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Thematische Bibliographien / Australian literature History and criticism / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Australian literature History and criticism“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 30. Juli 2024

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1

Martin-Sardesai, Ann, James Guthrie, Stuart Tooley und Sally Chaplin. „History of research performance measurement systems in the Australian higher education sector“. Accounting History 24, Nr. 1 (24.04.2018): 40–61. http://dx.doi.org/10.1177/1032373218768559.

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Performance measurement systems (PMSs) are a global phenomenon emanating from new public management (NPM) reforms. While they are now prolific and entrenched, they have attracted criticism based on their design and the manner in which they are applied. The purpose of this article is to explore the history of accounting for research in the Australian higher education sector (HES). It focuses on how successive Australian governments have steered research within the sector through the introduction of PMSs, in line with NPM reforms. Relying on publicly available online policy documents and scholarly literature, the study traces the development of performance measures within the Australian HES from the mid-1980s to 2015. It contributes to literature in management accounting aspects of NPM through the means of management accounting techniques such as PMSs. It also contributes to accounting history literature through an examination of three decades of accounting for research in the Australian HES.

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2

Lever, Susan. „Patrick Buckridge — A Tribute“. Queensland Review 21, Nr. 1 (08.05.2014): 17–20. http://dx.doi.org/10.1017/qre.2014.3.

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Patrick Buckridge is that rare person — even in the academic world: a true scholar with a deep, sometimes eccentric, passion for ideas. He belongs contentedly to Brisbane while engaging intellectually with the vast world of scholarship in history, language and literature. He has retained his interest in his first love, Renaissance literature, but understands that literature is also here and now, in the society around him. So his studies have extended to Australian writers, Queensland literary history, the history of the book, the history of literary criticism and the nature of readership for literary work. As his May 2013 public lecture demonstrated, he believes in the continued importance of attentive reading as a source of intellectual understanding.

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3

Gelder, Ken. „When the imaginary Australian is not uncanny: Nation, psyche and belonging in recent Australian cultural criticism and history“. Journal of Australian Studies 29, Nr. 86 (Januar 2005): 161–73. http://dx.doi.org/10.1080/14443050509388042.

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4

Huisman, Rosemary. „The discipline of English Literature from the perspective of SFL register“. Language, Context and Text 1, Nr. 1 (04.02.2019): 102–20. http://dx.doi.org/10.1075/langct.00005.hui.

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AbstractThe paper first traces the history and elaboration of the tertiary discipline English Literature through the 19th and 20th centuries to the present day, with special focus on the axiology, the values, given to the discipline and with a brief account of literary criticism and literary theory. It then refers to the work on registerial cartography in systemic functional linguistics (SFL) and explores the register of the contemporary discipline in first-order field of activity and second-order field of experience, with examples from the language of webpages and exam papers of Australian universities. It continues with a brief overview of the author’s own work using SFL in the study ofthe poeticandthe narrativein English poetry and prose fiction of different historical periods and concludes with a caveat on the central disciplinary process, that of interpretation.

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5

McKay, Belinda. „Living in the End Time: Ecstasy and Apocalypse in the Work of H.D. and Janette Turner Hospital“. Queensland Review 17, Nr. 2 (Juli 2010): 75–87. http://dx.doi.org/10.1017/s1321816600005432.

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Despite the current preoccupation with globalisation, literary criticism remains heavily focused on national cultures. In the context of Australian literature, comparisons are regularly made with the literatures of other British Commonwealth nations, but surprisingly infrequently with that of Britain's first and most successful colony, the United States. This article explores thematic and cultural connections between the work of American-born modernist poet and novelist H.D. (1886–1961) and the Australian-born postmodern novelist Janette Turner Hospital (born 1942). It suggests that the transnational phenomenon of ecstatic Protestantism, which originated in northern Europe and was disseminated widely around the globe along the channels of commerce and colonisation, has been a key influence in shaping the literary imaginations of these writers. Indeed, Protestantism – far from being a spent or reactive force – continues to generate new forms of modernity as its emphasis on transformation is exported from somewhat inward-looking religious communities into broader cultural domains.

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6

Hamilton, Judy. „Influencing the Modern in Brisbane: Gertrude Langer and the Role of Newspaper Art Criticism“. Queensland Review 20, Nr. 2 (30.10.2013): 203–14. http://dx.doi.org/10.1017/qre.2013.21.

