Auswahl der wissenschaftlichen Literatur zum Thema „Australian Centre for Contemporary Art“
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Zeitschriftenartikel zum Thema "Australian Centre for Contemporary Art"
Stevenson, Ian. „Sonic Residues 02 Australian Centre for Contemporary Art, Melbourne, Australia, 17 November 2 December 2000“. Computer Music Journal 25, Nr. 3 (September 2001): 82–85. http://dx.doi.org/10.1162/comj.2001.25.3.82.
Der volle Inhalt der QuelleVett. „Australian Indigenous Art Centres Online: A Multi-Purpose Cultural Tourism Framework“. Arts 8, Nr. 4 (26.10.2019): 145. http://dx.doi.org/10.3390/arts8040145.
Der volle Inhalt der QuelleFosdike, Tahney. „Kader Attia, Australian Centre for Contemporary Art (Melbourne, Australia), 30 September–19 November 2017. Curated by Rachel Kent“. Journal of Visual Art Practice 17, Nr. 2-3 (29.05.2018): 230–32. http://dx.doi.org/10.1080/14702029.2018.1426760.
Der volle Inhalt der QuelleAnderson, Margot. „Dance Overview of the Australian Performing Arts Collection“. Dance Research 38, Nr. 2 (November 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.
Der volle Inhalt der QuelleTuohy, Ian R. „A Proposal for an Australian Space Astronomy Data Centre“. Publications of the Astronomical Society of Australia 7, Nr. 1 (1987): 80–87. http://dx.doi.org/10.1017/s1323358000021901.
Der volle Inhalt der QuelleMcQuilten, Grace. „Who is afraid of public space? Public art in a contested, secured and surveilled city“. Art & the Public Sphere 8, Nr. 2 (01.12.2019): 235–54. http://dx.doi.org/10.1386/aps_00023_1.
Der volle Inhalt der QuelleLoaney, Denis. „Australian Indigenous Art Innovation and Culturepreneurship in Practice: Insights for Cultural Tourism“. Arts 8, Nr. 2 (09.04.2019): 50. http://dx.doi.org/10.3390/arts8020050.
Der volle Inhalt der QuelleFisher, Laura, und Gay McDonald. „From fluent to Culture Warriors: Curatorial trajectories for Indigenous Australian art overseas“. Media International Australia 158, Nr. 1 (11.01.2016): 69–79. http://dx.doi.org/10.1177/1329878x15622080.
Der volle Inhalt der QuellePorr, Martin. „Art und rock-art of the Kimberley, Northwest Australia: Narratives, interpretations and imaginations“. EAZ – Ethnographisch-Archaeologische Zeitschrift 51, Nr. 1/2 (24.03.2010): 173–90. http://dx.doi.org/10.54799/bwdk8871.
Der volle Inhalt der QuelleByrne, Paula Jane. „Tracing a Female Mind in Late Nineteenth Century Australia: Rose Selwyn“. Genealogy 7, Nr. 2 (27.04.2023): 30. http://dx.doi.org/10.3390/genealogy7020030.
Der volle Inhalt der QuelleDissertationen zum Thema "Australian Centre for Contemporary Art"
Devrome, Kelly. „The Oneiric Veil in contemporary Australian art“. Thesis, University of Ballarat, 2012. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/41170.
Der volle Inhalt der QuelleDoctor of Philosophy
Foster, Susanne. „Contemporary indigenous art reflecting the place of prison experiences in indigenous life /“. Title page, table of contents and abstract only, 2005. http://web4.library.adelaide.edu.au/theses/09ARAHM/09arahmf7541.pdf.
Der volle Inhalt der QuelleCoursework. "March 2005" Bibliography: leaves 179-190.
Aydemir, Cigdem. „Image and Voice: Muslim women in Contemporary Art“. Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/15723.
Der volle Inhalt der QuelleShiel, Erin Patricia. „Breathing in art, breathing out poetry: Contemporary Australian art and artists as a source of inspiration for a collection of ekphrastic poems“. Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15995.
Der volle Inhalt der QuelleSouliere, Rolande. „Towards an Indigenous History: Indigenous Art Practices from Contemporary Australia and Canada“. Phd thesis, University of Sydney, 2019. http://hdl.handle.net/2123/21193.
Der volle Inhalt der QuelleRups-Eyland, Annette Maie, University of Western Sydney, of Arts Education and Social Sciences College und School of Social Ecology and Lifelong Learning. „Centre of the storm : in search of an Australian feminist spirituality through performance-ritual“. THESIS_CAESS_SELL_Rups-Eyland_A.xml, 2002. http://handle.uws.edu.au:8081/1959.7/771.
Der volle Inhalt der QuelleDoctor of Philosophy (PhD)
Fries, Katherine. „Ariadne's thread - memory, interconnection and the poetic in contemporary art“. Connect to full text, 2008. http://hdl.handle.net/2123/5709.
