Auswahl der wissenschaftlichen Literatur zum Thema „Barbers – Fiction“
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Zeitschriftenartikel zum Thema "Barbers – Fiction"
Mack, Robert L. „Confronting the ‘Real’ Sweeney Todd: a Personal Journey of Discovery“. Victorian Popular Fictions Journal 4, Nr. 2 (2023): 136–45. http://dx.doi.org/10.46911/ukud3206.
Der volle Inhalt der QuelleKyobutungi Tumwesigye, Alice Jossy. „Young Adult Vulnerabilities in the Fiction of a Ugandan Woman Writer“. Global Research in Higher Education 5, Nr. 1 (08.03.2022): p22. http://dx.doi.org/10.22158/grhe.v5n1p22.
Der volle Inhalt der QuelleRyan, Maureen. „Barbara Kingsolver's Lowfat Fiction:“. Journal of American Culture 18, Nr. 4 (Dezember 1995): 77–82. http://dx.doi.org/10.1111/j.1542-734x.1995.1804_77.x.
Der volle Inhalt der QuelleChaparro Sainz, Ángel. „Mormon Marriage Is Also Terrestrial: An Study on Gender in Phyllis Barber's Raw Edges: A Memoir“. Miscelánea: A Journal of English and American Studies 48 (07.01.2014): 13–28. http://dx.doi.org/10.26754/ojs_misc/mj.20138826.
Der volle Inhalt der QuelleAltaf, Sana, und Aqib Javid Parry. „Nalo Hopkinson’s Midnight Robber: Blending technology and fantasy in a dystopian narrative“. Technoetic Arts 22, Nr. 1 (01.04.2024): 133–44. http://dx.doi.org/10.1386/tear_00126_1.
Der volle Inhalt der QuelleKaufman, Anthony. „The Short Fiction of Barbara Pym“. Twentieth Century Literature 32, Nr. 1 (1986): 50. http://dx.doi.org/10.2307/441306.
Der volle Inhalt der QuelleSturgess, Charlotte. „Visible difference : Gender as genre in Susan Swans The Wives of Bath“. Recherches anglaises et nord-américaines 36, Nr. 1 (2003): 91–98. http://dx.doi.org/10.3406/ranam.2003.1671.
Der volle Inhalt der QuelleRamírez, J. Jesse. „Keeping It Unreal: Rap, Racecraft, and MF Doom“. Humanities 10, Nr. 1 (28.12.2020): 5. http://dx.doi.org/10.3390/h10010005.
Der volle Inhalt der QuelleRodríguez-Salas, Gerardo. „Communitarian Theory and Andalusian Imagery in Carmel Bird’s Fiction. An Interview“. IRIS, Nr. 35 (30.06.2014): 123–39. http://dx.doi.org/10.35562/iris.1803.
Der volle Inhalt der Quelleخليفة علي, صباح عطا الله, und زيد ابراهيم اسماعيل. „Barbara Kingsolver: Evaluating Her Contribution to the Eco-Feminist Novel“. ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 1, Nr. 7 (25.11.2019): 65–82. http://dx.doi.org/10.36473/ujhss.v1i7.982.
Der volle Inhalt der QuelleDissertationen zum Thema "Barbers – Fiction"
Barber, Jennifer P. „Indian chick-lit : form and consumerism /“. Electronic version (PDF), 2006. http://dl.uncw.edu/etd/2006/barberj/jenniferbarber.pdf.
Der volle Inhalt der QuelleElla, Jan-Erik [Verfasser], Brigitte [Akademischer Betreuer] Glaser, Brigitte [Gutachter] Glaser und Barbara [Gutachter] Schaff. „Through Fiction's Mirror : Abjects in Neo-Victorian Fiction / Jan-Erik Ella ; Gutachter: Brigitte Glaser, Barbara Schaff ; Betreuer: Brigitte Glaser“. Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2018. http://d-nb.info/1166399788/34.
Der volle Inhalt der QuelleCollu, Gabrielle. „The language of food in the fiction of Barbara Pym /“. Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60628.
