Zeitschriftenartikel: „Belletristic“

1

Agnew, Lois. „The stoic temper in belletristic rhetoric“. Rhetoric Society Quarterly 33, Nr. 2 (März 2003): 69–88. http://dx.doi.org/10.1080/02773940309391254.

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2

Zwagerman, Sean. „Local Examples and Master Narratives: Stanley Fish and the Public Appeal of Current-Traditionalism“. College Composition & Communication 66, Nr. 3 (01.02.2015): 458–82. http://dx.doi.org/10.58680/ccc201526861.

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This article analyzes the rhetoric of public attitudes toward composition, as represented in Stanley Fish’s “Think Again” blog in the New York Times and in comments posted by his readers. Fish denounces the field of composition as highly politicized and anti-academic and advocates instead a belletristic, current-traditional approach. The dialogue between Fish and his audience exemplifies the web of definitions and logical fallacies by which current-traditionalism and belletristic English frame public attitudes. To the extent that composition’s “public turn” involves engaging public opinion, compositionists must anticipate this framing or else find their engagements ineffective, even self-defeating.

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3

Kluge, Arnd. „Genossenschaftliche Belletristik“. Zeitschrift für Unternehmensgeschichte 68, Nr. 1 (13.03.2023): 63–92. http://dx.doi.org/10.1515/zug-2021-0029.

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Abstract Co-operatives were the only group of enterprises, which used belletristic literature systematically for propaganda purposes. This essay analyses lyrics, dramas, novels and short stories of German co-operatives between the 1880s and 1950s. It examines the co-operative contents of the sources and the tendencies of the surrounding society reflected in them. Furthermore, the study discusses whether the aims of the co-operative organizations were reached, and why the project was terminated in the 1950s.

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4

Lependorf, Jeffrey. „Line Breaks: Belletristic Writing, Reality, and Academia“. Journal of Scholarly Publishing 35, Nr. 4 (2004): 195–99. http://dx.doi.org/10.1353/scp.2004.0023.

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5

Bárczi, Zsófia. „Attempts at creating a new concept of literature •“. Hungarian Studies 34, Nr. 1 (20.03.2021): 7–14. http://dx.doi.org/10.1556/044.2020.00002.

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AbstractUsing the term Hungarian literature in (Czecho-)Slovakia has been a problem for literary historiography specialised on reflecting on this corpus since the emergence of minority Hungarian literatures defined by geopolitics. Since the twenties onwards, the texts of the belletristic corpus have been asking, from time to time, about the relationships among space and identity, and providing answers from approaches heroic to ironic. The relationships of identity and space are reflected vigorously not only in belletristic representations but in the literary criticism that reflects on them and in literary historiography as well. In my study, I am going to follow the process having taken place in the literary-historical narrative between the two World Wars, which aimed to transform the geopolitical factors associated with identity into a constructed space through articulating the experience of intermediacy and reflecting on the “as-if” state of the intercultural existence of Hungarian literature in Slovakia.

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6

Zotov, Sergey Nikolaevich. „THE PROBLEM OF STUDYING BELLETRISTIC LITERATURE (HUMANITIES EPISTEMOLOGY)“. Historical and social-educational ideas 7, Nr. 6/1 (25.10.2015): 296–99. http://dx.doi.org/10.17748/2075-9908-2015-7-6/1-296-299.

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7

Singh, Sharanpal, und Shilpi Goyal. „Regressus ET reflexivity: Belletristic semantique problematique, ET dissimulare“. Forum for Linguistic Studies 5, Nr. 2 (05.09.2023): 1658. http://dx.doi.org/10.59400/fls.v5i2.1658.

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The paper attempts interrogation of theoretics in the present: “theory in its selective tradition” (Williams, 1989), to highlight major departures of the said genre from the past writings in the domain, which were liberal, democratic, egalitarian, dialogic, and interacted to continue extended dialogue with earlier prevailing thought. Such writings interacted by attempting to comprehend the earlier insights and negotiated amendments, elaborations, and even transformations, where needed. However, in the “selective tradition” such features have receded and combative politics, coupled with irresolution, dissembling, with insurrectionary core are present predominantly. Eschewing telos, with mere negotiations, always (!) in the interstices, to proclaim genesis through rupture, wherein abstention from former insights is the prominent feature. This is not restricted to one or two theorists, but extends across the spectrum. There is recursivity and reflexivity, turning regressive, severed from praxis, wherein political remains restricted only to its articulation, without connecting with organization(s) so as to be transformative and melioristic. Here, there is theoretical rigour, per se. The intention in the paper is as Brandom (1994) says, to make it “explicit”.

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8

Innocenti, Beth. „Foiling Kamesian Belletristic Theory in Mid-Eighteenth-Century Scotland“. Journal for the History of Rhetoric 22, Nr. 1 (Januar 2019): 51–72. http://dx.doi.org/10.5325/jhistrhetoric.22.1.0051.

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ABSTRACT Two disciplinary stories told in mid-eighteenth-century Scotland omit an important plotline. One story is that university teaching of rhetoric transformed into belletristic criticism; another is that ideology and culture transformed to reorient rhetorical theorizing toward everyday practices by non-elites. Untold is a story of how familiar protagonists, such as Hugh Blair, clashed with antagonists, such as John Witherspoon, in the Church of Scotland. Telling that story from the antagonists’ perspectives shows that they reflected on how rhetoric ought to be practiced to manage disagreement in a democratic institution and used what amounted to Kamesian belletrism as a foil.

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Innocenti, Beth. „Foiling Kamesian Belletristic Theory in Mid-Eighteenth-Century Scotland“. Advances in the History of Rhetoric 22, Nr. 1 (02.01.2019): 51–72. http://dx.doi.org/10.1080/15362426.2019.1569416.

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10

Hawhee, Debra, und Cory Holding. „Case Studies in Material Rhetoric: Joseph Priestley and Gilbert Austin“. Rhetorica 28, Nr. 3 (2010): 261–89. http://dx.doi.org/10.1525/rh.2010.28.3.261.

