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1

Galli, Giovanni. „Predição genômica de híbridos de milho para caracteres de arquitetura oligogênica e sob diferentes parâmetros de penalização e correção de fenótipo“. Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/11/11137/tde-09082016-172924/.

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O alcance de altas produtividades em milho (Zea mays L.) depende do desenvolvimento de híbridos, o principal produto explorado nos programas de melhoramento. O sucesso na obtenção deste tipo de cultivar é conseguido com extensivo cruzamento de linhagens, seguido de avaliações para identificação das combinações de maior potencial. Geralmente, o melhorista tem à sua disponibilidade grande número de linhagens, possibilitando a realização de centenas a milhares de cruzamentos distintos, dos quais apenas uma pequena quantidade pode ser avaliada experimentalmente devido a limitação de tempo e recursos. Com o advento da Seleção Genômica (GS) tornou-se possível predizer o comportamento destes indivíduos não avaliados com base em seu genoma. No decorrer do processo de consolidação da GS várias metodologias foram propostas. A aptidão destas em predizer desempenhos fenotípicos é dependente da sua capacidade de acomodar a arquitetura genética das características e lidar com a multicolinearidade das matrizes genômicas. Neste sentido, métodos baseados em modelos mistos podem apresentar menor eficiência na predição de características oligogênicas devido à não capacidade de representar a distribuição real do efeito dos QTL. Além disso, a regularização das predições na presença de multicolinearidade é realizada por meio de um parâmetro de penalização (λ), o qual pode ser estimado de várias formas e consequentemente modificar a acurácia dos modelos. Além do aprimoramento dos métodos, outro aspecto importante é o procedimento de correção dos dados fenotípicos previamente à GS, o qual não é consenso na comunidade científica. Diante do exposto, este trabalho objetivou: verificar o efeito das formas de obtenção do λ (via REML na GS e pela herdabilidade da característica) e da correção do fenótipo (valor genotípico e média ajustada) na GS e avaliar a eficiência da modelagem diferencial de QTL de maior efeito na capacidade preditiva da metodologia G-BLUP, comparando-a ao LASSO Bayesiano, BayesB e G-BLUP convencional. Para isso foram utilizadas informações de híbridos simples de milho tropical avaliados em cinco locais para produtividade de grãos, altura de planta e espiga no ano de 2015. Os dados genômicos foram obtidos com a plataforma Affymetrix® Axiom® Maize Genotyping Array de 616.201 SNPs. Foram estudados diferentes cenários de GS considerando os fatores supracitados, sendo estes comparados entre si por suas capacidades preditivas e seletivas. Os resultados obtidos indicam que a correção do fenótipo e a forma de estimação de λ afetam a capacidade preditiva. O uso de valores genotípicos como correção dos fenótipos e estimação de λ via REML apresentaram os melhores resultados. Foi também observado que a modelagem de SNPs de maior efeito como fator fixo aumenta discretamente a capacidade preditiva da metodologia G-BLUP para as características oligogênicas avaliadas (altura de planta e espiga), sendo indicado o uso do G-BLUP convencional. Complementarmente, observou-se que a GS apresentou modesta eficiência na seleção de híbridos superiores sob intensidades moderadas. Entretanto, a sua alta capacidade de selecionar sob baixa intensidade pode ser amplamente explorada nos programas de melhoramento de milho visando a seleção precoce direta.
The achievement of high yield in maize (Zea mays L.) relies on the development of hybrids, which is the main product of breeding programs. The success in obtaining this kind of cultivar is achieved through extensive crossing of inbred lines followed by field trials to identify the combinations with greatest potential. Generally, breeders have a large number of inbred lines on their hands, being able to perform hundreds to thousands of different crosses, of which only a small portion can be experimentally evaluated due to time and resource limitations. Genomic Selection (GS) has made it possible to predict phenotypes of unevaluated individuals based on their genome. Throughout the establishment process of GS many approaches have been proposed. The ability of these approaches at predicting phenotypic performance depends on their capacity of accommodating the genetic architecture of the traits and dealing with the multicollinearity of the genomic matrices. Hence, methods based on mixed model equations may present lower prediction efficiency for oligogenic traits due to their inability of depicting the real distribution of the QTL effects. Moreover, the prediction regularization in the presence of multicollinearity is done by a shrinkage factor (λ), which can be estimated in a number of ways and may affect the accuracy of the models. In addition to the improvement of the models, the correction of the phenotype utilized in the predictions is also important, which is not a consensus among researchers. Based on these facts, this study aimed to assess the effect of estimation of λ (by REML in the GS model and by the heritability of the traits) and the correction of the phenotype (genotypic value and adjusted mean) on the GS. It also targeted to evaluate the effect of differential modeling of major makers on the prediction accuracy of G-BLUP, comparing it to Bayesian LASSO, BayesB and ordinary G-BLUP. To those ends, tropical maize single-crosses evaluated at five sites for grain yield, plant and ear height in 2015 were utilized. The genomic data was obtained with the Affymetrix® Axiom® Maize Genotyping Array of 616,201 SNPs. Distinct GS scenarios were studied considering the aforementioned factors which were compared by their prediction and selection accuracy. The results suggest that the correction of the phenotype and the way of estimation of λ do affect prediction accuracies. The use of genotypic values as the correction of phenotypes and the estimation of λ by REML showed best results. It was also observed that modeling major SNPs as fixed effect factors had little improvement on the prediction accuracy of G-BLUP for the oligogenic traits evaluated (plant and ear height). Thereby, ordinary G-BLUP should be the method of choice to predict these traits. Additionally, it was observed that GS presented modest efficiency for selecting superior hybrids under moderate intensities. However, its high effectiveness at selecting under low intensities might be exploited on maize breeding programs for early direct selection.
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2

Arenas, German Moreno. „Modelos mistos para populações finitas com erros de medida endógenos e exógenos“. Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/45/45133/tde-29092009-195316/.

