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Giawa, Wengky Billy Putra, Raimundus Pakpahan und Yulianto Yulianto. „STUDI PERBANDINGAN ARSITEKTUR TRADISIONAL ANGKOLA DENGAN ARSITEKTUR TRADISIONAL BATAK TOBA DITINJAU DARI STRUKTUR BANGUNAN“. ALUR : Jurnal Arsitektur 2, Nr. 2 (03.10.2019): 30–41. http://dx.doi.org/10.54367/alur.v2i2.531.
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The Batak are the majority in North Sumatra. The Batak tribe even has another sub-tribe, namely Toba  Batak, Karo Batak, Simalungun Batak, Mandailing Batak and Angkola Batak. Every Batak tribe has its own  distinctive culture and identity. Batak tribes have traditional buildings which are traditional Batak  architectural identities. The diversity of the Batak tribe caused the phenomenon of visual aspect equality in  traditional buildings because of the effects of secession and cultural integration. The Toba Batak  architecture has the concept of a stilt house and pointed gable construction in both directions and a peg and pen structure system is evidence of similarities with Angkola Batak architecture. Angkola Bataks are part of the Batak tribe. Angkola Batak is a tribe in the area of South Tapanuli. The Toba Batak is the center of the Batak culture. The Toba Batak has one of the traditional Sopo buildings, namely Sopo. Sopo functions as a barn, but also an art venue and meeting place. Angkola Batak has one traditional building that represents the traditional architecture of the Angkola Batak namely Sopo Godang. Serves as a meeting place for the king and the people. It is a place where tradition is based on Dalihan Na Tolu which produces consensus and mutual agreement (The King and People). Sopo Godang is a part of traditional Batak architecture that needs to be preserved. The benefit of this study is to collect data on traditional Angkola Batak architecture and data on structures that are characteristic of the Angkola Batak
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Manurung, Parmonangan, und Diananta. „The concept of in-between space in Batak Toba vernacular architecture: a content analysis study“. ARTEKS : Jurnal Teknik Arsitektur 6, Nr. 1 (01.04.2021): 55–66. http://dx.doi.org/10.30822/arteks.v6i1.584.
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Space and architecture are two interrelated and encompassing concepts. However, space has a broad meaning in terms of location, privacy, and function such that the relationship between two spaces creates a different atmosphere and impression. A lot of studies have been conducted on space but there is no much focus on the concept of 'in-between space'. This research was, therefore, aimed at exploring in-between space in order to create a clear understanding and identify its concept in Batak Toba vernacular architecture. A content analysis method was adopted and this involves analyzing texts and images related to in-between space and Batak Toba architecture. The results showed the concept as an overlap created by two spaces in order to feel the atmosphere of both simultaneously. It was also discovered not to be a definitive space but found in the Batak Toba architecture to create a relationship between privacy, function, and environment. This means it is a key feature of the architecture and also expected to be a fundamental element in the modern Toba Batak architecture. These results are expected to serve as the basis for further in-depth research and to be applied in other ethnic architectures.
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Setiadi, Widriyakara, LMF Purwanto, Antonius Ardiyanto, Rudiyanto Soesilo und B. Tyas Susanti. „Phenomenological Study of Toba Batak House Tectonic“. EMARA: Indonesian Journal of Architecture 7, Nr. 2 (25.02.2021): 100–107. http://dx.doi.org/10.29080/eija.v7i2.1130.
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Indonesia is a super cultural power country, rich in customs and culture line from Sabang to Merauke, from Nias to Rote Island. Cultural wealth breeds architectural diversity. The potential of original Indonesian architecture has begun to be left behind and eroded by foreign cultures. The postmodern era has raised Nusantara Architecture to the world stage. Researches on the wealth of Nusantara architecture begin to bloom like mushrooms in the rainy season. The phenomenon of the skills or expertise of the masters has made traditional houses an endless research material. The purpose of this research is to explore the treasures of the Indonesian nation's wealth, especially the craftsmanship skills of Indonesian ancestors. The phenomenon of tying, knitting, and stringing materials into architectural masterpieces is a uniqueness and uniqueness that other nations do not have. The method used in this study uses the phenomenological method. Where in the vernacular architectural phenomenology is divided into two branches; first: related to space, place, and atmosphere, second: related to tectonic or the art of construction more on the elements of craftsmanship. The results of this study reveal that simple and straightforward technology becomes effective when it comes to craftsmen who have special skills. The conclusions of this study indicate that the skill of the masons is more dominant than the tools used, on the other hand, currently tools are more dominant than the skills of the masons.
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Histanto, Enrico Nirwan, und Josephine Roosandriantini. „Kajian Bentuk Arsitektur Batak Toba dan Toraja sebagai Hasil Memori Kolektif Austronesia“. ATRIUM: Jurnal Arsitektur 10, Nr. 1 (01.04.2024): 1–15. http://dx.doi.org/10.21460/atrium.v10i1.237.
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Title: Study of Toba and Toraja Batak Architectural Forms as a Result of Collective Austronesian Memory The archipelago (Indonesia) that we live in today is the distribution of the Austronesian people who lived in riverine areas in South China and North Vietnam in the mid-4th BC. Cultural development in an area results from a mixture of internal and external things. The mixing of culture and art by early settlers and new settlers resulted in diverse architectural forms, even though they share the same principles of traditional values (Austronesian collective memory). Toba and Toraja Batak architecture is hollow architecture with a similar roof shape that resembles the shape of a boat, a typology of houses and barns facing each other, and a housing complex oriented to form a particular axis. This research used an exploratory-qualitative approach, using literature sources combined with direct observations in the field. This research aims to find the level of closeness between Toba and Toraja Batak architecture based on the collective memory of the Austronesian people.
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Roosandriantini, Josephine, und Josef Prijotomo. „Study of Kurt Dietrich’s Design Principles and Elements in Batak Karo“. Jurnal Koridor 15, Nr. 1 (28.06.2024): 1–12. http://dx.doi.org/10.32734/koridor.v15i1.12655.
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Architectural design is the process to create a building that aims for the comfort and beauty of the building itself. An architect in creating or designing a building cannot be separated from the use of design principles in his design, in order to create aesthetics in his architectural works. This study aims to show that design elements and principles which are a European mindset can show that Indonesian architecture also has design principles such as modern, classic, and contemporary architecture. With this awareness in mind, research on Archipelago architecture should be carried out critically so that the European knowledge taken is the knowledge that has been able to conform with the Archipelago mindset, not with the European mindset. This research can be useful for providing knowledge or insight into proving a European design principle (mindset) that can also be applied to objects of archipelago architecture. Explorative research method with a qualitative approach. European-minded design principles to recognize the existence of Batak Karo architecture. The analysis is carried out by ensuring that Kurt Dietrich's principles are based on the European mindset of the Karo Batak, which results in non-European design principles. The test was carried out to discuss whether there were design principles that applied to the Karo Batak, it was found that exclusive design principles were a unified archipelago design principle, and had the peculiarities of each architecture as well as diversity in archipelago architecture.
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Aulia Simanjuntak, Fuzi Anggriani, Indah Christine, Samuel Sianturi und Maria Margaretha. „AN ARCHITECTURAL SYMMETRY IN BATAK TOBA TRADITIONAL HOUSES: A GEOMETRIC EXPLORATION“. EduMatSains : Jurnal Pendidikan, Matematika dan Sains 8, Nr. 2 (02.02.2024): 302–10. http://dx.doi.org/10.33541/edumatsains.v8i2.5342.
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This research explores the concept of geometry in the architectural symmetry of Toba Batak traditional houses. The main focus is on the symmetry patterns that exist in the layout, decoration and structural elements of this traditional house. This research aims to investigate the concept of geometric symmetry in Toba Batak traditional houses, with a focus on cultural values, philosophy and visual harmony reflected in architectural design. Data was obtained through literature studies which included scientific journals, books, articles and previous research. The results of this research not only provide a deeper understanding of Indonesia's rich culture, but also have the potential to contribute to the preservation of Toba Batak traditional houses and cultural heritage as a whole. By understanding the role of geometric symmetry in this traditional house, this article opens insight into how this element is an integral part of the architectural heritage of the Toba Batak tribe, explores deeper cultural values, and introduces new literature in the context of traditional Indonesian architecture.
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Simanjuntak, Haryanto, M. Nawawiy Loebis und Dwi Lindarto. „Meaning of ornament in architecture (Case study: Contemporary Architecture Batak Toba)“. IOP Conference Series: Earth and Environmental Science 452 (14.05.2020): 012010. http://dx.doi.org/10.1088/1755-1315/452/1/012010.
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Soetanto, Livia Angelina, und Maria Veronica Gandha. „DALIHAN NA TOLU: “CARA HIDUP ORANG BATAK”“. Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 3, Nr. 1 (30.05.2021): 297. http://dx.doi.org/10.24912/stupa.v3i1.10807.