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This essay offers “material rhetoric” as a new addition to the usual list of categories used to describe rhetoric in the eighteenth century (neoclassical, belletristic, elocutionary, epistemological/psychological) by examining the material elements of treatises written by Joseph Priestley and Gilbert Austin. Those material elements—namely heat, passion, and impression—are tracked through Priestley and Austin's scientific writings, thereby positioning their particular strains of material rhetoric as legacies of philosophical chemistry.

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Tsurkan, Маria. „Ethnographisms as means of colloquality stylization in the modern belletristic narration“. Current issues of social sciences and history of medicine, Nr. 1 (23.02.2017): 40–43. http://dx.doi.org/10.24061/2411-6181.1.2017.9.

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12

Grošelj, Nada. „Belletristic Translation into English: What Price the Same Order of Words?“ ELOPE: English Language Overseas Perspectives and Enquiries 2, Nr. 1-2 (22.06.2005): 255–68. http://dx.doi.org/10.4312/elope.2.1-2.255-268.

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The order of clause constituents in Slovene is largely guided by functional sentence perspective, while its English counterpart is grammar-based and much less flexible. Therefore the English translation of a Slovene clause often displays a different order of constituents. In poetry, however, the position assigned to an entity, action, or concept within a line of verse contributes to the overall meaning, text pattern, and poetic effect. Accordingly, efforts are made to preserve the same order of participants in translation, which often results in the assignment of a new syntactic role to the participant and the restructuring of the entire clause. This paper discusses the most frequent types of restructuring employed in the English translations of select poems by the contemporary Slovene poet Dane Zajc.

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Bator, Paul G. „The Unpublished Rhetoric Lectures of Robert Watson, Professor of Logic, Rhetoric, and Metaphysics at the University of St. Andrews, 1756––1778“. Rhetorica 12, Nr. 1 (1994): 67–113. http://dx.doi.org/10.1525/rh.1994.12.1.67.

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Abstract: Robert Watson, historian, minister, and professor, delivered a series of lectures on rhetoric and belles lettres in Edinburgh from 1752 to 1756, between the time Adam Smith and Hugh Blair delivered similar public lectures. Watson's unpublished manuscript lectures are described and discussed here for the first time and are compared to the lectures on rhetoric and belles lettres of Blair and Smith. Watson's lectures demonstrate a practical, moral rhetoric which, in its emphasis upon critical understanding and analysis of literary texts, provides additional evidence for an emerging "belletristic rhetoric" in eighteenth-century Scotland.

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Wyland, Russell M. „An Archival Study of Rhetoric Texts and Teaching at the University of Oxford, 1785––1820“. Rhetorica 21, Nr. 3 (2003): 175–95. http://dx.doi.org/10.1525/rh.2003.21.3.175.

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The study of rhetoric at Oxford enjoyed a privileged place within the classical curriculum. Yet historical treatments of both Oxford and rhetoric are silent on which texts students read, how reading lists evolved, and how the methods of teaching rhetoric responded to internal and external pressures. By using institutional records and personal papers, this essay pieces together which classical rhetoric texts students read, and how the authorities taught rhetoric during a time when curriculum reform efforts promoted both renewed emphasis on the classics and increased attention to the "new learning" of belletristic rhetoric.

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Brinton, Alan. „The Sixth Canon: Belletristic Rhetorical Theory and Its French Antecedentsby Barbara Warnick“. Rhetoric Society Quarterly 24, Nr. 1-2 (Juli 1994): 120–22. http://dx.doi.org/10.1080/02773949409391010.

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16

Voloshynovska, Iryna A. „Characteristic Features of Rank-Probability Word Distribution in Scientific and Belletristic Literature“. Journal of Quantitative Linguistics 18, Nr. 3 (August 2011): 274–89. http://dx.doi.org/10.1080/09296174.2011.583405.

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17

Jaidka, Manju, und Neeraj Pizar. „Belletristic to the Rescue: Transforming Crisis into Creativity in the Himalayan Foothills“. KEMANUSIAAN The Asian Journal of Humanities 30, S1 (2023): 73–85. http://dx.doi.org/10.21315/kajh2023.30.s1.5.

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The article delves into the profound impact of the COVID-19 pandemic on society, education and literature, with a specific focus on the experiences and initiatives of the Literature Department at Shoolini University in Himachal Pradesh, India. It explores the paradoxical nature of the pandemic as both a malevolent force and a catalyst for change. The article discusses the challenges posed by the pandemic, including fear-induced psychosis, domestic conflicts and economic hardships, while also highlighting the importance of adaptability in the face of unprecedented adversity. As a case study, the article describes how Shoolini University’s Literature Department responded to the crisis by organising a series of online literary gatherings, symposia and conferences, fostering connections and providing solace to individuals grappling with the isolation of lockdowns. They also detail the publication of an anthology titled Covid’s Metamorphosis: Stories of our Corona Times, which captures the diverse experiences of individuals during the pandemic. Furthermore, the article explores the shifting landscape of education and pedagogy, emphasising the need for innovative approaches in the post-COVID era. It discusses the integration of practices like yoga and meditation into the curriculum to support holistic well-being and psychological resilience, reflects on the transformative nature of the pandemic, likening it to a tsunami of change and underscores the importance of adaptability, compassion and holistic education in navigating the challenges of the post-pandemic world.

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Thompson, Roger. „“Habit of Heat”: Emerson, Belletristic Rhetoric, and the Role of the Imagination“. College English 69, Nr. 3 (01.01.2007): 260–82. http://dx.doi.org/10.58680/ce20075849.

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Within nineteenth-century American rhetorical culture, Ralph Waldo Emerson’s contribution was distinct. Envisioning a rhetoric that linked imagination with social action, he challenged the more mechanistic, reason-centered tendencies of rhetorical doctrines influenced by Hugh Blair.

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Vikhreva, G. M., N. V. Makhotina und O. P. Fedotova. „SPSTL SB RAS Collection of Scantily Used Editions in the Readers Service System“. Proceedings of SPSTL SB RAS, Nr. 1 (06.05.2023): 38–45. http://dx.doi.org/10.20913/2618-7515-2023-1-38-45.