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Consideramos a predição ótima de valores latentes com base em dados sujeitos a erros de medida endógenos e exógenos, obtidos a partir de uma amostra aleatória de uma população finita. Consideramos o modelo misto para populações finitas (MMPF) com erros de medida exógenos e endógenos usando o enfoque proposto por Stanek et al. (2004) e Stanek & Singer (2004), e calculamos o melhor preditor linear não enviesado (BLUP) do valor latente da i-ésima unidade selecionada na amostra. Quando as variâncias endógenas são heterocedásticas, o preditor obtido sob o MMPF é diferente do preditor obtido sob o modelo misto usual, pois a constante de encolhimento depende da média das variâncias individuais. Utilizamos simulação para comparar o preditor obtido sob o modelo misto usual (utilizado conforme a interpretação usual) com o preditor obtido sob o MMPF, mostrando que apesar do primeiro ser enviesado, ele geralmente apresenta erro quadrático médio (EQM) menor (ou ligeiramente maior) do que aquele obtido sob o MMPF. Adicionalmente, mostramos como utilizar dois pacotes de \\emph estatístico (Proc MIXED do SAS e lme(nlme) do R), construídos sob o modelo misto usual, para ajustar corretamente modelos em situações com erros exógenos e endógenos, heterocedásticos ou homocedásticos.
We consider optimal estimation and prediction of latent values based on data subject to endogenous and exogenous measurement errors, obtained via simple random sample from a finite population. We consider a finite population mixed model (FPMM) with endogenous and exogenous measurement errors proposed by Stanek III et al. (2004) and Stanek III & Singer (2004) and obtained the best linear unbiased predictor (BLUP) of the latent value of the i-th unit selected in the sample. When the endogenous variances are heteroscedastic, the predictor obtained under the FPMM is different than the predictor obtained with the usual mixed model, because the shrinkage constant depends on the average of the individual variances. We consider simulation studies to compare the predictor obtained under the usual mixed model (used according to the usual interpretation) with the predictor obtained under the FPMM, and show that the former is biased, but usually presents smaller (or slightly larger) mean squared error (MSE) than the predictor obtained under the FPMM. Additionally, we indicate how two commonly used statistical software packages (SAS\'s Proc MIXED and R\'s lme(nlme) ) may be employed to fit mixed models in situations with heteroscedastic or homoscedastic exogenous and endogenous errors.
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3

Zirak, Yousefabadi Peyman. „Photodynamics of BLUF domain proteins : a new class of the biological blue-light photoreceptors“. kostenfrei, 2007. http://www.opus-bayern.de/uni-regensburg/volltexte/2008/829/.

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4

Tyagi, Amit. „Photodynamics of a flavin based blue-light regulated phosphodiesterase protein and its photoreceptor BLUF domain“. kostenfrei, 2009. http://www.opus-bayern.de/uni-regensburg/volltexte/2009/1283/.

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5

Udvarhelyi, Anikó [Verfasser], und Ilme [Akademischer Betreuer] Schlichting. „Molecular mechanism of light activation in the blue-light photoreceptor BLUF / Anikó Udvarhelyi ; Betreuer: Ilme Schlichting“. Heidelberg : Universitätsbibliothek Heidelberg, 2014. http://d-nb.info/1180499204/34.

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6

Irizar, Ana Clara Cadena. „Nel blu, dipinto di blu, five centuries of Blue Roman Glass from the Paletine Hill: a multi-analytical approach to provenance and production technology“. Master's thesis, Universidade de Évora, 2020. http://hdl.handle.net/10174/29198.

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Based on a multi-analytical approach, this research aimed to characterize and compare the glass-making processes and provenance of the Roman blu glass collection, dated from the 1st century to Late Antiquity, found in the Helagabalus baths in the North East Palatine archaeological site. The samples were analysed by Optical Microscopy and SEM-EDS to identify homogeneity, glass morphological features like bubbles, inclusions and corrosion. EMPA was applied to determine the elemental composition of major and minor elements, whereas LA-ICP-MS allowed us to define trace elements. Major and minor elements, analysis, performed by EMPA, gave particular information regarding the ingredients (network former, flux, colurants and decoulourants) used in the glass batch. SEM-EDS and LA-ICP-MS in combination with EMPA allowed usto group the collection for provenance and technology information. Comparison of the data with the literature allowed to identify the raw materials provenance. This study highlighted changes in glass-making technology and provenance from the 1st to 5th of the Roman blue glass, collection. The particular study of this collection can give further information about the glass making techniques of that time.
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7

Blum, Markus. „Product development as dynamic capability“. [S.l.] : [s.n.], 2004. http://137.193.200.177/ediss/blum-markus/meta.html.

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8

Olsson, Mikael, und Niklas Gullberg. „Blum Blum Shub on the GPU“. Thesis, Blekinge Tekniska Högskola, Sektionen för datavetenskap och kommunikation, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-3759.