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Dalihan Na Tolu is a philosophical meaning for Batak ethnic group which means ‘tungku tiga kaki’ in Indonesian. Dalihan Na Tolu has become the dwelling of the Batak people which is a three-inseparable unity (respect, help, and appriciate) in the life of the Batak people and is implemented into the concept of the traditional Batak house architecture. This project will expose the life of the ethnic group to the outside community, in order to other people understand the way of living, eating, socilizing, and understanding the history of Batak ethnicity. The project will eliminate any negative stigma about the group. In addition, this will give Batak people different perspective about outsiders. As a result, the value of the area in Cililitan which has been exclusive will increase. Moreover, the design solution offers re-creating interactive programs that elevate the essence of the Batak people. This can be done by adapting architectural details from traditional Batak housesandornaments. For example, the use of windveil with Batak Gorga motifs, wooden blinds with geometric shapes of Ulos cloth motifs, and solar panels to produce and save energy. In conclusion, the building that is designed becomes music through air, light, and sound Keywords: Batak; Cililitan; Dalihan Na Tolu; Dwelling; Windveil AbstrakDalihan Na Tolu berarti mengembalikan esensi seluruh etnis Batak yang artinya tungku tiga kaki. Dalihan Na Tolu ini menjadi cara hidup orang Batak yang merupakan tiga kesatuan (menghormati, menghargai, dan menolong) yang tidak dapat dipisahkan dalam kehidupan orang Batak dan juga implementasi ke dalam konsep rumah adat Batak. Proyek ini bertujuan untuk mengeskpos kehidupan etnis Batak kepada masyarakat luar, sehingga masyarakat luar dapat merasakan cara berhuni orang Batak mulai dari berhuni, makan, besosialisasi, berinteraksi, dan sejarah tentang orang Batak, sehingga tidak muncul lagi stigma-stigma negatif tentang orang Batak. Selain dari itu, dari kalangan orang-orang Batak sendiri dapat melihat ke arah luar, di mana banyak masyarakat luar yang tertarik dan ingin tahu tentang cara hidup dan berhuni orang Batak sehingga dapat meningkatkan nilai kawasan di Cililitan yang selama ini bersifat eksklusif. Solusi yang ditawarkan ke dalam perancangan adalah mengangkat kembali program-program interaktif yang mengangkat esensi orang Batak menjadi program-program pada perancangan, begitu pun detail-detail arsitektur yang mengadaptasi dari rumah adat Batak, dan ornamen-ornamen Batak seperti penggunaan windveil dengan motif gorga Batak, penggunaan krepyak kayu dari bentuk geometris motif kain ulos, maupun solar panel untuk menghemat energi yang menghasilkan pengudaraan, dan pencahayaan alami. Jadi bangunan yang di desain menjadi bermusik lewat udara, cahaya, dan suara.
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Saragih, J. T. A., M. N. Loebis und D. Lindarto. „Space in Batak Karo House: a Phenomenology Architecture Study“. IOP Conference Series: Earth and Environmental Science 452 (14.05.2020): 012002. http://dx.doi.org/10.1088/1755-1315/452/1/012002.
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Simbolon, Julius Putra, und Nelson Siahaan. „Design of Batak Toba Art and Culture Museum Center In The City of Medan By Applying Neovernacular Architecture Themes.“ International Journal of Architecture and Urbanism 5, Nr. 2 (26.08.2021): 161–71. http://dx.doi.org/10.32734/ijau.v5i2.6835.
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Medan City is a city that has a variety of cultures and traditions. This diversity can give color to the world of tourism, especially in the city of Medan. One of the customs and cultures in the city of Medan is the Batak Toba, a native of the North Sumatera province. Tourism with high cultural value will make a positive impact on visitors who come to study and recreate in the tourism area, especially this museum. The design involves two different aspects where the design must be able to unite the Vernacular aspects that exist in the existing site as well as the modern touch of Neovernacular Architecture. The diversity of the arts and culture of Batak Toba Culture increasingly supports the achievement of space inside and outside the museum. It attracts visitors to calm the mind, relax, and learn many things about Batak Toba Arts and Culture. The existence of the Batak Toba Arts and Culture Museum is expected to increase the number of local and foreign tourists visiting the area to find out and perverse the Batak Toba culture
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Pasaribu, Bernad Arifin, Made Suastika und Sri Yuliani. „DESIGN STRATEGY OF BATAK SOCIO-CULTURAL PARK AS A TOURIST DESTINATION WITH LOCAL WISDOM APRROACH IN LAKE TOBA REGION“. ARSITEKTURA 16, Nr. 2 (31.10.2018): 275. http://dx.doi.org/10.20961/arst.v16i2.22490.
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<p><em>Indonesia is a country that has various ethnics and cultures. </em><em>One of the tribes found in Indonesia is Batak tribe located in North Sumatra, Batak tribe can be divided into six sub-tribe of Batak Karo, Toba, Simalungun, Mandailinng, Angkola, Pakpak. In today's modern era, cultural degradation has caused the values of the nation being eroded so that these cultures need to be preserved to avoid them from extinction. </em><em>This study describes the idea of accommodating activities that are preserving the culture of the Batak tribe as a Batak socio-cultural park. Not only accommodate, Batak socio-cultural park is also functioned as a tourist destination which will support the main function of preserving culture and introducing Batak culture to the wider community. The design method that will be applied is by applying the Batak’s local wisdom to the architecture of the Batak socio-cultural Park building to give a traditional impression and be able to be an attraction for tourists to come to visit. The results of the research are strategies to design a Batak socio-cultural park as a tourist destination by accommodating elements of local wisdom.</em></p>
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Hutagalung, Fitry Hanna. „Arsitektur Gereja yang Kontekstual“. DUNAMIS: Jurnal Teologi dan Pendidikan Kristiani 9, Nr. 1 (29.05.2024): 41–68. http://dx.doi.org/10.30648/dun.v9i1.1355.
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Abstract. This paper studied the concept of contextual church architecture by focusing on the integration of theological, liturgical, and local cultural values, through case studies of the HKBP Parapat and HKBP Pondok Gede churches. The qualitative research methodology carried out involved a literature review and field research to investigate how church architecture can reflect and facilitate dialogue between Christianity and local culture, especially Toba Batak culture. The research finding emphasized the importance of incorporating local cultural elements and philosophies into church architecture to create worship spaces that are in harmony with their context and support the liturgical and socio-cultural needs of their communities.Abstrak. Tulisan ini mengkaji konsep arsitektur gereja kontekstual dengan memfokuskan pada integrasi nilai-nilai teologis, liturgis, dan budaya lokal, melalui studi kasus gereja HKBP Parapat dan HKBP Pondok Gede. Metodologi penelitian kualitatif yang dilakukan melibatkan tinjauan literatur dan penelitian lapangan untuk menyelidiki bagaimana arsitektur gereja dapat mencerminkan dan memfasilitasi dialog antara kekristenan dan budaya lokal, khususnya budaya Batak Toba. Temuan penelitian menekankan pentingnya memasukkan elemen dan filosofi budaya lokal ke dalam arsitektur gereja untuk menciptakan ruang ibadah yang selaras dengan konteksnya dan mendukung kebutuhan liturgi serta sosial-kultural komunitasnya.
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Ibadi, Raden Mohamad Wisnu, und Josef Prijotomo. „Kajian Prinsip dan Elemen Desain Arsitektur Nusantara“. Local Engineering 1, Nr. 1 (05.06.2023): 11–20. http://dx.doi.org/10.59810/lejlace.v1i1.29.
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Nusantara architecture ('original' Indonesian architecture) has differences and similarities compared to European Architecture. One of the reasons for this difference is the geographical and climatology conditions of Indonesia which is located on the equator line has 2 seasons, namely the rainy season and the dry season. While the European continent is located above the equator, divided into northern, western, eastern and central Europe and most European countries have 4 seasons in a year, namely spring, summer, autumn and winter. Geographical and climatology differences coupled with differences in living patterns and behavior as well as the culture of the people, cause differences in the mindset of Archipelago Architecture from European Architecture. The oral tradition left many of the noble cultural values of the Indonesian people behind the written traditions of European culture, coupled with the Dutch colonial rule that made the European mindset be practiced in the world of modern Indonesian architecture today. There is a lack of writing and research related to the Nusantara mindset which inspire this paper to examines the elements and design principles of Nisantara Architecture in an exploratory and speculative way compared to the European mindset. The objective of the research is to identify the applicability and inapplicability of design elements and principles of European-classic architecture in the Batak Karo architectural environment.
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Pane, Imam Faisal, und Rofi Bintang Mishael. „Designing of Samosir Ulos Weaving Craft Center by Metaphorical Architecture“. International Journal of Architecture and Urbanism 3, Nr. 3 (18.11.2019): 241–51. http://dx.doi.org/10.32734/ijau.v3i3.3739.
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Ulos weaving craft is one of the most famous cultures of the Batak tribe. And the Lumban Suhi-Suhi Toruan Village in Samosir District is one of the traditional villages that still maintain customs and native Batak Toba village. The residents of Lumban Suhi-Suhi Toruan village especially the women working as Ulos weavers, and Ulos from Lumban Suhi-Suhi Toruan village, have been quite well-known to foreign countries, however, at present, the number of weavers has diminished, and many types of Ulos cloth have become extinct because of losing its craftsman. The Samosir Ulos Weaving Craft Center is present as a tool that can maintain the Ulos handicrafts of the local community and also empower the community as a place to produce various types of Ulos. The research methodology starts by collecting data, literature studies, Surveys to research locations and also design problem-solving. From the research process by the existing one, this building use metaphor architecture theme as its concept. The choosing of the metaphor theme in the building is considered to be able to describe the function and also introduce the culture of Ulos to the community. The Bintang Maratur Ulos pattern and the Mangulosi ceremony is forming the metaphor concept of the building. With the research and design of the Ulos Samosir weaving center, this can be a consideration for the Samosir district government or local community leaders to make this facility.
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Saragih, Hakimi Arsya, Fauziah Lubis und Khairul Jamil. „Sejarah Peninggalan Rumah Adat Bolon di Desa Pematang Purba, Kabupaten Simalungun“. Warisan: Journal of History and Cultural Heritage 1, Nr. 3 (06.03.2021): 88–93. http://dx.doi.org/10.34007/warisan.v1i3.577.