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Dr Gertrude Langer arrived quite by chance in Brisbane in 1939 as a refugee from Hitler's Europe. She was a young, elegant Austrian refugee with a PhD in art history from the University of Vienna. After arriving in Australia, Gertrude and her husband, Dr Karl Langer, had hoped to settle in Sydney, but Karl's work as an architect moved them on to Brisbane. Gertrude Langer would become an important figure in Brisbane's post-war art scene through her salon-style lectures, art criticism and work with the Australia Council. She strongly believed that the arts were an important part of a community, and for this reason became a champion for the cause of contemporary art in Brisbane.

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7

Elokhina, Alexandra, und Evgeny Stelnik. „Reconstruction of the Battle on the Hills in the South of Stalingrad of September 8 - September 10, 1942“. Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, Nr. 5 (November 2021): 245–55. http://dx.doi.org/10.15688/jvolsu4.2021.5.20.

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Introduction. The result of the Battle of Stalingrad supersedes the course of the battle itself in a great deal of historical literature. Therefore, it is no coincidence that in recent literature Stalingrad is increasingly becoming “mythologized” (A. Isaev), “unknown” (E. Kobyakov) or “forgotten” (A. Chunikhin), the return to the actual history of the Battle of Stalingrad takes the form of criticism of a generalized view, which on examination often turns out to be incorrect. Methods and materials. The work uses the methods of microhistory formulated in 1958 by the American historian J. Stewart. The actions of Red Army units are reconstructed on the basis of documents of the Central Archive of the Ministry of Defense of the Russian Federation. The actions of Wehrmacht units are described on the basis of captured German documents from Fund 500 of the same archive. The data from the battle log of the XXXXVIII Panzer Corps and the battle log of the 24th Panzer Division of the Wehrmacht were taken from the book of Australian historian J. Mark. Analysis. The terrain to the south and south-east of Stalingrad largely determined the course of battle of the operational group of Major-General N.M. Pozharsky and the right flank divisions of the 64th Army with units of XXXXVIII Panzer Corps of General V. Kämpf. The essence of this confrontation was a fierce struggle for commanding heights. Results. At 16:30 on 11 September Major von der Lancken’s group was disbanded, and the tanks returned to their divisions. As a result of the offensive of September 8-11 the Germans managed to capture key heights in the south of Stalingrad. Nevertheless, in these battles XXXXVIII Panzer Corps suffered losses that it could not make up for. This gave the defenders of Stalingrad a chance, which they took. Due to the large volume of archival materials, the author’s team was divided. A.K. Elokhina processed German sources, and E.V. Stelnik processed data from the Central Archive of the Ministry of Defense of the Russian Federation. The concept of the article emerged in the course of joint discussions.

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8

Cooper, Melinda. „‘[W]hen the highway catches up with us’: Negotiating late modernity in Eleanor Dark'sLantana Lane“. Queensland Review 23, Nr. 2 (Dezember 2016): 207–23. http://dx.doi.org/10.1017/qre.2016.30.

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AbstractEleanor Dark's last published novel,Lantana Lane(published 1959), is not usually included in accounts of Australian modernism. The novel's strong criticisms of modernity, its regional focus and the Cold War context complicate its inclusion as a modernist text. However, revised understandings of modernism generated in the past few decades of scholarship allow for a reinvestigation of Dark's novel as a response to the conditions of late modernity. In particular, Dark explores the pressures exerted on local space by modern capitalism in a period of post-war reconstruction, showing how the national and global scales encroach upon and threaten to annihilate local particularity. Through drawing on a number of broadly modernist practices, including those of entanglement, suspension, metageography and primitivism, Dark pushes back against modernity's narratives of progress and attempts to recover space for the literary and the small scale.Lantana Lanedemonstrates how ‘regional modernisms’ written from ‘peripheral’ locations can draw attention to the uneven distribution of modernity within national and global space, and offer alternative — if provisional — sites of attachment.

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9

McH., B., und Dominick LaCapra. „History and Criticism“. Poetics Today 7, Nr. 3 (1986): 594. http://dx.doi.org/10.2307/1772526.

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10

O’Regan, Tom, und Huw Walmsley-Evans. „The Emergence of Australian Film Criticism“. Historical Journal of Film, Radio and Television 38, Nr. 2 (02.06.2017): 296–321. http://dx.doi.org/10.1080/01439685.2017.1300409.

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11

Hornsby, Joseph, und David Aers. „Medieval Literature: Criticism, Ideology and History“. South Atlantic Review 53, Nr. 1 (Januar 1988): 107. http://dx.doi.org/10.2307/3200408.

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12

Samson, Anne, und David Aers. „Medieval Literature: Criticism, Ideology and History“. Modern Language Review 84, Nr. 4 (Oktober 1989): 917. http://dx.doi.org/10.2307/3731173.

