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Auswahl der wissenschaftlichen Literatur zum Thema „Authentic self-expression“
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Zeitschriftenartikel zum Thema "Authentic self-expression"
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Tshivhase, Mpho. „On the possibility of authentic self-expression“. Communicatio 41, Nr. 3 (03.07.2015): 374–87. http://dx.doi.org/10.1080/02500167.2015.1093329.
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Zirko, Alena. „Types of Vocalizations in Self-Expression and Self-Inquiry“. Психология. Журнал Высшей школы экономики 18, Nr. 1 (30.03.2021): 224–39. http://dx.doi.org/10.17323/1813-8918-2021-1-224-239.
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The author discusses vocalizations as using non-verbal voice sounds in self-expression and self-inquiry. The purpose of the study was to investigate the experience of self-expression and self-inquiry through vocalizations in the situations of valuing and evaluating. The researcher hypothesized that placing an individual in a safe place for self-expression on the conditions of valuing creates more authentic and genuine feelings, helping to reveal their authentic voice. On the contrary, placing a person under conditions of evaluating and impressiveness leads to a less authentic feeling and sounding. Two groups of participants were separated. The expressive group was created using the condition of valuing. The impressive group was created using the condition of evaluating. Participants in both groups used their voices to express themselves performing research tasks and then filled out the survey applications reflecting the sounder’s body, voice, feelings and listener’s feelings during the research. The application’s indicators were grouped into six factors: “Psychophysiological authenticity”, “Psychological authenticity”, “Satisfaction”, “Vocalization change”, “Perceived emotional involvement”, and “Perceived satisfaction”. The multilinear mixed effect regression models were built to investigate the influence of the research conditions on these factors and their dynamics. The t-test was used to compare the results between the groups. Significant differences were revealed with the factors “Psychophysiological authenticity”, “Psychological authenticity”, “Satisfaction”, and “Perceived satisfaction”. They were greater in the expressive group than they were in the impressive group. The indicators of “Perceived satisfaction” were growing.
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Tse, Herman, Jun Gu und Jordan Brown. „Authentic Self-Expression Influences Work Outcomes By Increasing Psychological Capital“. Academy of Management Proceedings 2018, Nr. 1 (August 2018): 15712. http://dx.doi.org/10.5465/ambpp.2018.15712abstract.
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Henry, Alastair, und Cecilia Thorsen. „Disaffection and agentic engagement: ‘Redesigning’ activities to enable authentic self-expression“. Language Teaching Research 24, Nr. 4 (21.09.2018): 456–75. http://dx.doi.org/10.1177/1362168818795976.
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Demotivation (Dörnyei & Ushioda, 2011) and non-participation (Norton, 2001) characterize negative responses to classroom practice of a generally chronic nature. In this article, focus is directed to negativity that emerges within the context of a particular language developing activity, and which can be understood as a situated response to the activity’s demands. In conceptualizing negative responses at the activity level, disaffection – the negative face of engagement – is a construct of central importance. Drawing on data from a large-scale ethnographic project in secondary English classrooms in Sweden, in this exploratory case study disaffection (Skinner, 2016) is examined in the context of two language developing activities. Analyses reveal that disaffection can transform into active engagement, and that when called upon to perform an inauthentic identity, students can ‘redesign’ activities in ways that enable them to act authentically.
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Kaygalak-Celebi, Sonay, Sehriban Kaya, Emir Ozeren und Ebru Gunlu-Kucukaltan. „Pride festivals as a space of self-expression: tourism, body and place“. Journal of Organizational Change Management 33, Nr. 3 (30.09.2019): 545–66. http://dx.doi.org/10.1108/jocm-01-2019-0026.