Der volle Inhalt der QuelleAltmaier, Catherine. „The Gospel of Cosmopolitanism: Conflict Resolution in Barbara Kingsolver's Fiction“. TopSCHOLAR®, 2006. http://digitalcommons.wku.edu/theses/439.
Der volle Inhalt der QuelleErnzen, Billey Annik. „L 'Image de la Révolution française dans les oeuvres de fiction de Barbey d'Aurevilly“. Caen, 1992. http://www.theses.fr/1992CAEN1094.
Der volle Inhalt der QuelleThe heir of a generation that witnessed the french revolution, barbey d'aurevilly, as a young man, makes an effort to adapt to the times, to be able to play a role. He is relatively enthusiastic in february 1848, but his brief political career only lasts one month. He thereafter puts all his energy into his writing and dreams history in his works of fiction, where it is possible to find a picture of the french revolution (as seen from the chouan or anti-revolutionary side). Barbey draws this picture from his family heritage and the oral tradition he remembers from his childhood. By means of a crossreference structural system used in his different novels, barbey re-creates for the reader his own personal experience of a special and unique relationship with history. In this scheme, the novel entitled "l'ensorcelee" occupies a special because it is the only book by barbey in which the internal structure is organized around history, taking the french revolution as its time-setting. In this fashion, the novel takes on a mythical dimension, and using other documents, the author sketches the evolution of the french peasantry in the first half of the 19th century. Comparison with the chouan novels of balzac and hugo allows us to better indicate the originality of barbey and to understand that his work is not a nostalgic song of the past, but is definitely involved in the struggles of the nineteenth century. The revolution of 1830 and specially that of 1848 and the commune of 1871 were particularly responsible for this pictorial writing of the great revolution of 1789
Shields, Christopher Macdonell. „'A man needs meat' : food and gender in the fiction of Barbara Pym“. Thesis, University of Edinburgh, 1999. http://hdl.handle.net/1842/27378.
Der volle Inhalt der QuelleWent, Cathy. „Seeking the sanctuary : the garden in the fictions of Barbara Hanrahan /“. Title page, contents and introduction only, 1996. http://web4.library.adelaide.edu.au/theses/09AR/09arw477.pdf.
Der volle Inhalt der QuelleGorton, Ceri Martha. „"The things that attach people" : a critical literary analysis of the fiction of Barbara Kingsolver“. Thesis, University of Nottingham, 2009. http://eprints.nottingham.ac.uk/10758/.
Der volle Inhalt der QuellePhillips, Rebecca S. „The emerging female hero in the fiction of Alice Walker, Ntozake Shange, Ursula Le Guin, and Barbara Kingsolver“. Morgantown : [West Virginia University Libraries], 1998. http://157.182.199.25/etd/templates/showETD.cfm?recnum=115.
Der volle Inhalt der QuelleTitle from document title page. Document formatted into pages; contains v, 183 p. Vita. Includes abstract. Includes bibliographical references (p. 174-182).
Schmitt, Maud. „Le récit apologétique laïc : Barbey d’Aurevilly, Bloy, Bernanos“. Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040149.
Der volle Inhalt der QuelleThis thesis aims to study how, in a post-revolutionary context of dechristianization, some Catholic writers set free from the Church authority and enable literature itself (as a work of fiction and imagination) to renew the apologetic discourse. Barbey d’Aurevilly, Bloy and Bernanos continue the founding shift in perspective that Chateaubriand started with the Génie du christianisme. These three writers use an ancient rhetoric narrative form called the exemplum. The first part of this work focuses on the evolutions of this form, and more specifically on the metamorphosis caused by its Christianization; but it also highlights its constant structure, from its theorization by Aristotle, until its latest use by the authors of “histoires tragiques”. The next three parts of the thesis deal with the way Barbey, Bloy and Bernanos conceive their narrative in order to obtain the religious conversion of their reader. The second part shows how the writers authenticate fiction; the third part focuses on the way they react to the difficulty of naming the divine: the authors resort to the figuration of this inexpressible object. Finally, the fourth part studies the means these narratives use to produce an effect on their readers, and make them actually change their moral behavior
Bücher zum Thema "Barbers – Fiction"
Johnson, Arlen. Alaska barber tales: As only your Alaskan barber can tell them. Anchorage, Alaska: Dixieland Pub., 1993.
