Auswahl der wissenschaftlichen Literatur zum Thema „Body art – france“
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Zeitschriftenartikel zum Thema "Body art – france"
Dyuka, A. „LEGAL REGULATIONS OF ART IN FRENCH LEGISLATION“. Reproductive Medicine, Nr. 2(43) (20.06.2020): 17–21. http://dx.doi.org/10.37800/rm2020-1-11.
Der volle Inhalt der QuelleChickering, Howell. „'Strong of Body, Brave and Noble': Chivalry and Society in Medieval France by Constance Brittain Bouchard“. Arthuriana 9, Nr. 1 (1999): 146–48. http://dx.doi.org/10.1353/art.1999.0035.
Der volle Inhalt der QuelleLeverette, Tru, und Barbara Mennel. „Reviews“. Screen Bodies 5, Nr. 2 (01.12.2020): 123–30. http://dx.doi.org/10.3167/screen.2020.050211.
Der volle Inhalt der QuelleKselman, Thomas. „Funeral Conflicts in Nineteenth-Century France“. Comparative Studies in Society and History 30, Nr. 2 (April 1988): 312–32. http://dx.doi.org/10.1017/s0010417500015218.
Der volle Inhalt der QuelleDonnellan, Alice. „“My Body Knows Unheard of Songs”“. Columbia Journal of Literary Criticism 18, Nr. 1 (07.10.2021): 10–16. http://dx.doi.org/10.52214/cjlc.v18i1.8766.
Der volle Inhalt der QuelleTrunel, Lucile. „A snapshot of some current digitisation projects in French art libraries“. Art Libraries Journal 34, Nr. 1 (2009): 17–21. http://dx.doi.org/10.1017/s0307472200015716.
Der volle Inhalt der QuelleChen, Liwen. „Body, Shadow and Death: Redefinition of the Origin of Painting with Tracing the Shadow“. Journal of Education, Humanities and Social Sciences 1 (06.07.2022): 326–31. http://dx.doi.org/10.54097/ehss.v1i.679.
Der volle Inhalt der QuelleKacki, Sacha, Erik Trinkaus, Eline M. J. Schotsmans, Patrice Courtaud, Irene Dori, Bruno Dutailly, Pierre Guyomarc’h, Pascal Mora, Vitale S. Sparacello und Sébastien Villotte. „Complex mortuary dynamics in the Upper Paleolithic of the decorated Grotte de Cussac, France“. Proceedings of the National Academy of Sciences 117, Nr. 26 (15.06.2020): 14851–56. http://dx.doi.org/10.1073/pnas.2005242117.
Der volle Inhalt der QuelleHandyside, Fiona. „The Politics of Hair: Girls, Secularism and (Not) the Veil in Mustang and Other Recent French Films“. Paragraph 42, Nr. 3 (November 2019): 351–69. http://dx.doi.org/10.3366/para.2019.0311.
Der volle Inhalt der QuelleBrown, Jerry B., und Julie M. Brown. „Entheogens in Christian art: Wasson, Allegro, and the Psychedelic Gospels“. Journal of Psychedelic Studies 3, Nr. 2 (Juni 2019): 142–63. http://dx.doi.org/10.1556/2054.2019.019.
Der volle Inhalt der QuelleDissertationen zum Thema "Body art – france"
Lehman, Erin Lizabeth. „ART AND THE SPORTSMAN, SPORTING ART AND THE MAN: GUSTAVE CAILLEBOTTE AND THE LATE NINETEENTH-CENTURY MALE BODY“. Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/288857.
Der volle Inhalt der QuellePh.D.