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Purpose The purpose of this paper is to explore the authentic experiences and sense-making processes of LGBTQ+ participants of Amsterdam Pride as well as their bodily and spatial interactions that arise during the festival. Design/methodology/approach By taking a critical, poststructuralist stance on pride festivals and drawing on 40 in-depth interviews and participant observation, the data are subjected to an inductive, qualitative, thematic content analysis for key themes. Findings Amsterdam Pride provides distinct spaces for LGBTQ+ individuals to express their carnivalesque bodily practices freely. While Pride offers an existential authentic experience by creating spaces for LGBTQ+ individuals where they can be themselves, the participants exhibit their “authentic” identities freely only within limited time and space that are not separated from the heteronormative order. Pride is increasingly perceived by LGBTQ+ participants as an arena for demonstrating their “normality”. Thus, the paper “signposts” greater political tensions between the queer movement and growing normalisation/citizenship trends among LGBTQ+ individuals. Originality/value The paper contributes to a growing body of knowledge around issues of LGBTQ+ identities within the context of an oppressive heteronormative social order. It also reinforces the need for pride festivals for embracing queer, disruptive, sexually dissident expressions of identity as well as continuing transgressive and sexually dissident spaces. This study fills a significant void in the mainstream festival and event management literature and contributes to the theoretical development of festival and critical tourism research by identifying aspects of LGBTQ+ tourists’ authentic experiences at Amsterdam Pride.
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Zhao, Teng, Lei Lai, Jinyan Fan, Hairong Li und Xiang Yao. „Testing the Efficacy and Mechanisms of an Authentic Self-expression Orientation Program“. Academy of Management Proceedings 2020, Nr. 1 (August 2020): 17503. http://dx.doi.org/10.5465/ambpp.2020.173.
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Huegerich, Rachael. „Sacred Self-Expression: Love and Trans Authenticity“. Feminist Theology 29, Nr. 2 (Januar 2021): 170–86. http://dx.doi.org/10.1177/0966735020965189.
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Theistic cosmologies have inspired many religious communities to alienate transgender individuals. While the growth in tolerance among congregations and institutions is important, there remains a pressing need to address the cosmologies at the root of intolerance. A re-examination of theological conceptions of God and the human person reveal not only acceptability, but significance, in the trans experience itself. Synthesizing gender studies with theology, this interdisciplinary article argues that God’s nature as deeply personal Love implies a sacredness in gender authenticity. The human person is part of an evolution toward deeply personalized consciousness. Gender, when freed from rigid constraints, is a social expression of this personalized self in a common cultural language. As infinite Love, God actualizes in the universe in deeply personal love. Therefore, by personalizing knowledge of one another and enabling deeper love between human persons, gender authenticity, in its fluidity, ambiguity, and continuous newness, deepens God’s existence. Ultimately, I argue, expressing one’s authentic gender(s) is a sacred act.
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Behrens, Georg. „The Order of Nature in Pious Self-Consciousness: Schleiermacher's Apologetic Argument“. Religious Studies 32, Nr. 1 (März 1996): 93–108. http://dx.doi.org/10.1017/s0034412500024094.
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The aim of this paper is to explore the apologetic strategy in Schleiermacher's The Christian Faith on behalf of the conclusion that no authentic expression of Christian self-consciousness can contradict the results or presuppositions of natural science. This strategy is reconstructed in six stages. It aims to show that the very character of self-consciousness entails that authentic, developed monotheism (as opposed to ‘fetishism’) cannot contradict our consciousness of ourselves as members of an order of nature. Scientific enquiry is in some sense a prerequisite for mono-theistic piety, so there can be no clashes between monotheism and the implications of science.
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Cable, Daniel M., Francesca Gino und Bradley R. Staats. „Breaking Them in or Eliciting Their Best? Reframing Socialization around Newcomers’ Authentic Self-expression“. Administrative Science Quarterly 58, Nr. 1 (08.02.2013): 1–36. http://dx.doi.org/10.1177/0001839213477098.
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Asogwa, Nicholas Uchechukwu, und Michael Emeka Onwuama. „Hate Speech and Authentic Personhood: Unveiling the Truth“. SAGE Open 11, Nr. 1 (Januar 2021): 215824402110057. http://dx.doi.org/10.1177/21582440211005772.
