Zeitschriftenartikel zum Thema „Bands (Music) Social aspects“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Machen Sie sich mit Top-50 Zeitschriftenartikel für die Forschung zum Thema "Bands (Music) Social aspects" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Sehen Sie die Zeitschriftenartikel für verschiedene Spezialgebieten durch und erstellen Sie Ihre Bibliographie auf korrekte Weise.
Wang, Shuang. „Music, social media and public pedagogy: indie music in the post-Cantopop epoch“. Asian Education and Development Studies 7, Nr. 1 (02.01.2018): 42–52. http://dx.doi.org/10.1108/aeds-03-2017-0022.
Thomson, Raymond A. „Dance bands and dance halls in Greenock, 1945–55“. Popular Music 8, Nr. 2 (Mai 1989): 143–55. http://dx.doi.org/10.1017/s0261143000003330.
Gorbal, Y. M. „Professional Training of Military Musicians in Ukrainian Lands at the Turn of the XIX–XX Centuries“. Culture of Ukraine, Nr. 71 (02.04.2021): 75–81. http://dx.doi.org/10.31516/2410-5325.071.09.
Brown, Steven Caldwell, und Don Knox. „Why go to pop concerts? The motivations behind live music attendance“. Musicae Scientiae 21, Nr. 3 (20.05.2016): 233–49. http://dx.doi.org/10.1177/1029864916650719.
Wabwire, Jonai. „The Influence of New Media Technologies On Nambale Sub County Folklore“. JOURNAL OF SOCIAL SCIENCE RESEARCH 14 (09.08.2019): 3304–12. http://dx.doi.org/10.24297/jssr.v14i0.8191.
Sills, Helen. „Time Remembered“. KronoScope 5, Nr. 1 (2005): 59–72. http://dx.doi.org/10.1163/1568524054005168.
Đorđević, Ana. „“The soundtrack of their lives”: The Music of Crno-bijeli svijet“. AM Journal of Art and Media Studies, Nr. 17 (16.10.2018): 25. http://dx.doi.org/10.25038/am.v0i17.267.
Malm, Tobias. „The ambivalence of becoming a small business: Learning processes within an aspiring rock band“. Popular Music 39, Nr. 3-4 (Dezember 2020): 585–99. http://dx.doi.org/10.1017/s0261143020000471.
Reyes Contreras, Miguel. „Acercamiento onomástico al nombre de las bandas de Heavy Metal“. Onomástica desde América Latina 2, Nr. 3 (18.12.2020): 59–81. http://dx.doi.org/10.48075/odal.v0i0.26062.
Yakhno, Olena. „Vocal stylistics in rock music: dialectics of general and special“. Aspects of Historical Musicology 21, Nr. 21 (10.03.2020): 279–92. http://dx.doi.org/10.34064/khnum2-21.18.
Radócz, Miklós. „Wind Bands for Hungarian Community Music“. Central European Journal of Educational Research 3, Nr. 1 (30.04.2021): 90–97. http://dx.doi.org/10.37441/cejer/2021/3/1/9355.
Gaggioli, Andrea, Alice Chirico, Elvis Mazzoni, Luca Milani und Giuseppe Riva. „Networked Flow in musical bands“. Psychology of Music 45, Nr. 2 (21.09.2016): 283–97. http://dx.doi.org/10.1177/0305735616665003.
Taylor, Steve. „Channelling the darkness: Group flow and environmental expression in the music of Black Sabbath and Joy Division“. Metal Music Studies 7, Nr. 1 (01.03.2021): 85–102. http://dx.doi.org/10.1386/mms_00033_1.
Junko, Kitagawa. „Some aspects of Japanese popular music“. Popular Music 10, Nr. 3 (Oktober 1991): 305–15. http://dx.doi.org/10.1017/s0261143000004669.
Cipta, Febbry, und Sandie Gunara. „Sirojul Ummah: Music in Social Interaction“. Harmonia: Journal of Arts Research and Education 20, Nr. 2 (27.12.2020): 153–60. http://dx.doi.org/10.15294/harmonia.v20i2.21456.
Hash, Phillip M. „Remote Learning in School Bands During the COVID-19 Shutdown“. Journal of Research in Music Education 68, Nr. 4 (07.12.2020): 381–97. http://dx.doi.org/10.1177/0022429420967008.