This dissertation focuses primarily on the Impressionist artist Gustave Caillebotte's paintings of rowers on the Yerres River outside Paris, created in the late 1870s. The works engage with many of the radical shifts in social and cultural norms that took place during the latter half of the nineteenth-century as industrialization and urbanization increasingly affected daily life in Europe and America. The paintings are in dialogue with developments in the fine arts, including the growing influence of Impressionism and avant-garde artists, and deal extensively with the male figure, reacting to and engaging with changing norms of masculinity. To fully examine the works, I focus on five areas of comparison. First, in considering the possible implications of changing masculine ideals in relation to the physical body during the period, I consider Caillebotte's controversial nude male bathers. I then contrast Caillebotte's oarsmen with both the professional rowers portrayed by his American contemporary Thomas Eakins, and the more leisurely boating scenes of his fellow Impressionists. Finally, I examine the history of the dandy/flâneurs figure, arguing that Caillebotte's rowers illustrate the artist's attempt to reinvent and modernize the concept. My thesis attempts to bridge different methodological approaches that have tended to isolate aspects of the artist's work, thereby obscuring his overall project of engaging with both the social and theoretical concept of modernity. Although the artist is underrepresented in the general literature of Impressionism, he has lately played a significant role in texts examining Impressionist interest in the suburban vacation spots along the Seine River. Such authors have illuminated Caillebotte's background as a serious sportsman, an aspect of the artist previously underexplored. I also build on feminist and queer theorists, who in recent years have called attention to the potential for sexual subversity within Caillebotte's oeuvre. Although acknowledging a debt to all of these scholars, my dissertation is an attempt to expand the scholarly conversation by examining how these works explore the concept of modernity, both formally, in the manner in which Caillebotte calls attention to the artifice of painting and socially, in how he engages with the changing physical landscape and the increasing potential for leisure activities outside Paris following the Franco-Prussian War. Finally, in arguing that Caillebotte rowers are transported flâneurs, who, though now engaged in daytime paddling rather than evening strolling, continue their mission of anonymity and observation, I suggest an expansion of the very definition of flâneurs, and by extension, the dandy figure that remains relevant as a type even today.
Temple University--Theses
Plantin, Corinne. „Les cultures urbaines d'origine états-unienne dans l'agglomération de Fort-De-France : exemples du body system, du hip-hop et de la glisse urbaine“. Antilles-Guyane, 2006. http://www.theses.fr/2006AGUY0159.
Der volle Inhalt der QuelleLn the context of the globalization, the hip-hop, body system and city skating cultures have developed ail over the world. These sports and artistic urban cultures born in the United States of America transformed the landscapes and the spatial organization of many urban areas. Through these phenomena, we can detect the growth of globalisation, capitalisation, urbanity, westernisation and the world-wide domination of the United-States. The issue underlying this research is based on the development of these cultures in the United States of America, but also on their spread and their territories in Fort-de-France and its suburbs. Several methods of contemporary geography and others scientific fields have been used to develop this thesis, which is a multidisciplinary. This investigation shows the impact and limit of a cultural americanisation on a Caribbean island more turned towards Europe
Déchery, Chloé. „Corporéités quotidiennes : nouvelles pratiques du corps en scène dans la performance en France et en Angleterre, 1991-2011“. Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100172.
Der volle Inhalt der QuelleThe contemporary performance scene, in both France and England, can be distinguished by a common interest in the ‘everyday body.’ Discarding principles of representation, narrative logic, and characterisation, many of today’s practitioners choose instead to reflect a deliberately fallible and ordinary sense of their own corporality. This results in a notion of presence in which the presented body can somehow disappear and where a certain complicity with the audience is founded on a sense of common incompetence. The use of real time (as opposed to theatrical time) the restriction of movement, and a questioning and dismantling of the traditional ideas of theatrical presentation and reception, all form ways of resisting the accelerated and intensified production cycle imposed by the cultural economy in which the work is produced. Refusing to be seduced by notions of grand spectacle or perfect technique, these performers produce less within their performance and therefore embrace an “anti-productive” creative pattern. At the same time, inventing new ways of working together (ephemeral collaborations, meetings happening upon a project-based logic, micro-communities), they create, in the theatre, a democratic space based on an equality of status between performers and spectators. Without seeking revolution or utopia, they enable a critical investigation of the theatrical space that can, for the duration of an event, create new ways for all those present to experience being together within that space
Samacher, Jean-Yves Olivier. „Le statut de l'œuvre chez Antonin Artaud et David Nebreda“. Thesis, Strasbourg, 2014. http://www.theses.fr/2014STRAC029/document.
Der volle Inhalt der QuelleWhich logic is guiding the multimodal creations proposed by Antonin Artaud and David Nebreda ? What kind of status can be applied to their “(art)works” ? In order to answer these questions, we will lead an esthetical research and study concurrently the specificities of the creative process in psychosis. We will examine Artaud’s and Nebreda’s productions through the notions of setting and performativity. We will underline the abolition of representation and the crumbling of the stage as well as the limits of play / subjectivity. We will show the predominance of the Real and Imaginary registers as they have been conceived by JacquesLacan. By Artaud and Nebreda, the uncontrolled corporal manifestations and the intra-psychicconflicts generate simultaneous recreations of the body and language as, in the same time, they achieve a sort of sort killing ceremony, tracing unseen signs, outlining strange trails and pointing toward the horizon of a new birth
Garnier, Emeline. „Le crime pour survivre aux hallucinations sensorielles : déploiement de l'hallucinatoire dans un groupe à médiation "corps et peinture" en milieu carcéral“. Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20136.