Den vollen Inhalt der Quelle findenRuediger, Beth. The barber of Bingo. Kansas City: Andrews and McMeel, 1996.
Den vollen Inhalt der Quelle findenGlass, Rodge. Hope for newborns. London: Faber and Faber, 2008.
Den vollen Inhalt der Quelle findenLindsay, Douglas. The cutting edge of Barney Thomson. Inverness: Long Midnight, 2003.
Den vollen Inhalt der Quelle findenInui, Eriko. Barubaru-san. Tōkyō: Fukuinkan Shoten, 2008.
Den vollen Inhalt der Quelle findenPellerin, Fred. De peigne et de misère. Ville Saint-Laurent (Québec): Sarrazine Éditions, 2013.
Den vollen Inhalt der Quelle findenLindsay, Douglas. The cutting edge of Barney Thomson. Inverness: Long Midnight, 2003.
Den vollen Inhalt der Quelle findenGutman, Dan. Funny Boy versus the bubble-brained barbers from the Big Bang. New York: Hyperion Books for Children, 2000.
Den vollen Inhalt der Quelle findenC, Sproul R. The barber who wanted to pray. Wheaton, Ill: Crossway, 2011.
Den vollen Inhalt der Quelle findenMitchell, Margaree King. Uncle Jed's barbershop. New York: Scholastic Inc., 1993.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Barbers – Fiction"
McFarland, Douglas. „Genre and Charisma in Shaw’s Major Barbara“. In Screening Modern Irish Fiction and Drama, 73–88. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40928-3_4.
Der volle Inhalt der QuelleStafford, Jane. „Romance in the Backblocks in New Zealand Popular Fiction, 1930–1950: Mary Scott’s Barbara Stories“. In Popular Fiction and Spatiality, 63–78. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-56902-8_5.
Der volle Inhalt der QuelleBarlow, Damien. „“The Sex Thing Is Strange”: The Queerness of Barbara Hanrahan’s Fiction“. In Claiming Space for Australian Women’s Writing, 227–41. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50400-1_13.
Der volle Inhalt der QuelleHalperin, John. „Barbara Pym and the War of the Sexes“. In Jane Austen’s Lovers and Other Studies in Fiction and History from Austen to le Carré, 201–14. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19332-5_14.
Der volle Inhalt der QuelleJoannou, Maroula. „‘England’s Jane’: The Legacy of Jane Austen in the Fiction of Barbara Pym, Dodie Smith and Elizabeth Taylor“. In Uses of Austen, 37–58. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137271747_3.
Der volle Inhalt der QuelleMiller, Toby. „39/Thirty-Nine Stepsto ‘The Borders of the Possible’ by Alfred Hitchcock, Amateur Observer“. In Spyscreen, 49–62. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780198159520.003.0003.
Der volle Inhalt der QuelleRyan, Susan. „Blurring Lines and Intersecting Realities in Barbara Kopple’s Fictional Work“. In ReFocus: The Films of Barbara Kopple, 159–77. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474439947.003.0010.
Der volle Inhalt der QuelleO'Donnell, Angela Alaimo. „Race, Politics, and the Double Mind: Flannery’s Correspondence versus O’Connor’s Fiction“. In Radical Ambivalence, 36–69. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823288243.003.0003.
Der volle Inhalt der QuelleHorner, Avril. „Spies, lies and fictions“. In Barbara Comyns. Manchester University Press, 2024. http://dx.doi.org/10.7765/9781526173751.00013.
Der volle Inhalt der Quelle„The Handoff“. In Every True Pleasure, herausgegeben von John Pierre Craig, 79–86. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469646800.003.0008.
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