Thematische Bibliographien / Authier

Auswahl der wissenschaftlichen Literatur zum Thema „Authier“

Autor: Grafiati
Veröffentlicht am 25. Juli 2024

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Zeitschriftenartikel zum Thema "Authier"

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Faucher, Jean Marc, und Thierry Jean. „Entretien avec Jacqueline Authier‑Revuz“. Journal français de psychiatrie 46, Nr. 2 (2017): 87. http://dx.doi.org/10.3917/jfp.046.0087.

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Authier, Melanie. „Entretien avec Melanie Authier : "Grisailles"“. ti< 3, Nr. 1 (29.03.2014): 88–90. http://dx.doi.org/10.26522/ti.v3i1.907.

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Prades, Clamenç. „Entretien avec Melanie Authier : Grisailles“. Voix Plurielles 11, Nr. 1 (30.04.2014): 323–26. http://dx.doi.org/10.26522/vp.v11i1.935.

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Vaillant, François. „Jean Authier, l’audace à toute épreuve“. Alternatives Non-Violentes N° 199, Nr. 2 (01.06.2021): 30–32. http://dx.doi.org/10.3917/anv.199.0030.

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Brasil, Escola Nacional de Administração Pública. „Entrevista: Michel Authier "As Árvores de Conhecimentos"“. Revista do Serviço Público 59, Nr. 1 (18.02.2014): 93–106. http://dx.doi.org/10.21874/rsp.v59i1.142.

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Van Sull, Anaïs. „Grafmeyer Yves, Authier Jean-Yves, Sociologie urbaine“. Recherches sociologiques et anthropologiques 40, Nr. 1 (15.04.2009): 174–76. http://dx.doi.org/10.4000/rsa.324.

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Pinheiro, Carlos Eduardo Silva. „A representação do discurso outro: um setor da atividade metalinguageira“. Revista da ABRALIN 19, Nr. 2 (09.10.2020): 1–5. http://dx.doi.org/10.25189/rabralin.v19i2.1594.

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Nesta conferência, Jacqueline Authier-Revuz sobrevoa os principais pontos de La Représentation du Discours Autre - Principes pour une description, seu livro recém-publicado. Na ocasião, a pesquisadora questiona a noção tradicional de Discurso Reportado, assumindo que o termo “reportado” implica uma referência temporal anterior ao ato de enunciação em curso e na qual o enunciador poderia se basear para, então, reportar um já-dito. Authier-Revuz argumenta que essa noção tradicional desconsidera a representação linguageira de discursos virtuais e hipotéticos, isto é, de dizeres não realizados ou passíveis de se realizar. Por isso, a estudiosa propõe a noção de Representação do Discurso Outro (RDO) para repensar a instanciação de um outro dizer no discurso, apresentando o caráter linguageiro, linguístico, discursivo e subjetivo desse fenômeno enunciativo. Authier-Revuz defende ainda que a RDO constitui uma parte do campo mais amplo das Heterogeneidades Enunciativas, sistematizado por ela inicialmente na década de 1980.
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Moura, Anna Biatrys, und Célia Maria de Medeiros. „Faces da violência contra a mulher: a heterogeneidade discursiva como ferramenta metodológica“. Revista de Iniciação à Docência 9, Nr. 1 (07.05.2024): e13938. http://dx.doi.org/10.22481/riduesb.v9i1.13938.

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Nosso trabalho se situa no âmago das práticas do Programa de Bolsas de Iniciação à Docência - PIBID, realizado em uma turma de 9º ano do Ensino Fundamental. Temos como objetivo analisar quatro manchetes de notícias produzidas pelos alunos a partir do processo de retextualização do conto “Gesso”, de Jarid Arraes, e da canção “Maria da vila Matilde”, de Elza Soares. Para tanto, discutimos os conceitos de discurso (Fairclough, 2001; Maingueneau, 2015; Mussalim, 2003), de sujeito (Authier-Revuz, 1990; Mussalim, 2003), de formações ideológicas e discursivas (Althusser, 1996; Foucault, 1997; Maingueneau, 2015) e, ainda, como abordagem teórico-metodológica norteadora do trabalho, as heterogeneidades mostrada e constitutiva (Authier-Revuz, 1990). Como resultados, verificamos diferentes formações discursivas: as que convergem com os discursos de proteção da mulher e as que vão contra esses discursos, ironizando-os e os negando.
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Hoying, Cheryl L., und Elaine Cohen. „Phil Authier, RN, MPH, and Laurie Shiparski, RN, BSN, MS“. Nurse Leader 14, Nr. 6 (Dezember 2016): 393–98. http://dx.doi.org/10.1016/j.mnl.2016.08.004.