Der volle Inhalt der QuelleThis thesis discusses the concept of crime as an act of survival in the face of a resurgence of sensory hallucinations. Criminal subjects describe a feeling of being dispossessed of their bodies, of no longer having any control over their actions, of experiencing penetration, explosion, mutilation and dismantling : a terrifying threat made real by the degeneration of the senses. In such cases, the hallucination fails to take form and uses the body directly. The subject then resorts to the act in order to externalise these tormenting sensory experiences, encysted in part of the body, and try to trigger primary symbolisation. In individual or group therapy sessions with these patients, the aim is therefore to listen to the hallucinatory manifestations embedded in the body, so that their meaning can emerge through transference and countertransference. Hence, we analyse a therapeutic solution created to enable the subjective appropriation of the terrors that led these subjects to situate themselves outside the crime scene. As part of therapeutic work in a detention centre, patients are invited to take part in a corporal and pictorial mediation group to encourage the expression of sensori-motor language. Corporal mediation acts as a magnet for catastrophic experiences underlying sensory hallucinations, and sharing them in a sensory-affective-motor manner enables the appearance of a group psychological scene. Through movement of the subject's body within the group, sensori-motricity is reunited with the other sensory forms. Pictorial mediation then acts as a dream screen onto which are projected, then represented, the subject's corporal experiences within the group, thereby rendering dreamlike hallucination possible
Milos, Emil University of Ballarat. „Letters to Francisco : negative imagery in art and the depiction of microstructural elements of the human body“. University of Ballarat, 2006. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12772.
Der volle Inhalt der QuelleMaster of Arts
Milos, Emil. „Letters to Francisco : Negative imagery in art and the depiction of microstructural elements of the human body“. Thesis, University of Ballarat, 2006. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/61908.
Der volle Inhalt der QuelleMaster of Arts
Milos, Emil. „Letters to Francisco : negative imagery in art and the depiction of microstructural elements of the human body“. University of Ballarat, 2006. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/14608.
Der volle Inhalt der QuelleMaster of Arts
Archimbaud, Nicolas. „Vie quotidienne et soins des personnes âgées dépendantes en milieu hospitalier : une enquête filmique à l’hôpital Bretonneau (AP-HP, Paris 18ème)“. Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100169.
Der volle Inhalt der QuelleThis thesis deals with the daily life of the elderly who are patients at the Bretonneau Geriatric hospital, in Paris 18th arrondissement. It studies how these dependent or mentally-ill elders are cared for, focusing on innovative drug-free therapies (art therapy, esthetic therapy, psychomotricity).The field survey took place between 2008 and 2010 and used the method of exploratory filming, making the camera the main tool for the research. Three documentary films were made : Day Hospital (117 min), Short Stay (67 min) and Long Stay (120 min). While shedding some light on the way the institution works, these documentaries show the everyday life of a few patients and make them the main characters of the films. The written part analyses the strategy and the results of the field survey. It stresses the ethical issues raised by the presence of the filmmaker-observer in a highly sensitive environment and with very vulnerable subjects. The detailed analyses deal with the three main themes of the films : configuration of space and of material environment, physical techniques helping with loss of autonomy, interaction rituals between caregivers and patients
Ogden, Jenna Noelle. „The Leprous Christ and the Christ-like Leper: The Leprous Body as an Intermediary to the Body of Christ in Late Medieval Art and Society“. Cleveland State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=csu1305075738.
Der volle Inhalt der QuelleBücher zum Thema "Body art – france"
Barbillon, Claire Marie. Canon et thèories de proportions du corps humain en France (1780-1895). Lille: A.N.R.T., Université de Lille III, 2000.
Den vollen Inhalt der Quelle findenLeoussi, Athena S. Nationalism and classicism: The classical body as national symbol in nineteenth-century England and France. New York: St. Martin's Press, 1998.
Den vollen Inhalt der Quelle findenPavlović, Tatjana. Despotic bodies and transgressive bodies: Spanish culture from Francisco Franco to Jesús Franco. Albany, N.Y: State University of New York Press, 2003.
Den vollen Inhalt der Quelle findenBoespflug, François. L' image dans la culture religieuse: Session organisée par l'Arpec de Franche-Comté, Besançon, 26-28 février, 1995. Besançon: Arpec de Franche-Comté, 1996.
