Auswahl der wissenschaftlichen Literatur zum Thema „Black Superheroes“
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Zeitschriftenartikel zum Thema "Black Superheroes"
Tate, Shirley Anne. „SUPER BLACK: AMERICAN POP CULTURE AND BLACK SUPERHEROES“. Ethnic and Racial Studies 35, Nr. 9 (September 2012): 1704–5. http://dx.doi.org/10.1080/01419870.2012.688994.
Der volle Inhalt der QuelleIsraelson, Per. „The Sympoiesis of Superheroes“. Sensorium Journal 2 (13.09.2017): 35–54. http://dx.doi.org/10.3384/sens.2002-3030.2017.2.35-54.
Der volle Inhalt der QuelleNama, Adilifu. „Brave black worlds: black superheroes as science fiction ciphers“. African Identities 7, Nr. 2 (Mai 2009): 133–44. http://dx.doi.org/10.1080/14725840902808736.
Der volle Inhalt der QuelleRidaryanthi, Melly, und Ceaserlyn Jindan Sinuyul. „Representation of Female Superhero and Gender Roles in the Avengers: Endgame“. KOMUNIKA: Jurnal Dakwah dan Komunikasi 15, Nr. 2 (01.10.2021): 139–54. http://dx.doi.org/10.24090/komunika.v15i2.4580.
Der volle Inhalt der QuelleFawaz, R. „Super Black: American Pop Culture and Black Superheroes / Do the Gods Wear Capes? Spirituality, Fantasy, and Superheroes / Race in American Science Fiction“. American Literature 85, Nr. 1 (01.01.2013): 199–202. http://dx.doi.org/10.1215/00029831-1959652.
Der volle Inhalt der QuelleJenkins, Tricia, und Tom Secker. „Science, superheroes and the Science and Entertainment Exchange“. Journal of Science & Popular Culture 4, Nr. 1 (01.04.2021): 21–38. http://dx.doi.org/10.1386/jspc_00023_1.
Der volle Inhalt der QuelleGaiter, Colette. „Visualizing a Black Future: Emory Douglas and the Black Panther Party“. Journal of Visual Culture 17, Nr. 3 (Dezember 2018): 299–311. http://dx.doi.org/10.1177/1470412918800007.
Der volle Inhalt der QuelleTyree und Jacobs. „Can You Save Me?: Black Male Superheroes in Hollywood Film“. Spectrum: A Journal on Black Men 3, Nr. 1 (2014): 1. http://dx.doi.org/10.2979/spectrum.3.1.1.
Der volle Inhalt der QuelleScott, Anna Beatrice. „Superpower vs Supernatural: Black Superheroes and the Quest for a Mutant Reality“. Journal of Visual Culture 5, Nr. 3 (Dezember 2006): 295–314. http://dx.doi.org/10.1177/1470412906071364.
Der volle Inhalt der QuelleBukač, Zlatko. „Hypermasculinity and infantilization of black superheroes: Analysis of Luke Cage and Rage origin stories“. Reci, Beograd 11, Nr. 1 (2019): 69–81. http://dx.doi.org/10.5937/reci1912069b.
Der volle Inhalt der QuelleDissertationen zum Thema "Black Superheroes"
Prince, Rob. „Say Hello to My Little Friend: De Palma's Scarface, Cinema Spectatorship, and the Hip Hop Gangsta as Urban Superhero“. Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1256860175.
Der volle Inhalt der QuelleSmurthwaite, James Edward. „Black Spider-Man – masks, power and identity in a 21st century superhero world“. Thesis, 2017. https://hdl.handle.net/10539/24452.
Der volle Inhalt der QuelleIn November 2011 Marvel Comics introduced the re-imagined incarnation of one of their top tier superhero characters, Spider-Man. Marvel proposed the new identity of the hero as Miles Morales, a 13-year-old boy of African American descent. It represents the first significant alteration to the character in almost half a century. Further, Marvel suggested that Miles is evidence of both their commitment to diversity, transformation and the representation of a multicultural society that includes different identity propositions. This study explores the enunciation on of Miles’ identity counterpoised with that of the normative discursive enunciation of heroism in comics within the context of intersectional politics. A central focus is the manner in which Miles’ rendering can be interpreted as discursively disruptive and transformative, especially in the depiction of race and class. The study views Marvel’s representation of Miles as not only a proposition of black postcolonial heroism but also that of the scaffolding of power and knowledge. It is the contention of this study that UCSM exhibits the markings of colonial and imperial discourse pertaining to identity politics, manifesting in the discursive strategy of mimicry and the mimetics of popular culture, that reveal firmly entrenched power relations limiting Miles’ autonomy. The analysis delves into the articulation of race in the circumscription and demarcation of identity, when read comparatively with classical heroism, supporting characters and the subjectivity of Miles’ white counterparts, notably his predecessor as Spider-Man, Peter Parker. Miles is imprinted with the pattern of disenfranchisement and labours under the weight of racialised identity politics that invoke the spectre of colonialism. Through the use of critical discourse analysis, postcolonial and critical theory the study brings to light the maintenance and structure of inequality, tacit discrimination and stereotypical identity that surfaces in a 21st century popular cultural text.