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This article discusses the architectural history of Rumah Bolon in Pematang Purba Village, Simalungun Regency. Rumah Bolon is a typical Batak traditional house which is usually the residence of the king and his entire extended family. This research uses qualitative research methods, with a historical approach. In the historical approach, there are four writing steps, namely: heuristics, verification or criticism, interpretation, and historiography. Bolon's house is a symbol of the greatness and beauty of Simalungun's distinctive architecture. In its construction, it must go through various kinds of long and strict ceremonies. Not all wood can also be used as raw material for dast in its manufacture. In the Rumah Bolon architecture, the design from top to bottom, has been arranged in great detail. In addition, in the Rumah Bolon building there are also Simalungun colors; red; white; and black. There are also several carvings in Rumah Bolon that symbolize the meanings of greatness, mutual cooperation, and togetherness.
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Manurung, Gretty Silvia, und Hendrokumoro Hendrokumoro. „KAJIAN SEMANTIK NAMA DIRI DALAM MASYARAKAT BATAK SIMALUNGUN DI KECAMATAN SIANTAR MARIHAT“. Basastra: Jurnal Bahasa, Sastra, dan Pengajarannya 11, Nr. 1 (12.04.2023): 152. http://dx.doi.org/10.20961/basastra.v11i1.68053.
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Banyak peneliti terdahulu mengkaji budaya Batak, tetapi belum banyak memfokuskan pada topik nama diri. Penelitian ini bertujuan untuk mendeskripsikan proses pemberian nama diri, makna nama diri, dan nilai-nilai budaya yang terkandung dalam nama diri masyarakat suku Batak Simalungun yang lahir dan berdomisili di Kecamatan Siantar Marihat. Teori yang dipakai adalah teori sosiosemantik. Lokasi penelitian meliputi Kecamatan Siantar Marihat, Pematangsiantar, Sumatera Utara. Sumber data berupa dokumen dan informan. Teknik pengumpulan data dilakukan dengan analisis dokumen dan kuesioner baik yang dilakukan secara tatap muka, maupun menggunakan alat bantu Whatsapp. Kuesioner berisi nama, agama, usia, jenis kelamin, kontak responden, dan alasan pemberian nama. Untuk menganalisis data, digunakan metode padan dengan menggunakan alat penentu referen bahasa, organ wicara, bahasa, dan mitra wicara. Hasil penelitian ini terdapat tiga kutub makna nama diri yang ditemukan, yakni makna situasional, makna kenangan, dan makna futuratif. Ditemukan pula pengaruh budaya pada pemberian nama diri suku Batak Simalungun di Kecamatan Siantar Marihat.
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Simanjuntak, Polin Marsahala, Yusuf Affendi und Sangayu Ketut Laksemi. „AKULTURASI DAN ASIMILASI ORNAMEN GORGA BATAK TOBA DALAM ARSITEKTUR GEREJA KATOLIK ST MIKAEL, PANGURURAN“. Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 1, Nr. 2 (01.04.2019): 223. http://dx.doi.org/10.25105/jsrr.v1i2.6736.
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<p><strong>Abstract</strong></p><p>Humans as dynamic creatures who have the creativity, taste and intention in their lives. Therefore, humans always try to interact by using the natural environment as a source to meet certain needs. From this interaction the emergence of culture in society can be seen from the production of cultural artifacts such as cutlery, homes and decoration or ornaments. North Sumatra is an area in Indonesia which has many ethnic groups in the region, one of them is Batak. The Toba Batak ethnic is known for his diversity of skills as a medium for expressing people's ideas in a visual form. This visual form plays a role in the development of culture and communicates the values of the beliefs and customs of the people. Ornaments or ornaments on the Toba Batak traditional house are often referred to as Gorga. Gorga is a message of desire and advice that comes from knowledge, hope, thoughts, behavioral attitudes, and beauty to be communicated. The entry of Christianity became one of the new cultural elements of the Toba Batak customs. The Toba Batak experienced a social process characterized by efforts to reduce these differences. This process of assimilation and acculturation allows cultures and ethnic groups to adapt to other cultures. This change can refer to attitudes, values, and identity, even the Gorga ornament itself in the Toba Batak architecture. Gorga ornaments undergo a process of acculturation and assimilation so that it starts to be widely applied to modern public buildings. The church as a symbol of the relationship with the creator needs ornaments to carry implied meanings. The meaning of ornament that was understood before, from the understanding of Toba Batak cultural traditions experienced a constructive shift in meaning towards the understanding of church tradition. This gives enthusiasm, as well as an opportunity to preserve and develop local wisdom and values of the Toba Batak community in the life of modern society. </p><p><br /> <br /><strong>Abstrak</strong></p><p>Manusia sebagai mahluk yang dinamis yang memiliki cipta, rasa dan karsa dalam kehidupannya. Oleh karena itu, manusia senantiasa berupaya berinteraksi dengan menggunakan alam lingkungan sebagai salah satu sumber untuk memenuhi kebutuhan tertentu. Dari interaksi inilah munculnya kebudayaan dalam masyarakat yang dapat dilihat dari dihasilkannya artefak artefak budaya seperti peralatan makan, rumah tinggal dan ragam hias atau ornamen. Sumatera Utara merupakan daerah di Indonesia yang memiliki banyak etnis suku di wilayahnya salah satunya suku Batak. Etnis Batak Toba dikenal dengan keaneka ragaman keterampilan sebagai suatu media ungkapan ide masyarakat dalam bentuk visual. Bentuk visual inilah yang berperan dalam pengembangan kebudayaan serta mengkomunikasikan nilai-nilai kepercayaan dan adat istiadat masyarakatnya. Ornamen atau ragam hias pada rumah adat Batak Toba sering disebut dengan istilah Gorga. Gorga merupakan suatu pesan hasrat dan nasehat yang bersumber dari pengetahuan, harapan, buah pikiran, sikap perilaku, dan keindahan yang hendak dikomunikasikan. Masuknya agama Kristen menjadi salah satu unsur kebudayaan baru pada adat istiadat Batak Toba. Batak Toba mengalami suatu proses sosial yang ditandai dengan adanya usaha-usaha mengurangi perbedaan-perbedaan tersebut. Proses asimilasi dan akulturasi ini memungkinkan budaya dan kelompok etnis menyesuaikan diri dengan budaya yang lain. Perubahan ini dapat merujuk kepada sikap,nilai, dan jati diri, bahkan ornamen Gorga itu sendiri pada arsitektur Batak Toba. Ornamen Gorga mengalami proses akulturasi dan asimilasi sehingga mulai banyak diterapkan pada bangunan publik modern. Gereja sebagai simbol hubungan dengan pencipta membutuhkan ornamen untuk membawa makna-makna yang tersirat. Makna ornamen yang dipahami sebelumnya, dari pemahaman tradisi budaya Batak Toba mengalami pergeseran makna yang konstruktif terhadap pemahaman tradisi gereja. Hal tersebut memberikan semangat, serta kesempatan untuk melestarikan serta mengembangkan kearifan lokal dan nilai-nilai masyarakat Batak Toba ke dalam kehidupan masyarakat modern.</p>
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Sitindjak, Ronald Hasudungan Irianto, Laksmi Kusuma Wardani und Diana Thamrin. „Study of Ornaments in the Inkulturatif Pangururan Catholic Church in Samosir, North Sumatera“. Journal of Arts and Humanities 5, Nr. 7 (21.07.2016): 49. http://dx.doi.org/10.18533/journal.v5i7.964.
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<p>In the early 1900s, Catholic missionaries arrrived on Batak land in North Sumatera, Indonesia and initiated the process of inculturation, which was subsequently marked by the adaptation of Catholic teachings with the Batak traditional culture. The adaptation involved the liturgy, music and others, inculding the architecture and interior design of their places of worship that continued even to the Modern times. This research aims to discover the meaning behind the ornaments on the exterior and interior of the Inkulturatif Pangururan Catholic Church in Samosir, North Sumatera, as a result of this inculturation process, through Panofsky’s research method known as Iconology. The elements analyzed include the façade, enclosure elements, transitional elements and filling elements. Results show that the ornaments contain various meanings inculturated from Catholic culture having biblical and theological themes incorporated into Batak Toba stylized ornamental forms. This shows that the goodness, truth and beauty of the Catholic faith had honored and adapted their teachings to the local wisdom and culture such that what appears in the implementation of the ornaments is a novel creative beauty and an embodiment of inculturation. </p>
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Melinda, Elvina, und N. Vinky Rahman. „The Design Of Resort Hotel In TukTuk (Neo-Vernacular Architecture)“. Jurnal Koridor 10, Nr. 2 (25.07.2019): 103–8. http://dx.doi.org/10.32734/koridor.v10i2.1354.
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Tuktuk Siadong located on Samosir Island has amazing natural potential and cultural characteristics that make Tuktuk one of the favorite destinations of tourists. To fulfill the growth and needs of tourists in Tuktuk anaccommodation in the form of a Resort Hotel is needed. This design begins with a literature study and is followed by a field survey to produce the data needed ina design concept. These concepts produced a Resort Hotel design themed Neo-Vernacular Architecture that developed the basic principles of Batak Toba architecture and applied them in design. Resort hotels that are designed to be lodging accommodations that have supporting facilities to serve tourists who come.
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Siahaan, Nelson M., Samsul Bahri und Nicolaus Simamora. „The Study of Ecological Site Plan of Toba Batak Traditional Housing“. Civil Engineering and Architecture 10, Nr. 6 (November 2022): 2352–62. http://dx.doi.org/10.13189/cea.2022.100610.
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Hanan, Himasari. „Individual Practice and Cultural Context in the Transformation of Batak Toba House“. Asian Journal of Environment-Behaviour Studies 3, Nr. 7 (15.03.2018): 99–108. http://dx.doi.org/10.21834/aje-bs.v3i7.272.
