Thematische Bibliographien / Australian fiction

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Auswahl der wissenschaftlichen Literatur zum Thema „Australian fiction“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 31. Juli 2024

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Zeitschriftenartikel zum Thema "Australian fiction"

Owens, Alison, und Donna Lee Brien. „Australian women writers’ popular non-fiction prose in the pre-war period: Exploring their motivations“. Australasian Journal of Popular Culture 11, Nr. 1 (01.12.2022): 63–80. http://dx.doi.org/10.1386/ajpc_00051_1.

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Since the 1970s, feminist scholars have undertaken important critical work on Australian women’s writing of earlier eras, profiling and promoting their fiction. Less attention has been afforded to the popular non-fiction produced by Australian women writers and, in particular, to that produced before the Second World War. Yet this writing is important for several reasons. First, the non-fiction writing of Australian women was voluminous and popular with readers. Second, this popular work critically engaged with a tumultuous political, social and moral landscape in which, as women’s rights were increasingly realized through legislation, the subjectivity of women themselves was fluid and contested. Third, as many of these women were also, or principally, fiction writers, their non-fiction can be shown to have informed and influenced many of their fictional interests, themes and characters. Lastly, and critically, popular non-fiction publication helped to financially sustain many of these writers. In proposing a conceptual framework informed by the work of Pierre Bourdieu to analyse examples of this body of work, this article not only suggests that important connections exist between popular and mainstream non-fiction works – newspaper and magazine articles, essays, pamphlets and speeches – and the fictional publications of Australian women writers of the early twentieth century but also suggests that these connections may represent an Australian literary habitus where writing across genre, form and audience was a professional approach that built and sustained literary careers.

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Smith, Michelle J. „Imagining Colonial Environments: Fire in Australian Children's Literature, 1841–1910“. International Research in Children's Literature 13, Nr. 1 (Juli 2020): 1–14. http://dx.doi.org/10.3366/ircl.2020.0324.

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This article examines children's novels and short stories published in the late nineteenth and early twentieth centuries that feature bushfires and the ceremonial fires associated with Indigenous Australians. It suggests that British children's novels emphasise the horror of bushfires and the human struggle involved in conquering them. In contrast, Australian-authored children's fictions represent less anthropocentric understandings of the environment. New attitudes toward the environment are made manifest in Australian women's fiction including J. M. Whitfield's ‘The Spirit of the Bushfire’ (1898), Ethel Pedley's Dot and the Kangaroo (1899), Olga D. A. Ernst's ‘The Fire Elves’ (1904), and Amy Eleanor Mack's ‘The Gallant Gum Trees’ (1910). Finally, the article proposes that adult male conquest and control of the environment evident in British fiction is transferred to a child protagonist in Mary Grant Bruce's A Little Bush Maid (1910), dispensing with the long-standing association between the Australian bush and threats to children.

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Leane, Elizabeth, und Stephanie Pfennigwerth. „Antarctica in the Australian imagination“. Polar Record 38, Nr. 207 (Oktober 2002): 309–12. http://dx.doi.org/10.1017/s003224740001799x.

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AbstractAntarctica and Australia share a geographical marginality, a commonality that has produced and continues to reinforce historical and political ties between the two continents. Given this close relationship, surprisingly few fulllength novels set in or concerned with the Antarctic have been produced by Australian authors. Until 1990, two latenineteenth- century Utopias, and two novels by Thomas Keneally, were (to our knowledge) the sole representatives of this category. The last decade, however, has seen an upsurge of interest in Antarctica, and a corresponding increase in fictional response. Keneally's novels are ‘literary,’ but these more recent novels cover the gamut of popular genres: science fiction, action-thriller, and romance. Furthermore, they indicate a change in the perception of Antarctica and its place within international relations. Whereas Keneally is primarily concerned with the psychology of the explorer from the ‘Heroic Age,’ these younger Australian writers are interested in contemporary political, social, and environmental issues surrounding the continent. Literary critics have hitherto said little about textual representations of Antarctica; this paper opens a space for analysis of ‘Antarctic fiction,’ and explores the changing nature of Australian-Antarctic relations as represented by Australian writers.