Den vollen Inhalt der Quelle finden1909-1992, Bacon Francis, und Museo Guggenheim Bilbao, Hrsg. Francis Bacon: De Picasso a Velázquez. Bilbao: Guggenheim Bilbao, 2016.
Den vollen Inhalt der Quelle finden1966-, Daniels Rebecca, Hrsg. Francis Bacon: Incunabula. London: Thames & Hudson, 2008.
Den vollen Inhalt der Quelle findenPainting the Prehistoric Body in Late Nineteenth-Century France. Rowman & Littlefield Publishers, Incorporated, 2018.
Den vollen Inhalt der Quelle findenThe body in time: Figures of femininity in late nineteenth-century France. Lawrence, Kan: Spencer Museum of Art, University of Kansas in association with University of Washington Press, Seattle, 2008.
Den vollen Inhalt der Quelle findenOrlan: A hybrid body of artworks. New York: Routledge, 2010.
Den vollen Inhalt der Quelle findenDauge-Roth, Katherine. Signing the Body. Taylor & Francis Group, 2021.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Body art – france"
Stopfner, Maria. „Chapter 9. France“. In Voices of Supporters, 187–209. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/dapsac.101.c9.
Der volle Inhalt der QuelleNacci, Michela. „Il carattere di Jules Michelet“. In Studi e saggi, 123–43. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-160-0.08.
Der volle Inhalt der QuelleTschebann, Saskya. „Cemetery Enchanted, Encore: Natural Burial in France and Beyond“. In Bioarchaeology and Social Theory, 249–68. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-03956-0_11.
Der volle Inhalt der QuelleFang, Xianming. „Chapter 4. Multimodality in refusals in English as a lingua franca“. In Multimodal Im/politeness, 101–29. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/pbns.333.04fan.
Der volle Inhalt der QuelleSkinner, Gillian. „‘Spoken from the Impulse of the Moment’: Epistolarity, Sensibility, and Breath in Frances Burney’s Evelina“. In The Life of Breath in Literature, Culture and Medicine, 241–59. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74443-4_12.
Der volle Inhalt der QuelleEmerson, Catherine. „Are You Taking the Piss(e)? Early Appearances of the Urinating Boy in the Low Countries and Northern France“. In Grant risee?, 31–47. Turnhout: Brepols Publishers, 2006. http://dx.doi.org/10.1484/m.tcne-eb.3.1976.
Der volle Inhalt der QuelleJohnson, Dorothy. „Visceral visions: art, pedagogy and politics in Revolutionary France“. In Bellies, bowels and entrails in the eighteenth century, 294–310. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526127051.003.0015.
Der volle Inhalt der QuelleJohnson, Dorothy. „Fabulations of the Flesh: Géricault and the Praxis of Art and Anatomy in France“. In Visualizing the Body in Art, Anatomy, and Medicine since 1800, 39–60. Routledge, 2019. http://dx.doi.org/10.4324/9781351004022-4.
Der volle Inhalt der QuelleSchut, Pierre-Olaf. „Are Mountaineers Romantics? The Art of Viewing and Climbing in Nineteenth-Century France“. In Pour le Sport, 59–76. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800856899.003.0003.
Der volle Inhalt der QuelleDennis, Amanda M. „Conclusion“. In Beckett and Embodiment, 201–15. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474462990.003.0009.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Body art – france"
Soegiono, Cynthia L., Laily M. S. Harti und Sueb Sueb. „Body Language and Gestures as a Lingua Franca among Multilingual Interlocutors: Multimodal Transcription Study“. In International Joint Conference on Arts and Humanities 2021 (IJCAH 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211223.041.
Der volle Inhalt der QuelleEryücel, Ertuğrul. „A Comparative Analysis on Policy Making in Western Countries and Turkey in the Context of Eugenics“. In International Conference on Eurasian Economies. Eurasian Economists Association, 2017. http://dx.doi.org/10.36880/c08.01847.
Der volle Inhalt der Quelledos Santos, Camila, und Andreia Machado Oliveira. „Communication Action Zones in Art and Technology - ZACAT“. In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.
Der volle Inhalt der QuelleCunha, Heloíza Rabêlo, Johann Victor Neves de Souza, Ana Luzia Ferreira Farias, Patrick de Castro Cantuária und Sheylla Susan Moreira da Silva de Almeida. „Obtaining alcoholic extract from leaves from species Sapindus Saponarial. (sapindaceae) for phytochemical analysis“. In II INTERNATIONAL SEVEN MULTIDISCIPLINARY CONGRESS. Seven Congress, 2023. http://dx.doi.org/10.56238/homeinternationalanais-020.
