Auswahl der wissenschaftlichen Literatur zum Thema „Authoritarianism – fiction“
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Zeitschriftenartikel zum Thema "Authoritarianism – fiction"
Graybill, M. S. „Nostalgia, Race, and Authoritarianism in Flannery O’Connor’s Fiction“. Amerikastudien/American Studies 66, Nr. 3 (2021): 441–62. http://dx.doi.org/10.33675/amst/2021/3/4.
Der volle Inhalt der QuellePatriadi, H. B. „From Authoritarian to Democracy in Indonesia: A Costly Fiction of Sustainable Human Security?“ International Journal of Sustainable Future for Human Security 7, Nr. 2 (Februar 2021): 32–38. http://dx.doi.org/10.24910/jsustain/7.2/3238.
Der volle Inhalt der QuelleSassón-Henry, Perla. „Hotel Minotauro : A Polyphonic Novel in a Digital Labyrinth“. Rocky Mountain Review 77, Nr. 2 (September 2023): 190–210. http://dx.doi.org/10.1353/rmr.2023.a921588.
Der volle Inhalt der QuelleBinder, Werner. „A Liberal Order Beyond Earth? Civil Sphere, “The Culture” and the Future of Liberalism“. Sotsiologicheskoe Obozrenie / Russian Sociological Review 19, Nr. 4 (2020): 36–60. http://dx.doi.org/10.17323/1728-192x-2020-4-36-60.
Der volle Inhalt der QuelleCosta, Dyellem Silva da, und Tânia Sarmento-Pantoja. „VIOLÊNCIA E MEDO EM A ILHA DA IRA DE JOÃO DE JESUS PAES LOUREIRO“. Narrares Journal 1, Nr. 2 (25.06.2024): 157. http://dx.doi.org/10.18542/narraresj.v1i2.16512.
Der volle Inhalt der QuelleBartles, Jason A. „Navigating Uncertainty: The Ambiguous Utopias of Le Guin, Gorodischer, and Jemisin“. Utopian Studies 33, Nr. 1 (01.03.2022): 107–26. http://dx.doi.org/10.5325/utopianstudies.33.1.0107.
Der volle Inhalt der QuelleOlczak, Agnieszka. „Uczenie się demokracji od dzieciństwa – kaprys czy potrzeba współczesności?“ Problemy Wczesnej Edukacji 31, Nr. 4 (31.12.2015): 92–100. http://dx.doi.org/10.5604/01.3001.0008.5649.
Der volle Inhalt der QuelleShakoor, Abdul, und Mustanir Ahmad. „ANARCHO-PRIMITIVISM IN D.H. LAWRENCE’S POST WAR FICTION: AN ECO-CRITICAL ANALYSIS“. Pakistan Journal of Social Research 04, Nr. 04 (31.12.2022): 10–17. http://dx.doi.org/10.52567/pjsr.v4i04.782.
Der volle Inhalt der QuelleLee, O.-Joun, Heelim Hong, Eun-Soon You und Jin-Taek Kim. „Discovering Social Desires and Conflicts from Subculture Narrative Multimedia“. Sustainability 12, Nr. 24 (08.12.2020): 10241. http://dx.doi.org/10.3390/su122410241.
Der volle Inhalt der QuelleSzadok-Bratuń, Aleksandra. „Fullerowski paradygmat (nie)dobrego prawa i jego aktualność „hic et nunc”“. Studia nad Autorytaryzmem i Totalitaryzmem 43, Nr. 2 (27.12.2021): 295–316. http://dx.doi.org/10.19195/2300-7249.43.2.19.
Der volle Inhalt der QuelleDissertationen zum Thema "Authoritarianism – fiction"
Morelock, Jeremiah. „Elements of Authoritarian Populism in Diseased Others Science Fiction“. Thesis, Boston College, 2019. http://hdl.handle.net/2345/bc-ir:108572.