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13

Bliss, Carolyn, und Robert L. Ross. „Australian Literary Criticism, 1945-1988: An Annotated Bibliography“. World Literature Today 64, Nr. 1 (1990): 200. http://dx.doi.org/10.2307/40146095.

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14

Mullins, G. A. „Atrocity, Literature, Criticism“. American Literary History 23, Nr. 1 (10.12.2010): 217–27. http://dx.doi.org/10.1093/alh/ajq084.

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15

Wan Nur Madiha Ramlan und Maimunah Abdul Kadir. „Positioning Asian Australian Writing: A Study of Three Australian Literary Anthologies“. Asiatic: IIUM Journal of English Language and Literature 15, Nr. 1 (13.06.2021): 183–201. http://dx.doi.org/10.31436/asiatic.v15i1.2315.

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This paper examines three anthologies of Australian literature: The Oxford Anthology of Australian Literature (1985), The Macmillan Anthology of Australian Literature (1990), and Macquarie PEN The Anthology of Australian Literature (2010). It focusses on the politics of inclusion in anthology-making and the mechanics surrounding theme, perception, and ideology about literature as a reflection of a nation’s culture and identity. The increasing popularity of Asian Australian writing in recent years has raised concerns about how it is perceived as part of the national literary tradition that is a relatively white space. Not much is discussed about how Asian Australian writing appears in anthologies despite increasing critical attention given to them as a literary genre. Informed by Asian Australian studies and anthology criticism, this study charts the trends in the inclusion of Asian Australian writing and how it is posited within the larger national canon.

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16

Kramer, Leonie, Ken Goodwin, William H. Wilde, Joy Hooton und Barry Andrews. „A History of Australian Literature“. Yearbook of English Studies 18 (1988): 350. http://dx.doi.org/10.2307/3508282.

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17

holm, Anne. „Neurocognitive Interpretations of Australian Literature: Criticism in the Age of Neuroawareness, by Jean-François Vernay“. Le Simplegadi 21, Nr. 23 (2023): 141–44. http://dx.doi.org/10.17456/simple-218.

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18

Gearhart, Suzanne, und Dominick LaCapra. „History as Criticism: The Dialogue of History and Literature“. Diacritics 17, Nr. 3 (1987): 56. http://dx.doi.org/10.2307/464835.

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19

Strohm, Paul. „Medieval Literature: Criticism, Ideology and History. David Aers“. Speculum 63, Nr. 2 (April 1988): 352–54. http://dx.doi.org/10.2307/2853226.

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20

Byerman, Keith. „Remembering History in Contemporary Black Literature and Criticism“. American Literary History 3, Nr. 4 (1991): 809–16. http://dx.doi.org/10.1093/alh/3.4.809.

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21

Dean, Paul. „Current Literature 2000: Literary Theory, History and Criticism“. English Studies 83, Nr. 1 (01.02.2002): 9–39. http://dx.doi.org/10.1076/enst.83.1.9.9567.

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22

Dean, Paul. „Current Literature 2001. Literary Theory, History and Criticism“. English Studies 84, Nr. 2 (01.04.2003): 145–69. http://dx.doi.org/10.1076/enst.84.2.145.14904.

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23

Dean, Paul. „Current Literature 2002. Literary Theory, History and Criticism“. English Studies 84, Nr. 6 (01.12.2003): 558–72. http://dx.doi.org/10.1076/enst.84.6.558.28782.

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24

Dean, Paul. „CURRENT LITERATURE 2003: LITERARY THEORY, HISTORY AND CRITICISM“. English Studies 85, Nr. 6 (Dezember 2004): 532–46. http://dx.doi.org/10.1080/00138380412331339260.

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25

Dancer, Thom. „Literary Criticism: A Concise Political History“. Comparative Literature 71, Nr. 1 (01.03.2019): 117–21. http://dx.doi.org/10.1215/00104124-7217100.

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26

Zhang, Jie, und Wenxin Lin. „Historical facts of literature and personality in research – about the compilation of the book “History of Russian and Soviet literary criticism of the XX century”“. Neophilology, Nr. 24 (2020): 755–64. http://dx.doi.org/10.20310/2587-6953-2020-6-24-755-764.