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We often think that individuals should live their lives in ways they are convinced are most appropriate to their self-understanding and beliefs. However, we equally think that this idea of living according to one’s convictions and self-understanding does not mean endorsement of forms of speech that injure the person and dignity of others. So far, the debate on hate speech has revolved around the justification of its protection and prohibition. In this article, we examine the idea of hate speech through the lens of authentic personhood, the foundation upon which most arguments for and against speech restriction are based. The aim is to demonstrate that the state restricting speech may be as justified as the one protecting it, seeing that in reality, hate speech both violates and vindicates authentic personhood. Given the nature and structure of “autonomy” and “speech,” a balancing approach to free expression and equality is preferable to outright protection or prohibition of hate speech.
Dissertationen zum Thema "Authentic self-expression"
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Sturdivant, Manasia Gabrielle. „Development and Initial Validation of the African American Workplace Authenticity Scale“. Diss., Virginia Tech, 2021. http://hdl.handle.net/10919/104016.
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Workplace authenticity for African Americans has received much attention in recent years, both in various research domains and in popular media. However, empirical research is scarce regarding what drives Blacks' decisions around whether to outwardly express their inner racial identity at work and what impact (in)authenticity has on workplace outcomes. The lack of empirical research is likely due, in part, to the fact that there are few existing measures designed to assess Blacks' workplace authenticity. Thus, the purpose of the current research was to develop and provide initial validation evidence for a situational judgment test (SJT), called the African American Workplace Authenticity Scale (AAWAS), aimed at measuring Blacks' propensity to use various identity negotiation strategies related to authenticity. Those identity negotiation strategies included identity shifting, referred to as code-switching by laypeople, avoidance, and authentic self-expression.
The first phase of the research included item generation and refinement of the item pool using a web-based sample of Black working adults (n=207). For this phase, 38 items were created. Each item included one scenario and three response options each; each response option corresponded to one of the three aforementioned identity negotiation strategies, and each identity negotiation strategy is considered its own subscale. Furthermore, each scenario involved a situation wherein a Black individual was presented with pressure to conform to their White counterparts at work. An exploratory factor analysis was conducted to determine which items to retain, which resulted in a three-factor solution and the retention of 13 items.
The second phase of the research involved gathering initial validation evidence for the 13-item scale, again using a web-based sample of Black working adults (n=252). For this phase, confirmatory factor analysis (CFA) and analysis of measurement invariance between genders was completed to determine whether the three-factor solution fit on a new sample and whether the scale can be used to make meaningful comparisons between males and females. Additionally, the relationships between the AAWAS and existing scales related to authenticity and response bias were explored using correlations. The CFA generally supported the three-factor solution, and metric invariance was found between males and females. Evidence for convergent and discriminant validity from the correlational analyses is presented. Moreover, the subscales of the AAWAS demonstrated good reliability according to rules of thumb for Cronbach's alpha (Identity Shifting Cronbach's α = 0.79, Avoiding Cronbach's α = 0.85, and Authentic Self-Expression Cronbach's α = 0.85). Overall, the AAWAS demonstrated promising psychometric properties thus far and has the potential to facilitate causal modeling in the area of workplace authenticity for Blacks with further validity evidence.Doctor of Philosophy
Workplace authenticity for African Americans has received much attention in recent years, both in various research domains and in popular media. However, empirical research is scarce regarding what drives Blacks' decisions around whether to outwardly express their inner racial identity at work and what impact (in)authenticity has on workplace outcomes. The lack of empirical research is likely due, in part, to the fact that there are few existing measures designed to assess Blacks' workplace authenticity. The current research is focused on developing and providing initial validation evidence for a situational judgment test (SJT), called the African American Workplace Authenticity Scale (AAWAS), aimed at measuring Blacks' propensity to use various identity negotiation strategies related to authenticity.
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Downing, Vanessa Lynn. „Attachment style, relationship satisfaction, intimacy, loneliness, gender role beliefs, and the expression of authentic self in romantic relationships“. College Park, Md.: University of Maryland, 2008. http://hdl.handle.net/1903/8475.
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Thesis (Ph. D.) -- University of Maryland, College Park, 2008.Thesis research directed by: Dept. of Counseling and Personnel Services. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Stasko, Carly. „A Pedagogy of Holistic Media Literacy: Reflections on Culture Jamming as Transformative Learning and Healing“. Thesis, 2009. http://hdl.handle.net/1807/18109.
