Dissertationen: „Biblical ark“

1

Lau, John C. „The biblical significance of the Ark of the Covenant“. Theological Research Exchange Network (TREN), 1998. http://www.tren.com.

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2

Barmash, Pamela. „Homicide in the biblical world /“. Cambridge : Cambridge university press, 2005. http://catalogue.bnf.fr/ark:/12148/cb40016302n.

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3

Mankowski, Paul V. „Akkadian loanwords in biblical Hebrew /“. Winona Lake (Ind.) : Eisenbrauns, 2000. http://catalogue.bnf.fr/ark:/12148/cb38831193t.

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4

Black, Crofton. „Pico's "Heptaplus" and biblical hermeneutics /“. Leiden : Brill, 2006. http://catalogue.bnf.fr/ark:/12148/cb40987335v.

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5

Bemmelen, Peter Maarten van. „Issues in Biblical inspiration : Sanday and Warfield /“. Berrien Springs (Mich.) : Andrews university press, 1988. http://catalogue.bnf.fr/ark:/12148/cb35694104k.

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6

Goldfajn, Tal. „Word order and time in Biblical Hebrew narrative /“. Oxford : Clarendon press, 1998. http://catalogue.bnf.fr/ark:/12148/cb37649978s.

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7

Ziegler, Yael. „Promises to keep : the oath in biblical narrative /“. Leiden : Brill, 2008. http://catalogue.bnf.fr/ark:/12148/cb41303576g.

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8

Modéus, Martin. „Sacrifice and symbol : biblical "šĕlāmim" in a ritual perspective /“. Stockholm : Almqvist & Wiksell international, 2005. http://catalogue.bnf.fr/ark:/12148/cb40050385j.

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9

Niehoff, Maren R. „The figure of Joseph in post-Biblical Jewish literature /“. Leiden ; New York ; Köln : E. J. Brill, 1992. http://catalogue.bnf.fr/ark:/12148/cb356941099.

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10

Rabin, Chaim. „The development of the syntax of post-biblical Hebrew /“. Leiden, 2000. http://catalogue.bnf.fr/ark:/12148/cb37212797h.

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11

Washburn, David L. „A catalog of biblical passages in the Dead Sea Scrolls /“. Leiden : Brill, 2003. http://catalogue.bnf.fr/ark:/12148/cb389223222.

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12

Lunn, Nicholas P. Heimerdinger Jean-Marc. „Word-order variation in biblical Hebrew poetry : differentiating pragmatic poetics /“. Carlisle : Paternoster press, 2006. http://catalogue.bnf.fr/ark:/12148/cb410779456.

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13

Miller, Cynthia L. „The representation of speech in biblical Hebrew narrative : a linguistic analysis /“. Winona Lake (Ind.) : Eisenbrauns : Harvard Semitic Museum, 2003. http://catalogue.bnf.fr/ark:/12148/cb392008334.

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Texte remanié de: Diss. Ph. D.--Department of Near Eastern languages and civilizations [and] Department of linguistics--Chicago (Ill.)--University of Chicago, 1992.
Réimpr. augm. d'une postface de l'éd. d'Atlanta (Ga.) : Scholars press, cop. 1996. Bibliogr. p. [443]-468. Index.

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14

Eskhult, Mats. „Studies in verbal aspect and narrative technique in Biblical Hebrew prose /“. Stockholm : Almqvist & Wiksell, 1990. http://catalogue.bnf.fr/ark:/12148/cb35472297f.

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15

Kwon, Soon-Gu. „Christ as example : the imitatio Christi motive in biblical and christian ethics /“. Uppsala : Uppsala universitet, 1998. http://catalogue.bnf.fr/ark:/12148/cb39144634j.

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16

Nahkola, Aulikki. „Double narratives in the Old Testament : the foundations of method in biblical criticism /“. Berlin ; New York : W. de Gruyter, 2001. http://catalogue.bnf.fr/ark:/12148/cb38877822h.

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17

Shimasaki, Katsumi. „Focus structure in Biblical Hebrew : a study of word order and information structure /“. Bethesda (Md.) : CDL press, 2002. http://catalogue.bnf.fr/ark:/12148/cb388339460.

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18

Veak, Tyler J. (Tyler James). „Entering the Circle: The Only Viable Hermeneutic for a Biblical Response to Ecocrisis“. Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc277659/.