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Russian literature is an important part of world literature and is studied all over the world. In comparison with the history of literature, the history of literary criticism is more an interaction between the objectivity of literary facts and the personality of the compiler of this history. This work presents a description of the personality in research using the example of the book “History of Russian and Soviet literary criticism of the XX century” written by Chinese scientist Zhang Jie, the main task of which is to provide a theoretical basis and methods of criticism for analyzing the mechanism of reproducing the meanings of literary texts and images. We analyze the functions of literary criticism and explain the interaction and harmony of objective historical facts of literature and the compiler’s personality in the study. We define three currents of Russian and Soviet literary criticism of the 20th century: religious and cultural criticism, real literary criticism, and aesthetic criticism. We prove that history reflects not only the objectivity of factors, but also its compiler’s personality, which is an indicator. We explain the need to coordinate the objectivity of historical facts and the subjectivity of the compiler, and we present a value-based reflection of a scientific linguistic personality in the Chinese ethnoculture.

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27

Russo, Adelaide M., Dominique Viart, Roger Célestin und Eliane DalMolin. „Literature and Criticism: Taking Stock“. Contemporary French and Francophone Studies 20, Nr. 3 (26.05.2016): 351–56. http://dx.doi.org/10.1080/17409292.2016.1177352.

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28

McKenna, Mark. „Australian history and the Australian ‘national inheritance’“. Australian Cultural History 27, Nr. 1 (April 2009): 1–12. http://dx.doi.org/10.1080/07288430902877841.

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29

Dean, Paul. „Current Literature 1998: II. Literary Theory, History and Criticism“. English Studies 81, Nr. 1 (01.02.2000): 56–81. http://dx.doi.org/10.1076/0013-838x(200001)81:1;1-#;ft056.

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30

Dean, Paul. „Current Literature 1999: II. Literary Theory, History and Criticism“. English Studies 81, Nr. 6 (01.12.2000): 548–73. http://dx.doi.org/10.1076/enst.81.6.548.9182.

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31

Dean, Paul. „Current literature 2004 II. Literary theory, history and criticism“. English Studies 86, Nr. 6 (Dezember 2005): 545–57. http://dx.doi.org/10.1080/00138380500319950.

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32

Fargnoli, Joseph R., und Rene Wellek. „A History of Modern Criticism: 1750-1950. Vol. 5: English Criticism, 1900-1950“. Journal of the Midwest Modern Language Association 20, Nr. 1 (1987): 118. http://dx.doi.org/10.2307/1315004.

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33

Bucco, Martin, und Rene Wellek. „A History of Modern Criticism 1750-1950. Volume 6: American Criticism 1900-1950.“ American Literature 59, Nr. 1 (März 1987): 126. http://dx.doi.org/10.2307/2926495.

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34

Stern, Kimberly J. „A History of Feminist Literary Criticism“. Women's Writing 16, Nr. 1 (Mai 2009): 173–76. http://dx.doi.org/10.1080/09699080902854503.

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35

Gunn, Giles, und Rene Wellek. „A History of Modern Criticism, 1750-1950“. Poetics Today 8, Nr. 1 (1987): 205. http://dx.doi.org/10.2307/1773017.

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36

Brown, Calvin S., und Rene Wellek. „A History of Modern Criticism, 1750-1950“. Comparative Literature 40, Nr. 1 (1988): 67. http://dx.doi.org/10.2307/1770644.

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37

Cain, William E. „Notes toward a History of Anti-Criticism“. New Literary History 20, Nr. 1 (1988): 33. http://dx.doi.org/10.2307/469319.

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38

Frost, Charlotte. „Digital Critics: The Early History of Online Art Criticism“. Leonardo 52, Nr. 1 (Februar 2019): 37–43. http://dx.doi.org/10.1162/leon_a_01379.

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Art critic Jerry Saltz is regarded as a pioneer of online art criticism by the mainstream press, yet the Internet has been used as a platform for art discussion for over 30 years. There have been studies of independent print-based arts publishing, online art production and electronic literature, but there have been no histories of online art criticism. In this article, the author provides an account of the first wave of online art criticism (1980–1995) to document this history and prepare the way for thorough evaluations of the changing form of art criticism after the Internet.

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39

Végső, Roland. „Resisting World Literature“. Journal of World Literature 7, Nr. 4 (19.12.2022): 512–32. http://dx.doi.org/10.1163/24056480-00704003.

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Abstract This article examines the historical tensions between the theoretical definitions of “world literature” and the institutionalization of world literature programs in the context of early Cold War literary criticism in the United States. It uses the works of René Wellek, Austin Warren, and Lionel Trilling to establish that this type of criticism resisted the rise of world literature based on the theoretical claim that world literature does not exist as a legitimate object of literary analysis. In its conclusion, the article turns to Gayatri Spivak’s critique of world literature to demonstrate that the resistance to world literature is part of the ongoing history of Weltliteratur well beyond the Cold War.