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This qualitative study uses narrative inquiry (Connelly & Clandinin, 1988, 1990, 2001) and self-study to investigate ways to further understand and facilitate the integration of holistic philosophies of education with media literacy pedagogies. As founder and director of the Youth Media Literacy Project and a self-titled Imagitator (one who agitates imagination), I have spent over 10 years teaching media literacy in various high schools, universities, and community centres across North America. This study will focus on my own personal practical knowledge (Connelly & Clandinin, 1982) as a culture jammer, educator and cancer survivor to illustrate my original vision of a ‘holistic media literacy pedagogy’. This research reflects on the emergence and impact of holistic media literacy in my personal and professional life and also draws from relevant interdisciplinary literature to challenge and synthesize current insights and theories of media literacy, holistic education and culture jamming.
Bücher zum Thema "Authentic self-expression"
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Epstein, William M. An American Archetype. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190467067.003.0004.
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Chapter 3 points out that the pursuit of the authentic self in the diverse styles of American psychotherapy and in the self-help literature is a pervasive expression of policy romanticism in American culture. The pursuit of the romantic self constitutes an archetype of American belief.
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Ali, Muna. “Creating” an American Muslim Culture. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190664435.003.0007.
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This chapter examines who and what has inspired the call for “creating” an American Muslim culture, as well as its contested meanings. It argues that this process is one of cultural citizenship that creates a space to at once be different and to belong, a space for creative self-expression and contribution. This process challenges immigrant Muslims’ othering of converts, the black/white color line that defines authentic citizenship and belonging to America, as well as the nativist anti-immigrant discourse that marginalizes cultural differences, especially those of “new minorities.” This chapter explores Muslim American institutions and their artistic expressions (visual and performative art and literature) that contribute to America’s culture. It argues that these cultural expressions are technologies for the construction of self, community, national identities, and the meaning and relationships that sustain them. Additionally, they serve as “discursive resources” to both present and represent oneself and one’s group, and with which to struggle against marginalizing and racist ideologies and practices.
Buchteile zum Thema "Authentic self-expression"
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Tsitsovits, Ioannis. „Reproduction as Literary Production: Self-Expression and the Index in Kenneth Goldsmith’s Uncreative Writing“. In New Directions in Book History, 291–308. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_12.
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AbstractThis chapter discusses Kenneth Goldsmith’s Uncreative Writing, a collection of essays that includes an account of his Uncreative Writing course at the University of Pennsylvania. Championing various forms of literary automatism and appropriation, which are often treated as a much-needed response to our contemporary digital environment, the book is offered as a counter-model to established notions of authentic, self-expressive writing. The article takes this position as a springboard into thinking about Goldsmith’s writing exercises in relation to a longer history of indexical artistic practices, most notably analog photography. Despite its own positioning vis-à-vis the digital, I claim, Goldsmith’s writing model can best be understood as an extension of a proto-photographic logic into the ambit of contemporary literature. At the same time, as I show, the use of textual reproduction central to his project has been a longstanding ingredient of self-expressive literary advice. I conclude by arguing that Goldsmith’s model is just as tied to a form of personal expression, albeit one following a less obviously self-expressive logic that resonates with online forms of indexical performativity.
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Sikka, Anjoo, Linda (Gratch) Vaden-Goad und Lisa K. Waldner. „Authentic Self-Expression: Gender, Ethnicity, and Culture“. In Silencing the Self Across Cultures, 261–84. Oxford University Press, 2010. http://dx.doi.org/10.1093/acprof:oso/9780195398090.003.0013.
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Stevenson, Carolyn N. „Analyzing Qualitative Data“. In Mixed Methods Research for Improved Scientific Study, 123–47. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-5225-0007-0.ch007.
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Use of photography and poetry offer a way for participants to express lived experiences through a visual and written means of self-expression. These forms of data collection can provide a rich, thick description of those often overlying on the peripherals of society. Traditional means of qualitative research such as interview and observation can at times create a barrier between the researcher and the participants because of the face-to-face interaction. Participants may be uncomfortable expressing authentic feeling during a formal interview process. By offering participants the opportunity to personally select descriptive photographs and articulate expression in their own voice through poetry, an authentic expression occurs.
