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Zeitschriftenartikel zum Thema "Bachelors – Poetry"
Campos, Roland Azeredo. „Poesia visual e imagens da matéria“. Aletria: Revista de Estudos de Literatura 15, Nr. 1 (30.06.2007): 22–32. http://dx.doi.org/10.17851/2317-2096.15.1.22-32.
Der volle Inhalt der QuelleAkbar Joseph A. Syed und Yazid Meftah Ali Wahas. „Challenges and Solutions in Teaching English through Poetry to EFL Students at Hajjah University: A Case Study of William Wordsworth’s Lucy and John Donne’s Death Poems“. rEFLections 27, Nr. 2 (23.11.2020): 189–98. http://dx.doi.org/10.61508/refl.v27i2.248043.
Der volle Inhalt der QuellePRADO, Rafael Auler de Almeida, Marcus Tulio CALDAS, Karl Heinz EFKEN und Carmem Lúcia Brito Tavares BARRETO. „Linguagem poética e clínica fenomenológica existencial: aproximações a partir de Gaston Bachelard“. PHENOMENOLOGICAL STUDIES - Revista da Abordagem Gestáltica 18, Nr. 2 (2012): 216–23. http://dx.doi.org/10.18065/rag.2012v18n2.11.
Der volle Inhalt der QuelleMalý, Radek. „The Figure of Ophelia in Expressionist Poetry: German and Czech Comparison“. Porównania 27, Nr. 2 (15.12.2020): 197–217. http://dx.doi.org/10.14746/por.2020.2.10.
Der volle Inhalt der QuelleDe Campos, Fernanda Cristina. „Dos sinais às imagens poéticas: leitura de poesia e crítica do imaginário“. Letras de Hoje 51, Nr. 4 (31.12.2016): 573. http://dx.doi.org/10.15448/1984-7726.2016.4.23018.
Der volle Inhalt der QuelleIndira Utojo, Hertin, und Oom Rohmah Syamsudin. „The Meaning of Survival in the Poetry of Jacob Isaac, and its Semantics Learning Implementation“. INFERENCE: Journal of English Language Teaching 5, Nr. 2 (14.12.2022): 170. http://dx.doi.org/10.30998/inference.v5i2.10736.
Der volle Inhalt der QuelleFaria, Maria Lucia Guimarães de. „Bachelard, The Space and Poetic isomorphism Imagetics“. Revista Vértices 14, Nr. 1 (2012): 135–60. http://dx.doi.org/10.5935/1809-2667.20120017.
Der volle Inhalt der QuelleDincă, Irina. „Configurarea Paradigmei Terţului Inclus – Blaga, Bachelard, Lupaşcu1“. Lucian Blaga Yearbook 20, Nr. 1 (01.06.2019): 14–25. http://dx.doi.org/10.2478/clb-2019-0002.
Der volle Inhalt der QuelleThiboutot, Christian. „SOME NOTES ON POETRY AND LANGUAGE IN THE WORKS OF GASTON BACHELARD“. Journal of Phenomenological Psychology 32, Nr. 2 (01.09.2001): 155–69. http://dx.doi.org/10.1163/156916201760043216.
Der volle Inhalt der QuelleThiboutot, C., A. Martinez und David Jager. „Gaston Bachelard and Phenomenology: Outline of a Theory of the Imagination“. Journal of Phenomenological Psychology 30, Nr. 1 (1999): 1–17. http://dx.doi.org/10.1163/156916299x00011.
Der volle Inhalt der QuelleDissertationen zum Thema "Bachelors – Poetry"
Ahrfeldt, Cecilia. „Space and Infelicitous Place in the Poetry of Sylvia Plath“. Thesis, Stockholms universitet, Engelska institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62615.
Der volle Inhalt der QuelleSavige, Jaya. „Latecomers ; [Reflections on the poetry of Michael Dransfield : Bachelard & Courland Penders] ] /“. [St. Lucia, Qld.], 2006. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19113.pdf.
Der volle Inhalt der QuelleJäger, Klaus. „Die Phänomenologie der poetischen Imagination bei Gaston Bachelard“. Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2008. http://d-nb.info/992585635/04.