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Developing programs of new directions of work with readers in the changing sociocultural conditions is an actual orientation of domestic librarianship policy. The results of studies undertaken in order to reveal modern trends in the service system of SPSTL SB RAS showed, in particular, the growing request for belletristic and mass literature on the part of readers. This tendency of changing information needs deserves more profound study for to perfect both the servicing system and the technology of building the library stock.The object of the local study, undertaken by the authors of this article, is one of the segments of the large stock of belletristic and mass literature stored in SPSTL SB RAS - the collection of scantily used editions (FMI). Today, FMI is an ever-growing collection of publications that has its own reader, but still is not in demand enough.Our goal was to use the methods of comparison, analysis, synthesis and observation for to consider the relevance of this collection, its place in the system of other library collections, as well as to identify opportunities to realize FMI potential in meeting new readers' needs.The involved theoretical material and the analysis of practice allowed the authors to assert that one of the main causes of unsatisfactory rate of this collection usage are organizational and technological contradictions primarily laid at the bottom of its functional capacity, which prevent providing integrity of its managerial system. Increasing the efficiency of FMI use could be facilitated by bringing it closer to the reader “physically” and reflecting the content of the collection in readers' catalogs.

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20

Hewett, Beth L. „Cradle of Public Discourse: Bowdoin College Public and Literary Society Exercises (1820–1845)“. Journal for the History of Rhetoric 8, Nr. 1 (01.01.2005): 73–98. http://dx.doi.org/10.5325/jhistrhetoric.8.1.0073.

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Abstract A case study of Bowdoin College in Brunswick, Maine, can inform nineteenth-century North American rhetorical history by exposing the interplay of rhetorical theory and practice in an educational setting during the antebellum period. Evidence of this interplay emerges in the subject matter of students' quarterly exhibition and commencement orations and of their literary society presentations from 1823 to 1845. When considered as a curricular whole, this evidence suggests a symbiotic relationship between the primarily moralistic and belletristic discourse favored by the college's curriculum and the more broadly civic judicial and deliberative discourse favored by its literary societies.

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Tanenbaum, Adena. „Kabbalah in a Literary Key: Mystical Motifs in Zechariah Aldāhirī's Sefer hamusar“. Journal of Jewish Thought and Philosophy 17, Nr. 1 (2009): 47–99. http://dx.doi.org/10.1163/147728509x448984.

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AbstractZechariah Aldāhirī's maqāma collection, Sefer hamusar (Yemen, c. 1580), is a literary work modeled on the Arabic Maqāmāt of al-Harīrī and the Hebrew Tahkemoni of Alharizi. Although largely fictional in nature, the work offers intriguing evidence of the transmission of kabbalistic thought to Yemen in the sixteenth century. This paper argues that Aldāhirī exploited the text's lighthearted belletristic framework to bring kabbalistic theosophy, literature, and liturgical customs to the attention of a largely uninitiated public in Yemen. But Aldāhirī also conveys an ambivalence towards his project when he parodies the new taste for kabbalistic learning by embedding mystical ideas in complex narratives.

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Kudelin, Alexander B. „Belletristic Elements in “The Life of The Prophet” by Ibn Isḥāq — Ibn Hishām“. Studia Litterarum 4, Nr. 1 (2019): 28–69. http://dx.doi.org/10.22455/2500-4247-2019-4-1-28-69.

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23

Kislova, Ekaterina I. „Latin vs. Russian: the Languages of Rhetoric Classes in 18th Century Russian Seminaries“. Slovene 10, Nr. 2 (2021): 338–52. http://dx.doi.org/10.31168/2305-6754.2021.10.2.14.

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The article focuses on the use of Russian and Latin in rhetoric classes in Russian seminaries of the 18th century, based on published and archival documents. Over the course of the century, the status of the Russian language changed significantly, which may be attributed to a number of factors: the development of belletristic literature, an increase in book publishing, the encouragement of preaching, etc. However, despite the fact that rhetorical textbooks began to be published in Russian, Latin remained the language of rhetorical theory in seminaries. These processes are illustrated both by surviving collections of extracts and exemplary texts, and catalogs of seminar libraries.

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Imangazina, M., M. Pimenova und H. Develi. „LANGUAGE REPRESENTATION OF NONVERBAL MEANS: PECULIARITIES OF VERBALISATION IN THE KAZAKH AND RUSSIAN LANGUAGES“. Tiltanym, Nr. 2 (17.07.2024): 111–24. http://dx.doi.org/10.55491/2411-6076-2024-2-111-124.

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Nonverbal means are elements of the national vocabulary which represent the nation’s consciousness in language, which are actively used in belletristic texts. Nonverbal elements are distinct in world languages both by their structure and meaning. This feature is one of the main language factors which create difficulties for translators while they interpret belletristic texts. For instance, the majority of lacunae (untranslated parts of text) in the Russian variant of the epic novel "Abai Zholy" (The Path of Abai) are the nonverbal elements. The purpose of the study is to assess the level of communicative recognition of the Kazakh people by considering how communication aids are coded in the language, as well as to determine the similarities and differences of nonverbal components in the Kazakh and Russian languages from the point of view of lexicology, grammar, pragmatics and stylistics. In the course of the research, comparative analysis of translations, grammatical analysis of nonverbal means, lexical-semantic analysis and cognitive analysis methods were used. As a result of the research, it was found that there are more language units and grammatical structures expressing the meaning of "күлу" (to laugh) in the Kazakh language than in the Russian language. In the translation of this kinema, it was found that words with the root "смех" in the Russian language was actively used, and due to the lexical-grammatical features of languages, linguistic and cultural factors, the accuracy, expressiveness and semantic features of the nonverbal components in the translated text were not fully preserved.The relevance of the research can be seen from the fact that the linguistic representation of nonverbal actions in M. Auezov's epic novel "Abai Zholy" and its linguistic value in the translated text are considered for the first time on the basis of the anthropocentric paradigm and in the interlinguistic aspect.