Der volle Inhalt der QuelleThis work addresses the globally urgent need to understand the social origins of the recent surge in authoritarian and populist social movements across Europe and the Americas. It analyzes how themes of tribalism, confidence in medical science, and confidence in military violence changed over the years in the retelling of stories in popular culture. The focus is I Am Legend and Day of the Dead – two series of American film remakes of popular science fiction stories that feature pandemic disease and the threat of what are here referred to as “Diseased Others” – the transformed, humanoid Others who have caught the disease. The qualitatively-driven approach exhibits an original methodological contribution to the discipline of sociology, offering several innovations via the coding schemes used and an adaptation of grounded theory for multiple sample sets of films. The data consulted include transcriptions of dialogue from films, reviews in popular news sources, interviews with cast and crew, box office data, and data from the General Social Survey. Within these examples of “Diseased Others” science fiction, themes of tribal morality and confidence in medical science and the military have followed a discernible trajectory. This trajectory is of narrowing moral scope toward loyalty to one’s own in opposition to outside groups, and embracing military violence as a positive solution to threats to the “normal” population. In general, medical science is also increasingly positioned as dangerous and blameworthy (even if also capable of positive intervention). This trajectory thus displays a heightening of what are identified for the present study as three “elements of authoritarian populism”: tribalism, distrust of rational institutions, and willingness to resort to violence
Thesis (PhD) — Boston College, 2019
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: Sociology
Sundkvist, Patrick. „Dreams of Democracy within Extreme Dystopias : A Study of the Imperium of Man“. Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur (from 2013), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-84245.
Der volle Inhalt der QuelleSyftet med denna uppsats är att analysera ett flertal dystopiska element som existerar i det fiktiva universumet Warhammer: 40000 och påvisa hur dessa element avslöjar kritik riktad mot auktoritär politik och filosofi. Jag valde en fördjupad läsning av ett antal texter och analyserade karaktärernas relation till det galaktiska imperiet Imperium of Man och fann områden vars fokus var förtryck mot yttrandefrihet, existensiella kriser och drömmar om frihet. I min analys av Warhammer: 40000 argumenterar jag att styrelseskicket som etablerats i Imperium of Man skapar dessa humanitära kriser, vilket till viss del blivit inspirerat av mänsklighetens egen historia.
Zucolo, Nicia Petreceli. „Uma rapsódia portuguesa: testemunhos ficcionais em três romances de Lídia Jorge“. Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-05012015-151119/.
Der volle Inhalt der QuelleThe novels A costa dos murmúrios, A noite das mulheres cantoras e A manta do soldado constitute a thematic unit in Lídia Jorge\'s work. They introduce the triad literature-history-memory by the perspective of female narrators, who articulate their own memories with the memories of Portuguese historical events throughout more than forty years of dictatorship. This thesis is going to analyse the fictional testimonies made by female narrators as a guide for the narratives, considering the representation of these character\'s testimonies affected on their own lives by the national trajectory. These three novels draw attention to the social criticism in the author\'s work, revealing the consciousness (or not) of belonging to a nation; the masquerade (and reconstruction) of identities; the doubt about the official historical discourses; the hollowness of the being or the search for its constitution. The violence required not only by the State, but also by individuals, is noticed in the oppositions and the correspondence between silence and sound; echo and murmuring; forbidden and clamorous
Santos, Fernando Simplício dos 1979. „História, política e alegoria na prosa ficcional de Dyonelio Machado“. [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269980.
Der volle Inhalt der QuelleTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-22T18:32:06Z (GMT). No. of bitstreams: 1 Santos_FernandoSimpliciodos_D.pdf: 3482638 bytes, checksum: ddee43e4a6460bec65d9f060ea775d3b (MD5) Previous issue date: 2013
Resumo: O presente trabalho tem por objetivo analisar a maneira pela qual é desenvolvida a relação entre história, política e alegoria na tetralogia romanesca composta por O louco do Cati (1942), Desolação (1944), Passos perdidos (1946) e Nuanças (1981) e, principalmente, na trilogia constituída por Deuses econômicos (1966), Sol subterrâneo (1981) e Prodígios (1980), de Dyonelio Machado (1895-1985). Para a consecução de nossas hipóteses, por meio de uma apreciação que igualmente se vale da alegoria como método analítico, em primeiro lugar, o propósito é avaliar como os romances O louco do Cati, Desolação, Passos perdidos e Nuanças representam uma crítica sutil ou implícita, especialmente, contra a Era Vargas e contra o sistema econômico capitalista; e como essa característica tende a se tornar paulatinamente mais explícita, sobretudo na última narrativa. Em