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Frank, Helen. „Discovering Australia Through Fiction: French Translators as Aventuriers“. Meta 51, Nr. 3 (21.09.2006): 482–503. http://dx.doi.org/10.7202/013554ar.

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Abstract The translation into French of referents of Australia and Australianness in fiction necessitates a considerable variety of translational tendencies and interpretive choices. This study focuses on French translations of selected passages and blurbs from Australian fiction set in regional Australia to determine how referents of Australian flora, fauna, landscape and people are translated and interpreted in a non-English speaking cultural system. Guided by concerns for the target readers’ understanding of the text, French translators employ normative strategies and adaptive procedures common to translation to enhance reader orientation. There is, nonetheless, evidence of culture-specific appropriation of the text and systematic manipulation of Australian referents that goes beyond normative solutions. Such appropriation and manipulation stem from a desire to create and foster culture-specific suppositions about Australia consistent with French preoccupations with colonialism, the exotic, exploration and adventure.

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Bahfen, Nasya. „1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity“. Pacific Journalism Review : Te Koakoa 25, Nr. 1&2 (31.07.2019): 29–38. http://dx.doi.org/10.24135/pjr.v25i1and2.479.

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The difference between how multicultural Australia is ‘in real life’ and ‘in broadcasting’ can be seen through data from the Census, and from Screen Australia’s most recent research into on screen diversity. In 2016, these sources of data coincided with the Census, which takes place every five years. Conducted by the Australian Bureau of Statistics, this presents a ‘snapshot’ of Australian life. From the newest Census figures in 2016, it appears that nearly half of the population in Australia (49 percent) had either been born overseas (identifying as first generation Australian) or had one or both parents born overseas (identifying as second generation Australian). Nearly a third, or 32 percent, of Australians identified as having come from non-Anglo Celtic backgrounds, and 2.8 percent of Australians identify as Indigenous (Aboriginal or Torres Strait Islander). Nearly a fifth, or 18 percent, of Australians identify as having a disability. Screen Australia is the government agency that oversees film and TV funding and research. Conducted in 2016, Screen Australia’s study looked at 199 television dramas (fiction, excluding animation) that aired between 2011 and 2015. The comparison between these two sources of data reveals that with one exception, there is a marked disparity between diversity as depicted in the lived experiences of Australians and recorded by the Census, and diversity as depicted on screen and recorded by the Screen Australia survey.

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Xu, Daozhi. „Australian Children’s Literature and Postcolonialism: A Review Essay“. Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 69, Nr. 2 (07.06.2016): 193. http://dx.doi.org/10.5007/2175-8026.2016v69n2p193.

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http://dx.doi.org/10.5007/2175-8026.2016v69n2p193The theme of land and country is resonant in Australian children’s literature with Aboriginal subject matter. The textual and visual narratives present counter-discourse strategies to challenge the colonial ideology and dominant valuation of Australian landscape. This paper begins by examining the colonial history of seeing Australia as an “empty space”, naming, and appropriating the land by erasing Aboriginal presence from the land. Then it explores the conceptual re-investment of Aboriginal connections to country in the representation of Australian landscape, as reflected and re-imagined in fiction and non-fiction for child readers. Thereby, as the paper suggests, a shared and reconciliatory space can at least discursively be negotiated and envisioned.

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Richards, Isabel, und Anna-Sophie Jürgens. „Being the environment: Conveying environmental fragility and sustainability through Indigenous biocultural knowledge in contemporary Indigenous Australian science fiction“. Journal of Science & Popular Culture 4, Nr. 2 (01.12.2021): 153–71. http://dx.doi.org/10.1386/jspc_00031_1.

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In contemporary Indigenous Australian fiction, all (non-)human animals, plants and the land are interconnected and interdependent. They are aware that they are not in the environment but are the environment. The planet and its non-human inhabitants have a creative agency and capacity for experience that demands our ethical consideration. In this article we investigate how Ambelin Kwaymullina’s Tribe novels and Ellen van Neerven’s novella Water empower environmental awareness by promoting sustainability and protection of the environment – within their fictional worlds and beyond. We argue that the human–nature relationship explored in these science fiction texts conveys the importance of Indigenous biocultural knowledge for resolving twenty-first-century global challenges. We clarify the role of fictional texts in the broader cultural debate on the power and importance of Indigenous biocultural knowledge as a complement to western (scientific) understanding and communication of environmental vulnerability and sustainability. Contemporary Indigenous Australian literature, this article shows, evokes sympathy in readers, inspires an ecocentric view of the world and thus paves the path for a sustainable transformation of society, which has been recognized as the power of fiction. Indigenous Australian fiction texts help us to rethink what it means to be human in terms of our relationship to other living beings and our responsibility to care for our planet in a holistic and intuitive way.