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Mishchenko, Oksana. „SUBJECT COMPETENCE DEVELOPMENT IN THE PROCESS OF BELLETRISTIC DREAMS ANALYSIS AT UKRAINIAN LITERATURE LESSONS“. Pedagogical Education: Theory and Practice 2, Nr. 26 (08.05.2019): 353–57. http://dx.doi.org/10.32626/2309-9763.2019-26-2.353-357.

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26

Greshchuk, V. V. „A LINGUISTIC PICTURE OF THE WORLD OF HUTSULS THROUGH THE PRISM OF BELLETRISTIC LANGUAGE. WUIKO (UNCLE)“. PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, Nr. 3(55) (12.04.2019): 55–62. http://dx.doi.org/10.31471/2304-7402-2019-3(55)-55-62.

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The article analyzes the linguistic picture of the world of Hutsuls in the segment of the dialectal lexeme wuiko through the prism of the Ukrainian fictionlanguage. The author of the article in the methodology of the study of the world language picture proceeds from the position that the modeling of the world's linguistic picture by lexical means is carried out primarily in the lexical-semantic structure of words. Information about the world is structured by lexical meanings by discretization of knowledge, their objectification and interpretation. When it comes to the linguistic picture of the world of a particular ethnographic group, it is necessary to take into account that its linguistic picture of the world is formed and manifested in the linguistic units, the overwhelming part of which coincides with the normative standard of the literary language, while the other part is characterized by differences that are characteristic only of the corresponding dialect or else the adjacent dialects that do not have a national distribution range. Dialect words perform special functions of nominating such realities of extra-ordinary reality, which in the language to which this dialect belongs does not have one-word nominative means. In the Ukrainian belletristic language, lexical dialectism wuiko (uncle) functions in the Hutsul dialect as a multi-valued construction, in which the segment of the linguistic picture of the world is embodied, defined by the different lexical meanings of the word, in particular: 1) “the mother or father's brother”; 2) “aunt’s husband”; 3) “adult or senior man in general”; 4) “bear”; 5) fig. “awkward, clumsy man”. Dialecticism wuiko (uncle) also reveals a certain derivational activity, which also indicates its significance in the formation of the linguistic picture of the world of Hutsuls. Ukrainian belletristic texts model Hutsul's linguistic picture of the world in the segment of dialecticism wuiko (uncle) more abundantly than the Hutsul dialect dictionaries, which do not capture the lexical-semantic variants of ‘aunt's husband’ and ‘awkward, clumsy man’.

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Carter, Michael. „The role of invention in belletristic rhetoric: A study of the lectures of Adam Smith“. Rhetoric Society Quarterly 18, Nr. 1 (Januar 1988): 3–13. http://dx.doi.org/10.1080/02773949809390801.

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Shpilevaya, Galina A., Irina A. Bakhmetieva und Vera V. Bezrukova. „The conception of A.S. Pushkin's and M.S. Zagoskin's historical novel: on the poetics of classical and belletristic works“. Vestnik Tomskogo gosudarstvennogo universiteta, Nr. 419 (01.06.2017): 72–78. http://dx.doi.org/10.17223/15617793/419/9.

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Kotin, Michaił L. „Esthetical heteronomy as creation principle of a fictional narrative: on the esthetical function of intertextuality“. Przegląd Wschodnioeuropejski 12, Nr. 1 (24.09.2021): 381–97. http://dx.doi.org/10.31648/pw.6483.

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The relations between the “main” narrative parts of a belletristic text and its (cross)references to other works of literature and/or music, painting etc. play an important part in the structure and functioning of a literary work. The phenomenon of intertextuality belongs at present to the favourite subjects of the research of texts, among others, of fictional texts. However, some relevant functions of implementation of external esthetical works, both literary texts and other art forms, into a fictional narration have not been investigated yet. This paper presents an analyses of two works of narrative fiction written by Tolstoy and T. Mann, with a special attention to the esthetical function of intertextuality by implementation of cross-references to the works of the composer Beethoven (in the case of Th. Mann also of the poet Goethe). The claim is that intertextuality in the esthetical sphere induces a double esthetical function and determines the phenomenon which I will call “esthetical heteronomy”. Its main feature is a very specific influence of external esthetical sources on the internal esthetical values of the primary text.

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Mester, Béla. „Authorial Self and Modernity as Reflected in Diaries and Memoirs. Three 19th-Century Hungarian Case Studies“. Acta Universitatis Sapientiae, Social Analysis 9, Nr. 1 (01.08.2019): 85–97. http://dx.doi.org/10.2478/aussoc-2019-0006.

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Abstract The role of the diaries and memoirs in the process of the conscious self-reflection and their contribution to the emergence of modern individual personalities are well-known facts of the intellectual history. The present paper intends to analyze a special form of the creation of modern individual character; it is the self-creation of the writer as a conscious personality, often with a clearly formulated opinion about her/his own social role. There will be offered several examples from the 19th-century history of the Hungarian intelligentsia. This period is more or less identical with the modernization of the “cultural industry” in Hungary, dominated by the periodicals with their deadlines, fixed lengths of the articles, and professional editing houses on the one hand and the cultural nation building on the other. Concerning the possible social and cultural role of the intelligentsia, it is the moment of the birth of a new type, so-called public intellectual. I will focus on three written sources, a diary of a Calvinist student of theology, Péter (Litkei) Tóth, the memoirs of an influential public intellectual, Gusztáv Szontagh, and a belletristic printed diary of a young intellectual, János Asbóth.

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Yanev, Kristiyan. „The Marginal Other in Post-Soviet Space (Observations on Polish Literary Reportage Concerning the East)“. Balkanistic Forum 32, Nr. 3 (15.09.2023): 212–28. http://dx.doi.org/10.37708/bf.swu.v32i3.12.

