Thematische Bibliographien / Bibhutibhuson

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Auswahl der wissenschaftlichen Literatur zum Thema „Bibhutibhuson“

Autor: Grafiati
Veröffentlicht am 18. Mai 2024

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Zeitschriftenartikel zum Thema "Bibhutibhuson"

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Chetia, Mousumi. „The Novels of Syed Abdul Malik and Bibhutibhushan Bondopdhyay: A Comparative Study“. Journal of Humanities and Social Sciences Studies 2, Nr. 5 (29.09.2020): 59–62. http://dx.doi.org/10.32996/jhsss.2020.2.5.8.

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Comparative literature is a new prospective which established in the nineteenth century. In a comparative method, all literature is considered as a single subject and a meticulous analysis of literature is carried out in a scientific and through manner. It is also called a kind of ‘Intra-literature’ study. Novel is a branch of literature which reflects or presents the human life beautifully. The novels of Syed Abdul Malik and Bibhutibhushan Bondopadhyay are taken up as topics of discussion. To analysis this subject, Sayed Abdul Malik’s ‘Xurujmukhir Swapna’ and ‘Rupabarir Palax’; on the other hand, Bibhutibhushan Bandupadhyay’s ‘Pather pachalii’ and ‘Aranyak’ have been included in the scope. The comparative methods and analytical methods have been used as study methods. For the comparative discussion of the novel, society, love, depiction of nature, human relations, cultural, psychological aspects are taken into consideration.
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Mitra, Bulganin, und P. Parui. „Diversity of True Flies (Diptera: Insect A) in the Bibhutibhusan Wildlife Sanctuary“. Records of the Zoological Survey of India 112, Nr. 2 (01.03.2012): 57. http://dx.doi.org/10.26515/rzsi/v112/i2/2012/122088.

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Shinde, Pooja Pradeep. „The depiction of Poverty in Bibhutibhushan Bandyopadhyay’s Pather Panchali: An Analytical Study“. Shanlax International Journal of English 7, Nr. 2 (17.03.2019): 18–20. http://dx.doi.org/10.34293/english.v7i2.326.

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In developing nations poverty is seen not only affecting the personal but also social life of an individual, because of which he remains deprived of all the amenities that he wants to enjoy. Poor and poverty goes hand in hand. Though both are different where poor means a poor person or family whereas poverty affects the whole community. Due to lack of fundamental government policies the developing countries are facing such crisis. This paper explores Bibhutibhushan Bandyopadhyay’s major character and their struggle for upgrading their life.
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Shehin TV, Muhamed. „Representation of The Child In Modern Indian Novels: A Comparative Study of Bibhutibhusan Bandopadhyaya’s Pather Panchali and Krishna Baldev Vaid’s Uska Bachpan“. SMART MOVES JOURNAL IJELLH 8, Nr. 2 (28.02.2020): 8. http://dx.doi.org/10.24113/ijellh.v8i2.10420.

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The representation of the child in art has a long history. Great importance is attached to the child in the indigenous literary traditions of India. The antics of Krishna , the ‘balgopal’ are represented vividly in the Bhagavata Purana and the Mahabharath. Likewise, the adventures of the child Rama are sketched in great detail in another epic Ramayana. An array of Indian writers have made the child the protagonist in their novels ; Manu Bhandari’s Aap ka Bunty, Ganeswar Misra’s Face of the Morning, R.K. Narayanan’s Swami & Friends, Salman Rushdie’s Midnight’s Children, and Amitav Ghosh’s Shadow Lines are some typical examples. This paper attempts to make a comparative study of the portrayal of the child in two modern Indian novels namely Bibhutibhusan Bandopadhyaya’s Pather Panchali and Krishna Baldev Vaid’s Uska Bachpan.
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Sengupta, Oishani. „The Brown Adventure Romance: Chander Pahar and the Management of Racial Capital“. Verge: Studies in Global Asias 10, Nr. 1 (März 2024): 73–107. http://dx.doi.org/10.1353/vrg.2024.a922359.