Der volle Inhalt der QuelleYu, So-phann. „A home fantasy Gaston Bachelard's space consciousness and Yu Guangzhong's poetry = Jia de xia xiang : Bashenla de kong jian yi shi yu Yu Guangzhong de shi /“. Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B41004607.
Der volle Inhalt der QuelleRahija, Robin L. „House of Women“. UKnowledge, 2016. http://uknowledge.uky.edu/english_etds/43.
Der volle Inhalt der QuelleAlison, Aurorarosa. „Science et poétique de l'espace chez Gaston Bachelard“. Thesis, Lyon 3, 2014. http://www.theses.fr/2014LYO30026/document.
Der volle Inhalt der QuelleIs it possible today to speak of the philosophy of space compared to the thought of GastonBachelard ? Divided between science and imagination , all his work has a clear demarcationbetween the axes of knowledge , reason , rationality, and the axes of the poetic imagination ,imagination and material imagination. The conceptual framework of this research lies in the greatdialectic Bachelard , who plays a mediating role and link between the world of science and theimages. The space can be a practical and theoretical representation of this permanent dialectization .Space is a continuous link between the axes of an imaginary geometry and intimate topologies ofthe soul and that is why the search for a categorical space in the work of Gaston Bachelard isdivided into three parts demonstrate : the first is to highlight the presence of the space, in allBachelardian work , the second passage part in which a strong dialectization consists of a rich basicconnections and between connections and large small , up and down , in and out , and the thirdpassage opens on the news where the design philosophy of Bachelardian space, composed ofrelations between dialectics relates to modern and contemporary architecture
Pariser, Lili. „A Poetics of Space: Opening Up a World Through Vessel Metaphors in Modern and Contemporary Poetry“. Oberlin College Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1337099353.
Der volle Inhalt der QuelleLamy, Julien. „Le pluralisme cohérent de la philosophie de Gaston Bachelard“. Thesis, Lyon 3, 2014. http://www.theses.fr/2014LYO30061.
Der volle Inhalt der QuelleThe philosophical significance of the works of Bachelard is generally contained within a simple, two-Fold speciality, science and poetry. Although the double specificity of the work is evident, it often leads to a vulgate which obscures the richness and complexity of the works to such an extent that it is just simpler to speak of the philosophy of Bachelard in the singular. Is it relevant to uphold the theory that Bachelard develops a philosophy in the true sense of the word, whereas the normal interpretation of his works reduces them to a reflection on rationality and imaginary? How can one defend the idea that an integral philosophy exists in the works of Bachelard, which is developed from his regional research, but which exceeds the disciplinary framework of epistemology and the poetic to experiment "adventurous ideas" and more audacious suppositions? We believe we need to re-Evaluate the theories of Bachelard and to grant him a place of honour in twentieth century French philosophy. We undertake this re-Evaluation by proposing the reconstruction of the pluralist philosophy of Bachelard, on the basis of an overall interpretation of his work and a reading of the whole corpus. We therefore defend the thesis whereby the philosophy of Bachelard, both theoretical and practical, is a coherent pluralism, with psychological, ontological and axiological implications, so that the pluralism of Bachelard unfolds around not only a conception of the mind (Part I), of the "being-In-The-World" and concepts of existence (Part II), but also perfectionism in leading the good life, within the scope of a complete anthropology (Part III)
Borba, Sônia Mariz. „A TRANSCENDÊNCIA POÉTICA EM GILBERTO MENDONÇA TELES SOB A PERSPECTIVA DE GASTON BACHELARD“. Pontifícia Universidade Católica de Goiás, 2014. http://localhost:8080/tede/handle/tede/3208.
Der volle Inhalt der QuelleThis dissertation proposes a study of the lyric from Gilberto Mendonça Teles and has the goal of show the importance of image and imagination in the creative process of his lyric below the point of view of phenomenology of Gaston Bachelard . For this phenomenologist the poetic image is a new being of language that deeply enlightens our conscience, making the literary creation one of the destinations of the word. This makes the poet is seen as a special issuer, whom diction opens a future of language. The poetic image is established as a kind of valve that releases the perception and provides deep dazzle to the reader, for it is through the imagination that our souvenirs are rebuilt in discontinuous and lacunar temporal movements, providing us,through the work of art, the insertion in the creative moment of revival.The necessary theoretical basis for this work was also based on studies of lyrical from Octavio Paz, which deals with significant multiple faces of the poetic word. These studies assumed a gloomy and unprecedented universe in which the unpredictable meanings are established in the interstices between words. Thus, we seek to show the poetic transcendence in lyric of Gilberto Mendonça Teles, from reverie and expressive power of images that allow the poet a dilation of the semantics of the words, so that they are able to reveal the essence of the lyric voice transformed into language.
