Thematische Bibliographien / Bog-poems

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile

Auswahl der wissenschaftlichen Literatur zum Thema „Bog-poems“

Autor: Grafiati
Veröffentlicht am 1. Juli 2021
Zuletzt aktualisiert am 8. Februar 2022

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Zeitschriftenartikel zum Thema "Bog-poems"

1

성창규 und Kim, Chongkyen. „Cultural and Domestic Memory in Seamus Heaney's Bog Poems“. Journal of English Cultural Studies 9, Nr. 2 (August 2016): 119–41. http://dx.doi.org/10.15732/jecs.9.2.201608.119.

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FOLEY, ANDREW. „‘BEFITTING EMBLEMS OF ADVERSITY’: THE BOG POEMS OF SEAMUS HEANEY“. English Studies in Africa 41, Nr. 1 (Januar 1998): 61–75. http://dx.doi.org/10.1080/00138399808691267.

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Park, Meejung. „Seamus Heaney’s Mythic Representation in His “Feeling into Words” and Bog Poems“. Yeats Journal of Korea 43 (30.04.2014): 285–314. http://dx.doi.org/10.14354/yjk.2014.43.285.

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4

Kennedy, D. „'Tell-tale skins' and 'Repeatable Codes': Historical Bodies and Mythic Readings in Seamus Heaney's 'Bog Poems'“. English 54, Nr. 208 (01.03.2005): 35–47. http://dx.doi.org/10.1093/english/54.208.35.

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Wright, Patrick. „Empathising with Bog Bodies: Seamus Heaney and the Feminine Sublime“. Brief Encounters 1, Nr. 1 (24.02.2017). http://dx.doi.org/10.24134/be.v1i1.19.

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This article makes the case that Seamus Heaney’s bog poems, in his collection North, represent the body in such a way as to evoke the sublime. Heaney's depicition of bodies presents them as a weird conflation of terror and beauty, which is, this article claims, his precise articulation of the sublime: one that is distinct from Edmund Burke’s theory. In recognition of the fact that much of the scholarly writing on North, thus far, has focused its attention on how these poems represent Heaney’s Irishness, his relationship to politics and the Troubles, his mythopoeic imagination, and so on, this article advances the critical discourse on his work, and moves the analysis towards feminist commentary and the affective dimension of the poems. In part the intention is to address an often reductive, historicist approach to reading texts, and the swift eagerness of literary critics to seize Heaney’s poems for their own political agendas. With this in mind, this article responds to recent feminist debates on Heaney, while arguing that Heaney’s sublime does not represent an ogre-like patriarchy, but rather remains respectful of its object, and works to resolve any seeming opposition to the category of the beautiful.
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Dissertationen zum Thema "Bog-poems"

1

Gränglid, Olivia Signe Afrodite. „Misogyny in the Marshlands : female Characterization in Seamus Heaney’s “Bog Queen” and “Punishment”“. Thesis, Högskolan Kristianstad, Fakulteten för lärarutbildning, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-22122.

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This essay argues that the depiction of women in Seamus Heaney’s poems “Bog Queen” and “Punishment” results from the male gaze in three ways: the narrative viewpoint, stereotypical characterization, and the objectification of the female body. The following essay analyses the poems through an ecofeminist perspective that enables examination of the female characters as personifications of nature – “Bog Queen” as Mother Earth and the victim of “Punishment” as Nerthus, the fertility goddess. The analysis explores three areas; historical context, ‘The Feminine Principle,’ and Nussbaum’s list of ‘Feminist Perspectives on Objectification’ to answer how the male gaze is present in the three aspects. The male gaze is argued to be attributed to an androcentric narrative that presents a man and country’s sense of revenge, stereotypes that are totems of the male fantasy, and dehumanizing sexual objectification that enables appreciation of the dead bodies of women.
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2

Dix, Brett Gavin. „Cultural memory and myth in Seamus Heaney's bog poems, and Antjie Krog's Country of my skull and Down to my last skin“. Thesis, 2007. http://hdl.handle.net/10413/977.

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This dissertation attempts to compare and contrast the functions of cultural memory and myth in both Heaney and Krog's work. By doing so, I look at what it means for both writers to work within a culture or tradition, and how they both mediate their religious or racial identity within a fractured and divided society.
Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2007.
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Bücher zum Thema "Bog-poems"

1

Marchetti, Jane. Reading the "inhumed faces": Seamus Heaney's Bog people poems. Rock Hill, SC: Dept. of English, Winthrop University, 2005.

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2

Norton, John. The light at the end of the bog. [San Francisco, CA]: Black Star Series, 1992.

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Norton, John. Light at the End of the Bog. Black Star Series, 1989.

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Norton, John. Light at the End of the Bog. Small Pr Distribution, 1989.

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Buchteile zum Thema "Bog-poems"

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Hickey, Ian. „The Haunted Bog: Spectrality and the Bog Poems“. In Haunted Heaney, 65–97. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003124948-4.

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2

„Myth: Hughes’s ‘crow’ and Heaney’s ‘bog poems’“. In Studies in the spectator role, 179–97. Routledge, 2017. http://dx.doi.org/10.4324/9781315087580-12.

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3

Zabashta, Roman Valentinovich. „Positional Vision of Poetic Text Structures as a Tool of Interpretation (Based on the Poems of Joseph Brodsky)“. In Questions of Education and Psychology, 32–45. Publishing house Sreda, 2020. http://dx.doi.org/10.31483/r-97154.

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The article is devoted to the application of the positional vision of the structures of a literary text to the categorical apparatus of the functional theory of text. The relevance of the problem under consideration is explained by the need to systematize the methodological concepts of various concepts in modern Russian studies and to develop, on this basis, methodological recommendations that can improve the use of the textocentric approach with focus on school education. The article uses philological methods of modern text theory, in particular, structural theory of text (Yu. M. Lotman), stylistic analysis of a literary text (N. A. Rudiakov), linguistic tool studies (A. N. Rudiakov), methods of highlighting intense positions of text (I. V. Arnold), some ideas of communicative stylistics (N. S. Bolotnova), as well as original author's methods. The study material are presented by poems by Joseph Brodsky: «Vse chuzhdo v dome novomu zhiltcu…» (1962), «V derevne Bog zhivet ne po uglam…» (1964 ) and «Ty ne skazhesh komaru…» (1991), the experience of the interpretation of which made it possible to illustrate the epistemological effectiveness of the positional approach. The results of the research allow us to systematize the ideas about the basic principles of linguistic and hermeneutical description of a literary text. Modeling of the functional relationship between the conceptual information of a poetic text and its significant components, identified when using the concept of "strong position of the text", is possible by applying a General regulatory understanding of language activity, which is based on the approach to language as a tool for speech influence on the individual picture of the recipient's world. The conclusions reached by the author of the article make it possible to clarify the basic concepts of the functional theory of text related to the interpretation of the elements of the individual author's world picture in the literary text and also to offer a methodological basis for applying linguistic knowledge to the issues of text analysis in school practice.
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