Der volle Inhalt der QuelleMuliawan, Made Jaya, Zhen Gao und Torgeir Moan. „Application of the Contour Line Method for Estimating Extreme Response in Mooring Lines of a Two-Body Floating Wave Energy Converter“. In ASME 2012 31st International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/omae2012-83370.
Der volle Inhalt der QuelleKumar, Sandeep, Subodh Khullar und Bhupendra K. Gandhi. „Flow Field Investigation in Draft Tube of Francis Turbine at Off-Design Operation Using a Vortex Identification Algorithm“. In ASME 2021 Fluids Engineering Division Summer Meeting. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/fedsm2021-65742.
Der volle Inhalt der QuelleKang, Bu-Byoung. „Dynamic Analysis of Unstable Vibration of KTX“. In 2010 Joint Rail Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/jrc2010-36127.
Der volle Inhalt der QuellePiljak, Aleksandra, Aleksandar Piljak, Vladimir Miletić, Željko Rajković und Igor Ilić. „Beginnings of parkour in Serbia“. In Antropološki i teoantropološki pogled na fizičke aktivnosti (10). University of Priština – Faculty of Sport and Physical Education in Leposavić, 2024. http://dx.doi.org/10.5937/atavpa24020p.
Der volle Inhalt der QuelleOHIRKO, Oleh. „PROBLEMS OF HAPPINESS IN THE ETHICAL THEORY OF TOMA AQUINSKY“. In Happiness And Contemporary Society : Conference Proceedings Volume. SPOLOM, 2021. http://dx.doi.org/10.31108/7.2021.48.
Der volle Inhalt der QuelleBlunden, Luke S., William M. J. Batten und ‘Bakr S. Bahaj. „Comparing Energy Yields From Fixed and Yawing Horizontal Axis Marine Current Turbines in the English Channel“. In ASME 2008 27th International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2008. http://dx.doi.org/10.1115/omae2008-57763.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Body art – france"
S. Abdellatif, Omar, und Ali Behbehani. France COVID-19 Governmental Response. UN Compliance Research Group, Januar 2021. http://dx.doi.org/10.52008/fran0501.
Der volle Inhalt der QuelleSchiller, Brandon, Tara Hutchinson und Kelly Cobeen. Cripple Wall Small-Component - Test Program: Comparisons (PEER-CEA Project). Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, November 2020. http://dx.doi.org/10.55461/lohh5109.
Der volle Inhalt der QuelleYahav, Shlomo, John McMurtry und Isaac Plavnik. Thermotolerance Acquisition in Broiler Chickens by Temperature Conditioning Early in Life. United States Department of Agriculture, 1998. http://dx.doi.org/10.32747/1998.7580676.bard.
Der volle Inhalt der QuelleLeis, Brian. PR-214-163713-R01 Review of Response Requirements and Criteria for Plain Dents. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), Januar 2020. http://dx.doi.org/10.55274/r0011648.
Der volle Inhalt der QuelleSánchez-Pájaro, Andrés, Tonatiuh Barrientos-Gutiérrez und Carolina Pérez-Ferrer. Social and built environment interventions to prevent alcohol, tobacco, and legal cannabis use: a scoping review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, Mai 2023. http://dx.doi.org/10.37766/inplasy2023.5.0101.
Der volle Inhalt der QuelleMcElwain, Terry F., Eugene Pipano, Guy H. Palmer, Varda Shkap, Stephn A. Hines und Wendy C. Brown. Protection of Cattle against Babesiosis: Immunization against Babesia bovis with an Optimized RAP-1/Apical Complex Construct. United States Department of Agriculture, September 1999. http://dx.doi.org/10.32747/1999.7573063.bard.
Der volle Inhalt der QuelleBackstrom, Robert, und David Dini. Firefighter Safety and Photovoltaic Systems Summary. UL Firefighter Safety Research Institute, November 2011. http://dx.doi.org/10.54206/102376/kylj9621.
Der volle Inhalt der QuelleBackstrom, Robert, und David Backstrom. Firefighter Safety and Photovoltaic Installations Research Project. UL Firefighter Safety Research Institute, November 2011. http://dx.doi.org/10.54206/102376/viyv4379.
Der volle Inhalt der QuelleInvestigation on Design and Analysis of Passenger Car Body Crash-Worthiness in Frontal Impact Using Radioss. SAE International, September 2020. http://dx.doi.org/10.4271/2020-28-0498.
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