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Da Silva Esteves, Phellipe Marcel, und Bruno Rego Deusdará Rodrigues. „A polissemia da fórmula “autonomia universitária”“. Cadernos de Letras da UFF 28, Nr. 57 (26.12.2018): 73. http://dx.doi.org/10.22409/cadletrasuff.2018n57a623.

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<p>Objetiva-se discutir a constituição da fórmula “autonomia universitária”, em análise da materialidade linguística captada na mídia brasileira. Recuperamos os contornos do debate e analisamos as sequencias por meio de marcas da heterogeneidade enunciativa (AUTHIER-REVUZ, 1998).</p>
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Dissertationen zum Thema "Authier"

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Klapper, Helmut [Verfasser], Theo [Akademischer Betreuer] Hahn, Kurt [Akademischer Betreuer] Lücke, Peter [Akademischer Betreuer] Grosse, S. [Akademischer Betreuer] Haussühl und A. [Akademischer Betreuer] Authier. „Untersuchungen der Geometrie eingewachsener Versetzungen in lösungsgezüchteten Kristallen / Helmut Klapper ; Theo Hahn, Kurt Lücke, Peter Grosse, S. Haussühl, A. Authier“. Aachen : Universitätsbibliothek der RWTH Aachen, 2017. http://d-nb.info/116206367X/34.

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Authier, Teresa Luise [Verfasser], und Matthias [Akademischer Betreuer] Hornung. „Das Erlernen von minimal-invasiv chirurgischen Basisfertigkeiten – Eine klinisch praktische Studie über den Einfluss der Gruppenzusammensetzung bei männlichen Probanden ohne Vorerfahrung / Teresa Luise Authier ; Betreuer: Matthias Hornung“. Regensburg : Universitätsbibliothek Regensburg, 2021. http://d-nb.info/1241825432/34.

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Grgorinic, Natalija. „Recounting the Author“. Case Western Reserve University School of Graduate Studies / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=case1333512288.

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Kennedy, Niall. „Deleuze and the author“. Thesis, Kingston University, 2016. http://eprints.kingston.ac.uk/38644/.

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This thesis argues that Gilles Deleuze, as philosopher, reader, and critic, recognised the central importance of a defined authorial subjectivity, closely associated with a philosophical or intellectual project, and that his analyses of philosophy, literature, visual art and cinema were shaped and determined by his recognition of that authority. In this respect, my reading challenges those critics who find in the work of Deleuze an assault on ‘author-centric’ interpretations of texts, and more generally on the concept of a unified self, and which uphold experimentation on the part of the reader or critic rather than interpretation. I argue that Deleuze has a coherent and meaningful conception of an author as a consciousness which persists through time, learns, plans and makes projects, differentiates itself from the work of other authors, is inspired and creative, takes positions in relation to the inheritance of artistic and philosophical traditions, and which is capable of entering into collaboration with others. Through close reading of Deleuze’s texts, I demonstrate that he consistently relies on the authorial function to impose unity and coherence on the distinctive - and often remarkable - body of work of an individual theorist or practitioner. I argue that the historical, political and social situation of an author is of great importance to the analysis of a text. Finally, unlike Roland Barthes or other critics invested in the ‘death’ or displacement of the author, I argue that Deleuze considers the competing interpretations of a text advanced by the reader or spectator to be of little or no importance.
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Lee, Siyeon. „The author on the stage : Fielding's self-awareness as author and problems of authority“. Thesis, University of Edinburgh, 1995. http://hdl.handle.net/1842/20627.

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This thesis advances a new perspective on Henry Fielding's self-awareness as author, as it appears in his writings of various genres from The Author's Farce to The Covent-Garden Journal. The principal argument is that Fielding's problematic self-awareness as author and idea of literary authority evolved through a series of ambivalent relationships with literary and political authorities of his age. At each stage of his career, Fielding found himself in tensioned relations to the Scriblerians, particularly Pope 'the great Poet', Robert Walpole 'the Great Man', and the great or 'High People' at large, including his own patrons. The 'Trade of Authoring' seemed at best a dubious alternative to attain financial (and moral) independence, and Fielding considered himself denied the aesthetic and moral authority to write serious satire by public readership, the new patrons of commercialised letters. Instead of the Fielding we are familiar with, that is, the authoritative Augustan satirist and master of comic fiction, Fielding as appears in the present thesis is essentially 'an author of a farce', by his own self-demeaning denomination, who sees in himself a 'humble servant' to either the great patrons or the paying audience, with only some Drawcansirian mock-authority at best. Chapter I offers analyses of The Author's Farce, a dramatisation of Fielding the novice playwright's ambivalence towards the great in letters and politics, and of his anti-Walpole plays in 1736-37, each in the format of a rehearsal by the 'Author', through whom Fielding converts his self-awareness as author without authority into an opposition formula to veto Walpole's political authority. Chapter II continues to discuss Fielding's peculiar infusion of his authorial concern into the anti-Walpole satire in The Champion and Jonathan Wild.
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Bulcaen, Chris. „The dialogue of an author:“. Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-96426.