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The paper analyzes Polish literary reportage as a trend evolved from a rather marginalized position of a hybrid genre to a prized form of literary expression in the last decades. More often than not, the genre’s main focus in the unprivileged, problematic or unknown marginal Other, which is visible in the journalistic fiction about Poland’s eastern neighbors. At the same time, the imagining of the Other can be problematic and biased, which is a major concern for the authors, whose position between the belletristic and the journalistic poses different demands on the texts about Russia. The major political, cultural and economic post-1989 transformation in the countries of the former USSR occupy a privileged place among the topics of the genre. The text compares the representation of post-Soviet reality in the literary reportages of Ryszard Kapuściński, Jacek Hugo-Bader and Jędrzej Morawiecki, focussing on the depiction of the marginalized groups in the postcommunist society. The texts argues that each decade after the Soviet Union’s collapse brings forth a different type of marginalization (ethnic and political in the 1990s; social and cultural in the 2000s; religious and ideological in the 2010s).

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Raz, Hilda, Jeffrey Lependorf und Michael Cornett. „The Place of Belletristic Writing in Scholarly Publishing: The Council of Editors of Learned Journals Keynote Addresses MLA Convention 2003“. Journal of Scholarly Publishing 35, Nr. 4 (Juli 2004): 183–99. http://dx.doi.org/10.3138/jsp.35.4.183.

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Cornett, Michael. „The Place of Belletristic Writing in Scholarly Publishing: The Council of Editors of Learned Journals Keynote Addresses, MLA Convention 2003“. Journal of Scholarly Publishing 35, Nr. 4 (2004): 183–84. http://dx.doi.org/10.1353/scp.2004.0018.

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Hashemi, Mahsa, und Hossein Najari. „Avestan Architecture: A Descriptive Etymological Lexicon“. International Letters of Social and Humanistic Sciences 63 (November 2015): 59–70. http://dx.doi.org/10.18052/www.scipress.com/ilshs.63.59.

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The Avesta could be considered as the most important masterpiece of ancient literature of Iran and its older parts as the oldest belletristic exploits. The importance of Avesta is firstly in its religious value and its sanctity and secondly in the picture it draws for us of ancient Iran. On the other hand, architecture is the greatest aspect of art and a very old one. Not many people have analyzed or interpreted the ancient Iranian texts in the context of architecture. In this research, the focus was on viewing the ancient Architecture of Iran through the Avesta, which was definitely used for religious purposes at that time. There is no doubt that nowadays, centuries after the era of Avesta, there is a huge difference between our modern architecture and the Avestan architecture. The main goal of this research was making a descriptive and etymological lexicon on Avestan architecture. Therefore, firstly every single vocabulary was studied etymologically, discussed literary and also given one example of the use of it in the Avesta. Finally, the authors have reached the conclusion that the Ahuramazda versus Ahriman fight can even be traced in the ancient architecture of Iran and its architectural descriptions, which can be studied more in the future.

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Kontra, Miklós. „Changing Hungarians' L1 education / Jövőt formáló anyanyelvi nevelés“. Acta Academiae Beregsasiensis, Philologica II, Nr. 1 (21.07.2023): 9–25. http://dx.doi.org/10.58423/2786-6726/2023-1-9-25.

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The transmission and maintenance of Hungarian standard language ideology is extremely harmful socially because it perpetuates social inequity and reduces the nation's resources. The insistence on speaking Hungarian “correctly”, i.e., that all Hungarians speak their mother tongue “correctly”, is both unrealistic and socially extremely damaging. In addition to anecdotal evidence cited from belletristic authors Gyula Illyés (1930s), Szilárd Borbély (21st century) and others, the results of several sociolinguistic studies are cited to show how unrealistic such expectations are. These studies cover important sociolinguistic variables e.g., t-final verbs and the inessive case ending (bVn) as used by Hungarians in Hungary, in Transcarpathia (Ukraine) and in Transylvania (Rumania). The social harms that result are illustrated by several well-documented cases of linguicism. The author recommends that the evaluation of linguistic phenomena in terms of “correct – incorrect” should be abandoned and replaced by “appropriate – inappropriate” evaluations (where appropriate language use varies according to speech partners and speech situations). The subtractive language education prevalent in Hungarian schools should be replaced by additive education. Teacher training should be revamped similarly, but the most difficult task ahead is changing the culture of widespread belief in “correct Hungarian” and cultivating a more democratic language ideology which, rather than striving to eliminate language variation, respects linguistic varieties and their speakers.

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Repenkova, Mariya Mihaylovna. „Historical-biographical novel by Zulfu Livaneli "On the Back of the Tiger: Tyranny and Freedom" (2022)“. Philology. Issues of Theory and Practice 17, Nr. 3 (20.03.2024): 822–27. http://dx.doi.org/10.30853/phil20240117.

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This article is dedicated to analyzing the latest novel of the well-known contemporary Turkish writer Zulfu Livaneli, "On the Back of the Tiger: Tyranny and Freedom" (2022), according to the author's reception of the belletristic paradigm. The article demonstrates how historical events related to the life of one of the last Turkish sultans, Abdulhamid II (deposition from power and exile in Thessaloniki), are incorporated into the narrative scope of the novel and how these events influence the country's life. It is argued that the figure of Abdulhamid is more vividly portrayed through the image of his opponent-doctor, another central character in the novel. The research aim is to establish that this novel, in terms of its poetic features, belongs to the historical-biographical genre. The article analyzes the plot and compositional features of the novel with an emphasis on its imagery (central images) and chronotope. The scientific novelty of the research lies in the fact that the novelistic work of Z. Livaneli, viewed from this aspect, is for the first time the subject of analytical study in domestic Turkological literary studies. As a result, it is demonstrated that the poetics of Z. Livaneli's novel fits within the historical-biographical genre with specific features unique to the author.

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Hewett, Beth L., und Erin C. Singer. „Nathaniel Hawthorne’s Travel Sketches and Samuel P. Newman’s A Practical System of Rhetoric: A Case of American Belletristic Theory on Praxis“. Advances in the History of Rhetoric 19, Nr. 3 (September 2016): 298–320. http://dx.doi.org/10.1080/15362426.2016.1192518.

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Ershova, Iuliia. „Compilation of stories “On Both Sides” by Dewi Lestari: belles-lettres as the foundation of literary unity“. Litera, Nr. 1 (Januar 2021): 170–83. http://dx.doi.org/10.25136/2409-8698.2021.1.34884.