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A paradox exists in attempting to resolve ecocrisis: awareness of ecological concerns is growing, but the crisis continues to escalate. John Firor, a well-known scientist, suggests that to resolve the paradox and hence ecocrisis, we need an alternative definition of "human beingness"--that is, a human ontology.

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19

Shell, Joseph Scott. „The Canticles of Solomon“. Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc1038754/.

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The Canticles of Solomon , a musical drama written for tenor, mezzo soprano, chamber orchestra, and full chorus, is a three movement piece, 25 minutes in length. It is intended for performance without scenery, costume, or action. The fundamental element is text. The source text is The Song of Solomon from the Ryrie Study Bible. The text is cross referenced and used in the formal structure of the work. Each time a cross-referenced entry of text is reached, the melodic theme or rhythmic motive is found according to the appropriate theme category in which the specific text is placed. There are twelve theme categories. The melodic themes have differing levels of tonality. The formal structure is cyclically through-composed.

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20

Heller, Roy L. „Narrative structure and discourse constellations : an analysis of clause function in biblical Hebrew prose /“. Winona Lake (Ind.) : Eisenbrauns, 2004. http://catalogue.bnf.fr/ark:/12148/cb39197737m.

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21

Exter, Blokland A. François den. „In search of text syntax : towards a syntactic text-segmentation model for biblical hebrew /“. Amsterdam : VU Uitgeverij, 1995. http://catalogue.bnf.fr/ark:/12148/cb35767301c.

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22

Taylor, Glen. „Yahweh and the Sun : biblical and archaeological evidence for sun worship in ancient Israel /“. Sheffield : Sheffield Academic Press, 1993. http://catalogue.bnf.fr/ark:/12148/cb356280593.

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23

Herbert, Edward D. „Reconstructing biblical Dead Sea Scrolls : a new method applied to the reconstruction of 4QSama /“. Leiden ; New York ; Köln : Brill, 1997. http://catalogue.bnf.fr/ark:/12148/cb369950731.

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24

Grant, Richard D. „Practicing biblical fasting and prayer as a spiritual discipline at First Baptist Church of Benton, Arkansas“. Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.

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25

Riska, Magnus. „The Temple Scroll and the biblical text traditions : a study of columns 2--13:9 /“. Helsinki : Finnish exegetical society, 2001. http://catalogue.bnf.fr/ark:/12148/cb402020249.

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26

Stocklin, Christopher Brett. „A biblical stewardship strategy for young adults at First Baptist Church in West Fork, Arkansas“. Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.

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27

Haar, Romeny Robert Barend ter. „A Syrian in Greek dress : the use of Greek, Hebrew, and Syriac biblical texts in Eusebius of Emesa's "Commentary on Genesis /“. Lovanii : Peeters, 1997. http://catalogue.bnf.fr/ark:/12148/cb37628337w.

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Proefschrift--Leiden--Rijksuniversiteit, 1997.
Contient le "Commentary on Genesis" / Eusebius of Emesa, extr. du "Commentary on the Octateuch and Reigns" en arménien, ainsi que de nombreuses citations en grec et en syriaque, suivis de leur traduction anglaise, ainsi qu'un feuillet et un résumé en néerlandais. Bibliogr. p. 451-471. Index.

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28

Zewi, Tamar. „A syntactical study of verbal forms affixed by -n (n) endings in Classical Arabic, Biblical Hebrew El-Amarna Akkadian and Ugaritic /“. Münster : Ugarit, 1999. http://catalogue.bnf.fr/ark:/12148/cb39996485s.

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29

Spatafora, Andrea. „From the Temple of God to God as the Temple : a biblical theological study of the Temple in the "Book of revelation /“. Roma : Ed. Pontificia università gregoriana, 1997. http://catalogue.bnf.fr/ark:/12148/cb37659951z.

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30

Dyer, Gregory A. „Playing Jonah's Hand: Poems“. Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2472/.