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Context. The cryptographically secure pseudo-random number generator Blum Blum Shub (BBS) is a simple algorithm with a strong security proof, however it requires very large numbers to be secure, which makes it computationally heavy. The Graphics Processing Unit (GPU) is a common vector processor originally dedicated to computer-game graphics, but has since been adapted to perform general-purpose computing. The GPU has a large potential for fast general-purpose parallel computing but due to its architecture it is difficult to adapt certain algorithms to utilise the full computational power of the GPU. Objectives. The objective of this thesis was to investigate if an implementation of the BBS pseudo-random number generator algorithm on the GPU would be faster than a CPU implementation. Methods. In this thesis, we modelled the performance of a multi-precision number system with different data types; to decide which data type should be used for a multi-precision number system implementation on the GPU. The multi-precision number system design was based on a positional number system. Because multi-precision numbers were used, conventional methods for arithmetic were not efficient or practical. Therefore, addition was performed by using Lazy Addition that allows larger carry values in order to limit the amount of carry propagation required to perform addition. Carry propagation was done by using a technique derived from a Kogge-Stone carry look-ahead adder. Single-precision multiplication was done using Dekker splits and multi-precision modular multiplication used Montgomery multiplication. Results. Our results showed that using the floating-point data type would yield greater performance for a multi-precision number system on the GPU compared to using the integer data type. The performance results from our GPU bound BBS implementation was about 4 times slower than a CPU version implemented with the GNU Multiple Precision Arithmetic Library (GMP). Conclusions. The conclusion made from this thesis, is that our GPU bound BBS implementation, is not a suitable alternative or replacement for the CPU bound implementation.
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9

Woodard, Niki L. „Red state, blue state, red news, blue news“. Connect to this title online, 2006. http://hdl.handle.net/1961/3639.

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10

Ouellette, John Anders. „Blue stragglers“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ47293.pdf.

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11

Ngo, Huy Quoc. „Muted Blue“. Thesis, Virginia Tech, 2020. http://hdl.handle.net/10919/99208.

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Muted Blue (Whale Level) is a Virtual Reality educational experience that explores the possibility of creating an alternative learning method in an informal learning setting such as a museum. This project seeks to merge art, technology and education to create an immersive, interactive learning experience that is geared toward Gen Z and Millennial but can be enjoyed by every age group. Unreal 4 game engine along with other 3D packages made it possible to develop a Virtual Reality experience that can be used as a complimentary piece that can possibly exist along side a museum exhibit.
Master of Fine Arts
Muted Blue (Whale Level) is an interactive museum experience that aims to give audience a more informative and interactive digital experience. The main focus of Muted Blue is allowing users to explore and learn at their own pace. This Virtual Reality Museum idea in particular, is geared toward the potential museum goers that are in the Gen Z and Millennial generations because technology has been an integral part of their lives. Muted Blue (Whale Level) is capable of creating an impossible space that cannot be recreated inside of a real museum while providing meaningful, educational information along with beautiful visuals that will assist with the learning process and inspire the users to learn and care more about our ocean.
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12

Cole, Daniel. „Blue Book“. VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3044.

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Alain De Botton writes in The Architecture of Happiness, that “any object of design will give off an impression of the psychological and moral attitudes it supports.” Interpreting design then is done by understanding the attitudes of the designer, which either will or will not resonate with the viewer. I may consider the formal and conceptual merits of an object of design, but ultimately my attitudes determine whether the object will have resonance with me. These “attitudes” are, anthropologically speaking, values: what a person finds most good, proper, or desirable in life. Values are the key to the creation of objects of design that resonate. The purpose of this study is to gain insight into my values and refine their manifestation in my work. By defining those values, I can examine how my work might resonate with others.
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13

Lilienthal, R. M. „Blue-green-blue, United Nations Peacekeeping in the 1990s“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0006/MQ44850.pdf.

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14

Brenner, Peter. „Die Struktur der Blut-Hirn- und der Blut-Liquor-Schranke“. Diss., lmu, 2006. http://nbn-resolving.de/urn:nbn:de:bvb:19-54040.

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15

Caruso, Vincent A. „Blue & Red“. Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_theses/256.

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"Blue & Red" is about sound, sense, paranoia, and experience. When intuition goes awry and projections are shot in all directions the camera and eye can go, poems are bound to be nearby. From beginning to end, the reader may wonder what landscape the wanderlust traveler walks on. Where he may settle. Is he a boy? What is manhood? Has the prince stolen the key from the queen? "Blue & Red" has tautological hair, performance anxieties, and actualizations. Sentimental at times, we remember. Some traumas are daily. "Blue & Red" stands on the argument that if you put all of your heart, soul, spirit, body, and mind, into a poem, the process will yield an art/entertainment for the thinking person. It rests on the fact that love and gratitude are not lost. It rests on intangible things we must agree on. It lastly rests on the autonomy of the free mind.
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16

Stancar, Angela Diane. „Something Blue: Poems“. NCSU, 2005. http://www.lib.ncsu.edu/theses/available/etd-11052005-105155/.

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Something Blue is a collection of poems that explore the physicality of relationships. ?Light on Lake Michigan,? the first poem in the manuscript, explores a mother?s suicide by drowning. In the title poem, ?Something Blue,? the speaker finds out an ex-lover has married and wonders if his abuse has continued with his new wife. ?Fourteen? and ?Purge? examine the objectification of bodies that today?s teenage girls inflict upon themselves. The poems are mostly written in free verse, with careful attention paid to line and stanza lengths and internal rhythm.
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17

Hansen, Holly Rose. „Blue Heron Goodbye“. BYU ScholarsArchive, 2008. https://scholarsarchive.byu.edu/etd/1507.