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Batak Toba people today are facing the dilemma of maintaining their tradition and keeping up to the modern way of living. This has resulted in cultural transformation of traditional houses, where modern utensils and new spaces are added with no reference to the original one. The traditional settlement of Huta Siallagan in Samosir Island North Sumatra begin to aspire urban standards of living, and traditional building practices are dying out because domestic life systems are changing. Traditional houses are undergoing transformation as they are more and more influenced by the modernizing effect of capital economy.
Keywords: Batak Toba, traditional house, transformation, modernization
eISSN 2514-751X © 2018. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.
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J, Fransisca, und Zahrah W. „Hotel Resort Approach to Cultural Value and The Principle of Local Architecture in Pangururan, Samosir“. International Journal of Architecture and Urbanism 3, Nr. 2 (20.10.2019): 204–17. http://dx.doi.org/10.32734/ijau.v3i2.2206.
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The shift of local architecture to global architecture and the need for tourism and relaxation are the main reasons in designing a hotel resort at Pangururan, Samosir. The hotel resort development in this location aims to preserve the culture and provide recreation and lodging facilities with a beautiful natural landscape. the design of the hotel resort is the approach to Batak Toba culture with the neo-vernacular theme. Base on the research of local culture, five main concepts applied are local material, adaptive to climate, adaptive to site contour, space and structural flexibility by providing communal areas and the using of anti-earthquake system. This design can be used as a prototype in the development of the resort hotel in the Samosir to preserve their local culture.
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Hutabarat, Grace Mananda. „RELATION BETWEEN PHYSICAL SPATIAL ORDER OF SETTLEMENT WITH BATAK TOBA SOCIETY’S KIN RELATIONSHIP STUDY OBJECT: HUTA GINJANG VILLAGE, SIANJUR MULA-MULA SUB-DISTRICT“. Riset Arsitektur (RISA) 3, Nr. 03 (05.07.2019): 277–94. http://dx.doi.org/10.26593/risa.v3i03.3336.277-294.
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Abstract- Batak Toba tribe is an ethnic group that still holds tradition as an identity that distinguish them from other ethnic groups in Indonesia. Part of the culture that strongly influences society’s daily life is the kinship, as can be seen with the usage of family name and the philosophy of Dalihan na Tolu, which regulates attitudes and behaviors among society. Aside from the kinship, the traditional architecture is also a cultural identity of Batak Toba tribe, ranging from the order of settlements to organization of space in each dwelling. The research aims to study the physical spatial order of the settlements as a consequence of Batak Toba kinship system, to see the relation between settlement’s physical spatial order with the clan system and the philosophy of Dalihan na Tolu, and lastly to see the effect of modernization in the development of Batak Toba settlements.Huta Ginjang Village in Sianjur Mula-mula is an indigenous village that still holds Batak Toba tradition and culture. Residents are mostly from the Sagala clan and originated from one ancestor. Each house is inhabited by one nuclear family and the collection of several dwellings in a certain order forms a settlement that still knows the kinship of one another. Huta Ginjang Village consists of eight cluster of settlements that still have relation to each other, forming a small clan group.Data on the spatial physical order of the settlements in Huta Ginjang Village and the society’s kin relationship are obtained from literature studies, direct observation in the object of study, and interview with the villagers. The obtained data were analyzed qualitatively by using the relation theory in architecture.The result of the research shows the undeniable relation between physical spatial order of settlement in Huta Ginjang Village with the society’s kin relationship, either on the village, huta, or on the dwelling scale. One of the relation can be seen in the absence of hierarchy in dwelling placement, as the principle of the Dalihan na Tolu has no hierarchy between each of the components. The relation with the kin relationship cannot be seen from each of the building’s typology, because there are no special features that distinguishes each of the kinship groups. Key Words: relation, physical spatial order, kin relationships, Huta Ginjang Village
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Lee-Niinioja, Hee Sook. „Multi-Religious and Cultural Regionalism Integrated to Contemporary Sacred Church Buildings in Indonesia“. Actas de Arquitectura Religiosa Contemporánea 9 (28.12.2022): 24–39. http://dx.doi.org/10.17979/aarc.2022.9.0.9344.
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Indonesia demonstrates a variety of cultural expressions through foreign contacts but has never adopted other cultures fully. The country blended significant components into local circumstances to create a distinctive culture with geographic variations, and its history must be understood in its terms. The design of Maclaine Pont (1936)’s Pohsarang Church combined Hindu-Buddhist elements into a Western building. Blimbingsari stone-wooden Church destroyed by an earthquake (1976) was rebuilt in the Balinese pavilion style with a running water garden. Similarities showed in Batak Karo architecture in Berastagi’s St. Francis Assisi, and Joglo architecture in Ganjuran Church where Jesus is depicted as a Javanese King. This exceptional regional phenomenon was due to integrating tradition, ethnicity, geographical space, and belief in multicultural societies. This paper discusses a few contemporary churches in Indonesia by historical contexts.
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Tantya Febiola Sihotang, Cathrine, und Hilma Tamiami Fachrudin. „Design of Ulos Weaving Handicraft Centre in Samosir Regency with Green Architecture Approach“. International Journal of Architecture and Urbanism 7, Nr. 1 (31.03.2023): 83–96. http://dx.doi.org/10.32734/ijau.v7i1.11692.
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Indonesia is famous for its rich culture, especially the traditional fabrics of each region. North Sumatra is one of the contributions to that cultural heritage. Weaving Ulos or 'Kain Ulos' is an ancestral cultural heritage that is a symbol of the Batak Toba community in the form of long scarves whose existence decreases dramatically and can experience extinction. The lack of a place or container to preserve Ulos is one of the issues to consider. The design of this ulos weaving craft center must pay attention to the facilities, design concepts, and application of green architecture to the building. The aim is to design suitable support facilities for ulos weaving craft centers, making the ulos weaving craft center as one of the containers to preserve ulos weaving to improve the economy of the surrounding community and apply green architecture to the design to preserve the surrounding environment as well. The process of design approach used in this design is qualitative descriptive. Method by analyzing data collected through field observations to the location of craft centers and literature studies. Energy savings become important points that will be applied to the design of the craft center, such as utilizing sunlight, rainwater and also minimizing artificial air conditioning. Samosir is a strategic and supportive location to apply a green architectural approach in the design of this craft center.
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Chandra ; Jonathan Hans Yoas Sihotang, Jansen. „SOPO BATAK TOBA RESILIENCE TECTONICS TOWARD EARTHQUAKE STUDY OBJECT: SOPO NAGARI SIHOTANG“. Riset Arsitektur (RISA) 3, Nr. 03 (05.07.2019): 222–39. http://dx.doi.org/10.26593/risa.v3i03.3333.222-239.
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Abstract- Sopo is a granary house in traditional Batak Toba architecture. Sopo is important for Batak Toba community because it serves as a place to store rice which is the source of life. Nowadays sopo is harder to find than ruma. Most of the sopo has transformed into Batak Toba house and uses as a residence. Sopo is located in Lake Toba, North Sumatra, which is prone to earthquakes. Sopo Nagari Sihotang was built in the 1920s and has experienced many earthquakes, now the sopo still survive without any structural damage. The resistance of the sopo over the years proves the sopo resilience to earthquakes. From the evidence of resilience to earthquake, its interesting to investigate the tectonics of this sopo. The purpose of the research is to understand the tectonic of Sopo Nagari Sihotang that resilience to earthquake and find local wisdom in facing earthquake disaster.The research used descriptive method with qualitative approach by describing the existing state of Sopo Nagari Sihotang and comparing it with tectonic theory and earthquake resistant structure. The sopo’s data were collected by field observation and literature study. The data are grouped into four parts, namely construction, detail, space, and ornaments that become points for analysis of tectonics. Tectonic analysis is associated with the theory of earthquake resistant structures to find out what makes tectonic of the sopo resilient to earthquakes.The result is the tectonic resilience of the Sopo Nagari Sihotang to earthquakes are found in the tectonics construction in the use of materials; tectonics detail on vertical structures and horizontal structures; and tectonics space at the story height – the activity, the spatial form – the building hape, the spatial form - the structure, and the activity - the structure. The tectonic resilience of Sopo Nagari Sihotang to earthquakes is not found in the tectonics construction and tectonics ornament. The local wisdom which are the main factors make the sopo resilience to earthquake are found on, the tectonics detail of the sopo post-batu ojahan can retain the sopo by relying on the frictional force resulting from self-weight of the sopo; the tectonics detail of the sopo post-ransang can bind every sopo posts; the use of lightweight wood materials thus reducing inertia forces. Key Words: resilience, tectonics, sopo, earthquake, Batak Toba
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Angela Fricilia Sagala und Imam Faisal Pane. „The Design of Boarding School in Simanindo, Samosir (Green Architecture)“. International Journal of Architecture and Urbanism 5, Nr. 3 (30.11.2021): 375–86. http://dx.doi.org/10.32734/ijau.v5i3.7719.
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Simanindo is one of the priority areas that is the heart of tourist destinations on Lake Toba because of the potential for beautiful landscapes, cultural heritage, and city landmarks that show the existence of Toba Batak culture. In terms of the education sector, Simanindo residents generally complete primary and secondary education. This is because the educational infrastructure in the Simanindo sub-district is inadequate. Boarding schools can be a solution to educational problems in Simanindo District with a design concept that uses a green architectural approach to create a school that is energy efficient, safe, and environmentally friendly. The data collection method used is qualitative that collects the data and information about the condition directly from the community about the behavior observed in the region thoroughly, a field survey and then clarified with image and video documentation, as well as by collecting secondary data through studies and case study literature. Boarding School in Simanindo, Samosir Regency as an energy efficient and environmentally friendly school by maximizing the use of natural lighting and ventilation, reducing the use of chemicals, and maximizing the use of local vegetation in accordance with the context of the surrounding environment which is dominated by the function of green open spaces. This research is expected to be able to explain the application of green architecture in educational buildings that can create energy-efficient buildings and follow the cultural context in the surrounding environment.