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Playing Jonah's Hand: Poems is a collection of poems with a critical introduction. The introduction consists of two independent essays, both of which examine intersections between poetry and Christian theology. In the first essay I identify the imaginative faculty as the primary source of agency for the speaker in John Donne's "Holy Sonnets." Working upon Barbara Lewalski's assertion that these sonnets represent "the Protestant paradigm of salvation in its stark, dramatic, Pauline terms," I consider the role of the imagination in the spiritual transformation represented within the sequence. Donne foregrounds a Calvinistic theology that posits both humanity's total depravity and God's grace and mercy as the only avenue of transcendence. Whatever agency the speaker exhibits is generated by the exercise of his imagination, which leads him to a recognition of his sinfulness and the necessity of God's grace. In the second essay I investigate the presence of a negative theology within "Lachrimae, or Seven Tears Figured in Seven Passionate Pavans," a sonnet sequence by Geoffrey Hill. In this sequence, Hill demonstrates the possibilities that surface through an integration of negative theology with postmodern theories of language, both of which have been influenced by the philosophical writings of Martin Heidegger. The two inform and transform each other while producing a tension that is productive ground for poetry. The main body of the manuscript includes a collection of poems built upon thematic parallels with the Biblical account of Jonah, acknowledging the character's continued frustration with God in Chapter Four of Jonah, which is commonly forgotten in popular and religious representations of the story. The four sections in the manuscript include poems that struggle to negotiate the tensions between the will of a compelling God and the will of the individual.

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31

Scholten, Clemens. „Antike Naturphilosophie und christliche Kosmologie in der Schrift "De opificio mundi" des Johannes Philoponos“. Berlin ; New York : W. de Gruyter, 1996. http://catalogue.bnf.fr/ark:/12148/cb35806864b.

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32

Stovall, Johnny Harold. „A Comparison of Recall by University Bible Students After Discussion and After Self-Study“. Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc331955/.

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Recall of expository prose after one of two learning techniques was determined. Pearson correlation did not discover a significant difference between the recall writings of the examinees who studied by discussion and those who studied by underlining. The significance of the difference between two proportions found that the group which underlined recalled significantly better than the group which discussed what they had read. This highly significant difference was almost identical when all synonyms from the Turbo Lightning computer program were considered correct recall and analyzed by the significance of the difference between two proportions.

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33

Mohler, Michael Augustine Gaylord. „The enhancement of machine translation for low-density languages using Web-gathered parallel texts“. Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc5140/.

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The majority of the world's languages are poorly represented in informational media like radio, television, newspapers, and the Internet. Translation into and out of these languages may offer a way for speakers of these languages to interact with the wider world, but current statistical machine translation models are only effective with a large corpus of parallel texts - texts in two languages that are translations of one another - which most languages lack. This thesis describes the Babylon project which attempts to alleviate this shortage by supplementing existing parallel texts with texts gathered automatically from the Web -- specifically targeting pages that contain text in a pair of languages. Results indicate that parallel texts gathered from the Web can be effectively used as a source of training data for machine translation and can significantly improve the translation quality for text in a similar domain. However, the small quantity of high-quality low-density language parallel texts on the Web remains a significant obstacle.

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34

Leeuwen, J. A. G. Gerwin van. „Fully Indian - authentically Christian : a study of the first fifteen years of the NBCLC (1967-1982), Bangalore, India, in the light of the theology of its founder D. S. Amalorpavadass /“. Kampen : Uitgeversmaatschappij J.H. Kok, 1990. http://catalogue.bnf.fr/ark:/12148/cb35537632h.

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35

Au, Siu-ming Stefan. „Jonah's Prayer: a Composition for Solo Tenor, Mixed Chorus and Two Pianos“. Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277770/.

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Jonah's Prayer is a choral work for solo tenor, a mixed choir of not fewer than 30 members, two pianos and a few percussion instruments to be played by choir members. The piece lasts about 13 minutes; it is a work intended for church choir use but could be performed in other venues as well.

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36

Green, Michael Paul. „The Relationship Between Faculty-Led Small Groups and Character Development of Seminarians in an Evangelical Seminary“. Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc503846/.