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As is typical to the way I write essays, I did not understand the goal of this collection until I wrote the last essay, “Blue Heron Goodbye.” Up until that point I was calling the collection “Why We Need Bloodhounds.” This title felt sufficiently representative to me of the goal of the collection because in this essay, I use discussions canvassing the Bloodhounds' strong sense of smell to focus my discussion about the world of the heart. However, when I wrote “Blue Heron Goodbye,” I realized I wasn't only interested in the struggles of the human heart (a broad topic too heavy for any collection) but finding a place for my heart to live. What I mean by that, is that everyone has struggles and joys but what makes living feel worthwhile, to me, is that I can examine those emotions in a place of calm, away from the jarring pace of the whizzing world. In the essay, “Blue Heron Goodbye”, the heron is surrounded by man's technology of speed—a concrete freeway and zipping cars—yet the heron finds solitude by her churning river. I find solitude in my essays. This collection's goal is the heron's goal: to find the hidden hope of self-examination in solitude amid chaos.
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18

Ash, David. „The blue highway“. FIU Digital Commons, 1996. http://digitalcommons.fiu.edu/etd/1321.

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The Blue Highway is a collection of eleven literary short stories and ten miniature that depict men in trouble, searching for a code to live by. The miniatures are repressed memories, appearing suddenly like the tips of ice bergs and act as stepping stones (tension bridges) between the larger works. The stories begin at the end with "Time Out", the story of Frank, a down and out homeless vet at the end of his rope. Then we begin the journey along "The Blue Highway" with Danny and his gang of teenage bandits, taking themselves to Disney World to see if they can recapture their lost dream. On our journey we will meet Mark, the ex-killer, an old Cuban fisherman who will not give up his honor, a young man on a way to a war who discovers a fantastic treasure, a soldier on his way home again, two MP's who nearly kill the wrong man, we will spend a night on an African savannah with wild hyenas and finally, meet a grandfather who discovers the one gift which might save his family. The same gift which might save Frank as well.
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19

Schoenfeld, Staci Renee. „The Blue Notebook“. OpenSIUC, 2014. https://opensiuc.lib.siu.edu/theses/1351.

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20

Peifer, Kayla Seo. „Blue white green“. Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/2756.

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21

Ladd, James E. „"Plugged-in blue"“. The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1327336705.

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22

Zhang, Yi. „Blur Image Processing“. University of Dayton / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1448384360.

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23

Jeswald, Kayla. „Stages of Blue“. Youngstown State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1494950437776083.

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24

Hwang, Mirae. „The Blue Bird“. University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522319891865069.

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25

Conway, Carole Anne. „Global population structure of blue whales, Balaenoptera musculus ssp., based on nuclear genetic variation /“. Restricted to UC campuses, 2005. http://bibpurl.oclc.org/web/21163.

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26

Wiley, Candace G. „Blue skin, yellow flesh“. Connect to this title online, 2009. http://etd.lib.clemson.edu/documents/1252937246/.

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27

Bidgood, Lee, und Banjo Romantika Band. „ETSU BLUE Faculty Show“. Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1069.

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28

O’Flaherty, Craig. „Blue ring of fire“. Thesis, Rhodes University, 2018. http://hdl.handle.net/10962/63615.

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My poems are reflections of shape, colour and emotions expressed through imagery. Their unsentimental landscape-realism echo my own feelings as well as broader human dimensions of contradiction and uncertainty, without trying to resolve them. In the same way that photography is the art of 'painting with light', my poems seek a language that evokes light and darkness. They aspire to what Keats said when writing about ‘negative capability’: “Poetical character has no self, it is anything and nothing, it has no character and enjoys light and shade”. My poems explore what I have learned about form – how line-length, syntax and musicality can add grace and energy to language. Poets that have influenced me include the classical Chinese poets such as Du Fu and Li Po, and the Generation of 27 Spanish poets, such as Antonio Machado and Leon Felipe.
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29

Campbell, Jennifer. „Between blue and light“. Thesis, Rhodes University, 2018. http://hdl.handle.net/10962/63570.

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My novella follows a narrator observing her life, as she struggles with what it is to live in a world that she finds simultaneously frightening and beautiful. The story touches on the limitations of human connection and with loss in various forms. Set in both Cape Town and small town South Africa, the story explores the inner life of a woman detached and adrift.
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30

Ahmadiani, Neda. „Anthocyanin Based Blue Colorants“. The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1339510351.

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31

Zakanycz, Zena A. „Some Form Of Blue“. VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4195.

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Through my art process and material selection, I investigate how interior spaces long to accumulate memories and possessions. I am interested in encroaching floor to ceiling build-up of collected goods kept in the homes of individuals unable to discard or part with possessions. These individual’s daily movements through their space and their denial of the surrounding mass informs my work. My work is larger than human scale, made of multiple units, and dense; yet understated by the subtle use of color and repeated materials. When I make an installation it often begins with creating a wall or a floor that delineates itself from the actual architecture of a room. I procure discarded domestic fragments such as carpet, shingles, and blinds. I select one material for each project to emphasize excessive quantities. I seek out donated goods and trash piles, heaps on the edge of consumer waste. The sourcing of these materials is serendipitous. I elevate these mundane materials by taking them out of their original context. The cycle of regeneration moves from material to “art object” back to material again as the work is displayed and dispersed back into the cycle of waste. In this thesis I will discuss how through my process and materials, I investigate interior spaces where memory and possessions accumulate.
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Meireles, Gabriela. „Avaliação eco/genotoxicológica dos corantes têxteis Reactive Blue 4 e Reactive Blue 15“. Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/60/60134/tde-30092013-150534/.