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Carter, David. „The literary field and contemporary trade-book publishing in Australia: Literary and genre fiction“. Media International Australia 158, Nr. 1 (07.01.2016): 48–57. http://dx.doi.org/10.1177/1329878x15622078.

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This article examines fiction as a major sector of trade-book publishing in exploring the place of Australian publishing within a globalised industry and marketplace. It traces the function of ‘literary fiction’ as industry category and locus of symbolic value and national cultural capital, mapping its structures and dynamics in Australia, including the impact of digital technologies. In policy terms, literature and publishing remain significant sites of national and state government investment. Following Bourdieu’s model of the field of cultural production, the literary/publishing field is presented as exemplary rather than as a high-cultural exception in the cultural economy. Taking Thompson’s use of field theory to examine US and UK trade publishing into account, it analyses the industry structures governing literary and genre fiction in Australia, demonstrating the field’s logic as determined by the unequal distribution of large, medium-sized and small publishers. This analysis reveals distinctive features of the Australian situation within a transnational context.

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Brown, Ruth, und Michael Wilding. „Studies in Classic Australian Fiction“. Yearbook of English Studies 29 (1999): 337. http://dx.doi.org/10.2307/3509005.

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Kerry, Stephen Craig. „Australian Queer Science Fiction Fans“. Journal of Homosexuality 66, Nr. 1 (07.11.2017): 100–116. http://dx.doi.org/10.1080/00918369.2017.1395262.

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Dissertationen zum Thema "Australian fiction"

Athique, Tamara Mabbott. „Textual migrations: South Asian-Australian fiction“. Thesis, School of English Literatures, Philosophy and Languages - Faculty of Arts, 2006. https://ro.uow.edu.au/theses/621.

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This thesis responds to gaps in the scholarship of 'minority literatures' and makes a new contribution to diversifying the field of literary criticism. Given the prominence of South Asian diasporic fiction overseas, the study of South Asian-Australian fiction is now overdue. Given the growing recognition of multicultural and Asian-Australian literatures, the study of South Asian-Australian cultural production now requires attention. Working from the premise that a fictional text is a storytelling device open to a number of interpretations and a commodity with a degree of cultural capital, this thesis examines the tactics employed in and around selected works of fiction. Literary texts are marked by the politics publishing and academic theory. This thesis examines some of the 'invisible layers of intervention' that shape cultural production by indicating the placement of South Asian-Australian fiction within overlapping sets of academic, commercial and policy environments (Apter, 2001: 4). Having affirmed the importance of bringing a relatively invisible area of study into view, this thesis also considers the productive limits and limitations of literary categorisation. To this end, it draws on interviews with a number of writers who speak about their (self)-positioning. It remains crucial to consider the narrative detail of South Asian-Australian fiction: what types of stories do South Asian-Australian writers choose to tell and how do they craft them, what are the effects of such narratives and how are their complex cultural locations conveyed? The majority of this thesis is concerned with fleshing out these questions through detailed textual analysis that focuses on the w/rites of passage arising from the act of migration. Testing the utility of concepts drawn from postcolonial studies, theories of diaspora and critical multiculturalism, this thesis argues for an integrated theoretical approach to a set of texts that operate across local, national and transnational literary contexts.

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Dahlstrom, James. „Imagining Australia: The Struggle to Locate Australian Identity in Peter Carey’s Early Fiction“. Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15356.