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The problem for this study was the relationship between faculty-led small groups and the development in seminary students of the character traits biblically mandated of those who occupy spiritual leadership positions in the church (1 Timothy 3:1-7 and Titus 1:5-9). This experimental study developed and assessed a program which combined involvement in a small group of peers with a faculty mentor. The discipleship groups met weekly for two semesters for either thirty or seventy-five minutes. The research instrument used was the Biblical Leadership Qualities Inventory, a revision of the Spiritual Leadership Qualities Inventory. The longer treatment length groups were not found to differ significantly from the shorter treatment length groups for change in trait score (p = .281), although means were generally lower for the longer groups. A MANOVA showed that both treatment groups differed significantly from the control group for the traits observed (p < .001) with the general direction of change being to a lower trait score. Five post-hoc hypotheses were investigated. An education effect, as measured by number of traits studied in the group, was not found to be related to outcome. A fatigue or stress effect, as measured by academic load, work load, and marital status, was not found to be related to outcome. Instrument weakness, peer effect, and mentor effect were suggested as possible explanations for the outcome. Peer and mentor relationships may have resulted in the subjects developing higher standards and thus a decrease on the posttest. Demographic factors of marital status, Christian age, academic load, work load, and absences did not prove to be effective predictors of outcome. Neither faculty trait scores nor faculty fidelity to the topics for discussion in the treatment groups proved to be an effective predictor of student outcome. Previous research by Parker showing factors for the SLQI was not replicable and thus the factors were not found to be reliable.

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37

Schafer, Stuart. „The Dwelling of God: The Theology Behind Marian Ark of the Covenant Typology of the First Millennium“. IMRI - Marian Library / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1613166917042061.

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38

Nuckels, Rosa Turner. „Visions of Light In the Poetry of William Blake and Emily Dickinson“. Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279349/.

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In this study the author compares the broad outlines of Blake's and Dickinson's thought, pointing out evidence of decisive Biblical influence not only on the content of their thought but on their attitude toward language as well. the author argues that both poets assumed the philosophical position of Job as they interpreted the Bible independently and as they explored many dimensions of experience in the fallen world. The author represents their thought not as a fixed system but as a faith-based pattern of Christian/Platonic questing for truth.

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39

Christopher, Gregory T. „Determining the voice of New Testament verbs whose middle and passive forms are identical a consideration of the perfect middle/passive forms /“. Theological Research Exchange Network (TREN), 1985. http://www.tren.com.

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40

Aylor, Floyd Irvin. „Blessed are ye poor a model for a Biblical response to hunger /“. Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

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41

Naumann, Paul R. „Earning interest communicating Bible messages which are Biblical, relevant, interesting and clear /“. Theological Research Exchange Network (TREN), 1994. http://www.tren.com.

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42

Erasmus, Shirley. „Challenging Biblical boundaries: Jeanette Winterson’s postmodern feminist subversion of Biblical discourse in Oranges are not the only fruit (1985) and Boating for beginners (1985)“. Thesis, Rhodes University, 2018. http://hdl.handle.net/10962/59121.

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This thesis investigates the subversion of Biblical discourse in Jeanette Winterson’s first two novels, Oranges are Not the Only Fruit and Boating for Beginners. By rewriting Biblical stories Winterson challenges traditional Western religious discourses and their rules for heteronormative social and sexual behaviours and desires. Winterson’s texts respond to the patriarchal nature of socially pervasive texts, such as the Bible, by encouraging her readers to regard these texts with suspicion, thus highlighting what can be seen as a ‘postmodern concern’ with the notion of ‘truth’. Chapter One of this thesis comprises a discussion of Biblical boundaries. These boundaries, I argue, are a process of historical oppression which serves to subjugate and control women, a practice inherent in the Bible and modern society. The Biblical boundaries within which women are expected to live, are carefully portrayed in Oranges and then comically and blasphemously mocked in Boating. Chapter One also argues that Winterson’s sexuality plays an important role in the understanding of her texts, despite her desire for her sexuality to remain ‘outside’ her writing. Chapter Two of this thesis, examines the mix of fact and fiction in Oranges, in order to create a new genre: fictional memoir. The chapter introduces the concept of the ‘autobiographical pact’ and the textual agreement which Winterson creates with her readers. In this chapter, I examine Winterson’s powerful subversion of Biblical discourse, through her narration of Jeanette’s ‘coming out’ within a Biblical framework. Chapter Three of this thesis examines Winterson’s second book, Boating, and the serious elements of this comic book. This chapter studies the various postmodern narrative techniques used in Boating in order to subvert Biblical and historical discourse. Chapter Three highlights Winterson’s postmodern concern with the construction of history as ‘truth’. Finally, Chapter Four compares Oranges and Boating, showing the texts as differing, yet equally relevant textual counterparts. This chapter examines the anti-feminine characters in both texts and Winterson’s ability to align her reader with a feminist or lesbian viewpoint. This thesis argues that Winterson’s first two texts deliberately challenge Biblical discourse in favour of a postmodern feminist viewpoint.