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Abstract: Can the archetypal imperial adventurer—the hero of empire's interlinked fictions of discovery and conquest—be brown? This question finds expression in a genre of Bengali literature yet to receive significant scholarly attention. Rather than viewing these novels as a case of Bengal "writing back" to the British genre of the imperial romance, I read them as enquiries into the turbulent shifts of race, migration, and fractured self-fashioning in the age of decolonization. Through a closer look at Bibhutibhushan Bandyopadhyay's Chander Pahar or The Mountain of the Moon (1937), the essay demonstrates how traces of indentureship and coolie labor as abject and elided forms of brown/ness fracture both the category of the brown expeditioner and its effect on the stereotypes of the dark continent.
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Anindita Ghosal und Arindam Modak. „Unearthing Ecological Identities: An Exploration of Place/Self in Bibhutibhushan Bandyopadhyay's <i>Aranyak</i>“. Asiatic: IIUM Journal of English Language and Literature 17, Nr. 2 (20.12.2023): 140–52. http://dx.doi.org/10.31436/asiatic.v17i2.3002.

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The notion of place-attachment establishes a place-based identity, forging connectivity between place, psychology, and ecology. Exploring this tripartite connection, the paper conducts a comprehensive analysis of the novel Aranyak (1939) by acclaimed Bengali writer Bibhutibhushan Bandyopadhyay. The paper demonstrates how an individual manifests place attachment, sense of self, and identity in relation to the forestscape of Purnia, Bhagalpur, and Labtulia. Therefore, incorporating Lawrence Buell’s idea of place attachment and Arne Naess’s concept of ecological self, the paper attempts to unveil a sense of self-embeddedness shaped by an individual’s lived experiences and attachments with the ecology of the forest. The essence of a place ecology retains its impression upon the subconscious of the central character, Satyacharan. His comprehension of Aranya or the forest stems from the mycelial attachment of his psyche with the psyche of the place. This cultivates a profound sense of belongingness, echoing the notion of Dasein or being in the world in relation to forest ecology, central to our ecocritical exploration.
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Mowtushi, Mahruba T. „Africa in the Bengali literary and cinematic imagination: Kamaleshwar Mukherjee’s 2013 film adaptation of Bibhutibhusan Bandapadhyay’s African adventure novel,Chander Pahar(1937)“. South Asian Diaspora 10, Nr. 2 (04.04.2018): 91–107. http://dx.doi.org/10.1080/19438192.2018.1460916.

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Dutta, Sindhura. „Ecocritical Post Colonialism and Plantationocene: A Comparative Study of Sky Is My Father by Easterine Kire and Aranyak by Bibhutibhushan Bandyopadhyay“. New Literaria 03, Nr. 02 (2022): 130–39. http://dx.doi.org/10.48189/nl.2022.v03i2.015.

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Sky Is My Father is a historical novel by Easterine Kire who writes about the life of Naga indigenous people living amidst naturally rich mountain scape and forced recruitment of Naga tribesmen as bonded labourers by the British which tribal warriors of the Angami tribe try to resist against. Their fight is the collective fight of their community to save the land which they are deeply connected to from British invasion and subjugation. Britain’s colonization of the third world countries have always brought with it deforestation and disruption of habitat of indigenous people and native plant species. Similarly, Bibhutibhushan’s Aranyak is a novel on Satyacharan’s predicament in the pristine jungles of Bhagalpur where he is posted. His guilt comes from the job he is sent there to do which is to cut down the forest that is not only important to the native community there but to him as well. Capitalocene and Plantationocene as Donna Haraway defines is a contemporary epoch which has its roots in European Imperialism. This imperial legacy of rampant exploitation and destruction of environment which is singlehandedly a contribution of Britain’s colonial rule includes subjugation of indigenous people into forced labour along with destruction of forest spaces for resource extraction. What entails as a result is postcolonial trauma within native psyche. Post colonial literatures coming out of South Asia like Sky Is My Father and Aranyak essentially discusses Britain’s expansion, coercive policies and their after effect on the native people of India in relation to the ecological disruption around them.
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„Translation Reviews Bibhutibhusan Bandyopadhyaya’s Aranyak,translated by Rimli Bhattacharya Aranyak of the Forest, Seagull Books Calcutta, 2002“. Translation Today 2, Nr. 2 (01.07.2005). http://dx.doi.org/10.46623/tt/2005.2.2.br2.