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Os corantes são amplamente utilizados nas indústrias têxteis, farmacêuticas, alimentícias, cosméticas, fotográficas, entre outras. Contudo, essas substâncias podem ser tóxicas, mutagênicas e resistentes a muitos processos de degradação utilizados em estações de tratamento. Estima-se que cerca de 15% dos corantes utilizados no mundo sejam perdidos durante o processo de tingimento e lançados no ambiente, atingindo principalmente os corpos d\'água. No entanto, apesar da grande quantidade de corantes comerciais disponíveis e da alta quantidade lançada no ecossistema aquático, os estudos sobre a toxicidade dessas substâncias são escassos e pouco se conhece sobre seus efeitos mutagênicos e principalmente ecotoxicológicos. Dentro deste contexto, o objetivo do trabalho foi avaliar a ecotoxicidade, bem como a capacidade dos corantes têxteis Reactive Blue 4 (RB 4) e Reactive Blue 15 (RB 15) de lesar o material genético, empregando ensaios de toxicidade aguda com Daphnia similis e Vibrio fischeri, toxicidade crônica com Ceriodaphnia dubia, genotoxicidade (Teste do Cometa) com fibroblastos de derme humana e mutagenicidade com Salmonella typhimurium. Adicionalmente, avaliou-se a concentração de cobre em Ceriodaphnia dubia expostas ao corante Reactive Blue 15, que possui esse metal na sua estrutura química. O corante RB 4 foi moderadamente tóxico e o corante RB 15 foi relativamente não tóxico para Daphnia similis. Ambos corantes reduziram a luminescência de Vibrio fischeri em elevadas concentrações, sendo o corante RB 4 mais tóxico para a bactéria quando comparado ao corante RB 15. O corante RB 4 induziu efeito hormesis nos ensaios com C. dubia, ou seja, houve um estímulo na reprodução nas menores concentrações, seguido por um decréscimo em concentrações mais elevadas, ao passo que, o corante RB 15 reduziu a fecundidade de C. dubia. Não houve acúmulo de cobre nos organismos expostos ao corante RB 15. Nenhum dos corantes foram genotóxicos para fibroblastos de derme humana e apenas o corante RB 4 induziu mutagenicidade, por substituição de pares de base. Os resultados obtidos mostram que os corantes podem causar efeitos adversos nos organismos mesmo em baixas concentrações e que o lançamento contínuo dessas substâncias nos corpos d\'água é preocupante.
Dyes are widely used in different types of industries, such as textile, pharmaceutical, food, cosmetics, photographic, among others. However, these substances can be toxic, mutagenic and resistant to many degradation processes used in wastewater treatment. It is estimated that about 15% of the dyes used in the world is lost during the dyeing process and released into the environment, affecting mainly water bodies. However, despite the large amount of commercial dyes available and high quantity released in the aquatic ecosystem, studies on the toxicity of these substances are scarce and little is known about their mutagenic and ecotoxicological effects. Considering that, the aim of this study was to evaluate the ecotoxicity, and the ability of the Reactive Blue 4 (RB 4) and Reactive Blue 15 (RB 15) textile dyes to damage the genetic material, using acute toxicity tests with Daphnia similis and Vibrio fischeri, Ceriodaphnia dubia chronic toxicity, genotoxicity (Comet assay) in human dermal fibroblasts and mutagenicity with Salmonella typhimurium. Additionally, we assessed the concentration of copper in Ceriodaphnia dubia exposed to the Reactive Blue 15 dye, which has this metal in its chemical structure. The RB 4 dye was moderately toxic and RB 15 dye was relatively non-toxic to Daphnia similis. Both dyes reduced the Vibrio fischeri luminescence in high concentrations, and the RB 4 was more toxic to bacteria when compared to dye RB 15. The RB 4 dye induced hormesis effect in the C. dubia tests. We observed that the reproduction was stimulated at lower concentrations followed by a decrease at higher concentrations. While the RB 15 dye reduced fecundity of Ceriodaphnia dubia. There was no accumulation of copper in organisms exposed to the RB 15 dye. None of the dyes were genotoxic to human dermal fibroblasts, and only the RB 4 dye induced mutagenicity, by base-pair substitution. The results show that the dyes can cause adverse effects on organisms even at low concentrations and that the continuous release of these substances in water bodies is worrying.
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33

Wynn, Anna. „Four differentially expressed cDNAs containing the Rebers-Riddiford consensus sequence in Callinectes sapidus /“. Electronic version (PDF), 2004. http://dl.uncw.edu/etd/2004/wynna/annawynn.pdf.

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34

Wegner, Gudrun. „Bluttabu - Tabuisierung des Lebens eine historisch-anthropologische Untersuchung zum Umgang mit dem Weiblichen von den griechischen Mythen bis zum Genzeitalter /“. [S.l. : s.n.], 2001. http://www.diss.fu-berlin.de/2001/70/index.html.