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40

Lehman, Robert S. „Criticism and Judgment“. ELH 87, Nr. 4 (2020): 1105–32. http://dx.doi.org/10.1353/elh.2020.0039.

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41

Peradotto, John, und George A. Kennedy. „The Cambridge History of Literary Criticism, Volume I: Classical Criticism“. American Journal of Philology 113, Nr. 3 (1992): 473. http://dx.doi.org/10.2307/295476.

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42

Boer, Roland. „A Titanic Phenomenon: Marxism, History and Biblical Society“. Historical Materialism 16, Nr. 4 (2008): 141–66. http://dx.doi.org/10.1163/156920608x357756.

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Marxist contributions to biblical criticism are far more sustained and complex than many would expect. This critical survey of the state of play, with a look back at the main currents that have led to that state, deals with Marxist contributions to the reconstructions of biblical societies and the interpretation of the literature produced by those societies. It begins by outlining the major Marxist positions within current biblical criticism and then moves on to consider two possible sources of further insight from outside biblical criticism: Western-Marxist studies of the ancient world (Karl Kautsky, Perry Anderson and G.E.M. de Ste. Croix) and the long and neglected tradition of Soviet-era Russian work on the ancient Near East. I conclude by pointing to a number of lingering problems: the unreliability of the literature for historical purposes; the lack of fit between juridical distinctions in the literature and class distinctions in the ancient world; the question as to whether the state can be a class; and the viability of imposing on the ancient world Marxist categories developed in very different situations.

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43

Gould, Richard A. „The Empiricist Strikes Back: Reply to Binford“. American Antiquity 50, Nr. 3 (Juli 1985): 638–44. http://dx.doi.org/10.2307/280326.

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A reply to Lewis Binford's criticism concerning my views on archaeological inference and the relationships of such inferences to various kinds of ethnoarchaeology, with special reference to the Australian data included in Binford's critique.

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44

Riem, Antonella. „Journeying into Australian literature“. Queensland Review 30, Nr. 1 (27.11.2023): 126–37. http://dx.doi.org/10.1558/qre.26535.

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In this memoir, Antonella Riem reflects on her long career in Australian literary studies in Italy and internationally, and the scholars who have inspired her. She then outlines the principles of the partnership model of literary studies that she has developed over many years, and how she applies her approach to Samuel Taylor Coleridge’s ‘Kubla Khan’ and David Malouf’s An Imaginary Life.

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45

Carlson, Eric W. „The Transcendentalist Poe: A Brief History of Criticism“. Poe Studies 32, Nr. 1-2 (Januar 1999): 47–66. http://dx.doi.org/10.1111/j.1754-6095.1999.tb00111.x.

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46

PYKETT, L. „Literary History and Criticism: General Works“. Year's Work in English Studies 63, Nr. 1 (01.01.1985): 1–23. http://dx.doi.org/10.1093/ywes/63.1.1.

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47

DAVISON, P. „Literary History and Criticism: General Works“. Year's Work in English Studies 64, Nr. 1 (01.01.1986): 1–30. http://dx.doi.org/10.1093/ywes/64.1.1.

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48

Eburn, Michael, und Stephen Dovers. „Australian wildfire litigation“. International Journal of Wildland Fire 21, Nr. 5 (2012): 488. http://dx.doi.org/10.1071/wf11094.

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Legal liability is an issue that concerns volunteer firefighters and may affect the ability of fire managers to perform their tasks. There are calls to guarantee firefighters will not be personally liable for actions undertaken in good faith. This paper reviews post-wildfire litigation in Australia and claims for compensation made against the New South Wales Rural Fire Service. Although the data are incomplete and likely to underestimate the actual claims history, analysis of the available data does show that the number of claims for compensation is small given the very large number of fires and hazard reduction burns across Australia. There is no evidence of extensive post-fire litigation or of fire agencies or firefighters being held liable for actions taken in the course of firefighting The evidence does not support assertions that there is an ‘increasing flood’ of legal claims arising from firefighting. Post-fire litigation is compared with other proceeding such as Royal Commissions and coronial inquiries. It is argued that it is not liability, but the lengthy post-event inquiry process and the risk of personal criticism that should be the concern of fire managers and firefighters.

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49

Halmi, Nicholas. „The Nostalgic Imagination: History in English Criticism“. Common Knowledge 27, Nr. 2 (01.05.2021): 318–20. http://dx.doi.org/10.1215/0961754x-8906285.

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50

Roof, Judith. „Hypothalamic Criticism: Gay Male Studies and Male Feminist Criticism“. American Literary History 4, Nr. 2 (1992): 355–64. http://dx.doi.org/10.1093/alh/4.2.355.

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