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In this thesis, I examine in Peter Carey’s early fiction the portrayal of Australia’s struggle to imagine a unique identity for itself. Three different, but overlapping, approaches will be woven together to serve as a lens through which his work can be read. First, it will be useful to situate the work within the context of Australian history and popular culture, which suggests an obsessive search for an “authentic” Australian identity, as well as the theoretical work on the social construction of such identities. Second, I will draw upon the work of Benedict Anderson, paired with that of Pheng Cheah, as a means of discussing the comparative process by which national identities are imagined and how those imagined identities emerge in cultural productions. In particular, I examine the typically unique characteristics and ideologies that are used as a basis when imagining national identities, as many of Australia’s are shared with both Britain and America. I will therefore engage with concepts like “totality,” “unisonance” and “seriality” as a means of discussing Carey’s work. Moreover, I will be utilising Louis Althusser’s concept of national ideology as a means of explicating Anderson’s and Cheah’s work. Finally, since the intersection between the national and the transnational is often conceived of in post-colonial language, especially in terms of Australia’s relationship to Britain and the United States, this thesis will draw on the work of post-colonial theorists like Bill Ashcroft, Gareth Griffiths and Helen Tiffin, Homi K. Bhabha, and Edward Said.

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Dallmann, Tino [Verfasser]. „Telling Terror in Contemporary Australian Fiction / Tino Dallmann“. Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2016. http://d-nb.info/1105292754/34.

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Beere, Diana. „Nurturing ideology: Representations of motherhood in contemporary Australian adolescent fiction“. Thesis, Griffith University, 2000. http://hdl.handle.net/10072/366558.

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This study analyses the ways in which motherhood is represented in a corpus of contemporary, critically acclaimed Australian adolescent fiction. The 18 texts in the research corpus were those short-listed by the Children's Book Council of Australia for its annual Book of the Year: Older Readers award in the years 1992 to 1994 inclusive. The publicity, prestige and power attached to these awards means that short-listed books, taken to be 'good' books for children and adolescents, are often used as educational resources in Australian schools, particularly to support teaching and learning activities in literacy and English education. Recognising adolescent fiction as a potentially significant site of contestation over the social justice ideals that inform Australia's national curriculum documents, the study sought to document the ways in which these texts are implicated in the production and reproduction of ideologies of motherhood. The study was informed by the understanding that meanings are not inherent to texts, but are constructed by readers as they adopt particular subject positions in relation to texts and enter into what, in effect, are social relationships with them. From this perspective, the analysis required attention not only to textual features of the research corpus, but also to the various other resources on which readers might reasonably draw to construct meanings. This meant attending to intertextuality, that is, the relationships between the fictional narratives on which the study focused and other cultural texts, including the visual and spoken texts of everyday life, and to the ways in which readers are encouraged or required to draw on these intertexts as meaning-making resources. The study recognised that readers' primary mean-making resources are common-sense ideologies, understood as the widely shared and taken-for-granted understandings about the social world that inform much of the everyday social action and interaction among members of a society. The study was also underpinned by an understanding of motherhood as a social construct rather than an essentially biologically determined state, and therefore as having meanings that are subject to contestation and revision. To establish the range of contemporary understandings about motherhood on which readers might draw to make sense of textual representations of motherhood, the study drew on the findings of recent research into the discursive construction of motherhood, with particular attention to what currently prevails as common sense. These common-sense understandings about motherhood, together with the alternative discourses on which readers might draw to construct meaning, subsequently informed the analyses of the research corpus. Given the size of the corpus, only six of the texts were selected for close attention. The analyses of these texts were supplemented with less detailed analyses of the remainder of the corpus, focusing on the themes that emerged most powerfully from the first six analyses. While some attention was given to the linguistic features of the texts, the analytical process focused most closely on their narrative features and the ways in which particular narrative strategies work to limit the range of possible meanings that readers can construct by rendering some meanings more 'obvious' than others. Particular attention was given to the focalising strategies through which fictional narratives exert much of their power to persuade readers to adopt certain subject positions rather than others, and hence to construct meaning in certain ways, with consequences in terms of the production and reproduction of ideologies. The analyses revealed that prevailing common-sense ideologies of motherhood are not significantly challenged by the ways in which motherhood is represented in the research corpus. While there are points in some of the narratives that might serve as platforms from which to construct alternative understandings about motherhood, particularly for those readers who are equipped with critical reading strategies, the narratives never actively and unequivocally encourage readers to challenge common-sense understandings. Rather, their major contribution to contemporary ideological struggles over the meaning of motherhood is directed towards ensuring continued widespread acceptance of the discursively constructed 'truths' that work to legitimate a social order in which the lives of girls and women are regulated on the basis of their categorisation as potential or actual mothers. The study concluded that the texts in the research corpus are actively engaged in undermining contemporary social struggles for social justice and equity. The study's findings have a number of significant implications for theory development, policy, practice and future research, both within and beyond the field of education, and these are discussed in the final chapter. In particular, the findings are relevant to literacy education, where they highlight the need for educators to develop and implement critical literacy pedagogies that draw students' attention to the textual workings of ideology. The findings suggest that what students need, arguably more than they need 'good' literature, are meta-level reading skills and strategies with which they can resist being manipulated by texts, whether they are fictional narratives of the kind analysed for this study or the various other written, spoken and visual texts that are typically encountered in everyday social life.
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Cognition, Language and Special Education
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Barker, Elaine M. „Civilization in the wilderness : the homestead in the Australian colonial novel, 1830-1860 /“. Title page, contents and abstract only, 1989. http://web4.library.adelaide.edu.au/theses/09ARM/09armb255.pdf.