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35

Wen, Rui. „The cobalt blue pigment used on Islamic ceramics and chinese blue-and-white porcelains“. Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.560518.

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Cobalt blue pigment has been used to decorate ceramics as early as the New Kingdom (the 16th century BC - 11 th century BC) in ancient Egypt. The blue decoration ceramics have re-flourished since the Islamic Abbasid dynasty (750 AD-1258 AD). The large quantity Abbasid overglaze painted earthenware used the cobalt blue for decoration. In the same period, the ceramics with cobalt blue painting decoration also appeared in Chinese Tang dynasty (618 AD-907 AD). It is a great innovation in Chinese ceramic history since the aesthetic taste of Chinese ceramics was influenced by jade culture and consequently the monochrome decorative style was appreciated. The blue-and-white porcelain declined when Tang dynasty collapsed. However, the blue decoration ceramics has developed continuously in the Islamic lands. The cobalt blue were decorated on Minai wares, Lustre wares, underglaze painting wares and tiles from iz" to 19th centuries. The Chinese Blue-and-white porcelain re-blossomed in the Yuan dynasty (1271-1368 AD) in China. It gradually became the main stream product in Chinese ceramics industry during the is" - 17th century. Large quantities blue-and-white porcelains were exported to West Asia and further to Europe during the Ming (1368-1644 AD) and Qing (1644-1911) dynasties. This thesis mainly focuses on the chemical composition of the cobalt blue used on Islamic and Chinese ceramics and then the provenance, manufacturing process and the spread route of the cobalt blue were discussed base on the composition analysis. The research includes the X-ray fluorescence (XRF) experiments and the ancient literature analysis. The chemical composition of the cobalt blue pigment was obtained by the XRF examination and then the mineral of raw cobalt ores and further its provenance was discussed. The manufacture process and the trading route of the cobalt blue were also discussed through comparing the previous scholars blue ceramics and glasses results and analyzing the ancient literature. Based on the scientific experiments, the seven groups of cobalt blue for Islamic ceramics and glasses were summarized. Each of the groups has the distinctive compositionaJ distribution. Meanwhile, there are two main cobalt sources for Islamic ceramics and glasses in history, which are Persian Kashan sulaimani and German Schneeberg smalt. Most of the blue groups were originated from the two main cobalt sources. The different compositional distribution is due to the different manufacture processes. The cobalt blue of Chinese blue-and-white porcelain was depended on import in the early period. However, the imported cobalt blue could not meet the demand when the Chinese blue-and-white porcelain industry rose in the is" century. The manufacture had to use the Chinese local cobalt ores since the is" century.
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36

Clegg, Susan. „Blue shade hues : a study of blue pigments used by Romano-British wall-painters“. Thesis, University of Sussex, 2014. http://sro.sussex.ac.uk/id/eprint/48866/.

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Following an earlier study of different coloured pigments used in Roman wall-plaster paintings, this research project investigates the use of the synthetic pigment commonly known as Egyptian Blue in Romano-British wall-plaster paintings. Samples of Egyptian Blue pellets were obtained from excavations at the Romano-British sites of Fishbourne Roman Palace, near Chichester, Piddington near Northampton, Turners Hall Farm, near St Albans, and from excavations at Verulamium (Roman St Albans). The aim of this study is to determine the chemical composition, fabric and texture of each pellet as well as attempting a textural and geochemical classification of the pellets, using well established analytical techniques, particularly LA-ICP-MS and SEM-EDAX. The colour of the pellets was examined and identified using the Munsell Book of Color (Matte Finish Collection) 1973. The results of the analysis of the Egyptian Blue pellets found on Romano-British sites showed that differing amounts of silica, copper, calcium, as well as smaller amounts of other elements, were used in their manufacture. Most of the pellets examined appear to have been manufactured locally, though some were almost certainly imported. Experimental work was undertaken, both in the laboratory and out in-the-field where a reconstructed Bronze Age Clamp Kiln and an Iron Age Belgic Kiln were used, to reproduce the synthetic pigment Egyptian Blue, using a recipe similar to that used by earlier investigators. Such recently manufactured Egyptian Blue pellets were applied, as a pigment, to damp lime mortar, in an attempt to correlate the achieved colour with the firing time. Similar techniques were used in an attempt to ascertain the nature of the pigments used on the small fragments of painted wall-plaster found in a back filled trench, from Wheeler's 1930 - 33 excavations at Verulamium. On two of the fragments gas chromatographic analysis was applied to determine the nature of the binding material that might have been used. This study is thought to be the first in-depth investigation of Romano-British Egyptian Blue pellets and thereby contributes to the art history and archaeological knowledge of this period.
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Smith, Robert L. M. Eng Massachusetts Institute of Technology. „Afterimage Toon Blur : procedural generation of cartoon blur for 3D models in real time“. Thesis, Massachusetts Institute of Technology, 2016. http://hdl.handle.net/1721.1/106376.