Pogačar, Martin. „Music and Memory: Yugoslav Rock in Social Media“. Southeastern Europe 39, Nr. 2 (09.08.2015): 215–36. http://dx.doi.org/10.1163/18763332-03902004.
Jian, Miaoju. „The Survival Struggle and Resistant Politics of a DIY Music Career in East Asia: Case Studies of China and Taiwan“. Cultural Sociology 12, Nr. 2 (05.03.2018): 224–40. http://dx.doi.org/10.1177/1749975518756535.
Price, Harry E. „Relationships among Conducting Quality, Ensemble Performance Quality, and State Festival Ratings“. Journal of Research in Music Education 54, Nr. 3 (Oktober 2006): 203–14. http://dx.doi.org/10.1177/002242940605400304.
Pope, Stephen Travis. „Web.La.Radia: Social, Economic, and Political Aspects of Music and Digital Media“. Computer Music Journal 23, Nr. 1 (März 1999): 49–56. http://dx.doi.org/10.1162/014892699559643.
Sackl-Sharif, Susanne. „The dark side of blogging: Digital metal communities and metal influencers“. Metal Music Studies 7, Nr. 2 (01.06.2021): 237–55. http://dx.doi.org/10.1386/mms_00047_1.
BERISH, ANDREW. „“I Dream of Her and Avalon”: 1930s Sweet Jazz, Race, and Nostalgia at the Casino Ballroom“. Journal of the Society for American Music 2, Nr. 4 (23.10.2008): 531–67. http://dx.doi.org/10.1017/s1752196308080164.
Simpson, Patricia Anne. „"Manche Menschen werden Brüder": Contemporary Music and New Fraternities“. German Politics and Society 23, Nr. 2 (01.06.2005): 50–71. http://dx.doi.org/10.3167/104503005780880696.
Gusāns, Ingars. „2018. gada latviešu metālmūzikas albumi“. Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, Nr. 25 (04.03.2020): 185–200. http://dx.doi.org/10.37384/aplkp.2020.25.185.
Cumberledge, Jason P. „The Benefits of College Marching Bands for Students and Universities: A Review of the Literature“. Update: Applications of Research in Music Education 36, Nr. 1 (08.12.2016): 44–50. http://dx.doi.org/10.1177/8755123316682819.
DiGioia, Amanda. „Nameless, but not blameless: Motherhood in Finnish heavy metal music“. Metal Music Studies 6, Nr. 2 (01.06.2020): 237–55. http://dx.doi.org/10.1386/mms_00015_1.
Barbeau, Audrey-Kristel, und Roger Mantie. „Music Performance Anxiety and Perceived Benefits of Musical Participation Among Older Adults in Community Bands“. Journal of Research in Music Education 66, Nr. 4 (28.09.2018): 408–27. http://dx.doi.org/10.1177/0022429418799362.
LeCroy, Hoyt F. „Community-Based Music Education: Influences of Industrial Bands in the American South“. Journal of Research in Music Education 46, Nr. 2 (Juli 1998): 248–64. http://dx.doi.org/10.2307/3345627.
Shahin, Antoine J., Laurel J. Trainor, Larry E. Roberts, Kristina C. Backer und Lee M. Miller. „Development of Auditory Phase-Locked Activity for Music Sounds“. Journal of Neurophysiology 103, Nr. 1 (Januar 2010): 218–29. http://dx.doi.org/10.1152/jn.00402.2009.
Jutbring, Henrik. „Social marketing through a music festival“. Journal of Social Marketing 8, Nr. 2 (09.04.2018): 237–56. http://dx.doi.org/10.1108/jsocm-03-2017-0017.
Collier, Geoffrey L., und James Lincoln Collier. „An Exploration of the Use of Tempo in Jazz“. Music Perception 11, Nr. 3 (1994): 219–42. http://dx.doi.org/10.2307/40285621.
Liao, Chechen, Yi-Jen Huang, Pui-Lai To und Yu-Ting Lu. „Factors driving digital music purchases“. Social Behavior and Personality: an international journal 45, Nr. 4 (07.05.2017): 583–98. http://dx.doi.org/10.2224/sbp.5875.
Thomson, Andrew. „Right hand up, left hand down: The New Satanists of rock n’ roll, evil and the underground war on the abject“. Metal Music Studies 7, Nr. 1 (01.03.2021): 43–60. http://dx.doi.org/10.1386/mms_00031_1.