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Paton, Elizabeth, und n/a. „Creativity and the Dynamic System of Australian Fiction Writing“. University of Canberra. Communication, 2008. http://erl.canberra.edu.au./public/adt-AUC20090825.125448.

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Given the growing interest in fiction writing in Australia, seen in the rise in the number of festivals, writers' centres, how-to books, biographies and creative writing classes, it is surprising that very little research has been done within Australia on the nature of literary creativity itself. A review of international literature on creativity from areas such as the arts, history, psychology, sociology, cultural studies, business and education shows movement away from traditional and conventional ideas of creativity that focus primarily on the individual, towards more contextual approaches that reconceptualise creativity as the result of a dynamic system at work. Mihaly Csikszentmihalyi's tripartite model of creativity, which includes a field of experts, a domain of knowledge and an individual author, has been successfully applied to the arts and sciences in North America. It is argued that the systems model is also relevant to Australian fiction writing, a term which is used here to include novels in literature, popular fiction and genre fiction categories. This thesis is primarily based on in-depth interviews with 40 published Australian fiction writers. With over 400 publications between them, the individual writers interviewed represent a broad cross section of Australian fiction categories at both the national and international level. In addition to literary writers like Carmel Bird and Venero Armanno, this sample also incorporates writers in other genres such as Di Morrissey and Nick Earls (popular fiction), Paul Collins (science fiction and fantasy), Anna Jacobs (romance), Peter Doyle (crime) and Libby Gleeson and Gary Crew (children's and young adult fiction). Although the individual writers possess unique combinations of characteristics, biographies and processes, their collective responses demonstrate common participation in systemic processes of creativity. By analysing these responses in terms of Csikszentmihalyi's systems model, this thesis presents evidence that demonstrates a system of creativity at work in Australian fiction. The analysis of the collected data provides evidence, firstly, of how writers adopt and master the domain skills and knowledge needed to be able to write fiction through processes of socialisation and enculturation. Secondly, it is also the contention of this thesis that the individual's ability to contribute to the domain depends not only on traditional biological, personality and motivational influences but also socially and culturally mediated work practices and processes. Finally, it is asserted that the contribution of a field of experts is also crucial to creativity occurring in Australian fiction writing. This social organisation, comprised of all those who can affect the domain, is important not only for its influence on and acceptance of written works but also for the continuation of the system itself. The evidence shows that the field supports further writing as well as writing careers with many authors becoming members of the field themselves. In sum, the research demonstrates that, rather than being solely the property of individual authors, creativity in Australian fiction writing results from individuals making choices and acting within the boundaries of specific social and cultural contexts.

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Reid, Michelle. „National identity in contemporary Australian and Canadian science fiction“. Thesis, University of Reading, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413934.

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Wang, Labao. „Australian short fiction in the 1980s : continuity and change“. Thesis, The University of Sydney, 1999. https://hdl.handle.net/2123/27583.