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Parulian Hutahaean, Mutihatahi, Zulkifli Nasution und Rujiman . „Analyzing the influence of geopark kaldera toba development on the architecture of the toba community in samosir regency“. International Journal of Multidisciplinary Research and Growth Evaluation 4, Nr. 3 (2023): 1022–28. http://dx.doi.org/10.54660/.ijmrge.2023.4.3.1022-1028.
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This study focuses on the development and significance of Geopark Kaldera Toba in Samosir Regency as a UNESCO Global Geopark. The research employed a qualitative approach and descriptive design, gathering information from key informants, primary informants, and additional informants. The findings reveal the unique architectural heritage of traditional Batak houses in the region, showcasing a harmonious blend of traditional and modern aesthetics. Geopark Kaldera Toba fulfills the criteria set by the Geopark Guideline and Criteria, emphasizing conservation, education, and geotourism. To maintain its UNESCO Global Geopark status, the geopark needs to develop linkages between geological heritage and other territorial heritages, strengthen partnerships, engage in global networks, enhance education strategies, and promote research and conservation efforts. The study highlights the importance of maintaining the connection between geology and ecology while actively sharing knowledge with visitors to foster the sustainable development of Geopark Kaldera Toba.
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Hutagaol, BE, N. Simamora und S. Silitonga. „The Study About The Relationship of ‘Dalihan Na Tolu’ With Batak Traditional Architecture; Case Study Huta Raja Village Samosir“. IOP Conference Series: Earth and Environmental Science 452 (14.05.2020): 012054. http://dx.doi.org/10.1088/1755-1315/452/1/012054.
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Roesli, Christianto, Rachmayanti und Polin M. Simanjuntak. „The application of Batak Toba ornaments in the architecture of the Catholic Church as an effort to design sustainable traditions“. IOP Conference Series: Earth and Environmental Science 426 (13.03.2020): 012079. http://dx.doi.org/10.1088/1755-1315/426/1/012079.
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Siregar, Moga Marina, und Rudolf Sitorus. „Design of Syari'ah Resort in Barus, North Sumatera With a Religious Architecture Approach“. Jurnal Koridor 14, Nr. 1 (26.05.2023): 18–26. http://dx.doi.org/10.32734/koridor.v14i1.6660.
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Islamic architecture is a form of structural art that takes inspiration from the Qur'an, the Sunnah of the Prophet, the Prophet's Family, Companions, Scholars, and Muslim scholars, as well as the physical and metaphysical features of buildings. The concept of Islamic Architecture can maintain harmony between nature and local culture, and sustainable designs must be used, protecting the environment from the planning stage onwards. Barus, which is the entrance to the Islamic Archipelago Civilization, has the potential to be developed into a favorite destination for pilgrims. The beautiful environment around Barus is an added value for this area because the beaches are still beautiful, and the people still adhere to their local wisdom. The object of study is to explore and implement religious-oriented design for resort hotel. The method we use is qualitative explorative research by reviewing some relevant-theory and synthesizing concept. The study formed the design statement: Barus as the "Zero Point of the Spread of Archipelago Islamic Civilization," which will attract domestic and international visitors, boost the local economy, and provide jobs for the local community. It is necessary to include a bit of Mandailing Batak culture as the majority ethnic group in Barus. The main objective of this sharia resort design is to create sharia-oriented atmosphere through the use of religious architecture and upholding positive human relations. Mosques, galleries, viewing towers, separate swimming pools for men and women, and other facilities are available at this resort, which will make visitors' vacations keep connecting to from Islamic concepts.
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Rahman, N. Vinky, Nurlisa Ginting, Amy Marisa und Johannes Tarigan. „The Assessment of Site Design as a Passive Fire Protection System in Traditional Batak Toba Settlements, Kampung Ulos Hutaraja-Pardamean“. Civil Engineering and Architecture 12, Nr. 2 (März 2024): 1235–59. http://dx.doi.org/10.13189/cea.2024.120240.
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Fitri Rahmawati Nasution und Moehammed Nawawiy Loebis. „Designing Port Passenger Terminal in the Meat Village as Ecotourism Area with Neo Vernacular Architecture Approach“. International Journal of Architecture and Urbanism 4, Nr. 2 (27.08.2020): 198–209. http://dx.doi.org/10.32734/ijau.v4i2.4524.
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This journal is essential for social, economic, and government in the Meat Village. It is about a potentially marine tourism destination, located in Meat Village, Tampahan District, Toba Samosir Regency, North Sumatra Province. As one of the tourism destinations, this village needs to be developed, especially water transportation, which is supported by Lake Toba's natural resources. But it has been replaced by land and air transportation. On the other hand, water transportation has its privilege, namely giving a sense of being united with nature and listening to the gentle sound of water, which cannot be felt if using land or air transportation. Therefore, it requires a passenger port to facilitate tourists in accessing this tourism village through water transportation. This port consists of a passenger terminal that accommodates passengers' departure and arrival. The method used in site selection is done through discussion of primary data, namely data sources that directly provide data to data collectors and secondary data, that is, data that does not directly provide data to researchers, through other people or analyzed documents and concluded. The result of the methodology used is, this passenger terminal needs the Neo Vernacular Architecture approach for the design. Because the village has aspects of the past, such as Batak Toba culture and mythology that need to be preserved and introduced to the present as long-term projections for the future. This is useful to make the building becomes part of the Meat Village community.
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Tobing, R. R., und A. K. Sakti. „Identification of the Architectural Housing Form and the Existence of Ulos Communities in Hutaraja Village, Samosir, North Sumatra, Indonesia“. IOP Conference Series: Earth and Environmental Science 903, Nr. 1 (01.11.2021): 012007. http://dx.doi.org/10.1088/1755-1315/903/1/012007.
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Abstract Tourism has played a major role in boosting the economy of every country in the world. Nonetheless, the COVID-19 pandemic has obviously taken its toll since it hit Indonesia over a year ago. This condition has urged the Indonesian government to diligently make optimal changes, especially in improving regions that have been neglected this whole time, with the purpose of establishing a tourist destination that will prove interesting to tourists. Parahyangan Catholic University plays a role in providing information in the form of scientific studies regarding architecture of the traditional Batak Toba habitation in the Samosir regency of North Sumatera province. The Hutaraja village has been selected as the object of research with the foundation being the existence of ulos fabric artisan communities as an appealing feature. This ulos fabric plays an important role in the cultural lives of the Toba Bataknese, and may have potential in value and aesthetic uniqueness. The purpose of this study is to identify the relation between the architectural housing form and the existence of the ulos fabric artisan communities. The study has been conducted through a qualitative approach with exploratory and explanatory methods. Its findings show that the Hutaraja village’s housing form is strongly related to both cultural and environmental aspects. On the other hand, the existence of ulos fabric artisan communities has been discovered to change the attributes of interior and exterior housing forms.
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Simalango, Holong Marisi, und Muhammad Khaerul Naim Mursalim. „Model Arsitektur Smart Library di Perguruan Tinggi Se-Kota Batam“. Journal of Applied Informatics and Computing 3, Nr. 2 (21.11.2019): 80–83. http://dx.doi.org/10.30871/jaic.v3i2.1672.
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Design of smart library architecture model is a new architectural model of integrating library information systems in several universities that still use WebApp but are local, so that it is expected to be connected to the new architectural design. The design of this model focuses on the use of web services, the application of the concept of Open access by utilizing QR Code as an Internet of Things (IoT). This design focuses on the technology that will be used to integrate library information systems in all universities, especially in the city of Batam. Object Oriented Analysis (OOA) is a methodology used in designing smart library architecture models and using Unified Modeling Language (UML). Architectural design consists of business architecture, information architecture, and technology architecture. Business architecture design modeling is described in the business use case explaining the actors namely students and library staff as well. The results of the design of the smart library architecture model are in the form of design recommendations for the construction of smart libraries at universities in the city of Batam. The design of this smart library architecture model with the application of technological trends will provide convenience and support to the academic community in the use of library systems.
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P. Tariga, Nuah. „The Jambur Karo Building View from The Lens of Disability Concerning Local Action Plan for Persons with Disabilities“. Conference Series 3, Nr. 2 (14.12.2021): 203–10. http://dx.doi.org/10.34306/conferenceseries.v3i2.589.
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Jambur is a public meeting building in the Karo Batak tribe, or just called Karo, which has a robust kinship system and can see it from the architecture of the traditional building. Even in realizing the building by using the community's approach, it becomes an empowering process for all procedures. We see that deliberation for consensus is not something impossible which is not just lip service. The principles of genuine and open democracy took place, but that only happened in the past, maybe. Because it turns out that we build no longer with the heart and character but with an approach that is often consumptive and hedonistic, this has become a very extreme and blind problem. We see it in terms of personal character development and Karo community both in Jakarta, Medan, including cities in Tanah Karo such as Kaban-Jahe and Berastagi, and others. Is there any concern or equity for vulnerable or marginalized communities in the design and planning process? Let us build it together. Nothing is impossible. Can the regional action plan be developed regarding the accessibility of physical buildings such as jambur or public meeting buildings? Can it be implemented? Furthermore, is it compatible with the National Action Plan for Persons with Disabilities? So that everything can be well coordinated.