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Duffy, Brooke Erin. „Branding the Authentic Self: The Commercial Appeal of “Being Real”“. In (Not) Getting Paid to Do What You Love. Yale University Press, 2017. http://dx.doi.org/10.12987/yale/9780300218176.003.0004.
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This chapter explores the pervasive narratives of authenticity, self-expression, and realness that structure activity in the social media sphere. After all, many social media producers articulate the importance of expressing themselves “authentically.” Hence, the chapter considers what social media producers mean by “authenticity,” “realness,” and “relatability.” In addition, this chapter examines how these definitions vary within and across intersectional social categories, and to what extent these ideals guide the production and promotion of creative content. Finally, the chapter looks at the ways that aspirational laborers aim to resolve the tension between internal compulsions and external demands, given that the “authenticity” trope is increasingly compliant with the demands of capitalism.
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Stevenson, Carolyn N. „Data Speaks“. In Advances in Library and Information Science, 119–44. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1025-4.ch006.
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Qualitative research methods provide the researcher with opportunity to share the lived experiences of participants in an authentic manner. These narratives can be enhanced through visual expression, such as use of photos, which provide another way to exercise self-expression. Found poetry has a rich history in participant-based studies, while self-studies utilize poems as an opportunity to address more philosophical or poststructuralist opportunities. These forms of data collection can provide a rich, thick description of those often overlying on the peripherals of society. By offering participants the opportunity to personally select descriptive photographs and articulate expression in their own voice through poetry, the lived experiences can authentically be displayed.
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Shpeizer, Raz, und Amnon Glassner. „‘First Listen to My Voice'“. In Advances in Linguistics and Communication Studies, 189–207. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-7439-3.ch011.
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This chapter offers to illuminate some of the complex relations between conscious, rational, higher order human functions and unconscious and intuitive processes, especially in the context of teaching and learning of higher order thinking. The chapter will consider dialogical models, especially those of Richard Paul and Mikhail Bakhtin, for teaching and learning of higher order thinking, which take into account these complex relations, and aims at optimizing higher order thinking skills and dispositions, without neglecting human's emotional side and their need for authentic self-expression.
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Müller, Timo. „Poetics of the Enclave“. In The African American Sonnet, 91–108. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496817839.003.0006.
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This chapter examines the previously neglected role of the sonnet in the Black Arts movement of the 1960s and 1970s. Leading theorists of the movement denounced the sonnet as a paradigmatic “white” form that constrained black self-expression and had to be excluded from the black nation. The demand for an oral, authentic, collective poetry led poets to dismantle the traditional sonnet structure and adapt the form to cultural nationalist demands. The chapter reviews the role of traditional poetic forms in the black aesthetic and discusses strategies of camouflaging or demarcating the sonnet in the work of June Jordan, Joe Mitchell, Conrad Kent Rivers, Quincy Troupe, and Margaret Walker. These strategies confirm the view in recent scholarship that the Black Arts movement exerted both a confining and a creative influence on poets of the time.
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Kizzi, Akila. „Indigenous Algerian Women Artists in the French Landscape“. In Under the Skin, 115–28. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266748.003.0009.
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Exploring the artistic paths of the two Algerian Berberi women artists under French colonisation, this chapter aims to demonstrate how art could be transformed into a powerful expression of anticolonial and feminist thought. Baya Mahieddine (1931–98) distinguished herself in painting while Taos Amrouche (1913–76) was a singer of lyrical Berber songs (chants). In 1947, Surrealist André Breton came across both of their work and fascinated by their authentic artistic style, described them as the ‘beginning of an age of concord and radical break’ with the artistic thought of the era. The social and personal trajectory of the two women gave their art a dimension of the gendered imagination nourished by their ethnic origins. A quest for identity guided their work towards self–understanding, constituting a path to an exploration of the ‘other’. In order to show the impact of their personal experiences on their work, as well as the feminist thinking that emerges along the way, this chapter delves into the social and historical conditions of their artistic practices.
