Dissertationen zum Thema „Bedouin ballads and songs“
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Landau, Gregorio. „The role of music in the Nicaraguan Revolution /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9935470.
Der volle Inhalt der QuelleMierowska, Jean Elaine Nora. „The ballads of Carl Loewe : examined within their cultural, human and aesthetic context“. Thesis, Rhodes University, 1989. http://eprints.ru.ac.za/2310/1/MIEROWSKA-PhD(Music)-TR90-50.pdf.
Der volle Inhalt der QuelleHardwick, Victoria. „A legacy of hope : criticial songs of the GDR 1960-1989 /“. Title page, table of contents and abstract only, 1996. http://web4.library.adelaide.edu.au/theses/09PH/09phh267.pdf.
Der volle Inhalt der QuelleMyer, Brent A. „Playing on the margins local musicians and their resistance projects /“. Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5937.
Der volle Inhalt der QuelleThe entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 7, 2008) Includes bibliographical references.
Butterss, Philip. „Australian ballads : the social function of British and Irish transportation broadsides, popular convict verse and goldfield songs“. Phd thesis, Department of English, 1989. http://hdl.handle.net/2123/6189.
Der volle Inhalt der QuelleWilliamson, Linda Jane. „Narrative singing among the Scots travellers : a study of strophic variation in ballad performance“. Thesis, University of Edinburgh, 1985. http://hdl.handle.net/1842/8223.
Der volle Inhalt der QuelleLee, Pei-Ling. „The Re-Construction of the Taiwanese Identity in the Process of Decolonization: The Taiwanese Political Songs Analyses“. Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1206136433.
Der volle Inhalt der QuelleJackson-Houlston, Caroline Mary. „Ballads, songs and snatches : the appropriation of, and responses to, folk song and popular music culture in the nineteenth century“. Thesis, Oxford Brookes University, 2010. http://radar.brookes.ac.uk/radar/items/9e1ec114-8faf-9eef-65eb-95772b5a8423/1.
Der volle Inhalt der QuelleClavero, Dolores. „Génesis y evolución de los temas épicos nacionales del romancero viejo“. Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26974.
Der volle Inhalt der QuelleArts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
Madding, Carol Ann. „Singing for Blaine and for Logan! Republican Songs as Campaign Literature in the 1884 Presidential Race“. Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2710/.
Der volle Inhalt der QuelleGanev, Robin. „Popular ballads and rural identity in Britain, 1700-1830 /“. 2004. http://wwwlib.umi.com/cr/yorku/fullcit?pNQ99170.
Der volle Inhalt der QuelleTypescript. Includes bibliographical references (leaves 312-337). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNQ99170
Jackson, Margaret R. Pope Jerrold. „Workers unite! the political songs of Hanns Eisler, 1926-1932 /“. Diss., 2003. http://etd.lib.fsu.edu/theses/available/etd-11172003-180442/.
Der volle Inhalt der QuelleAdvisor: Jerrold Pope, Florida State University, School of Music. Title and description from treatise home page (viewed 9-29-04). Document formatted into pages; contains 77 pages. Includes biographical sketch. Includes bibliographical references.
Hardwick, Victoria. „A legacy of hope : critical songs of the GDR 1960-1989 / Victoria Hardwick“. Thesis, 1996. http://hdl.handle.net/2440/18889.
Der volle Inhalt der QuelleKÖRNER, Axel. „Idee und Traum einer anderen Welt : Arbeiterlieder und alternative Kulturbewegungen in Frankreich und Deutschland im 19 Jahrhundert“. Doctoral thesis, 1995. http://hdl.handle.net/1814/5861.
Der volle Inhalt der QuelleExamining board: Prof. Dr. Heinz-Gerhard Haupt (EUI; Universität Halle; interner Betreuer) ; Prof. Dr. Reinhard Kannonier (Universität Linz) ; Prof. Dr. Jürgen Kocka (Freie Universität Berlin; externer Betreuer) ; Prof. Dr. Yves Lequin (Université Lyon II) ; Prof. Dr. Luisa Passerini (EUI)
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
Horgan, Kate. „Singing to the king : the politics of songs in eighteenth-century Britain c. 1723-1795“. Phd thesis, 2012. http://hdl.handle.net/1885/150039.
Der volle Inhalt der QuelleYudkoff, Ambigay. „"When voices meet" : Sharon Katz as musical activist during the apartheid era and beyond“. Thesis, 2018. http://hdl.handle.net/10500/25340.
Der volle Inhalt der QuelleArt History, Visual Arts and Musicology
D. Litt. et Phil. (Musicology)
Chirombe, James. „The interface of music and politics : exposition of Tongai Moyo and Hosiah Chipanga's post 2000 music“. Thesis, 2019. http://hdl.handle.net/10500/25540.
Der volle Inhalt der QuelleLinguistics and Modern Languages
D. Phil. (Languages, Linguistics and Literature)
Peterson, Erik C. „Playing, learning, and using music in early Middle Indiana“. Thesis, 2013. http://hdl.handle.net/1805/3804.
Der volle Inhalt der QuelleThis thesis is a study of how people in the nine counties of central Indiana learned, appreciated, and performed music from 1800 to 1840. A concluding proposal for a public history application of this research is included.