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This thesis offers a critical survey and a comprehensive bibliography of the Australian short story in the 1980s. Conceived partly as an continuation of Stephen Torre’s study of Australian short fiction of the 1940-1980 period, it starts where Torre’s thesis stopped, focusing on Australian short story writing published in the ten years between 1981 and 1990. Torre has summed up the 1940-1980 period as ‘a time of development and innovation’ in the history of Australian short fiction. In comparison, the 1980s is probably best described as a decade of unprecedented expansion and diversification. During that time, Australian short fiction broke away from its earlier domination by monolithic traditions and became a much more eclectic and pluralistic form. Contributing to this eclecticism and plurality were five different streams of story writing created by five separate groups of writers. Due to constraints of space, the critical text of the thesis examines only four of them.

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Penazzi, Leonardo. „The fellow (novel) : and Australian historical fiction, debating the perceived past (dissertation) /“. Connect to this title, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0070.

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Geddes, Robert John William. „The unsettled colony : contruction of aboriginality in late colonial South Australian popular historical fiction and memoir /“. Title page, contents and conclusions only, 2000. http://web4.library.adelaide.edu.au/theses/09AR/09arg295.pdf.

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Bücher zum Thema "Australian fiction"

Wilding, Michael. Studies in classic Australian fiction. [Sydney, N.S.W.]: Sydney Association for Studies in Society and Culture, University of Sydney, 1997.

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Wilding, Michael. Studies in classical Australian fiction. Sydney: Sydney Studies, 1997.

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Wilding, Michael. Studies in classic Australian fiction. Sydney, N.S.W: Sydney Studies, 1997.

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Bruce, Bennett. Australian short fiction: A history. St. Lucia, Qld., Australia: University of Queensland Press, 2002.

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Pierce, Peter. Australian melodramas: Thomas Keneally's fiction. St Lucia, Qld., Australia: University of Queensland Press, 1995.

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1965-, Doig James, Hrsg. Australian gothic: An anthology of Australian supernatural fiction, 1867-1939. Mandurah, W.A: Equilibrium Books, 2007.

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Hanson, Donna Maree. Australian speculative fiction: A genre overview. Murrumbateman, N.S.W: Aust Speculative Fiction, 2005.

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White, Kerry. Australian children's fiction: The subject guide. Milton, Qld: Jacaranda, 1993.

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Stone, Graham. Australian science fiction bibliography 1848-1999. 2. Aufl. Sydney: Graham Stone, 2010.

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Clancy, Laurie. A reader's guide to Australian fiction. Melbourne: Oxford University Press, 1992.

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Buchteile zum Thema "Australian fiction"

Goodwin, Ken. „Symbolic and social-realist fiction“. In A History of Australian Literature, 167–89. London: Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-18177-3_8.

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Strehle, Susan. „The Home Elsewhere: Simone Lazaroo’s The Australian Fiancé“. In Transnational Women's Fiction, 153–77. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583863_7.

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Althans, Katrin. „Ecologemes in Contemporary Australian Crime Fiction“. In The Routledge Handbook of Crime Fiction and Ecology, 251–63. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003091912-24.

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Vernay, Jean-François. „The Erotics of Writing and Reading Australian Fiction“. In Neurocognitive Interpretations of Australian Literature, 67–80. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003161455-8.

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Bartha-Mitchell, Kathrin. „Testing the Limits of Apocalyptic Climate Fiction“. In Cosmological Readings of Contemporary Australian Literature, 111–26. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003312154-9.

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Vernay, Jean-François. „Australian High-Functioning ASD Fiction in the Age of Neurodiversity“. In Neurocognitive Interpretations of Australian Literature, 49–63. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003161455-6.

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Teo, Hsu-Ming. „The Australian Convict Prostitute Romance“. In Conflict and Colonialism in 21st Century Romantic Historical Fiction, 26–49. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003493792-2.

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Carter, David. „Beyond the Antipodes: Australian Popular Fiction in Transnational Networks“. In New Directions in Popular Fiction, 349–70. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-52346-4_17.

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Gelder, Ken, und Rachael Weaver. „Colonial Australian Detectives, Character Type and the Colonial Economy“. In New Directions in Popular Fiction, 43–66. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-52346-4_3.