Esta dissertação propõe um estudo da lírica de Gilberto Mendonça Teles e tem como objetivo mostrar a importância da imagem e da imaginação no processo criativo de sua lírica sob o ponto de vista da fenomenologia de Gaston Bachelard. Para esse fenomenólogo, a imagem poética é um novo ser da linguagem que ilumina profundamente a nossa consciência, tornando a criação literária um dos destinos da palavra. Isso faz com que o poeta seja visto como um emissor especial, em quem a dicção abre um porvir da linguagem. A imagem poética instaura-se como uma espécie de válvula que libera a percepção e propicia um profundo encantamento ao leitor, pois é pela imaginação que as nossas recordações são reconstruídas nos descontínuos e lacunares movimentos temporais, proporcionando-nos, por meio da obra de arte, a inserção nos instantes criativos da revivência. A fundamentação teórica necessária para a realização deste trabalho baseou-se também nos estudos sobre a lírica de Octavio Paz, que trata da plurifacialidade significativa da palavra poética. Esses estudos pressupõem um universo sombrio e inaudito em que os significados imprevisíveis instauram-se nos interstícios das palavras. Assim, buscamos mostrar a transcendência poética na lírica de Gilberto Mendonça Teles, a partir dos devaneios e da força expressiva de imagens que possibilitam ao poeta uma dilatação da semântica das palavras, para que elas sejam capazes de revelar a essência da voz lírica transformada em linguagem.
Lima, Leila Maria Alves de. „A CONSTRUÇÃO DA IMAGÉTICA EM YÊDA SCHMALTZ SOB A PERSPECTIVA DE GASTON BACHELARD“. Pontifícia Universidade Católica de Goiás, 2009. http://localhost:8080/tede/handle/tede/3276.
Der volle Inhalt der QuelleTo present dissertation it integrates a glance of the group of Yêda Schmaltz's poetry, writer goiana of having recognized path, in a reading that approaches the discursive and thematic formation of the construction of the imagery established schmaltziana starting from poetic dreams. The necessary theoretical fundamentação for the accomplishment of this work specifically based on Gaston Bachelard in his/her poetic of the dream. Tends in view the shortage of studies that you/they contributed with a new one to look on the deed schmaltziana that analysis became necessary and pertinent, since his/her critical fortune is quite reduced. In that way, the work is configured as being one of the possible glances on the text schmaltziano, without having the pretension of a vision totalizing
A presente dissertação integra um olhar do conjunto da poesia de Yêda Schmaltz, escritora goiana de reconhecida trajetória, numa leitura que aborda a formação discursiva e temática da construção da imagética schmaltziana estabelecida a partir de devaneios poéticos. A fundamentação teórica necessária para a realização deste trabalho baseou-se especificamente em Gaston Bachelard em sua poética do devaneio. Tendo em vista a escassez de estudos que contribuíssem com um novo olhar sobre a escritura schmaltziana essa análise tornou-se necessária e pertinente, já que sua fortuna crítica é bastante reduzida. Dessa forma, o trabalho configura-se como sendo um dos possíveis olhares sobre o texto schmaltziano, sem ter a pretensão de uma visão totalizadora.
Bücher zum Thema "Bachelors – Poetry"
Egan, Bowes. On trial at midnight. Nial Mor, Killybegs, Ireland: Brehon Press, 1985.
Den vollen Inhalt der Quelle findenMerriman, Brian. The midnight court: A new translation of "Cúirt an mheán oíche". Winston-Salem, NC: Wake Forest University Press, 2006.
Den vollen Inhalt der Quelle findenMerriman, Brian. The midnight court =: Cúirt an mheán oíche. Cork: Mercier Press, 1999.
Den vollen Inhalt der Quelle findenMerriman, Brian. The midnight court: A new translation of "Cúirt an mheán oíche". Winston-Salem, NC: Wake Forest University Press, 2006.