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43

Silva, HermÃnia Maria Lima da. „Hypertextic Intertextual Practices in Biblical Works of Art“. Universidade Federal do CearÃ, 2016. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=18417.

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nÃo hÃ
This research was done, in the broader sense, to review Genetteâs (2010) theoretical proposal of hyper-aesthetic intertextual practice and, in the strict sense, to propose a new theoretical and methodological framework for future analyses of such intertextual phenomenon. For this purpose a corpus composed of non-verbal texts was analyzed: thirty pairs of biblical-themed works of art created between the 15th and 21st century, from the Renaissance to Contemporaneity. This research also aimed to detect whether there were more cases of capture or subversion of meaning among the derivative works of art in comparison to the verbal biblical text source. In the belief of the possibility to define new categories to investigate hyper-aesthetic intertextual practice, in addition to those already identified by Genette (2010), justified the analysis. Therefore the Comparison Analysis Method of Art Works by Feldeman (2012) was adopted as well as the analysis scheme proposed by Barthes (1986), and the concepts of capture and subversion registered by Charaudeau and Maingueneau (2004). The analysis revealed significant findings, among them notably: 1Â) the need to change the terminology used by Genette (2010) for the intertextual occurrences; 2Â) acceptance of the idea, already pointed out by other researchers, that the allusion is a constitutive occurrence of intertextual derivational occurrences; 3Â) the definition of two new categories for the hyper-aesthetic practice, austerism and transfiguration, in addition to the three already identified by Genette (2010), transposition, parody and travesty; and 4Â) the predominance of capture occurrences among the analyzed art works and the founding biblical text. This research may likely contribute to further studies of the phenomenon of intertextuality, especially to the dialogue between non-verbal texts, which still lacks a greater in-depth study, but has been proven to be a very fertile field.
Esta pesquisa vem, em sentido amplo, rever a proposta teÃrica de Genette (2010) para as prÃticas intertextuais hiperestÃticas e, em sentido estrito, propor um novo quadro teÃricometodolÃgico para futuras anÃlises desse tipo de fenÃmeno intertextual. Com este intuito, partiu-se da anÃlise de um corpus composto por textos nÃo verbais, trinta pares de obras de arte de temÃtica bÃblica produzidas entre os sÃculos XIV e XXI, do Renascimento Ã Contemporaneidade. Ã pesquisa interessou tambÃm observar se, entre as obras derivadas, ocorreram mais casos de captaÃÃo ou subversÃo de sentido em relaÃÃo ao texto-fonte verbal bÃblico. A anÃlise justifica-se pelo fato de acreditar-se na possibilidade de definiÃÃo de novas categorias para investigar as prÃticas intertextuais hiperestÃticas, alÃm daquelas jÃ apontadas por Genette (2010). Para tanto, adotou-se o MÃtodo de AnÃlise Comparativa entre Obras de Arte, de Feldeman (2012) e, junto a ele, invocou-se o esquema de anÃlise proposto por Barthes (1986), assim como os conceitos de captaÃÃo e subversÃo registrados em Charaudeau e Maingueneau (2004). A anÃlise revelou constataÃÃes significativas, entre as quais se destacam: 1Â) Necessidade de alteraÃÃo da terminologia utilizada por Genette (2010) para as ocorrÃncias intertextuais; 2Â) AdmissÃo da ideia jÃ apontada por outros pesquisadores de que a alusÃo Ã uma ocorrÃncia constitutiva das ocorrÃncias intertextuais derivacionais; 3Â) DefiniÃÃo de duas novas categorias para as prÃticas hiperestÃticas, austerismo e transfiguraÃÃo, alÃm das trÃs jÃ apontadas por Genette (2010), transposiÃÃo, parÃdia e travestimento; e 4Â) PredominÃncia de ocorrÃncias de subversÃo na relaÃÃo entre as obras analisadas e o texto bÃblico fundador. Acredita-se que a investigaÃÃo da pesquisa ora apresentada possa vir a contribuir com os estudos do fenÃmeno da intertextualidade, em especial, em um campo ainda carente de aprofundamento, o qual vem se mostrando muito fÃrtil: o diÃlogo entre textos nÃo verbais.