Gusāns, Ingars. „CONCEPT OF LATGALE IN LYRICS OF LATGALIAN SCHLAGER MUSIC BANDS“. Via Latgalica, Nr. 11 (20.02.2018): 66. http://dx.doi.org/10.17770/latg2018.11.3069.
Platt, R. „New light on Richard Mudge, 1718-63: some aspects of social status and amateur music-making“. Early Music 28, Nr. 4 (01.11.2000): 531–45. http://dx.doi.org/10.1093/em/28.4.531.
Grønnerød, Jarna Soilevuo. „The Use of Alcohol and Cannabis in Non-Professional Rock Bands in Finland“. Contemporary Drug Problems 29, Nr. 2 (Juni 2002): 417–43. http://dx.doi.org/10.1177/009145090202900208.
Gusāns, Ingars. „CULTURAL SIGNS IN TEXTS OF LATGALIAN BANDS“. Via Latgalica, Nr. 8 (02.03.2017): 139. http://dx.doi.org/10.17770/latg2016.8.2236.
Powell, Bryan. „Community music interventions, popular music education and eudaimonia“. International Journal of Community Music 00, Nr. 00 (24.02.2021): 1–23. http://dx.doi.org/10.1386/ijcm_00031_1.
Whiteoak, John. „What Were the So-Called ‘German Bands’ of Pre-World War I Australian Street Life?“ Nineteenth-Century Music Review 15, Nr. 1 (20.02.2017): 51–65. http://dx.doi.org/10.1017/s1479409817000088.
Johnson, Whitney. „Weird Music: Tension and Reconciliation in Cultural-Economic Knowledge“. Cultural Sociology 11, Nr. 1 (21.06.2016): 44–59. http://dx.doi.org/10.1177/1749975516651287.
Lupak, R., V. Tarasyuk und K. Varkholyak. „Aspects of festival events tourism development“. Galic'kij ekonomičnij visnik 66, Nr. 5 (2020): 30–37. http://dx.doi.org/10.33108/galicianvisnyk_tntu2020.05.030.
Ender, Tommy. „Incorporating the Critical Music Framework: An Autoethnographic Reflection“. International Journal of Multicultural Education 23, Nr. 1 (30.04.2021): 146. http://dx.doi.org/10.18251/ijme.v23i1.2447.
Kantor‐Martynuska, Joanna. „The listener's temperament and perceived tempo and loudness of music“. European Journal of Personality 23, Nr. 8 (Dezember 2009): 655–73. http://dx.doi.org/10.1002/per.734.
Rabinowitch, Tal-Chen. „The Potential of Music to Effect Social Change“. Music & Science 3 (01.01.2020): 205920432093977. http://dx.doi.org/10.1177/2059204320939772.
Park, Sun-Min. „A Study on the Aspects of Accepting Popular Music in Regard to Social Media“. JOURNAL OF GLOBAL CULTURAL CONTENTS 36 (31.10.2018): 69–83. http://dx.doi.org/10.32611/jgcc.2018.10.36.69.
FAIRCHILD, CHARLES. „The medium and materials of popular music: ‘Hound Dog’, turntablism and muzak as situated musical practices“. Popular Music 27, Nr. 1 (13.12.2007): 99–116. http://dx.doi.org/10.1017/s0261143008001499.
James, Stuart, und Lindsay Vickery. „REPRESENTATIONS OF DECAY IN THE WORKS OF CAT HOPE“. Tempo 73, Nr. 287 (24.12.2018): 18–32. http://dx.doi.org/10.1017/s0040298218000608.
Sindberg, Laura K. „Elements of a Successful Professional Learning Community for Music Teachers Using Comprehensive Musicianship Through Performance“. Journal of Research in Music Education 64, Nr. 2 (12.05.2016): 202–19. http://dx.doi.org/10.1177/0022429416648945.
Gabrielsson, Alf, und Siv Lindström Wik. „Strong Experiences Related to Music: Adescriptive System“. Musicae Scientiae 7, Nr. 2 (September 2003): 157–217. http://dx.doi.org/10.1177/102986490300700201.
Mišina, Dalibor. „“Spit and Sing, My Yugoslavia”: New Partisans, social critique and Bosnian poetics of the patriotic“. Nationalities Papers 38, Nr. 2 (März 2010): 265–89. http://dx.doi.org/10.1080/00905990903517801.