Auswahl der wissenschaftlichen Literatur zum Thema „Bahram Beyzaie“
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Zeitschriftenartikel zum Thema "Bahram Beyzaie"
Pak-Shiraz, Nacim. „Exploring the City in the Cinema of Bahram Beyzaie“. Iranian Studies 46, Nr. 5 (September 2013): 811–28. http://dx.doi.org/10.1080/00210862.2013.789745.
Der volle Inhalt der QuelleGhanoonparvar, M. R. „Collective Identity and Despotism: Lessons in Two Plays by Bahram Beyzaie“. Iranian Studies 46, Nr. 5 (September 2013): 753–64. http://dx.doi.org/10.1080/00210862.2013.789741.
Der volle Inhalt der QuelleMahmoodi-Bakhtiari, Behrooz, und Mahsa Manavi. „The Mongol Invasion in Iranian Drama: The Case of Bahram Beyzaie“. Iranian Studies 46, Nr. 5 (September 2013): 765–89. http://dx.doi.org/10.1080/00210862.2013.789742.
Der volle Inhalt der QuelleMirmasoomi, Mahshid. „Hamartia and Catharsis in Shakespeare’s King Lear and Bahram Beyzaie’s Death of Yazdgerd“. International Letters of Social and Humanistic Sciences 74 (November 2016): 16–25. http://dx.doi.org/10.18052/www.scipress.com/ilshs.74.16.
Der volle Inhalt der QuelleAmjad, Hamid. „From the Land of the Pure, in Search of the Lost Origin: An Interview with Bahram Beyzaie onSiyavush-Khani(Siyavush Recitation) and its Mythological and Literary Roots“. Iranian Studies 46, Nr. 5 (September 2013): 721–36. http://dx.doi.org/10.1080/00210862.2013.789739.
Der volle Inhalt der QuelleTalajooy, Saeed. „Reformulation ofShahnamehLegends in Bahram Beyzaie's Plays“. Iranian Studies 46, Nr. 5 (September 2013): 695–719. http://dx.doi.org/10.1080/00210862.2013.789735.
Der volle Inhalt der QuelleFarhadi, Ramin, und Mohammad Amin Mozaheb. „History, Aporia and Politics in Bahram Beyzaie’s Death of Yazdgerd“. Annals of Language and Literature 2, Nr. 2 (2018): 19–25. http://dx.doi.org/10.22259/2637-5869.0202004.
Der volle Inhalt der QuelleRutherford, Anne. „Film, trauma és az enunciatív jelen“. Apertura 15, Nr. 3 (2020): 1–24. http://dx.doi.org/10.31176/apertura.2019.15.3.1.
Der volle Inhalt der QuelleForouzani, Farzaneh, Narges Mohammadi Badr, Mostafa Gorji und Shahin Haghighi. „The Role of Language in Processing Various Characters in Bahram Beyzai’s Play: One Thousand and First Night“. Journal of History Culture and Art Research 6, Nr. 1 (28.02.2017): 8. http://dx.doi.org/10.7596/taksad.v6i1.698.
Der volle Inhalt der QuelleKhalili Kolahian, Shiva. „An analytical study of the ritual ceremonies in Iranian performing arts, a case study of Travellers“. CINEJ Cinema Journal 8, Nr. 2 (03.12.2020): 217–46. http://dx.doi.org/10.5195/cinej.2020.260.
Der volle Inhalt der QuelleDissertationen zum Thema "Bahram Beyzaie"
Emad, Mona. „Les oeuvres théâtrales de Bahram Beyzaie : la forme traditionnelle du théâtre et sa modernisation“. Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30073.
Der volle Inhalt der QuelleBorn in 1938 in Iran, Bahram Beyzaie is considered as a great filmmaker and playwright of his generation. While some of his films are well known, his theater is less famous abroad because it has been little translated or performed. For him theater is the place where to keep in touch with tradition, not to just preserve it, but to reach today’s public and fight against amnesia. He thus feeds his plays, his films, his tales and his narrations of the forgotten dramatic legacy of his country. This thesis proposes to examine the influence, in his dramatic work, of traditional Iranian performances such as Ta'zieh, Naghali or the Art of Storytelling, Puppet Theater and Siyâh Bâzi or Farce, as well as the traces of the myths and history of Iran. In everything he writes, a prominent place is dedicated to the Persian language used with utmost virtuosity. Many excerpts of texts on the theater and plays are here translated for the first time into French. A very rich iconography, mainly of his own staging of his plays, illustrates the study. Beyzaie continues his artistic work in California where he is presently an author in exile
Talajooy, Saeed Reza. „Mythologizing the transition : a comparative study of Bahram Beyzaee and Wolfe Soyinka“. Thesis, University of Leeds, 2008. http://etheses.whiterose.ac.uk/406/.