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44

Sommers, Luke. „A world in which things are not as they should be: How the Deuteronomistic ideology is reinforced in the book of judges by the portrayal of women and domestic space“. Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=103781.

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This thesis argues that the presentation of women and domestic space in the book of Judges supports the Deuteronomistic ideology and intention for the book. The first chapter provides an overview of scholarship on the Deuteronomistic History and the role of the book of Judges within this history. The book of Judges is shown to clearly communicate the dangers of idolatry and improper worship, and the necessity of strong central government by depicting pre-monarchic Israel as a chaotic and dangerous society, a world in which things are not as they should be. The second chapter examines the social background of women and domestic space in ancient Israel. By presenting a reading of the female characters of the book of Judges, the third chapter demonstrates how these social roles are challenged and contravened constantly and in diverse ways, especially in the stories of Judg 4; 11; 16; and 19. Thus, the portrayal of women and domestic space in the book of Judges is one way pre-monarchic Israel is demonstrated to be a world in which things are not as they should be. In this way the Deuteronomistic ideology is reinforced.
Cette thèse soutient que la présentation des femmes et de l'espace domestique dans le livre de Juges confirme l'idéologie et l'objectif deutéronomiste du livre. Le premier chapitre donne un aperçu d'historiographie deutéronomiste et du rôle du livre de Juges au cours de l'histoire. Le livre de Juges communique les dangers de l'idolâtrie et de culte impropre et la nécessité d'un gouvernement central fort en représentant l'Israël pré-monarchique comme une société chaotique et dangereuse, un monde dans lequel les choses ne sont pas comme elles devraient l'être. Le deuxième chapitre examine le milieu social des femmes et espace domestique de l'Israël antique. En présentant une lecture sur les caractères féminins du livre de Juges, le troisième chapitre examine comment ces rôles sociaux sont défiés et enfreints constamment et de différentes manières, surtout les histoires de Jug 4; 11; 16; et 19. Ainsi, le portrait des femmes et de l'espace domestique dans le livre de Juges est une façon de démontrer que l'Israël pré-monarchique est un monde dans lequel les choses ne sont pas comme elles devraient l'être. De cette manière l'idéologie deutéronomiste est renforcée.

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45

Tatham, Gail Constance, und n/a. „Stories of Moses and visual narration in Jewish and early Christian art (3rd century AD)“. University of Otago. Department of Classics, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080318.163116.

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This thesis considers the evolution of narrative art in Judaism and early Christianity, and deals in particular with narrative figure scenes in which Moses is the principal figure. Current theories, espoused by the late Kurt Weitzmann, posit the existence of a Jewish illustrated manuscript tradition dating back to the Hellenistic period, which could have been the source for Old Testament scenes in art. In the light of these proposals and taking into account more recent narrative theory, this study of early Moses scenes in art takes up the suggestion that a large range of visual narrative scenes, closely following a given text and with a tendency for these scenes to be arranged in narrative sequence, might indicate the presence of a lost illustrated manuscript which artists are using as their model. Stories about Moses originate from within Judaism, and are mentioned also in Christian texts for the first three centuries AD, when Moses is regarded as the forerunner of Christ. While earlier Jewish art largely conformed to the proscription against figural art, narrative figure scenes illustrating Old Testament stories are known from the late second century AD. In the synagogue at Dura Europos (AD c.250), the range of biblical imagery includes five or six scenes illustrating stories from Exodus and Numbers, although Weitzmann�s criteria are only partially fulfilled. During the third century AD, when the earliest Christian art is found, Christians use Old Testament imagery as well, including a cycle of scenes illustrating the story of Jonah. The decoration in the baptistery in the Christian house at Dura, like that in the synagogue there, shows some interest in visual narrative, although in this case no Moses scenes are involved. At this time there is only one Moses story certainly illustrated in Christian art, The miracle of the spring (based on Exodus 17), which occurs in funerary art in Rome. The iconography for this scene is used "emblematically" to promote ideas rather than stories about Moses. If at this time Christian artists know of a narrative cycle involving Moses, they show very little interest in reflecting this.

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Hrubjaková, Petra. „Architektonická studie sakrálního objektu a komunitního centra Salesiánského Brno - Líšeň / druhá etapa“. Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2021. http://www.nusl.cz/ntk/nusl-443686.