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Bücher zum Thema "Black Superheroes"
Super black: American pop culture and black superheroes. Austin: University of Texas Press, 2011.
Den vollen Inhalt der Quelle finden1977-, Santos Victor, und Metcalfe Adam, Hrsg. Black market. Los Angeles, CA]: Boom! Studios, 2015.
Den vollen Inhalt der Quelle findenBrown, Jeffrey A. Black superheroes, Milestone comics, and their fans. Jackson: University Press of Mississippi, 2001.
Den vollen Inhalt der Quelle findentranslator, MacKenzie Timothy, und Campbell T, Hrsg. Precarious woman executive Miss black general Vol. 1. Los Angeles, California]: Seven Seas Entertainment, LLC, 2018.
Den vollen Inhalt der Quelle findentranslator, MacKenzie Timothy, und Campbell T, Hrsg. Precarious woman executive Miss black general Vol. 2. Los Angeles, California]: Seven Seas Entertainment, LLC, 2018.
Den vollen Inhalt der Quelle findenStraczynski, J. Michael. Amazing Spider-Man Volume 11: Back In Black Tpb: Back In Black Tpb. S.l: Marvel Enterprises, 2007.
Den vollen Inhalt der Quelle findenWest, Alexandra. This is Black Panther. Los Angeles, CA: Marvel Worldwide, Incorporated, 2018.
Den vollen Inhalt der Quelle findenBritten, Adam. Revenge of the Black Phantom. London: Piccadilly, 2013.
Den vollen Inhalt der Quelle findenEllie, Pyle, Thomas Jake, Noto Phil, Cowles Clayton und Marvel Entertainment LLC, Hrsg. Black Widow: Last days. New York, NY: Marvel Worldwide, Incorporated, 2014.
Den vollen Inhalt der Quelle findenCornell, Paul. Superman: The black ring, Volume two. New York: DC Comics, 2012.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Black Superheroes"
King, Lorraine Henry. „Heroic Skin: Superheroes, Excess and Black Skin as Costume“. In Superheroes and Excess, 162–80. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780203730065-9.
Der volle Inhalt der QuelleDowtin, LaTrice L., und Mawule A. Sevon. „The Black Panther Lives“. In Using Superheroes and Villains in Counseling and Play Therapy, 274–91. New York, NY : Routledge, [2019]: Routledge, 2019. http://dx.doi.org/10.4324/9780429454950-24.
Der volle Inhalt der QuelleUnderberg-Goode, Natalie M. „U.S. Asian, Black, and Latino Storytellers Create Their Own Superheroes“. In Multiplicity and Cultural Representation in Transmedia Storytelling, 127–64. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003158905-5.
Der volle Inhalt der QuelleEriksen, Thomas Hylland, und Martina Visentin. „Threats to Diversity in a Overheated World“. In Acceleration and Cultural Change, 27–45. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33099-5_3.
Der volle Inhalt der QuelleHOWARD, SHEENA C. „AFRICAN AMERICAN VIEWERS WATCHING BLACK PANTHER:“. In Superheroes Beyond, 75–92. University Press of Mississippi, 2024. http://dx.doi.org/10.2307/jj.11981217.11.
Der volle Inhalt der QuelleGOLDING, DAN. „WHERE DOES BLACK PANTHER’S MUSIC COME FROM?:“. In Superheroes Beyond, 226–39. University Press of Mississippi, 2024. http://dx.doi.org/10.2307/jj.11981217.22.
Der volle Inhalt der QuelleBenson, Josef, und Doug Singsen. „Reskinning Narratives“. In Bandits, Misfits, and Superheroes, 246–65. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496838339.003.0011.
Der volle Inhalt der QuelleSubrick, J. Robert. „The political economy of Black Panther’s Wakanda“. In Superheroes and Economics, 65–79. Routledge, 2018. http://dx.doi.org/10.4324/9781351258166-6.
Der volle Inhalt der QuelleJeffries, Dru. „Flickers of Black and White“. In After Midnight, 15–27. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496842169.003.0002.
Der volle Inhalt der Quelle„The absence of black supervillains in mainstream comics“. In Superheroes and Identities, 45–56. Routledge, 2016. http://dx.doi.org/10.4324/9781315757476-8.
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