Der volle Inhalt der QuelleSheikhi, Shoustari Masoud. „An investigation into representations of women in Iranian New Wave cinema“. Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10150.
Der volle Inhalt der QuelleNajmi, Fahimeh. „L'identite nationale et le théâtre en Iran (sous le règne des Pahlavi)“. Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030053.
Der volle Inhalt der QuelleWhile the traditional Iranian performances have been, in the late years, an object for theatre studies, notably outside of Iran, research on « Theatre in Iran » is still to be developed.This study zooms on a crucial period in contemporary Iranian history, when in a verycomplex context the earnest endeavours of three specialists, Mir Seyfeddin Kermanshahi, Abdolhossein Noushin and Shahin Sarkissian, succeeded in launching a theatre that, claiming the status of art, out passed the boundaries of plain entertainment or pure propaganda and wasable to consider the fundamental questionings of the Iranian people and notably the question of identity.The determining factor to be considered in their enterprise is doubtlessly their Occidental formation, in Russia and in France, and their confrontation with the European movement of Art Theatre
Bücher zum Thema "Bahram Beyzaie"
Gholipour, Farshid, Hrsg. Divan-e dialogue-e Bahram Beyzaie. Tehran, Iran: dayere-ye sefid, 2021.
Den vollen Inhalt der Quelle findenAfshārī, Maryam. Taḥlīlī bar bāztāb-i usṭūrah dar sīnamā-yi Bahram Beyzaie. Tihrān: Intishārāti Rawshangarān va Muṭālaʻāt-i Zanān, 2015.
Den vollen Inhalt der Quelle findenKāvah, ʻAlī Riz̤ā. Bahrām Bayz̤āʼī va "Vaqtī hamah khvābīm": Bahram Beyzaie and When we are all asleep. 8. Aufl. Tihrān: Intishārāt-i Nīlā, 2019.
Den vollen Inhalt der Quelle findenHūshang, Allāhʹvardī Amīr, Hrsg. Khīrah bih fānūs-i khayāl: Justārī dar namādʹhā va usṭūrahʹhā-yi chahār fīlm-i Bahram Beyzaie (Ragbār, Gharībah va mih, Kulāgh, Marg-i Yazdagird). Iṣfahān: Naqsh-i Khvurshīd, 2001.
Den vollen Inhalt der Quelle findenTalajooy, Saeed, Hrsg. The Plays and Films of Bahram Beyzaie. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9780755652723.
Der volle Inhalt der QuelleGharībah-yi buzurg: Zindagī va ās̲ār-i Bahrām Bayz̤āʼī. Tehran, Iran: Nashr-i S̲ālis̲, 2004.
Den vollen Inhalt der Quelle findenGoft-o-Goo ba Bahram Beyzai. Tehran, Iran: Agah, 1993.
Den vollen Inhalt der Quelle findenTalajooy, Saeed. Iranian Culture in Bahram Beyzaie's Cinema and Theatre: Paradigms of Being and Belonging. Bloomsbury Publishing Plc, 2023.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Bahram Beyzaie"
„Bahram Beyzaie“. In Iranian Cinema Uncensored. I.B.Tauris, 2016. http://dx.doi.org/10.5040/9780755609185.ch-002.
Der volle Inhalt der QuelleBeyzaie, Bahram, und Amir Roshan. „‘At the END of A Century’ (1996)“. In Counter-Memories in Iranian Cinema, 229–46. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474479752.003.0013.
Der volle Inhalt der QuelleTalajooy, Saeed. „History and Iranian drama: The case of Bahram Beyzaie“. In Preceptions of Iran. I.B.Tauris, 2014. http://dx.doi.org/10.5040/9780755611621.ch-011.
Der volle Inhalt der Quelle„Bahram Beyzaie’s contour in time“. In Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0005.
Der volle Inhalt der Quelle„The Journey (1972)“. In Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0009.
Der volle Inhalt der Quelle„Uncle Moustache (1970)“. In Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0007.
Der volle Inhalt der Quelle„The Puppet Trilogy (1962–3)“. In Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0006.
Der volle Inhalt der Quelle„Conclusion“. In Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0012.
Der volle Inhalt der Quelle„Notes“. In Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0013.
Der volle Inhalt der Quelle„Downpour (1971–2)“. In Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0008.
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