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In Swahili Forum III Elena Bertoncini-Zubkova (1996) discussed some of the political criticisms, expressed in the form of literary motifs and imagery, that emerged in the works of the Tanzanian Swahili writer Euphrase Kezilahabi since 1978 onwards. She situates this emergent critique in the new political discoursive context where critical reviews of the Ujamaa policy could now be publicly voiced since President Nyerere himself admitted the failure of Ujamaa in his delivery Azimio la Arusha baada ya Miaka Kumi (The Arusha Declaration Ten Years Later, 1977). According to Bertoncini this admission `clear[ed] the way for critical literary works` of which Kezilahabi satirical play Kaputula la Marx (Marx`s Shorts, 1978) and his short story Mayai- Waziri wa maradhi (Eggs- Minister of Sickness, 1978) were among the first.
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Moran, Joseph Patrick. „The American author as celebrity“. Thesis, University of Sussex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283106.

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Berger, Karol. „The Text and Its Author“. Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A36799.

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Govender, Dyalan. „The Author Figured in Film“. Thesis, University of Sydney, 2009. https://hdl.handle.net/2123/23107.

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For all the critical attention paid to the author in literary theory and criticism, there has been no study of the film medium’s fascination with authors and authorship. Every year, Hollywood produces numerous films about poets, playwrights, novelists, and screenwriters. This thesis explores the narrative and cinematic potential of the author. In broad terms, it is an exercise in genre criticism, establishing the defining characteristics of films characterising authors. It is also a very specific type of genre criticism, taking a cognitivist approach that defines the author as a set of historically and socially established expectations and characteristics against which the characters in these films are measured. After establishing the phenomenological parameters and critical value of the cognitivist approach in Chapter 1,1 then take up Andrew Bennett’s outline of the author as a cultural concept, discussing its utility in dealing with films figuring authors and authorship. Chapters 3 to 8 explore a selection of the sub-genres of films containing authors, starting with characterisations of the author as a detective, then moving to films using and depicting writer’s.block, horrific characterisations of the author, characterisations of female authors, the biopic, and films characterising screenwriters in Hollywood. The work concludes with an analysis of Charlie Kaufman and Spike Jonze’s Adaptation (2002), whose broad exploration of authorship traverses more of these sub-genres than any other film, offering an opportunity to bring together the findings of Chapters 1 to 8. I focus on English language, feature length, narrative films released between 1927 and 2007. Rather than taking a chronological approach and tracing the history of the medium’s treatment of the author, I select films from various periods, identifying in them the defining characteristics of the genre. But more than this, the genre and its characteristics represent the persistent interpretive function of the author in face of the critical trend away from biographically based interpretation towards textual and semiotic analysis.
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De, Luca Vincenzo. „Applicativo web per audioguide - HooRMI Author“. Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/18444/.

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HooRMI Author è la parte da content creator del progetto HooRMI. La dissertazione si concentra sul funzionamento HooRMI Author, ovvero di come viene permesso all'utente di produrre contenuti video basati sulla propria posizione acquisita tramite tecnologia Plus code e caricarli sul proprio canale Youtube. I contenuti risulteranno pronti per essere selezionati e fruiti dai turisti, grazie alla profonda personalizzazione dei metadati associati ad ogni clip.
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Bücher zum Thema "Authier"

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Chabot, Denys. Hector Authier, le père de l'Abitibi. Montréal, Québec: Lidec, 2004.

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Branca-Rosoff, Sonia, und J. Authier. L'hétérogène à l'œuvre, dans la langue et les discours: Hommage à Jacqueline Authier-Revuz. Limoges: Éditions Lambert-Lucas, 2012.

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Lodge, David. Author, author. London: Secker & Warburg, 2004.

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Author. New York: PowerKids Press, 2015.

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Williamson, David. Author! Author!: Encounters with famous writers. Winnipeg, MB: Great Plains, 2000.

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Holloway, Henry L. Author-generated phototypesetting author-publisher-printer links. Oxford: Elsevier International Bulletins, 1985.