segundo lugar, nossa apreciação está dirigida ao estudo de Deuses econômicos, Sol subterrâneo e Prodígios, a fim de verificar de que modo esses romances ampliam e reforçam o questionamento à violência tirânica e ditatorial, acentuando as origens de suas mais remotas contradições sociais, políticas, econômicas e religiosas. Nesse sentido, num primeiro nível de interpretação dessa trilogia, constatamos uma indagação direta ao despotismo do imperador Nero; e, a partir de outro patamar significativo, averiguamos, em profundidade, que existe ao mesmo tempo um tácito julgamento que não está somente direcionado à Era Vargas, mas também endereçado à ditadura militar e ao imperialismo moderno. Além dessas questões, sublinhamos uma crítica (sempre subjacente aos romances) a respeito de certas questões político-religiosas que vigoravam no Rio Grande do Sul da época em que essas três composições foram publicadas, em especial ressignificando impasses, atinentes aos membros do Integralismo e representantes da Aliança Nacional Libertadora (ANL), bem como entre comunistas e capitalistas, em meio a outras especificidades. Nessas três obras, a alegoria interligada à metodologia apreciativa permite identificar a presença de um texto e de subtextos, à medida que detectamos um diálogo de cunho intertextual. Portanto, trata-se de reconhecer a existência, nas narrativas do autor, de uma passagem entre duas formas distintas de crítica. A primeira poderia ser considerada como "menos complexo"; e a segunda, como "muita mais expressiva". Sobretudo com o exame comparativo entre os romances O louco do Cati, Desolação, Passos perdidos e Nuanças e os livros Deuses econômicos, Sol subterrâneo e Prodígios, ainda procuramos sistematizar uma literatura dyoneliana, não apenas do cárcere, como também de suas "trágicas consequências". Assim, acreditamos que é possível assinalar como está organizada e rearticulada parte da poética de Dyonelio Machado através dos tempos, de modo que seja possível esquematizar, da mesma maneira, o percurso e as transformações pelas quais passaram certas fases de seu pensamento estético e artístico
Abstract: This work seeks to analyze the way the relation between history, politics and allegory is developed in the novel tetralogy made up of O louco do Cati [The Madman from Cati] (1942), Desolação [Desolation] (1944), Passos perdidos [The Lost Steps] (1946), and Nuanças [Nuances](1981); and mainly in the trilogy composed of Deuses econômicos [Economical Gods] (1966), Sol subterrâneo [Underground Sun] (1981) and Prodígios[Prodigies] (1980), by Dyonelio Machado (1895-1985). To test our hypotheses, we carried out an examination which also makes use of allegory as an analytical method. First, our purpose is to investigate how the novels O louco do Cati, Desolação, Passos perdidos and Nuanças represent a subtle or implicit criticism whose main targets are the Vargas Era and the capitalist economic system; and how such feature tends to gradually become more and more explicit, mainly in the last narrative. Second, our examination is focused on the study of Deuses econômicos, Sol subterrâneo and Prodígios, so as to check on how these novels expand and reinforce the questioning of dictatorial and tyrannical violence, and to point out its most remote social, political, economic and religious contradictions. In doing that, at the first level of interpretation of this trilogy, we see a direct inquiry into the despotism of Emperor Nero; and at another level, we notice a deeper lay of meaning, in which there is also a tacit judgment that is passed not only on the Vargas Era, but also on the military dictatorship and on modern imperialism. Besides those issues, we highlight a criticism - always underlying the novels - of some political-religious issues in Rio Grande do Sul which were current in that time when the three works were published. It especially imparts new meanings to stalemates between the members of the integralist movement and representatives of the National Liberation Alliance (ANL), as well as between communists and capitalists, among other things. In those three works, the allegory coupled with the appreciative inquiry method allows for identifying a text and subtexts, as we perceive a dialogue of intertextual nature. Therefore, studying the narratives of the author implies in recognizing the existence in them of a passage between two distinct forms of criticism. The first one may be considered as "less complex" while the second one can be seen as "much more expressive". We also seek to systematize the literature by Dyonelio Machado, not only the prison literature but also the literature on its "tragic consequences". That is done mainly through the comparative study between the tetralogy made up of the novels O louco do Cati, Desolação, Passos perdidos and Nuanças and the trilogy composed of Deuses econômicos, Sol subterrâneo and Prodígios. Thus, we believe it is possible to trace how part of Dyonelio Machado's poetics is organized and rearticulated throughout time, in a way that makes it also possible to outline the path and changes through which some phases of his aesthetic and artistic thinking passed
Doutorado
Teoria e Critica Literaria
Doutor em Teoria e História Literária
Maquin-Silland, Rébecca. „Enchanter pour dénoncer : quand la fiction politique pense les autoritarismes“. Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030122.