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Klein, Dorothee. „Feeling the Land: Embodied Relations in Contemporary Aboriginal Fiction“. In The Rise of the Australian Neurohumanities, 94–107. New York, NY : Routledge, 2021. | Series: Routledge focus on literature: Routledge, 2021. http://dx.doi.org/10.4324/9781003161424-8-8.

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Konferenzberichte zum Thema "Australian fiction"

Mubin, Omar, Mohammad Obaid, Wolmet Barendregt, Simeon Simoff und Morten Fjeld. „Science Fiction and the Reality of HCI“. In OzCHI '15: The Annual Meeting of the Australian Special Interest Group for Computer Human Interaction. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2838739.2838835.

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Vallis, Carmen. „Writing against the tide“. In 25th Australasian Association of Writing Programs Conference 2020. Australasian Association of Writing Programs, 2020. http://dx.doi.org/10.32613/acp/2020.73.

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A tide of conservatism is rising. Despite bushfires and a global epidemic, many are unwilling or unable to grapple with the facts behind these catastrophes. What is not said drifts in and out of public consciousness. In present silences and lacunae, past stories wait to be told anew. In this presentation, I reflect on discontinuity and continuity in the curious silence around the Joh Bjelke-Petersen era in Queensland history, a time remembered for corrupt politicians and cops, but otherwise culturally (and conveniently) forgotten in literary fiction. I discuss my creative response to this era, and outline processes that are saving me from drowning in entwined political, cultural and personal silences as I write an exegesis and novel.

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Zammit, Sarah-Jane. „Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation“. In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.

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Controversies surrounding the restoration and representation of the narrative and memory of Notre-Dame de Paris are not new. The latest debates remind us that the building has been at the centre of conservation controversies since the nineteenth century. But why is Notre-Dame de Paris central to these debates? The answer appears to lie in its function as a mnemonic device for Paris and the French nation. This paper focuses on the four literary pieces published by Victor Hugo in the period between 1823 and 1832 – ‘Le Bande Noir’ (‘The Black Band’), ‘Note sur la Destruction des Monuments en France’ (‘Note on the Destruction of Monuments in France’), ‘Guerre aux Démolisseurs!’ (‘War on the Demolishers!’) and Notre-Dame de Paris (also known as The Hunchback of Notre-Dame). Through an analysis of these four texts, the paper will attempt to understand Hugo’s convictions about the role of buildings – especially Notre-Dame de Paris – in establishing the memory of the city and the nation, and how these in turn underpinned his arguments for conservation. Whilst these texts were all written in a period before the development of key contemporary concepts in the psychology and neuroscience of memory, this paper nevertheless uses the concepts of memory, imagination and Mental Time Travel to try to understand the kind of memory work that the Cathedral performs, and that Hugo suggests it performs in his writing. By examining how Hugo’s literature augmented and engaged the reader’s memory and imagination of the past, this paper will explain how Hugo romanticised the idea that the building was a witness to history. The paper ultimately argues that Hugo positioned Notre-Dame de Paris not only as the centrepiece in his own fiction, but as a beacon of memory for Paris and France, and as such the building came to represent Paris, and indeed the nation as a whole.

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Berichte der Organisationen zum Thema "Australian fiction"

Tyson, Paul. Australia: Pioneering the New Post-Political Normal in the Bio-Security State. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp10en.

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This paper argues that liberal democratic politics in Australia is in a life-threatening crisis. Australia is on the verge of slipping into a techno-feudal (post-capitalist) and post-political (new Centrist) state of perpetual emergency. Citizens in Australia, be they of the Left or Right, must make an urgent attempt to wrest power from an increasingly non-political Centrism. Within this Centrism, government is deeply captured by the international corporate interests of Big Tech, Big Natural Resources, Big Media, and Big Pharma, as beholden to the economic necessities of the neoliberal world order (Big Finance). Australia now illustrates what the post-political ‘new normal’ of a high-tech enabled bio-security state actually looks like. It may even be that the liberal democratic state is now little more than a legal fiction in Australia. This did not happen over-night, but Australia has been sliding in this direction for the past three decades. The paper outlines that slide and shows how the final bump down (covid) has now positioned Australia as a world leader among post-political bio-security states.

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