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Chris, Wallace-Crabbe, Hrsg. Author! author!: Tales of Australian literary life. Melbourne: Oxford University Press, 1998.

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Crouch, Tim. The author. [London]: Oberon Books, 2009.

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Crouch, Tim. The author. [London]: Oberon Books, 2009.

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Dajani, Marwan. Uprooted: Author. Beirut: Arab Scientific Publishers, 2016.

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Buchteile zum Thema "Authier"

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Shachar, Hila. „Introduction: Biopics, Biography, Heritage, and the Literary Biopic“. In Screening the Author, 1–21. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18850-4_1.

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Shachar, Hila. „Heritage and the Literary Biopic ‘Template’: Shakespeare, Austen, Wilde, and the Author as Product“. In Screening the Author, 23–62. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18850-4_2.

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Shachar, Hila. „The Muse Speaks Back: Silence, Invisibility, and Reframing Authorial Identity“. In Screening the Author, 63–98. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18850-4_3.

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Shachar, Hila. „Feminine Authorial Mournings: The Female Writer on Screen and the Trauma of the Present“. In Screening the Author, 99–128. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18850-4_4.

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Shachar, Hila. „Appropriating the Beats, Radicalising the Literary Biopic: Intersectional Politics and Ginsberg and Kerouac on Screen“. In Screening the Author, 129–68. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18850-4_5.

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Shachar, Hila. „Conclusion: The Author as Mediator and Barometer“. In Screening the Author, 169–88. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18850-4_6.

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„Jacqueline Authier-Revuz: Enunciative heterogeneity“. In The Discourse Studies Reader, 155. Amsterdam: John Benjamins Publishing Company, 2014. http://dx.doi.org/10.1075/z.184.36aut.

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Roy-Grégoire, Gabrielle, Isabel Orellana und Gabriel Poisson. „Chapitre 8 / Une mobilisation historique face à l’industrie minière: Le cas du projet Authier“. In L’héritage des luttes environnementales au Québec, 241–74. Presses de l'Université du Québec, 2024. http://dx.doi.org/10.1515/9782760559769-013.

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Sorel, Marie. „Soldat d’Allah de Christian Authier : autoportrait de l’auteur en chevalier « né trop tard ou trop tôt »“. In Figurer le terroriste, 151–60. Karthala, 2021. http://dx.doi.org/10.3917/kart.berth.2021.01.0151.

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„Contributing Authors“. In Robotics and Automation Solutions for Inspection and Maintenance in Critical Infrastructures. Now Publishers, 2024. http://dx.doi.org/10.1561/9781638282839.author.

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Konferenzberichte zum Thema "Authier"

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Morais, Regina. „Representações sociais e a prefiguração do agir docente“. In Simpósio Internacional Trabalho, Relações de Trabalho, Educação e Identidade. Appos, 2020. http://dx.doi.org/10.47930/1980-685x.2020.1713.

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Este artigo objetiva socializar resultado de uma pesquisa sobre como as representações docentes se relacionam com o desenvolvimento das práticas letradas na educação básica. Trata-se de seus reflexos sobre tarefas, ações e atividades que compõem o trabalho docente. Suas bases teóricas são: interação social (VOLOCHÍNOV, 2004; BAKHTIN, 2003), elementos socio-históricos e culturais para o desenvolvimento das pessoas (VIGOTSKY, 1987; BRONCKART, 2006, 2014), o trabalho docente (MACHADO; ABREU-TARDELLI, 2005), Teoria das Representações Sociais (MOSCOVICI, 2007; PY, 2004; GUARESCHI, 2000), gênero textual (KLEIMAN; CECINEROS; TINOCO, 2013; DOLZ; NOVERRAZ; SCHNEUWLY, 2004) e de Letramentos (KLEIMAN, 2007). Relata aspectos de um estudo de caso/ etnográfico, desenvolvido em instituições públicas. Os dados – advindos de entrevistas, questionários, Projeto Político-Pedagógico de cada escola e diário de campo da pesquisadora - foram examinados sob a ótica da Análise do Discurso (ORLANDI, 1996, 2011, 2003; AUTHIER-REVUZ, 1990) e da Semântica Argumentativa (DUCROT, 1987; KOCH, 1996). Revelam que as RS que interferem no agir docente refletindo sobre o trabalho coletivo, o planejamento cotidiano e recai sobre as práticas didáticas desenvolvidas no interior da escola. Tais interferências expressam, concomitantemente, um movimento de manutenção e de mudança sobre as próprias representações e sobre as práticas profissionais. Os docentes vêem-se interpelados pelas injunções e negociações que restringem as próprias ações. Essas restrições manifestam-se nos processos de planejamentos coletivos e individuais e expressam contradições diante dos objetivos enfim, os professores encontram possibilidades para agir na direção de mudanças e/ou transformações marcadas pelos posicionamentos.
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„Auther index“. In 2016 11th International Symposium on Antennas, Propagation and EM Theory (ISAPE). IEEE, 2016. http://dx.doi.org/10.1109/isape.2016.7833661.

