.18235/0004455.
Der volle Inhalt der QuelleNosiglia, María Catalina, und Silvia Andreoli. Brecha digital: articulaciones institucionales, estrategias de formación inmersivas y contextos de innovación. Fundación Carolina, April 2022. http://dx.doi.org/10.33960/issn-e.1885-9119.dt64.
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