Thematische Bibliographien / Bialik (Jerusalem)

Auswahl der wissenschaftlichen Literatur zum Thema „Bialik (Jerusalem)“

Autor: Grafiati

Veröffentlicht am 26. Juli 2024

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Zeitschriftenartikel zum Thema "Bialik (Jerusalem)"

Peri, Yoram. „Finally, Militarism Is a Legitimate Term“. Israel Studies Review 35, Nr. 2 (01.09.2020): 122–29. http://dx.doi.org/10.3167/isr.2020.350208.

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David Greenblum, From the Heroism of the Spirit to the Sanctification of Power: Power and Heroism in Religious Zionism between 1948 and 1968 (Tel Aviv: Open University, 2016). Uri S. Cohen, The Security Style and the Hebrew Culture of War (Jerusalem: Bialik Institute, 2017). Dan Arev, Dying to Watch: War, Memory, and Television in Israel 1967–1991 (Tel Aviv: Resling, 2017). Dalia Gavriely-Nuri, Tel Aviv Was Also Once an Arab Village: The Normalization of the Territories in Israeli Discourse, 1967 (Cambridge, MA: Israel Academic Press, 2017). Nitza Ben-Dov, The Life of War: On the Military, Revenge, Loss, and War Consciousness in Israeli Prose (Jerusalem: Schocken Books, 2016). Haya Milo, Songs Through the Barrel of the Gun: Israeli Soldiers’ Folk Songs (Tel Aviv: Open University, 2017).

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Shire, Michael J., und Albert H. Friedlander. „Book Reviews“. European Judaism 33, Nr. 2 (01.09.2000): 158–61. http://dx.doi.org/10.3167/ej.2000.330216.

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God said Amen, Sandy Eisenberg Sasso, Vermont, Jewish Lights, June 2000, 32 pp., $16.95, ISBN 1-58023-080-6University Over the Abyss: The story behind 485 lecturers and 2309 lectures in KZ Theresienstadt 1942-1944, Elena Makarova, Sergei Makarov, Victor Kuperman, Jerusalem, Verba Publishers, 2000, 472 pp., £20, ISBN 965-424-035-1Ein Grundstück in Mitte: Das Gelände des künftigen Holocaust-Mahnmals in Wort und Bild. Editors: Rikki Kalbe and Moshe Zuckermann, Berlin and Tel Aviv, Wallstein Verlag, 2000, 93 pp., DM38, ISBN 3-89244-400-5Random Harvest: The Novellas of Bialik, translated by David Patterson and Ezra Spicehandler, Westview Press, 1999, 299 pp., $28, ISBN 0-8133-6711-3

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Baumgarten, Jean. „Ahuva Belkin. The Purimshpil, Studies in Jewish Folk Theater. Jerusalem: Bialik Institute, 2002. 287 pp. (Hebrew).“ AJS Review 29, Nr. 2 (November 2005): 404–5. http://dx.doi.org/10.1017/s0364009405430172.

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In the Early Modern period, the Jewish people did not develop theater arts comparable to that of other cultures. One reason often given to explain this absence of theatrical tradition is the virulent denunciations of theater by the rabbis, who likened it to idolatry and heresy, and condemned it as being incompatible with monotheism. The biblical injunction (Ps.1:1): “Blessed is the man that sits not in the seat of the scornful” has often been cited as condemning the theater, interpreting the Hebrew word leẓim, not as mocking or impious, but as buffoon or jester, and by extension, actor. Ahuva Belkin attempts to explain this cultural fact while at the same time challenging the argument that Jews did not create any theatrical tradition. From the Middle Ages on, Ashkenazi society produced many forms of popular entertainment, the most accomplished of which was the Purim-shpil. Belkin's work, which makes use of the pioneering studies of Yiddish theater by B. Gorin, Y. Shatsky, I. Shipper, and Ch. Shmeruk, offers much new and original material.

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Schiffman, Lawrence H. „Tov Emanuel. The Textual Criticism of the Bible: An Introduction. Jerusalem: Mossad Bialik, 1989. xxiv, 326 pp. (Hebrew).“ AJS Review 18, Nr. 1 (April 1993): 103–5. http://dx.doi.org/10.1017/s0364009400004426.