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By entering the diploma thesis is to create an architectural study of the sacral object and the Salesian community center in Brno - Líšeň. The first mention of the creating church appeared in 1987 and because of this reason Salesians came to this city, they focus on working with children and youth, according to Don Bosca. Their method od education was reflected in the overall project concept. The building will be linked to the existing object of the Salesian Youth Center, but it will also serve for a wider circle of believers. The consecration of the church will be a third divine person - the Holy Spirit. The object will be on the Horníková ulica, on the parcels no. 5037/30,32. On the plot with parc. No.5037/32 is currently a building, that is the property of the Nadácia pre radosť, and it will by removed during construction. The proposal is based on urban analyzes performed and responds to the surrounding buildings. It also affects the conditions of the building plot and uses terrain sloping. The proposal consists of one object that includes a church with a capacity for 400 seat and 100-standing persons with chorus, sacristy, adoration chapel and technical and hygienic backgrounds. Furthermore, there is a educational/multifunction room, workshop and store of religious products, farther the parish part with the apartments, office for priests and underground garage. In addition to the building, there was created paved areas for pedestrian which responding to existing communications. Due to the removal of the parking lot in the northern part of the solved territory, the existing parking lot was extended on the south side and there was also created a new communication for cars, which connects the Northern Street Horníková with Western. In this communication, it is necessary to create a suitable road signage to prevent the supply of vehicles and it must not be used as an abbreviation in the traffic jam at the 2nd grade road communication.

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Griffith, Joseph K. II. „"That That Nation Might Live" - Lincoln's Biblical Allusions in the Gettysburg Address“. Ashland University Honors Theses / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=auhonors1399998979.

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Rischpler, Susanne. „Biblia sacra figuris expressa : mnemotechnische Bilderbibeln des 15. Jahrhunderts /“. Wiesbaden : L. Reichert, 2001. http://catalogue.bnf.fr/ark:/12148/cb391911783.

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Igler, Kurt. „"For we are all members of one body" the implications of the church's corporate relationship to Christ for the relationships among Christians : a study in biblical theology /“. Theological Research Exchange Network (TREN), 1993. http://www.tren.com.

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Kozlova, Ekaterina E. „'Whoever lost children lost her heart' : valourised maternal grief in the Hebrew Bible“. Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:eb33c1be-0f1b-45e3-bb38-6ec147250b9b.

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Recent studies on ancient Israel's mortuary culture have shown that mourning rites were not restricted to the occasions of death, burial and subsequent grief but were, in fact, implemented in diverse contexts. In this thesis I am looking at biblical traditions in which these solemn practices contributed, or sought to contribute to various forms of social restoration. More specifically, I explore the stories of biblical grieving mothers who are placed at key junctures in Israel's history to renegotiate the destinies not only of their own children, dead or lost, but also those of larger communities, i.e. family lines, ethnic groups, or entire nations. Since 'the social and ritual dimensions of mourning are intertwined and inseparable ... [and] rites in general are a context for the creation and transformation of social order', these women use the circumstance of their 'interrupted' motherhood as a platform for a kind of grief-driven socio-political activism. Since maternal bereavement is generally understood as the most intense of all types of loss and was seen as archetypal of all mourning in ancient Near Eastern cultures, Israelite communities in crisis deemed sorrowing motherhood as a potent agent in bringing about their own survival and resurgence back to normalcy. I begin my discussion on mourning rites as tools of social preservation and restoration in biblical traditions with (1) a list of modern examples that attest to a phenomenon of social, political, and religious engagement among women that stems from the circumstance of child loss; (2) a survey of recent grief and death studies that identify maternal grief as the most intense and the most enduring among other types of bereavement; (3) an overview of ancient Near Eastern cultures (Mesopotamia, Egypt, Hatti, Syro-Palestine) that not only viewed maternal grief as paradigmatic of all mourning but also utilised ritual actions performed by mothers in contexts of large scale catastrophes as mechanisms for dealing with a collective trauma. Against this background my project then turns to discuss four biblical mothers: Hagar (Gen. 21:14-21), Rizpah (2 Sam. 21:1-14), the woman of Tekoa (2 Sam. 14:1-20) and Rachel (Jer. 31:15-22), all of whom perform rites for their dying or dead children and exhibit a form of advocacy for society at large.

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