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This article examines the modern Indonesian women's prose. The object of this research is novelistics of the prominent Indonesian writer Dewi Lestari and the compilation of stories “On Both Sides” (Rectoverso; 2013). The collection demonstrates the features common to popular women's literature, as well as to meaningful, socially biased women's prose of Indonesia of the XXI century, known as “sastra wangi”. The subject of this analysis is the correlation of characteristics inherent to the two aforementioned phenomena in the stories by Dewi Lestari; while the goal consist in finding the beginning that allows the writer to blend different literary codes. The research is based on descriptive and comparative methods. Neither in Indonesia nor outside it, the women's prose “sastra wangi” has not been considered as a holistic literary phenomenon due to diversity of the discourses applied therein. The scientific novelty and relevance of this study are defined by the attempt to analyze sastra wangi based in on the works of the prominent contemporary Indonesian writer. It is revealed that literary unity of the texts of stories of Dewi Lestari imparts belletristic character on her writing, which allows combining the fields of classic and popular literature. This fact is important for understanding the artistic peculiarities of contemporary Indonesian women's prose sastra wangi as a whole.

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van Schaik, Marjan A. „How Belletristic Rhetorical Theory in the Liberal Arts Tradition Led to Civic Engagement: Turn-of-the-Century Rhetoric Instruction at Bryn Mawr College“. Rhetoric Review 33, Nr. 2 (13.03.2014): 113–31. http://dx.doi.org/10.1080/07350198.2014.884412.

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Melnichuk, Oksana. „Semantics of greetings and its syntax realisation“. Current issues of social sciences and history of medicine 29, Nr. 1 (25.02.2021): 13–18. http://dx.doi.org/10.24061/2411-6181.1.2021.233.

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The purpose of the article is to study and systematize formal -grammatical features of etiquette greetings and to implement their syntactic typology. The relevance of the work is determined by the importance of the subject of study and lack of clear etiquette greetings’ syntactic typology in modern Ukrainian linguistics. The scientific novelty of the study is the improvement of syntactic structural schemes typology of etiquette greetings. Research methods: the historical, logical, structural, cognitive, scientific methods were used in the work. Conclusions. The implemented syntactic typology of etiquette greetings confirms the diversity of their structure. The most productive forms of their implementation are nominative one-member sentences and verbal (one member as well as two-member) ones. According to the semantics and communicative purpose, we can identify two types of nominal greetings structures: nominative narrative (declarative) sentences) and nominative imperative-optative ones. Nominative imperative – optative greetings are full of emotional content. Nominative and imperative – optative meanings are combined in their semantics e.g. “Myr domu Vashomy!” (Peace to your house!), “Khl’ib ta sil’!” (Bread and salt!). In the fixed one-member verbal sentences the main member is performed by a certain conjugation e.g. “Vinshuiu!” (Congratulations!)", “Biu cholom” (I bow to you), “Bozhe pomozhy” (God, help (us)). Fixed two-member etiquette greetings have different stylistic tinge of “politeness”, so they are not used in all the language genres. They are mainly used in informal and belletristic language styles.

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Pečiulis, Žygintas. „Sovietinės televizijos diskurso daugialypumas: oficialumo ir nuoširdumo drama“. Informacijos mokslai 63 (01.01.2013): 113–28. http://dx.doi.org/10.15388/im.2013.0.1588.

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Straipsnyje analizuojama sovietinio laikotarpio Lietuvos televizija. Pateikiamas Vakarų ir Rytų Europos audiovizualinės masinės komunikacijos istorinės raidos kontekstas, visuomeninių ir valstybinių transliuotojų funkcijų lyginamoji analizė. Pasitelkus sovietmečio dokumentus, televizijos laidų tekstus, televizijos darbuotojų prisiminimus, atskleidžiama audiovizualinės masinės komunikacijos priemonių vieta sovietinėje sistemoje, pateikiamos svarbiausios ideologinės klišės, analizuojamas cenzūros ir asmeninės cenzūros veikimas, televizijos darbuotojų santykio su sistema problema.Reikšminiai žodžiai: audiovizualinė masinė komunikacija, televizija, sovietinės Lietuvos televizija, ideologinės klišės, cenzūra, pranešimo stilistika.Multiplicity of Soviet television discourse: formality and sincerity dramaŽygintas Pečiulis SummaryInformation dosage during the Soviet period was based on noble purposes. Closed borders and information control were the ways to keep the system and persuade society. Peculiarities of society, such as the official doctrine and its treatment on the personal daily level or adaptation and rebellion dilemma determined the formation of multiple television discourses. The documents, memories, scripts of the time allow to reveal the television discourse multiplicity in soviet Lithuania and the intentions of the originators of such discourses. Modern media fall into stagnation, in a strictly regulated environment. However, the pomp of communism coincides with the dynamism and innovation of television. Television was used to promote the principal ideological postulates: internationalism, socialism, the cult of the proletariat and communism, the failure of capitalism, depreciation of independent Lithuania, atheism. The language was pompous, characterized by a combination of belletristic and bureaucratic styles, attention to the correctness. There were plenty of phrases reminiscent of fairy tale and myth phraseology. Key words: audio-visual mass communication, television, the soviet Lithuanian television, ideological clichés, censorship, communication style.

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Shibarshina, Svetlana V. „Scientists in Power in Science and Techno‑Utopias (“Flight of the Earth” and “The Transhumanist Wager”)“. Galactica Media: Journal of Media Studies 4, Nr. 4 (12.12.2022): 309–26. http://dx.doi.org/10.46539/gmd.v4i4.287.