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„Auther Index“. In 2022 IEEE 1st Industrial Electronics Society Annual On-Line Conference (ONCON). IEEE, 2022. http://dx.doi.org/10.1109/oncon56984.2022.10126647.

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„Auther index“. In IEEE TENCOM'02. 2002 IEEE Region 10 Conference on Computer, Communications, Control and Power Engineering. IEEE, 2002. http://dx.doi.org/10.1109/tencon.2002.1180353.

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„Auther lndex“. In IEEE TENCOM'02. 2002 IEEE Region 10 Conference on Computer, Communications, Control and Power Engineering. IEEE, 2002. http://dx.doi.org/10.1109/tencon.2002.1182756.

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„Auther index“. In 2013 Sixth International Conference on Advanced Computational Intelligence (ICACI). IEEE, 2013. http://dx.doi.org/10.1109/icaci.2013.6748536.

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„Auther Index“. In 2023 International Conference on Smart Computing and Application (ICSCA). IEEE, 2023. http://dx.doi.org/10.1109/icsca57840.2023.10087879.

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„Author/Co-author index“. In Conference Record. AUTOTESTCON '96. IEEE, 1996. http://dx.doi.org/10.1109/autest.1996.547919.

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„Author/co-author index“. In 1997 IEEE Autotestcon Proceedings AUTOTESTCON '97. IEEE Systems Readiness Technology Conference. Systems Readiness Supporting Global Needs and Awareness in the 21st Century. IEEE, 1997. http://dx.doi.org/10.1109/autest.1997.633538.

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„Authers Index“. In 2019 International Engineering Conference (IEC). IEEE, 2019. http://dx.doi.org/10.1109/iec47844.2019.8950568.

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Berichte der Organisationen zum Thema "Authier"

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Rasmussen, Lisa. Author Agreement. J. Murrey Atkins Library, University of North Carolina at Charlotte, Mai 2023. http://dx.doi.org/10.55370/nc.921.

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Wager, Elizabeth. Corresponding author requests removal of author before publication. Committee on Publication Ethics, Januar 2006. http://dx.doi.org/10.24318/cope.2019.2.10.

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Wager, Elizabeth. Corresponding author requests removal of author before publication. Committee on Publication Ethics, Januar 2006. http://dx.doi.org/10.24318/cope.2019.2.9.

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Wager, Elizabeth. Corresponding author requests addition of extra author before publication. Committee on Publication Ethics, Januar 2006. http://dx.doi.org/10.24318/cope.2019.2.8.

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Crocker, D. Email Author Header Field. RFC Editor, Juni 2021. http://dx.doi.org/10.17487/rfc9057.

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Rasmussen, Lisa M., Holly D. Holladay-Sandidge, Elise Demeter, George C. Banks und Andrew McBride. Author Agreement - Chinese translation. J. Murrey Atkins Library, University of North Carolina at Charlotte, Juni 2023. http://dx.doi.org/10.55370/nc.930.

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Rasmussen, Lisa M., Holly D. Holladay-Sandidge, Elise Demeter, George C. Banks und Andrew McBride. Author Agreement - Greek translation. J. Murrey Atkins Library, University of North Carolina at Charlotte, Juni 2023. http://dx.doi.org/10.55370/nc.933.

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Rasmussen, Lisa M., Holly D. Holladay-Sandidge, Elise Demeter, George C. Banks und Andrew McBride. Author Agreement - German translation. J. Murrey Atkins Library, University of North Carolina at Charlotte, Juni 2023. http://dx.doi.org/10.55370/nc.929.

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Rasmussen, Lisa M., Holly D. Holladay-Sandidge, Elise Demeter, George C. Banks und Andrew McBride. Author Agreement - Portuguese translation. J. Murrey Atkins Library, University of North Carolina at Charlotte, Juni 2023. http://dx.doi.org/10.55370/nc.932.

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Rasmussen, Lisa M., Holly D. Holladay-Sandidge, Elise Demeter, George C. Banks und Andrew McBride. Author Agreement - Spanish translation. J. Murrey Atkins Library, University of North Carolina at Charlotte, Juni 2023. http://dx.doi.org/10.55370/nc.928.

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