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Thesis: M. Eng., Massachusetts Institute of Technology, Department of Electrical Engineering and Computer Science, 2016.
This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Cataloged from student-submitted PDF version of thesis.
Includes bibliographical references (page 48).
One of the notable distinctions of traditional animation techniques is the emphasis placed on motion. Objects in motion often make use of visual stylistic effects to visually enhance the motion, such as speed lines or afterimages. Unfortunately, at present, 2D animation makes much more use of these techniques than 3D animation, which is especially clear in the stylistic differences between 2D and 3D videogames. For 3D videogame designers fond of the look and feel of traditional animation, it would be beneficial if 3D models could emulate that 2D style. In that regard, I propose two techniques that use the location history of 3D models to, in real time, construct non-photorealistic motion blur effects in the vein of 2D traditional animation. With these procedural techniques, designers can maximize the convenience of 3D models while still retaining an aesthetic normally constrained to 2D animation.
by Robert L. Smith.
M. Eng.
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38

Sieberth, Till. „Motion blur in digital images : analys, detection and correction of motion blur in photogrammetry“. Thesis, Loughborough University, 2016. https://dspace.lboro.ac.uk/2134/20212.

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Unmanned aerial vehicles (UAV) have become an interesting and active research topic for photogrammetry. Current research is based on images acquired by an UAV, which have a high ground resolution and good spectral and radiometrical resolution, due to the low flight altitudes combined with a high resolution camera. UAV image flights are also cost effective and have become attractive for many applications including, change detection in small scale areas. One of the main problems preventing full automation of data processing of UAV imagery is the degradation effect of blur caused by camera movement during image acquisition. This can be caused by the normal flight movement of the UAV as well as strong winds, turbulence or sudden operator inputs. This blur disturbs the visual analysis and interpretation of the data, causes errors and can degrade the accuracy in automatic photogrammetric processing algorithms. The detection and removal of these images is currently achieved manually, which is both time consuming and prone to error, particularly for large image-sets. To increase the quality of data processing an automated process is necessary, which must be both reliable and quick. This thesis proves the negative affect that blurred images have on photogrammetric processing. It shows that small amounts of blur do have serious impacts on target detection and that it slows down processing speed due to the requirement of human intervention. Larger blur can make an image completely unusable and needs to be excluded from processing. To exclude images out of large image datasets an algorithm was developed. The newly developed method makes it possible to detect blur caused by linear camera displacement. The method is based on human detection of blur. Humans detect blurred images best by comparing it to other images in order to establish whether an image is blurred or not. The developed algorithm simulates this procedure by creating an image for comparison using image processing. Creating internally a comparable image makes the method independent of additional images. However, the calculated blur value named SIEDS (saturation image edge difference standard-deviation) on its own does not provide an absolute number to judge if an image is blurred or not. To achieve a reliable judgement of image sharpness the SIEDS value has to be compared to other SIEDS values of the same dataset. This algorithm enables the exclusion of blurred images and subsequently allows photogrammetric processing without them. However, it is also possible to use deblurring techniques to restor blurred images. Deblurring of images is a widely researched topic and often based on the Wiener or Richardson-Lucy deconvolution, which require precise knowledge of both the blur path and extent. Even with knowledge about the blur kernel, the correction causes errors such as ringing, and the deblurred image appears muddy and not completely sharp. In the study reported in this paper, overlapping images are used to support the deblurring process. An algorithm based on the Fourier transformation is presented. This works well in flat areas, but the need for geometrically correct sharp images for deblurring may limit the application. Another method to enhance the image is the unsharp mask method, which improves images significantly and makes photogrammetric processing more successful. However, deblurring of images needs to focus on geometric correct deblurring to assure geometric correct measurements. Furthermore, a novel edge shifting approach was developed which aims to do geometrically correct deblurring. The idea of edge shifting appears to be promising but requires more advanced programming.
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39

Hardy, Kristin M. „A reaction-diffusion analysis of cellular design and function in skeletal muscle“. View electronic thesis (PDF), 2009. http://dl.uncw.edu/etd/2009-1/hardyk/kristinhardy.pdf.

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40

Wu, Jiangmei. „Blue light induced retinal damage /“. Stockholm, 2004. http://diss.kib.ki.se/2004/91-7140-058-3/.

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41

Reed, Delanna. „Storytelling at Blue Plum Festival“. Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1276.

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42

Bidgood, Lee, und Great Smokey Mountain Bluegrass Band. „Performance at Blue Plum festival“. Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1071.

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43

Cho, Taeg Sang. „Motion blur removal from photographs“. Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/62385.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2010.
Cataloged from PDF version of thesis.
Includes bibliographical references (p. 135-143).
One of the long-standing challenges in photography is motion blur. Blur artifacts are generated from relative motion between a camera and a scene during exposure. While blur can be reduced by using a shorter exposure, this comes at an unavoidable trade-off with increased noise. Therefore, it is desirable to remove blur computationally. To remove blur, we need to (i) estimate how the image is blurred (i.e. the blur kernel or the point-spread function) and (ii) restore a natural looking image through deconvolution. Blur kernel estimation is challenging because the algorithm needs to distinguish the correct imageblur pair from incorrect ones that can also adequately explain the blurred image. Deconvolution is also difficult because the algorithm needs to restore high frequency image contents attenuated by blur. In this dissertation, we address a few aspects of these challenges. We introduce an insight that a blur kernel can be estimated by analyzing edges in a blurred photograph. Edge profiles in a blurred image encode projections of the blur kernel, from which we can recover the blur using the inverse Radon transform. This method is computationally attractive and is well suited to images with many edges. Blurred edge profiles can also serve as additional cues for existing kernel estimation algorithms. We introduce a method to integrate this information into a maximum-a-posteriori kernel estimation framework, and show its benefits. Deconvolution algorithms restore information attenuated by blur using an image prior that exploits a heavy-tailed gradient profile of natural images. We show, however, that such a sparse prior does not accurately model textures, thereby degrading texture renditions in restored images. To address this issue, we introduce a content-aware image prior that adapts its characteristics to local textures. The adapted image prior improves the quality of textures in restored 6 images. Sometimes even the content-aware image prior may be insufficient for restoring rich textures. This issue can be addressed by matching the restored image's gradient distribution to its original image's gradient distribution, which is estimated directly from the blurred image. This new image deconvolution technique called iterative distribution reweighting (IDR) improves the visual realism of reconstructed images. Subject motion can also cause blur. Removing subject motion blur is especially challenging because the blur is often spatially variant. In this dissertation, we address a restricted class of subject motion blur: the subject moves at a constant velocity locally. We design a new computational camera that improves the local motion estimation and, at the same time, reduces the image information loss due to blur.
by Taeg Sang Cho.
Ph.D.
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44