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The article considers the social-political power of scientists and engineers in science fiction illustrated by F. Carsak’s “Flight of the Earth” and Z. Istvan’s “The Transhumanist Wager”. These novels depict scientists and engineers as full-fledged political agents possessing or sharing with others the supreme power and describe situations of conflicts between them and other social groups. The article focuses on how such utopias deal with scientists’ social responsibility and interactions between scientists and non-scientists. In F. Carsak’s novel, scientists form the social-political group of technas along with technicians and engineers. They behave in a noble, highly moral, hyper-responsible and self-sacrificing way. As for Z. Istvan, he empowers transhumanists who have taken over the world and founded a global technological society; yet, he says nothing about their social and ethical responsibility. Another most important component of the plot is the confrontation between scientists and “ordinary citizens”. The author finalizes her article with the following conclusions. First, both novels ignore the complex nature of scientists and engineers as social groups and of the intersection of interests between scientists and non-scientists. F. Carsak portrays the technas as a close-knit community, a collective consciousness endowed with organic solidarity and collective identity. Secondly, both novels are marked with a certain schematicity of the patterns, such as science vs religion, scientists as carriers of progress, etc. Third, both novels appear belletristic manifestos: “The Flight of the Earth” is full of philosophical optimism, while “The Transhumanist Wager” seems a manifesto of techno-scientific rationalism, ethical individualism and rational egoism.

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Melnyk, Yuliia. „GERMAN COMPOUND NOUNS WITH A VERBAL COMPONENT: SEMANTIC AND PARADIGMATIC ANALYSIS“. Germanic Philology Journal of Yuriy Fedkovych Chernivtsi National University, Nr. 843 (Juli 2023): 75–84. http://dx.doi.org/10.31861/gph2023.843.75-84.

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German as an active process that allows not only to create new designations, but also to clarify the existing ones and to express the maximum of meaning with one unit. Such units include composites with the V + N model, which have been examined on the material of three styles (belletristic, publicistic and scientific). The combination of traditional and quantitative methods in the study allows us to speak of greater evidence of the data obtained. For example, the chi-square criterion helps us determine the existence of a stable connections between the components of a complex unit, the correlation coefficient K shows its degree, and the correlation coefficient r reveals paradigmatic relationships. The study has revealed that the lexico-sematic subclasses (LSS) of verbs in the models under study are characterised by high unit productivity, unlike nouns, which tend to have a quantitatively large filling of subclasses. Thus, the limited but active toolkit of determinants clarifies, explains, and supplements the meaning of the main words. At the model level, a stable connection was established for: LSS of verbs "Location" + LSS of nouns "Buildings and structures", LSS of verbs "Sound and communication" + LSS of nouns "Language, speech". At the same time, the verbs of the LSSs "Processing of an object" and "Movement" are perhaps the most important for the analysed construction as they demonstrated the largest number of word uses among the subclasses and combinations in the word-formation models; in combination with the LSSs of nouns, stable connections in them have been recorded; the correlation analysis also confirmed the presence of paradigmatic relations both among themselves (the closest relation) and as part of a larger grouping.

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Brennan, Rory, Terry Eagleton, Leah Levenson, Éamon Kelly und Liam de Paor. „Belletrists“. Books Ireland, Nr. 218 (1998): 345. http://dx.doi.org/10.2307/20623776.

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Bečejski, Mirjana. „The reader and the narrative metalepsis in the novel 'The Attic' by Danilo Kiš“. Bastina, Nr. 56 (2022): 61–78. http://dx.doi.org/10.5937/bastina32-36233.

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As a writer who read and followed the contemporary literature and literary theory in several different languages and who intensively contemplated the act of reading and thematised it in his belletristic prose, Kiš had already problematised in his novel The Attic the most important aspects of reading, brought to light and actualised by the classical literature and placed at the centre of research by the post-classical theory of narration: the first person narration and the problem of identity of the author's I, the use of the trompe-l'œil technique, transgression of the narrative levels/narrative worlds and narrative metalepsis, the boundary between life and literature etc. The author of this paper focuses its research on the reader and the narrative metalepsis in Danilo Kiš's first romanesque novel. The first part is dedicated to the definitions of narrative metalepsis in the contemporary theoretical studies (from Gérard Genette to John Pier), the second one to the types of metalepsis in The Attic, and the third one to the Kiš's implicit concept of the good (informed, educated, empathic, immersed ) reader: the reader of The Attic and the reader in The Attic, the problem of duality, that is, the multiplication of identity of the author's I and the relation between life and literature, which is an obsessive question of Kiš's poetics. The article "The Reader with a Lamp at the Crossroads" (Kiš's concepts of the reader and Kiš as a reader), which the author of the paper published in the previous edition of the journal Baština, deals with the status and types of readers in the poetics of Danilo Kiš, therefore, this paper represents a continuation and intensification of the research in that direction.

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H. Szilágyi, István. „Embarrassing Stories : Legal Storytelling and Sociology of Law“. Intersections 7, Nr. 1 (2021): 78–96. http://dx.doi.org/10.17356/ieejsp.v7i1.667.

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‘Legal storytelling’ is one of the most contested area of the interdisciplinary research field of ‘law and literature’, which has taken shape in the political and legal context of the United States originally. The proponents of ‘legal storytelling’ endeavour to ‘give voice’ to groups and minorities of disadvantageous social position by ‘telling’ – by hearing and publicizing, in fact – their stories unheard by law. However, many lawyers doubt that these everyday life, often trivial, stories carry any legally relevant content, while literati question their aesthetical value. The essay argues against these doubts leaning on the material of focus group interviews recorded in a recent research on the Hungarians’ legal consciousness. It aims to expose the important role that these everyday life stories play in legal culture on the one hand, and, on the other hand, that the analysis of these uncanonised, not-belletristic texts could be fruitful indeed. For this, the first part of the essay offers a survey on how the concept of ‘legal culture’ emerged in Hungarian legal theoretical thinking, and how the sociological researches, in which the presented ordinary stories were recorded, connected to that. After analysing several story-bits taken from two focus group participants’ narrations, the attention turns to stories told by the ‘greats’, that is by writers, and here enters Franz Kafka in the scope. The last part of the essay seeks to determine what relates the two kinds – the ordinary and the literary – of narratives and what are the differences between them. For a conclusion, it emphasizes that this essay can be seen only as an intuitive theoretical experience for using aesthetic notions in analysing empirical sociological data rather than a methodologically well-founded application of that. The basic idea of this experiment is that both law and aesthetics are permeated by moral, and social psychological constituents.