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Cung, Rickie, und Amanda Rosetia. „IDENTIFYING THERMAL COMFORT OF TROPICAL ARCHITECTURAL CONCEPT BUILDING : A CASE STUDY OF EXPANDABLE HOUSE“. Journal of Architectural Research and Education 5, Nr. 1 (02.06.2023): 61–72. http://dx.doi.org/10.17509/jare.v5i1.55723.
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Tropical architecture is an architectural building concept that focuses on the use of materials and techniques used in an accordance with the environment and climate in the tropical region. Buildings with tropical architectural style have special characteristics in adapting to climate conditions, but currently there are also modern buildings that can be categorized as contemporer tropical buildings. In the context of Batam city, contemporer tropical architectural buildings have not been prominent, especially in residential houses applications. Moreover, few residential houses failed to follow thermal comfort in the objective of Batam climate. This study aims to identify the elements of thermal comfort in residential houses which apply contemporer tropical architectural concepts in the city of Batam. In this case the author examine “Rumah Tambah” as a case study. By conducting a literature review and comparison of case studies as well as direct observation to the location, this research was conducted using an inductive qualitative method using primary and secondary data. Finally, this research produces an identification of thermal comfort that is applied to residential houses with a contemporer tropical architectural concept and provides recommendations for design elements in residential houses with a contemporer tropical architectural concept in the city of Batam.
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Monikasari*, Monikasari, und Fitriyanti Fitriyanti. „The Existence of The Malay House ‘Limas Potong’ In the Midst of Modernization Currents in the City of Batam 1970-2022“. Riwayat: Educational Journal of History and Humanities 6, Nr. 2 (04.04.2023): 560–70. http://dx.doi.org/10.24815/jr.v6i2.31445.
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The purpose of this study was to determine the impact of the modernization of the city of Batam on the existence of the Malay House Limas Potong. The method used in this research is historical research. The steps in this research are heuristics, source criticism, interpretation, and historiography. The results of the study show that the very first simple industrial concept in Batam, which began in 1898, was the Pertuan Muda of Riau, Raja Muhammad Yusuf-Ahmadi on behalf of the Riau Lingga Kingdom, who granted part of Batam Island land to King Abdullah, Raja Ali Kelana and Raja Muhammad Thahir. In 1978 B.J Habibie changed the course of Batam's development. Batam was transformed into the direction of industrial, service, trade,transhipment and tourism. The Malay House Limas Potong once dominated the architectural forms of houses in Batam City. Currently, the construction of a Malay house with the traditional architecture of the Malay House Limas Potong is no longer a prima donna. Construction efficiency, land availability, difficulty in obtaining raw materials, and up to the development of today's architectural models have changed a lot. The only Malay House Limas Potong currently in Batam City is in Kampung Melayu, Nongsa District.
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Prayogi, Rendy, Ganal Rudiyanto und Achmad Syarief. „ANALISIS BENTUK KUBAH DAN AKULTURASI BUDAYA PADA BANGUNAN MASJID AL OSMANI MEDAN“. Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 3, Nr. 2 (09.06.2021): 121. http://dx.doi.org/10.25105/jsrr.v3i2.9426.
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<div class="WordSection1"><p><strong><em>Abstract</em></strong></p><p><em>Medan City is a combination of several ethnicities and cultures, because in Medan there are several Acehnese, Batak and Malay ethnic groups. Medan has a Malay Deli building with exotic religious and artistic nuances to visit, especially if we like typical Malay buildings such as the Al Osmani Mosque building which still elevates and preserves cultural arts even though there has been a renewal of traditional architecture into modern architecture, but the Malay building still has value. aesthetics with various types of ornament forms, colors, placement of Malay ornaments and also the acculturation of various cultures. Al Osmani Mosque was first built in 1854 with selected wood materials imported from Penang. During the VII Deli Malay Sultanate, namely Sultan Osman Perkasa Alam. Then in 1870 - 1872 the wooden mosque was built permanently by his son, Sultan Mahmud Perkasa Alam (VIII Sultan of Deli). The Al Osmani mosque building was designed by a German architect named GD Langereis with materials sent from Spain and Persia. This study uses a historical approach and aesthetic approach. The historical approach will involve a discussion of the origins of the building form of the Al Osmani Mosque and its functional development since it was founded until now. The aesthetic approach will involve a discussion of the dome shape of the Al Osmani Mosque, what cultural acculturations are there in the Medan Al Osmani Mosque building so that it can attract attention and have unique characteristics? The results showed that the Al Osmani Mosque and its interior as well as the space filling elements in it were not fully influenced by the aesthetics of the forms that came from the Deli Malay culture but were also influenced by the aesthetic forms of Chinese, European, Indian and Middle Eastern cultures.</em><em></em></p><p><strong><em>Keywords : </em></strong><em>Acculturation, Ornaments, Aesthetics, History, Al Osmani Mosque.</em></p><p><strong><em> </em></strong></p><p><strong> </strong></p><p><strong>Abstrak</strong></p><p>Kota Medan merupakan perpaduan dari beberapa etnis dan budaya, karena di Kota Medan di dapati beberapa etnis Aceh, etnis Batak dan etnis Melayu. Medan memiliki bangunan Melayu Deli bernuansa seni dan religi yang eksotis untuk dikunjungi khususnya jika kita menyukai bangunan-bangunan khas Melayu seperti Bangunan Masjid Al Osmani masih mengangkat dan melestarikan seni budaya meskipun terjadi pembaharuan arsitektur tradisional menjadi arsitektur modern, tetapi pada bangunan Melayu tersebut masih memiliki nilai estetis dengan berbagai jenis bentuk ornamen, warna, penempatan ornamen Melayu dan juga akulturasi dari berbagai budaya. Masjid Al Osmani pertama kali dibangun pada tahun 1854 dengan bahan kayu pilihan yang didatangkan dari Penang. Pada masa Kesultanan Melayu Deli ke-VII yaitu Sultan Osman Perkasa Alam. Kemudian pada tahun 1870 - 1872 masjid yang terbuat dari bahan kayu itu dibangun permanen oleh putranya yakni Sultan Mahmud Perkasa Alam (Sultan Deli ke-VIII). Bangunan masjid Al Osmani di desain oleh arsitek asal Jerman yang bernama GD Langereis dengan material yang dikirim dari Spanyol dan Persia. Penelitian ini menggunakan pendekatan sejarah dan pendekatan estetika. Pendekatan sejarah akan menyangkut pembahasan tentang asal-usul bentuk bangunan Masjid Al Osmani dan perkembangan fungsionalnya sejak didirikan hingga sekarang. Pendekatan estetika akan menyangkut pembahasan tentang bentuk kubah Masjid Al Osmani, akulturasi budaya apa saja yang terdapat pada bangunan Masjid Al Osmani Medan sehingga bisa menarik perhatian dan memiliki ciri khas yang unik?. Hasil penelitian memperlihatkan bahwa Masjid Al Osmani dan interiornya serta elemen pengisi ruang di dalamnya tidak sepenuhnya dipengaruhi oleh estetika bentuk yang berasal dari budaya Melayu Deli tetapi juga dipengaruhi oleh estetika bentuk dari kebudayaan China, Eropa, India dan Timur Tengah.</p></div><p><strong>Kata Kunci :</strong> Akulturasi, Ornamen, Estetika, Sejarah, Masjid Al Osmani.</p>
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Andel, Joan D., H. E. Coomans, Rene Berg, James N. Sneddon, Thomas Crump, H. Beukers, M. Heins et al. „Book Reviews“. Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 147, Nr. 4 (1991): 516–46. http://dx.doi.org/10.1163/22134379-90003185.