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George, Doran. „Conclusion“. In The Natural Body in Somatics Dance Training, 138–44. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197538739.003.0005.
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This study has traced the relationship between training, dissemination, and choreography within a small community that identified itself as concerned with experimentation in contemporary dance. Applying insights about the body gleaned from earlier in the twentieth century, this group of artists and teachers slowly consolidated around their mutual disapprobation of modern and classical training regimens and their eager interest in exploring new paradigms based in the body’s anatomical truths. Referring to this aggregate of overlapping practices as Somatics, I have argued that dancers worked to achieve an unencumbered individuality that contrasted markedly with the more authoritative imposition of aesthetics in classical and modern concert dance. By focusing on the experience of dancing, Somatics encouraged practitioners to connect with their “unique” embodiment of natural principles and to retrieve an authentic self that was thought to be integral to the physical body. This notion that the dancer embodies individual authenticity by accessing a natural body is probably the major contribution that Somatics has made to Western concert dance compared with, for example, the technical excellence in the idealized vocabulary of classical ballet or the codification of emotional expression in modern dance. Yet, despite the seemingly progressive thrust of Somatics, dancers, in their pursuit of individual authenticity, actually fulfilled postwar liberal ideals that were central to American expansionism and that permeate contemporary capitalism. The postwar American government justified military, economic, and cultural expansion by insisting they were protecting and propagating a universal right to individual freedom; dancers invested in the same idea by touting, as universally applicable, the notion that individual creative freedom can be accessed through functional imperatives of the body. This study consequently argues that Somatic authenticity embodies a late twentieth-century capitalist ideal of propagating universal individual freedom....
Konferenzberichte zum Thema "Authentic self-expression"
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Flores Miranda, Margarita Beatriz. „Proposal for a systemic process: Managing the creative abilities of students pursuing the architectural studio at mexican universities.“ In Systems & Design: Beyond Processes and Thinking. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3644.
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“Education´s goal is the ability to master life with self-creative forces, in order to achieve something good and beautiful.” Götze, C. (1898). Das kind als Künstler Projects at Mexican schools of architecture often focus on conventional issues of dimension and function; in a country with the largest number of students in the architectural discipline there is an existing disinterest in the appropriation of knowledge, exploration of complexity, and expression of ideas. Such a disinterest calls for the evolution of architectural education. This research proposes it is possible to manage the creative forces of individuals. A working model composed of distinct components will be generated to stimulate areas related to artistic development. In preparation, essential components of the model have been extracted by analysis from the Bauhaus Preliminary Course developed by Johannes Itten, considering its influence on sequential tutors as well as its moment of historic implementation (1918-1923). The objective is to transform Itten´s pedagogy by means of a systemic design process focusing on the development of creative skills. The first methodological approach has been extracted from three of Itten’s thematic fields, each structured by a set of common elements: principle, objective, common material, exercises, and phases (Fig. 1). The sets are related according to their role in the development of talent as a means to discern and reveal artistic character: - BEING UNDER CONSTRUCTION: A physical-soul-spiritual unity that incorporates artistic education through exercises for awakening the body and intellectual harmonization (Fig. 1a). - BALANCED COMPOSITION: Refinement of the senses through intuitive analysis of artistic structures and a critical drawing of reality (Fig. 1b). - CONTRAST: The art of objectivity through the study of opposites: feeling-thinking, intuition-intellect, expression-construction (Fig. 1c). A responsible party, acting as structural element, directs the capacities stimulated within the group and materialized by cohesive exercises, guiding students to define an authentic trajectory: - FAMILIARIZATION: Understanding the bases. - EXPERIMENTATION: Articulation of new configurations. - APPROPRIATION: Creation from the unknown. - OPERATION: Execution in real-time. - REDIRECTION: Return to the origin to adjust and resume. By asserting the student is the center of his or her unique working model the implementation of this method in architectural studios allows for the assignment of any creative exercise and is suitable for all levels of investigation.DOI: http://dx.doi.org/10.4995/IFDP.2016.3644