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Melnyk, Yuliia. „NOUNS, ADJECTIVES, AND VERBS AS COMPONENTS OF GERMAN COMPOUND WORDS: РECULIARITIES OF SEMANTICS AND COMBINATION“. Germanic Philology Journal of Yuriy Fedkovych Chernivtsi National University, Nr. 831-832 (2021): 198–218. http://dx.doi.org/10.31861/gph2021.831-832.198-218.

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In the article semantic features of nouns, adjectives, and verbs as components of German determinative compound words with the models “noun + noun”, “adjective + noun”, “verb + noun” are investigated using three functional styles (belletristic, publicistic and scientific). Their lexico-semantic subclasses (34 subclasses of nouns, 14 of adjectives and 19 of verbs) were singled out and taken for the further analysis of combination of components in compound words. Using traditional methods (analysis by direct components, transformation analysis, modelling method and analysis of components or sems), as well as quantitative (chi-square criterion and coefficient K) some features of compatibility have been analyzed and its main characteristics have been identified. In this respect, the compatibility ratio of the registered models to the theoretically expected ones has been elucidated. Its intensity has been proved to be determined by the coefficient K and shows the strength of the connection between the components, as well as the number of stable connections. It was established that the model "noun + noun" is characterized by the broadest combinatory range (0.8), thus demonstrating the high activity and popularity of compound nouns of this type in the most lexico-semantic subclasses. Stable connections between components are fixed in all of the models under study, however their quantity and intensity differ. Thus, most stable connections are in a model "noun + noun" (14% of total number of the fixed models), the most powerful connection (K = 0.27) in LSS of nouns “Plants” + LSS of nouns “Plants” and LSS of adjectives “Belonging” + LSS of nouns “State, its attributes”. The research has also proved that semantic identity or congruence of components, when units of the same LSS are combined in one model or consistency is observed between them.

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Zvjagintseva, M. M. „UTOPIC IDEAS IN RUSSIAN ARCHTECTURE IN CULTURAL ASPECT“. Proceedings of the Southwest State University 21, Nr. 4 (28.08.2017): 32–38. http://dx.doi.org/10.21869/2223-1560-2017-21-4-32-38.

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Utopia is one of the most stable archetypical cultural concepts because it reflects the mankind’s desire to improve their world, find a better way of social organization and return to the paradise lost. The idea of the “general welfare domain” had been present in myths and religions of different peoples long before the term “Utopia” appeared as such. Utopian ideals were extremely typical of the European culture due to its extroversion and the aspiration for a more rational existence. Utopia demonstrates a number of very typical features including commonality, special isolation, timelessness (absence of historical times), autarchy (self-sufficiency, independence from the outer world, etc. including the separation from people), urbanism, regimentation and globality. Since XVI-XVII centuries the image of an ideal society has shaped as a city on an island. As a city quite often looks like an ideally transformable space, architectural Utopia plays a very specific role: it personifies the social Utopia. City-planning interpretation of Thomas Moor’s ideas presented a big interest for his contemporaries. Later there were many projects of “ideal” cities that were developed by Italian Renaissance architects. The XVIII century was marked by the appearance of Utopian socialist philosophy. A part of its supporters used to think that metropolitan cities could make a sound foundation for the development of industrial civilization, others advocated the networks of small independent communities. In Russia the first belletristic Utopias appeared in the XVIII century. They continued West-European traditions and preserved all traits of a classical Utopia, however, they acquired national color. All of them pictured an ideal future society that was embodied in new city types. Russian architectural Utopias are closely connected with social processes that predetermined the development of European culture in general. National Utopian architecture had its prime time after the revolution when architects got opportunities to implement their bold ideas

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Holtzman, Livnat. „Close Relationships“. American Journal of Islam and Society 23, Nr. 2 (01.04.2006): 119–21. http://dx.doi.org/10.35632/ajis.v23i2.1632.

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The two taboo concepts of incest and inbreeding are not so easy to detect inclassical Arabic literature. True, a persistent reader of classical Arabic literature,whether belletristic or historical, is bound to meet unexpectedly ruderemarks on the incestuous habits of one historical figure or the other (mostoften a non-Muslim) while reading a scholarly discussion on historicalevents. Nevertheless, the sources do not address incest and inbreeding in astraightforward manner. Centuries of pious and even sanctimonious discoursemay have covered these topics with a thick layer of dust, a layer thatGeert Jan van Gelder toils to remove in his comprehensive monographClose Relationships.As an illustrious specialist in classical Arabic belles-lettres, van Gelderrecruits his command in the vast scope of sixth- to nineteenth-century Arabicliterature to reveal a surprisingly large amount of stories, anecdotes, and sayingsabout incest and inbreeding hidden in the well-known canonical literature.By doing so, he proposes a resolution to the presupposed contradictionbetween strict taboos against incest in pre-Islamic and Islamic societies andthe role that incest played in reality. By drawing selectively from the writtensources, he produces an uneven but still convincing conceptual blend showingthe reciprocal relationship between literature and life. What may perplexthe reader is the author's perspective of literature overlapping reality, or viceversa.One of van Gelder’s motivations for writing the book is to analyzeancient customs in pre-Islamic and Islamic societies by adopting psychological,anthropological, and literal perspectives. He locates himself in relationto modern interpreters of incest, like Sigmund Freud, Émile Durkheim, B.H. Stricker, Edward Westermarck, and Edward William West, just to mentiona few. Whereas on the one hand he seeks ideas behind the texts ofbelles-lettres, historical fragments, myths, religious and legal texts, on theother he revels in a strong language of jests, anecdotes, songs of semivernacularand vernacular origin, thus brilliantly building up a sort of realityof his own. Van Gelder is cautious enough to discourage the reader fromtaking this seriously: “Literature is never a true mirror of society and reality”(p. 185) ...

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Vaičiūnaitė-Guesdon, Jolanta. „Litauische Belletristik des 20. Jahrhunderts“. Zeitschrift für Literaturwissenschaft und Linguistik 33, Nr. 1 (März 2003): 8–42. http://dx.doi.org/10.1007/bf03379336.

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