Der volle Inhalt der QuelleThe aim of this thesis is to study the non-fictional and epitextual aspects of Michel Houellebecq, Antoine Volodine, Jean-Christophe Rufin, and Boualem Sansal in relation to four of their spectulative fictions. In the first part, it emphasizes their roles as vigilant authors who criticize economic liberalism, point out democratic excesses, and underscore a generational depression. The second part looks at the distinctive political dimension of these author’s fiction, delving into complex autoritarian worlds in works like Globalia, Terminus radieux, Soumission, and 2084 : la fin du monde. Finally, the third part examines how theses fictions investigate the boundary between the imaginary and reality while developing the notion that the art of writing can forge new forms of authority and rekindle the concept of utopia, thus offering a unique perspective of contemporary pollical thought
Bücher zum Thema "Authoritarianism – fiction"
Henry, Porter. The bell ringers. London: Grove Press, 2009.
Den vollen Inhalt der Quelle findenRiccardo, Campa. L' esilio: Saggi di letteratura latinoamericana. Bologna: Il Mulino, 2000.
Den vollen Inhalt der Quelle findenCamacho, Bibiana. El origen de todos los males: Madres y padres autoritarios. Ciudad de México: Cal y Arena, 2022.
Den vollen Inhalt der Quelle findenNúñez, Marisa. Lucinda y el inspector Vinagre. Pontevedra: Kalandraka, 2001.
Den vollen Inhalt der Quelle findenSuleiman, Susan Rubin. Authoritarian fictions: The ideological novel as a literary genre. Princeton, N.J: Princeton University Press, 1993.
Den vollen Inhalt der Quelle findenBjørneboe, Jens. Moment of freedom: The Heiligenberg manuscript. Norwich, England: Norvik Press, 1999.
Den vollen Inhalt der Quelle findenBjørneboe, Jens. Moment of freedom: The Heiligenberg manuscript. Chester Spring, Pa: Dufour Editions, 1999.
Den vollen Inhalt der Quelle findenTahir, Sabaa. A reaper at the gates. New York, NY: Razorbill, 2018.
Den vollen Inhalt der Quelle findenAriel, Dorfman. Mascara: A novel. New York: Seven Stories Press, 2004.
Den vollen Inhalt der Quelle findenRhue, Morton. The wave. London: Puffin, 2007.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Authoritarianism – fiction"
Uxó, Carlos. „Crime fiction and authoritarianism“. In The Routledge Companion to Crime Fiction, 388–96. Abingdon, Oxon; New York, NY: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429453342-47.
Der volle Inhalt der QuelleSmit, David. „Billy Lee Brammer and Lyndon Johnson's Texas in the 1950s“. In Authoritarianism and Class in American Political Fiction, 145–69. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003256410-10.
Der volle Inhalt der QuelleSmit, David. „A Class Analysis of All the King's Men“. In Authoritarianism and Class in American Political Fiction, 69–94. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003256410-5.
Der volle Inhalt der QuelleSmit, David. „Edwin O'Connor and James Michael Curley's Boston: 1914–50“. In Authoritarianism and Class in American Political Fiction, 97–125. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003256410-7.
Der volle Inhalt der QuelleSmit, David. „Class, Elite Pluralism, and Political Bosses“. In Authoritarianism and Class in American Political Fiction, 10–37. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003256410-2.
Der volle Inhalt der QuelleSmit, David. „Conclusion“. In Authoritarianism and Class in American Political Fiction, 195–201. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003256410-12.
Der volle Inhalt der QuelleSmit, David. „Introduction“. In Authoritarianism and Class in American Political Fiction, 1–9. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003256410-1.
Der volle Inhalt der QuelleSmit, David. „A Class Analysis of The Gay Place“. In Authoritarianism and Class in American Political Fiction, 170–94. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003256410-11.
Der volle Inhalt der QuelleSmit, David. „Robert Penn Warren and Huey Long's Louisiana: 1928–32“. In Authoritarianism and Class in American Political Fiction, 41–68. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003256410-4.
Der volle Inhalt der QuelleSmit, David. „A Class Analysis of The Last Hurrah“. In Authoritarianism and Class in American Political Fiction, 126–42. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003256410-8.
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