Den vollen Inhalt der Quelle findenMerriman, Brian. The midnight court =: Cúirt an mheán oíche : a critical edition. Syracuse, N.Y: Syracuse University Press, 2011.
Den vollen Inhalt der Quelle findenMerriman, Brian. Cuirt an mhean-oiche =: The midnight court. 3. Aufl. Cork: Mercier Press, 1986.
Den vollen Inhalt der Quelle findenAscal, Françoise. Un rêve de verticalité: Journal de Rentilly, autour de Gaston Bachelard. Rennes: Apogée, 2011.
Den vollen Inhalt der Quelle findenMarie, Charles P. De Bergson à Bachelard: Essai de poétique essentialiste. Dijon: Centre Gaston Bachelard, 1995.
Den vollen Inhalt der Quelle findenChiore, Valeria. Il poeta, l'alchimista, il demone: La dottrina tetravalente dei temperamenti poetici di Gaston Bachelard. Genova: Il melangolo, 2004.
Den vollen Inhalt der Quelle findenBernard, Vignon, Dupuy Maryvonne, Perrot Maryvonne und Centre Gaston Bachelard de recherches sur l'imaginaire et la rationalité., Hrsg. Les Mots du rêveur sur La poétique de la rêverie de Gaston Bachelard: Lexique informatisé. Dijon: Editions universitaires de Dijon, 1987.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Bachelors – Poetry"
Günzel, Stephan. „Poetik des Raums – Bachelard und Lefebvre“. In Perspectives on Henri Lefebvre, herausgegeben von Jenny Bauer und Robert Fischer, 17–35. Berlin, Boston: De Gruyter, 2018. http://dx.doi.org/10.1515/9783110494983-002.
Der volle Inhalt der QuelleTang, Yan. „Ye Si (也斯) (1949–2013)“. In Routledge Encyclopedia of Modernism. London: Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2039-1.
Der volle Inhalt der Quellede Monthoux, Pierre Guillet, Matilda Dahl und Jenny Helin. „Bachelard’s Backdoor to Happy Business School Phenomenology“. In The Oxford Handbook of Phenomenologies and Organization Studies, 330—C16.P117. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780192865755.013.18.
Der volle Inhalt der QuelleCharbonneau, Michèle. „Gaston Bachelard and the Phenomenology of the Imagination“. In The Oxford Handbook of Phenomenologies and Organization Studies, 79—C4.P104. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780192865755.013.6.
Der volle Inhalt der QuelleShears, Jonathon. „‘Baneful to Public and to Private Good’: Hours of Illness and Idleness in the Long Eighteenth Century“. In The Hangover, 69–104. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621198.003.0004.
Der volle Inhalt der QuelleGrene, Nicholas. „Patrick Kavanagh“. In Farming in Modern Irish Literature, 127–56. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198861294.003.0007.
Der volle Inhalt der QuelleEllenzweig, Allen. „A Return to Paris; Bachelor and PaJaMa Parties“. In George Platt Lynes, 256–74. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190219666.003.0018.
Der volle Inhalt der Quelle„2. Von der Phänomenotechnik zur Poetik desRaumes: Gaston Bachelards Suche nach einer rekurrenten Philosophie“. In Epistemologie als Reflexion wissenschaftlicher Praxen, 175–240. transcript-Verlag, 2018. http://dx.doi.org/10.14361/9783839442128-006.
Der volle Inhalt der Quelle„2. Von der Phänomenotechnik zur Poetik desRaumes: Gaston Bachelards Suche nach einer rekurrenten Philosophie“. In Epistemologie als Reflexion wissenschaftlicher Praxen, 175–240. transcript Verlag, 2018. http://dx.doi.org/10.1515/9783839442128-006.
Der volle Inhalt der QuelleGairn, Louisa. „‘Connective Leaps’: Sightlines and The Overhaul“. In Kathleen Jamie. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748696000.003.0020.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Bachelors – Poetry"
Weirauch, Angelika. „CREATIVE WRITING IN CONTEXT OF UNIVERSITIES“. In International Conference on Education and New Developments. inScience Press, 2022. http://dx.doi.org/10.36315/2022v1end056.
Der volle Inhalt der QuelleAlison, Aurosa. „Les « Unités » Modulor dans la Philosophie de l’Espace de Gaston Bachelard“. In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1045.
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