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Lesley, Arthur M. „Yehuda Abravanel. Siḥot ʿal ha-Ahavah (Leone Ebreo, Dialoghi d'amore). Tr. into Hebrew by Menachem Dorman. Jerusalem: The Bialik Institute, 1983. 496 pp. $32.45.“ Renaissance Quarterly 38, Nr. 1 (1985): 145–48. http://dx.doi.org/10.2307/2861347.

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Maier, Johann. „Yaira Amit, The Book of Judges. The Art of Writing (hebr.), Jerusalem (Bialik Institute) 1992, xii & 396 S. (The Biblical Encyclopaedia Library VI)“. Biblische Zeitschrift 41, Nr. 1 (24.09.1997): 99–100. http://dx.doi.org/10.1163/25890468-04101006.

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Brettler, Marc Z. „Isaac Kalimi. The Book of Chronicles: Historical Writing and Literary Devices. The Biblical Encyclopedia Library, vol. 18. Jerusalem: Mosad Bialik, 2000. ix, 477 pp. (Hebrew).“ AJS Review 27, Nr. 01 (April 2003): 103–4. http://dx.doi.org/10.1017/s0364009403211004.

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Mayse, Ariel Evan. „Imagined Hasidism: The Anti-Hasidic Writings of Joseph Perl [in Hebrew]. By Jonatan Meir. Jerusalem: Bialik Institute, 2013. Pp. 316. NIS 111. ISBN: 9789655361100. Joseph Perl, Sefer Megale Temirin (Revealer of secrets). 2 volumes. Edited and introduced by Jonatan Meir. Afterword by Dan Miron. Jerusalem: Bialik Institute, 2013. Pp. 620. NIS 111. ISBN: 9655361101.“ Jewish History 29, Nr. 3-4 (Dezember 2015): 391–95. http://dx.doi.org/10.1007/s10835-015-9245-2.

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Holtz, Shalom E. „Menahem Haran. Ha-'asufah ha-mikraʾit: Tahalikhe ha-gibush ʻad sof yeme bayit sheni ve-shinuye ha-ẓurah ʻad moẓaʼe yeme ha-benayim, Part 4. Jerusalem: Bialik Institute, 2014. 280 pp.“ AJS Review 39, Nr. 2 (November 2015): 439–41. http://dx.doi.org/10.1017/s0364009415000136.

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van Bekkum, Wout. „Connected Vessels: The Dead Sea Scrolls and the Literature of the Second Temple Period. By Devorah Dimant. (Asuppot 3). Jerusalem: The Bialik Institute, 2010. Pp. 470. ISBN 978-965-536-003-5.“ Journal for the Study of Judaism 43, Nr. 1 (2012): 87. http://dx.doi.org/10.1163/157006312x617939.

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Buchteile zum Thema "Bialik (Jerusalem)"

Levy, Lital. „Bialik and the Sephardim“. In Poetic Trespass. Princeton University Press, 2014. http://dx.doi.org/10.23943/princeton/9780691162485.003.0003.

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This chapter reexamines the history and indeed the idea of Modern Hebrew literature through the tension between its dominant narrative, associated with Ashkenazi Jews, and the suppressed perspectives that emerge from the literary and scholarly activities of Arab Jews and Mizraḥim both before and after the founding of the state. It illustrates this history through the saga of a multigenerational affair: the passionate and conflicted romance of the so-called Sephardim (Sephardi, Mizraḥi, and Arab Jews) with Modern Hebrew literature's leading persona, Ḥayim Naḥman Bialik. Their story takes us from the 1920s to 1930s Levant—Baghdad, Jerusalem, and Cairo—to present-day Israel/Palestine, with the spirit of al-Andalus (Islamic Spain) accompanying us all along the way.

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Weinfeld (ed.), David. „Hebrew Poetry in Poland between the Two World Wars“. In Polin: Studies in Polish Jewry Volume 13, 434–35. Liverpool University Press, 2000. http://dx.doi.org/10.3828/liverpool/9781874774600.003.0041.

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(Jerusalem: Mossad Bialik, 1997); pp. 496 The Hebrew Nobel Laureate S. Y. Agnon describes in his semi-autobiographical novel A Guest for the Night (1939) a Hebrew writer’s return in about 1930 to the Galician town of his birth. What was once a thriving centre of Jewish culture is now virtually a ghost town, its population depleted and traumatized by war and privation. The writer tries to renew his ties with the past but fails, and in the end returns to Jerusalem, his only true home....

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