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- Joan D. van Andel, H.E. Coomans, Building up the the future from the past; Studies on the architecture and historic monuments in the Dutch Caribbean, Zutphen: De Walburg Pers, 1990, 268 pp., M.A. Newton, M. Coomans-Eustatia (eds.) - Rene van den Berg, James N. Sneddon, Studies in Sulawesi linguistics, Part I, 1989. NUSA, Linguistic studies of Indonesian and other languages in Indonesia, volume 31. Jakarta: Badan Penyelenggara Seri Nusa, Universitas Katolik Indonesia Atma Jaya. - Thomas Crump, H. Beukers, Red-hair medicine: Dutch-Japanese medical relations. Amsterdam/Atlanta, GA: Rodopi, Publications for the Netherlands Association of Japanese studies No. 5, 1991., A.M. Luyendijk-Elshout, M.E. van Opstall (eds.) - M. Heins, Kees P. Epskamp, Theatre in search of social change; The relative significance of different theatrical approaches. Den Haag: CESO Paperback no. 7, 1989. - Rudy De Iongh, Rainer Carle, Opera Batak; Das Wandertheater der Toba-Batak in Nord Sumatra. Schauspiele zur Währung kultureller Identität im nationalen Indonesischen Kontext. Veröffentlichungen des Seminars fur Indonesische und Südseesprachen der Universität Hamburg, Band 15/1 & 15/2 (2 Volumes), Berlin: Dietrich Reimer Verlag, 1990. - P.E. de Josselin de Jong, Birgit Rottger-Rossler, Rang und Ansehen bei den Makassar von Gowa (Süd-Sulawesi, Indonesien), Kölner Ethnologische Studien, Band 15. Dietrich Reimar Verlag, Berlin, 1989. 332 pp. text, notes, glossary, literature. - John Kleinen, Vo Nhan Tri, Vietnam’s economic policy since 1975. Singapore: ASEAN Economic research unit, Institute of Southeast Asian studies, 1990. xii + 295 pp. - H.M.J. Maier, David Banks, From class to culture; Social conscience in Malay novels since independence, Yale, 1987. - Th. C. van der Meij, Robyn Maxwell, Textiles of Southeast Asia; Tradition, trade and transformation. Melbourne/Oxford/Auckland/New York: Australian National Gallery/Oxford University Press. - A.E. Mills, Elinor Ochs, Culture and language development, Studies in the social and cultural foundations of language No. 6, Cambridge University Press, 227 + 10 pp. - Denis Monnerie, Frederick H. Damon, Death rituals and life in the societies of the Kula Ring, Dekalb: Northern Illinois University Press, 1989. 280 pp., maps, figs., bibliogr., Roy Wagner (eds.) - Denis Monnerie, Frederick H. Damon, From Muyuw to the Trobriands; Transformations along the northern side of the Kula ring, Tucson: The University of Arizona Press, 1990. xvi + 285 pp., maps, figs., illus., apps., bibliogr., index. - David S. Moyer, Jeremy Boissevain, Dutch dilemmas; Anthropologists look at the Netherlands, Assen/Maastricht: Van Gorcum, 1989, v + 186 pp., Jojada Verrips (eds.) - Gert Oostindie, B.H. Slicher van Bath, Indianen en Spanjaarden; Een ontmoeting tussen twee werelden, Latijns Amerika 1500-1800. Amsterdam: Bert Bakker, 1989. 301 pp. - Parakitri, C.A.M. de Jong, Kompas 1965-1985; Een algemene krant met een katholieke achtergrond binnen het religieus pluralisme van Indonesie, Kampen: Kok, 1990. - C.A. van Peursen, J. van Baal, Mysterie als openbaring. Utrecht: ISOR, 1990. - Harry A. Poeze, R.A. Longmire, Soviet relations with South-East Asia; An historical survey. London-New York: Kegan Paul International, 1989, x + 176 pp. - Harry A. Poeze, Ann Swift, The road to Madiun; The Indonesian communist uprising of 1948. Ithaca, N.Y.: Cornell Modern Indonesia Project (Monograph series 69), 1989, xii + 116 pp. - Alex van Stipriaan, Cornelis Ch. Goslinga, The Dutch in the Caribbean and in Surinam 1791/5 - 1942, Assen/Maastricht: Van Gorcum, 1990. xii + 812 pp. - A. Teeuw, Keith Foulcher, Social commitment in literature and the arts: The Indonesian ‘Institute of People’s culture’ 1950-1965, Clayton, Victoria: Southeast Asian studies, Monash University (Centre of Southeast Asian studies), 1986, vii + 234 pp. - Elly Touwen-Bouwsma, T. Friend, The blue-eyed enemy; Japan against the West in Java and Luzon, 1942-1945. New Jersey: Princeton University press, 1988, 325 pp.
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Adithama, Stephanie Pamela, B. Yudi Dwiandiyanta und Sevia Berliana Wiadji. „Identification of Batik in Central Java using Transfer Learning Method“. Jurnal Buana Informatika 14, Nr. 02 (01.10.2023): 77–86. http://dx.doi.org/10.24002/jbi.v14i02.6977.
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Identification of Batik in Central Java using Transfer Learning Method. Batik was recognized as a human heritage for oral and nonmaterial culture by UNESCO due to its symbolic and philosophical ties to the lives of Indonesians. However, the younger generation is gradually losing itslegacy because of technological and sociological changes that have influenced Indonesian batik. Consequently, batik knowledge is disappearing. A convolutional neural network and transfer learning techniques were utilized in deep learning to construct a model recognising batik motifs. The study utilized a dataset of one thousand images, five classes of batik designs (Banji, Kawung, Slope, Parang, and Slobog), and pre-trained architectural models VGG16 and VGG19 on Keras. The best model utilizes the VGG16 architecture, and the number of epochs is 50,with the result of testing accuracy of 0.9200.
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Leony, Melinda, und Suzanna Ratih Sari. „Arsitektur hijau mendukung adaptasi perilaku di masa pandemi Coronavirus disease (COVID-19) di Alun-Alun Kota Batam“. Dinamika Lingkungan Indonesia 9, Nr. 1 (31.01.2022): 1. http://dx.doi.org/10.31258/dli.9.1.p.1-8.
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This study aims to determine the principles of a green architecture approach that can support behavior change during the Covid-19 pandemic and to determine the arrangement of green architecture that can support behavior change during the Covid-19 pandemic in Batam City Square. This research method is to use literature study. The results show that in the Covid-19 pandemic maintaining environmental health is very crucial for our physical & mental health, and the concept of green buildings is a way to create environmentally or ecologically friendly buildings. To achieve a balance between systems, interactions between humans and the environment. Spatial planning and design using the green building method in Batam City Square is expected to be able to overcome and minimize adverse impacts on human health and the environment, as well as overcome Covid-19 promotion efforts. With a development concept based on keeping your distance and washing your hands, an artistic and useful appearance for prevention can be maximized by architectural concepts through careful analysis and concepts in every planning and design.
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Ropianto, M., Larisang . und John Dhaini Rova. „Architecture Information Design of Internal Quality Assurance Agency Stt Ibnu Sina Batam Using Enterprise Architecture Planning (EAP)“. International Journal of Engineering & Technology 7, Nr. 2.29 (22.05.2018): 730. http://dx.doi.org/10.14419/ijet.v7i2.29.14007.
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STT Ibnu Sina Batam is a private university that strives to improve the quality both in terms of quality of academic and administrative services. Therefore STT Ibnu Sina should continued to improve the quality of assurance system related to the collecting, processing and presentation of academic evaluation data so it can produce a clear picture of the needs at various levels of stakeholders in order to maintain the quality of the academic process in STT Ibnu Sina Batam. Internal quality control activities also one form of monitoring and evaluation to measure the achievement of the vision and mission of STT Ibn Sina predetermined. In designing the information architecture to help the performance of the Internal Quality Insurance Agency (LPMI) STT Ibnu Sina Batam, authors choose Enterprise Architecture Planning (EAP) as method. To represent a blueprint of collecting, processing and presentation of evaluation result data and information of the quality assurance STT Ibnu Sina Batam.
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Jufri, Muhammad. „IMPLEMENTATION OF ARTIFICIAL NEURAL NETWORK IN PREDICTING BIRTH RATE IN BATAM CITY USING BACKPROPAGATION METHOD“. JURTEKSI (Jurnal Teknologi dan Sistem Informasi) 8, Nr. 1 (10.12.2021): 85–94. http://dx.doi.org/10.33330/jurteksi.v8i1.1228.
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Abstract: The population growth in Indonesia is increasing rapidly every year, so to help the government control the population growth through family planning programs, especially in the city of Batam. This study explains and describes one of the Artificial Terms Network methods, namely Backpropagation, where this method can predict what will happen in the future using data and information in the past. This study aims to predict the birth rate in the city of Batam to help the government with the family planning program. The data used is the annual data on the number of births in the city of Batam in 2016-2020 at The Civil Registry Office. To facilitate the analysis of research data, the data were tested using Matlab R2015b. In this study, the training process was carried out using 3 network architectures, namely 4-10-1, 5-18-1, and 4-43-1. Of these 3 architectures, the best is the 4-43-1 architecture with an accuracy rate of 91% and an MSE value of 0.0012205. The Backpropagation method can predict the amount of population growth in the city of Batam based on existing data in the past. Keywords: artificial neural network; backpropagation; prediction Abstrak: Pertumbuhan jumlah penduduk diindonesia yang setiap tahun meningkat dengan pesat, maka untuk membantu pemerintah mengendalikan jumlah pertumbuhan penduduk melalui program keluarga berencana khususnya dikota Batam. Penelitian ini menjelaskan dan memaparkan tentang salah satu metode Jaringan Syarat Tiruan yaitu Backpropagation, dimana metode ini dapat memprediksi apa yang akan terjadi masa yang akan datang dengan menggunakan data dan informasi dimasa lalu. Penelitian ini bertujuan untuk memprediksi tingkat kelahiran di kota Batam sehingga membatu pemerintah untuk perencanaan keluarga berencana. Data yang digunakan yaitu data tahunan jumlah kelahiran di kota Batam pada tahun 2016-2020 pada Dinas Kependudukan dan Catatan Sipil. Untuk mempermudah analisis data penelitian maka, data diuji menggunakan Matlab R2015b. Pada penelitian ini dilakukan proses pelatihan menggunakan 3 arsitektur jaringan yaitu 4-10-1, 5-18-1, dan 4-43-1. Dari ke-3 arsitektur ini yang terbaik adalah arsitektur 4-43-1 dengan tingkat akurasi sebesar 91% dan nilai MSE 0,0012205. Metode backpropagation mampu memprediksi jumlah pertumbuhan penduduk di kota Batam berdasarkan data yang ada dimasa lalu. Kata kunci: backpropagation; jaringan syaraf tiruan; prediksi
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Prayoga, Arya, Maimunah, Pristi Sukmasetya, Muhammad Resa Arif Yudianto und Rofi Abul Hasani. „Arsitektur Convolutional Neural Network untuk Model Klasifikasi Citra Batik Yogyakarta“. Journal of Applied Computer Science and Technology 4, Nr. 2 (18.11.2023): 82–89. http://dx.doi.org/10.52158/jacost.v4i2.486.
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Batik is an Indonesian culture that has been recognized as a world heritage by UNESCO. Indonesian batik has a variety of different motifs in each region. One area that is famous for its batik motifs is Yogyakarta. Yogyakarta has a variety of batik motifs such as ceplok, kawung, and parang which can be differentiated based on the pattern. Yogyakarta batik motifs need to be preserved so they do not experience extinction, one way is by introducing Yogyakarta batik motifs. The recognition of Yogyakarta batik motifs can utilize technology to classify images of Yogyakarta batik motifs based on patterns using the Convolutional Neural Network (CNN). The Yogyakarta batik motif images used for classification totaled 600 images consisting of 3 different motifs such as ceplok, kawung, and parang. Image classification using CNN depends on the architectural model used. The CNN architecture consists of two stages, namely Convolutional for feature extraction and Neural Network for classification. The CNN architectural models made for the introduction of Yogyakarta batik motifs totaled 7 models which were distinguished at the feature extraction stage. The highest accuracy results in the classification of Yogyakarta batik motif images using CNN were obtained in the 6th model. The 6th model has an accuracy of 87.83%, an average precision of 88.46% and an average recall of 87.66%. The accuracy, precision, and recall values obtained by the 6th model are above 80%, which means that the 6th model can classify Yogyakarta batik motifs quite well.