Avasthi, Amitabh. „Superfish : the coming blue revolution“. Thesis, Massachusetts Institute of Technology, 2004. http://hdl.handle.net/1721.1/103824.

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Thesis: S.M., Massachusetts Institute of Technology, Dept. of Humanities, Program in Writing and Humanistic Studies, September 2012.
Includes bibliographical references (leaves 36-41).
by Amitabh Avasthi.
S.M.
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45

Petrov, Blagovest Vaskov. „Wind properties of blue supergiants“. Thesis, Queen's University Belfast, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675422.

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The evolutionary state of blue supergiants is still unknown. Stellar wind mass loss is one of the dominant processes determining the evolution of massive stars, and it may provide clues to the evolutionary properties of blue supergiants. However, their mass-loss properties are not well understood. Therefore, in this thesis, we investigate the wind properties of blue supergiants by means of the non-L TE radiative transfer code cmfgen (Hillier & Miller 199B). The thesis describes two self-contained pieces of research which are linked through their connection with the wind properties of blue supergiants. The first involves a detailed analysis of the Ha line formation over a range in effective temperature between 30000 and 10000K. We find a maximum in the Hα equivalent width around 22500K which is always present in sets of models with various stellar and wind parameters. The non-monotonic Ha behaviour is related to the optical depth of the Lyα line, finding that at the "cool" branch the population of the 2nd level of hydrogen is enhanced in comparison to the 3rd level. This is expected to increase line absorption, leading to weaker Hα flux when Teff drops from 22500K downwards. We also show that at the bi-stability jump, Hα changes its character completely, from an optically thin to an optically thick line, implying that macro-clumping should play an important role at temperatures below the bi-stability jump. In the second part of the thesis, the physical ingredients that play a role in the line acceleration are explored. Our calculations confirm the bi-stability jump in mass-loss rates predicted by Vink et al. (1999). We also show that at temperatures around 10000 K, a second jump in mass-loss rates is produced if the observed velocity ratios are applied. The jump is caused by Felll/Fell recombination/ionisation as was suggested by Vink et al. (1999). Understanding the behaviour of the second jump my provide valuable science prospects for late B/A supergiants and LBVs, and therefore, a detailed investigation of this jump might be worth having.
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Yamaguti, Kleber Eiti. „Propriedades reológicas das Blue Plases“. Universidade Estadual de Londrina. Centro de Ciências Exatas. Programa de Pós-Graduação em Física, 2006. http://www.bibliotecadigital.uel.br/document/?code=vtls000113235.

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Nesta dissertação estudamos o fenômeno de transição de fase colestéricoisotrópico em dois cristais líquidos que apresentam Blue Phases: o miristato de colesterila e o nonanoato de colesterila. A presença das Blue Phases levam a transição, tipicamente de primeira ordem, para uma classe de transições chamadas transições fracamente de primeira ordem, onde os dados experimentais apresentam propriedades de transições de fase contínuas.
In this dissertation we studied the cholesteric-isotropic phase transition phenomena in two liquid crystals that presents Blue Phases: myristate of cholesteyl and the nonanoate of cholesteryl. The presence of Blue Phases takes the transistion, typically first-order, for a class called weakly first-order phase transitions, where the experimental data present properties of continuous phase transitions.
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47

Olid, Rodríguez Christian Ignacio. „Blue-Collar crime and finance“. Tesis, Universidad de Chile, 2018. http://repositorio.uchile.cl/handle/2250/151527.

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48

Chunhacha, Nitan. „Baby Blue: The Making of“. Thesis, Konstfack, Grafisk design & illustration, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7377.

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Baby Blue is a comic book about friendship and romantic love that is told by two characters. I want to explore more on understanding a complicated feeling between romantic love and friendship love. Since relationships are very complicated and difficult to understand, I think it’s a good way to go through a journey with the main character and see how she’s dealing with her own feelings. In this report, I explained more about my process and everything you need to know about Baby Blue.
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49

Brown, Stacy D. „Bulldog in Blue and Gold“. Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/5252.

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50

LeFew, Ashley Marie. „Gathering Blue, Holding the Aqueous“. Thesis, Virginia Tech, 2012. http://hdl.handle.net/10919/34670.

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This set of drawings and paintings is a means to explore building. The building is imbued with the qualities of elusive memories and images that have been rediscovered and reconsidered through making. The qualities are linked back to place, the place of a bath house and sailing club at Smith Mountain Lake. In seeking qualities, the work explores the relationship between flatness and depth, line and color, form and image, and therefore architecture and painting. The work draws out and gathers disparate blues and searches for those transient aspects of the world that can be rendered eternal.
Master of Architecture
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