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Kumar, Saurav. „Experiences of Old Age in Indian Fiction: A Study of Two Indian Short Stories“. Gerontologist, 06.08.2021. http://dx.doi.org/10.1093/geront/gnab114.

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Abstract In India, where around 19,500 dialects are spoken, there is a great abundance of fiction quite rich in varied descriptions of old age and aging. While scholars like Pramod K. Nayar and Ira Raja have recently begun studying Indian literary texts written in English from the perspective of literary gerontology, those literary experiences of aging (which are originally in languages like Bengali, Tamil, Hindi, Oriya, etc.) are yet to be analyzed from a gerontological point of view. The present paper aims at studying the experiences of old age in two Indian short stories (one from Bengali Literature and another from Tamil Literature) – Bibhutibhusan Bandyopadhyay’s “Drabomoyee Goes to Kashi” (“Drabomoyeer Kashibash” in Bengali) and T. Janakiraman’s “The Puppet” (“Vilayattu Bommai” in Tamil). Regarding “Drabomoyee Goes to Kashi,” the paper interrogates the problems in the emplacement of Hindu older widows to Kashi and explores the possibilities in Drabomoyee from eco-feminist and creatural perspectives. The discussions on “The Puppet” chiefly reflect on the social exclusion of the aging bodies of people living with dementia. Through the story of Venu, the paper shows that what the society or family generally expects from elders suffering from dementia may not do any good to them, and may instead lead to their institutionalization and other forms of exclusion.
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Bücher zum Thema "Bibhutibhuson"

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Caṭṭopādhyāẏa, Sunīlakumāra. Bibhutibhushan Bandopadhyaya. New Delhi: Sahitya Akademi, 1994.

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2

1973-, Gupta Seemantini, Gupta Amitābha und All India Anti-Communal Forum, Hrsg. Golden book of Bibhutibhusan Bandopadhyay. Calcutta: All India Anti-Communal Forum, 1995.

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3

Bibhutibhushan: Swabirodhi Sangbed, Apur Jibon Theke Aranyajagat. Oxford University Press, 2019.

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Buchteile zum Thema "Bibhutibhuson"

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Ramasubramanian, K. „Bibhutibhusan Datta (1888–1958): Historian of Indian Mathematics“. In Gaṇitānanda, 459–65. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-1229-8_43.

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2

Gupta, Diya. „‘Every Day I Witness Nightmares’“. In India in the Second World War, 75–116. Oxford University Press, 2023. http://dx.doi.org/10.1093/oso/9780197694701.003.0003.

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Abstract Chapter Two considers emotions associated with hunger arising from the Bengal Famine of 1943 and 1944. It assesses Bengali photojournalist Sunil Janah’s images alongside soldiers’ letters and Bibhutibhushan Bandyopadhyay’s Bengali novel Ashani Sanket (Intimations of Thunder, 1944–1946), and analyzes famine-related Bengali modernist poetry by Sukanta Bhattacharya and Samar Sen. The chapter focuses on how starvation is imagined, witnessed, and represented, and argues that letter-writing and literary texts read alongside each other yield new meaning to the emotions of hunger in the homeland. These include highlighting the role played by the body in famine writing, and how this enables us to inhabit the subjective experiences of a soldier on an international battlefront hearing about famine, a Bengali village character experiencing famine in a novel, and a civilian poet and emergency relief provider on the streets of Calcutta witnessing famine. Middle Eastern and North African battlefronts, Bengal’s rural spaces and the streets of Calcutta, then, form new connections in this reading. The chapter looks at how hunger is registered in the novel, and how Bengali poetry is remade by new imagery. It concludes by discussing how, in the midst of catastrophic death, communities of knowledge and empathy are formed.
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