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Saragih, Jhon Tuah Aditya. „Space Dalam Arsitektur Batak Karo“. Jurnal Lingkungan Binaan Indonesia 10, Nr. 01 (10.03.2021): 1–8. http://dx.doi.org/10.32315/jlbi.v10i01.17.
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Arsitektur Batak Karo merupakan salah satu arsitektur nusantara yang merupakan hasil dari kearifan lokal suku Batak Karo, salah satu arsitektur karo adalah rumah adat Karo. Masri Singarimbun menjelaskan bahwa rumah adat Karo tidak hanya terkait fungsinya tetapi berkaitan dengan proses pendirian dan cara berdiam didalamnya, ada begitu banyak peraturan adat ketika mendirikan dan menempati rumah tersebut. Sekarang masyarakat suku Batak Karo sudah beralih ke arsitektur kontemporer dan telah kehilangan makna dalam arsitekturnya. Penelitian ini akan mengkaji space dalam arsitektur karo dengan teori space yang dikemukakan oleh Christian Noberg Schultz yaitu architectural space dan existential space. Metodologi yang digunakan dalam penelitian ini adalah kualitatif deskriptif. Ditemukan bahwa arsitektur karo merupakan manifestasi dari world view masyarakat karo yang menganggap dunia terbagi menjadi tiga bagian yaitu dunia atas, dunia tengah dan dunia bawah dan juga konkretisasi dari hubungan kekerabatan mereka yaitu anak beru, senina dan kalimbubu yang disebut dengan sangkep ngeluh.
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Jhon Tuah Aditya Saragih, M. Nawawiy Loebis und Dwi Lindarto. „Space dalam Arsitektur Batak Karo“. Jurnal Lingkungan Binaan Indonesia 10, Nr. 1 (31.03.2021): 1–8. http://dx.doi.org/10.32315/jlbi.v10i1.17.
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Arsitektur Batak Karo merupakan salah satu arsitektur nusantara yang tercipta dari budaya, pemikiran dan kearifan lokal suku tersebut, salah satu arsitektur Karo adalah rumah adat Karo. Masri Singarimbun menjelaskan bahwa rumah adat Karo tidak hanya terkait fungsinya tetapi berkaitan dengan proses pendirian dan cara berdiam di dalamnya, ada begitu banyak peraturan adat ketika mendirikan dan menempati rumah tersebut. Sekarang masyarakat suku Batak Karo sudah beralih ke arsitektur kontemporer dan telah kehilangan makna dalam arsitekturnya. Penelitian ini akan mengkaji space dalam arsitektur Karo dengan teori space yang dikemukakan oleh Christian Noberg Schultz yaitu architectural space dan existential space. Metodologi dengan pendekatan kualitatif deskriptif digunakan dalam penelitian ini. Ditemukan bahwa arsitektur Karo merupakan manifestasi dari worldview masyarakat Karo yang menganggap dunia terbagi menjadi tiga bagian yaitu dunia bawah, dunia tengah, dunia atas dan juga konkretisasi dari hubungan kekerabatan mereka yaitu kalimbubu, senina dan anak beru dan yang disebut dengan Sangkep Nggeluh.
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Farell, Evan, und I. Gusti Ngurah Anom Gunawan. „PERANCANGAN MUSEUM B.J. HABIBIE DENGAN PENDEKATAN GREEN ARCHITECTURE SEBAGAI WISATA EDUKASI DI KOTA BATAM“. SIGMA TEKNIKA 5, Nr. 2 (29.11.2022): 420–31. http://dx.doi.org/10.33373/sigmateknika.v5i2.4612.
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Kota Batam merupakan salah satu kota yang terletak di Kepulauan Riau dan bertetangga dengan Singapura. Tidak terpungkiri bahwa banyak wisatawan yang keluar masuk ke Kota Batam, Kota Batam sendiri di bawah olahannya Otorita Batam yang pernah di pimpin oleh B.J. Habibie. Sosok B.J. Habibie pun sangat berkontribusi besar pada kota ini, beliau sudah merencankan bahwa suatu saat Singapura akan penuh dan para investor akan masuk ke Kota Batam. Namun Kota Batam sendiri masih sangat kurang dalam objek wisata di kota ini. Dari permasalahan tersebut diakukan penelitian secara cross-sectional dan kualitatif dengan survey langsung serta pengenalan dekat dengan site. Dengan dilakukan penelitian ini diharapkan dapat menghasilkan desain museum sebagai wisata edukasi yang inovatif, sustain, berkonsep Green Architecture dan layak sebagai Ikon Kota Batam. Serta perancangan ini menjadi suatu bentuk penghormatan bagi almrh B.J. Habibie atas jasanya di Kota Batam. Kata kunci : Museum; Wisata Edukasi; Green Architecture
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Sumartinah, Happy Ratna, Arwani Hasbullah Akbar und Mutia Sulistiastuti. „Sustainable Design Criteria for Batik Cultural Centre in Klampar, Madura“. IOP Conference Series: Earth and Environmental Science 1351, Nr. 1 (01.05.2024): 012013. http://dx.doi.org/10.1088/1755-1315/1351/1/012013.
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Abstract Batik is part of the culture in Indonesia. With each region having its signature, the Government has taken various ways to ensure the sustainability of batik, providing a batik centre to support batik artisans and a batik museum to introduce culture to tourists. However, the program’s sustainability cannot be maintained, and it always fails for several reasons. One can be seen in kampong batik in Klampar Village, Indonesia; the Government provided a Batik Centre in 2022, but the following year, it was abandoned, and the community returned to producing batik in their homes. This research aims to formulate sustainable design criteria for Batik Cultural Centre based on the four dimensions of sustainability and sustainable tourism. The sustainability review of kampong batik in Klampar Village will carried out qualitatively, and the solutions offered will be analyzed empirically with the support of previous theories to provide credibility. The results show that six architectural aspects can be intervened in developing culture-based sustainable tourism: facilities, room programs, materials, skin, spatial connectivity, and floor plan. This study contributes to setting the design criteria for vernacular architecture that wants to be re-purposed as a tourism facility within the sustainability corridors.
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Leonard, Natalia Lie, und Samsu Hendra Siwi. „PUSAT INFORMASI TURIS DI KAMPUNG BATIK BABAGAN LASEM BERBASIS ECO-BATIK“. Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 3, Nr. 2 (03.02.2022): 2793. http://dx.doi.org/10.24912/stupa.v3i2.12468.
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This article examines the provision of tourism development facilities in Babagan Batik Village as a tourist information center. Ecological issues are the focus of this research. Kampung Batik Babagan is a home-based batik industry center with scattered batik production houses. This area does not yet have an information center as a forum for tourists to get complete information about the Babagan area. The Babagan Lasem Batik Village Tourist Information Center is designed as an ecological architectural solution in creating an eco-batik ecosystem and as a forum to accommodate and educate tourists and the public regarding information on the historical and cultural values of the Babagan area that are in accordance with the local environmental context. It is hoped that this project can improve the economy of local communities whose main livelihood is from batik by taking into account the impact on the environment. The literature studies used include ecological architecture, eco-batik, textile dyes, and the batik process in Lasem. The research method used is exploratory descriptive method, location and site analysis. From the results of the analysis, the building in the site is divided into two masses according to the function of the activities in it. The roof of the building uses a jurai roof as an adjustment to the tropical climate. The interior of the building is designed to allow interaction between visitors and the exterior is decorated with ornaments that characterize Babagan Batik Village. Keywords: batik; ecolgy; education; information.AbstrakArtikel ini meneliti tentang penyediaan fasilitas pengembangan pariwisata di Kampung Batik Babagan sebagai pusat informasi turis. Isu ekologis menjadi konsentrasi dalam penelitian ini. Kampung Batik Babagan merupakan sebuah pusat industri batik rumahan dengan letak rumah produksi batik yang tersebar. Di kawasan ini belum memiliki pusat informasi sebagai wadah bagi turis untuk mendapatkan informasi yang lengkap tentang kawasan Babagan. Pusat Informasi Turis Kampung Batik Babagan Lasem dirancang sebagai solusi arsitektur ekologis dalam menciptakan ekosistem eco-batik dan menjadi wadah untuk mengakomodasi serta mengedukasi turis dan masyarakat mengenai informasi nilai sejarah dan budaya dari kawasan Babagan yang sesuai dengan konteks lingkungan setempat. Diharapkan proyek ini dapat meningkatkan ekonomi masyarakat lokal. Kajian literatur yang digunakan meliputi, arsitektur ekologis, eco-batik, zat pewarna tekstil, dan proses pembatikan di Lasem. Metode penelitian yang digunakan, yaitu metode deskriptif eksploratif, analisis lokasi dan tapak. Dari hasil analisis tersebut, bangunan dalam tapak dibagi menjadi dua massa sesuai dengan fungsi kegiatan di dalamnya. Atap bangunan menggunakan atap jurai sebagai penyesuaian dengan iklim tropis. Bagian interior bangunan didesain agar terjadi interaksi antar pengunjung dan pada eksterior diberi ornamen yang mencirikan Kampung Batik Babagan.