Der volle Inhalt der QuelleTitle from title screen (viewed November 26, 2009) Submitted in fulfilment of the requirements for the degree of Master of Visual Arts to the Sydney College of the Arts, University of Sydney. Degree awarded 2009; thesis submitted 2008. Includes bibliographical references.
Rups-Eyland, Annette Maie. „Centre of the storm : in search of an Australian feminist spirituality through performance-ritual“. Thesis, View thesis View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/771.
Der volle Inhalt der QuelleWenholz, Mary Peta. „Painting about painting: the contemporary expansion of medium specificity“. Thesis, The University of Sydney, 2007. https://hdl.handle.net/2123/28934.
Der volle Inhalt der QuelleRups-Eyland, Annette Maie. „Centre of the storm : in search of an Australian feminist spirituality through performance-ritual /“. View thesis View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20031222.160235/index.html.
Der volle Inhalt der QuelleA thesis submitted in full requirements for the degree of Doctor of Philosophy, School of Social Ecology and Lifelong Learning, University of Western Sydney, May 2002. Bibliography : p. [369]- 395.
Bücher zum Thema "Australian Centre for Contemporary Art"
Bennett, Gordon. Godon Bennett: Contemporary Art Centre of South Australia. Adelaide: Contemporary Art Centre of South Australia, 1993.
Den vollen Inhalt der Quelle findenAdelaide Biennial of Australian Art (6th 2000). Beyond the pale: Contemporary indigenous art : 2000 Adelaide Biennial of Australian Art, Art Gallery of South Australia. Adelaide, S. Aust: The Art Gallery, 2000.
Den vollen Inhalt der Quelle findenTerry, Smith. What is contemporary art? Chicago: The University of Chicago Press, 2009.
Den vollen Inhalt der Quelle findenMantes-la-Jolie (France). Musée de l'Hôtel-Dieu. Au centre de la Terre d'Arnhem: Entre mythes et réalité : art aborigène d'Australie = In the heart of Arnhem Land : myth and the making of contemporary aboriginal art. Mantes-la-Jolie: Musée de l'Hôtel-Dieu, 2001.
Den vollen Inhalt der Quelle findenGuest, Andrew. Baltic Centre for Contemporary Art. London: Scala, 2008.
Den vollen Inhalt der Quelle findenGellatly, Kelly. 101 contemporary Australian artists. Melbourne, Victoria, Australia: National Gallery of Victoria, 2012.
Den vollen Inhalt der Quelle findenCross-currents in contemporary Australian art. St. Leonards, Sydney, N.S.W: Craftsman House and Fine Art Pub., 2001.
Den vollen Inhalt der Quelle findenIsaacs, Jennifer. Spirit country: Contemporary Australian Aboriginal art. South Yarra, Vic: Hardie Grant, 1999.
Den vollen Inhalt der Quelle findenCharles, Green. Peripheral vision: Contemporary Australian Art, 1970-1994. Roseville East, N.S.W: Craftsman House, 1995.
Den vollen Inhalt der Quelle findenManson & Woods Christie. Post-war and contemporary art. London: Christie's, 2003.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Australian Centre for Contemporary Art"
May, Sally K. „The Australian Art Centre Movement“. In Karrikadjurren, 94–117. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429321832-6.
Der volle Inhalt der QuelleRoggema, Rob. „Australian Urbanism; State of the Art“. In Contemporary Urban Design Thinking, 1–10. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91950-8_1.
Der volle Inhalt der QuelleCooper, Trudi. „Community Impact of an Australian Aboriginal Art Centre“. In Community Development for Social Change, 173–80. Abingdon, Oxon; New York, NY: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781315528618-32.
Der volle Inhalt der QuelleChlanda, Jacqueline, Léuli Eshrāghi und Peta Rake. „The `Blue Turn' in Contemporary Art“. In Critical Approaches to the Australian Blue Humanities, 93–107. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003365501-10.
Der volle Inhalt der QuelleLenehan, Fergal. „Learning About Colonialism by Scrolling?“ In Studies in Digital Interculturality, 79–102. Bielefeld, Germany: transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839468890-006.
Der volle Inhalt der QuelleNakata, Sana, und Daniel Bray. „Political Representation of Aboriginal and Torres Strait Islander Youth in Australia“. In The Politics of Children’s Rights and Representation, 301–23. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-04480-9_13.
Der volle Inhalt der QuelleHaag, Oliver. „Post-colonial Narratives of Australian Indigeneity in Austria: The Essl Exhibition on Contemporary Indigenous Australian Art“. In German-Australian Encounters and Cultural Transfers, 161–77. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-6599-6_11.
Der volle Inhalt der QuelleCorbet, David. „Decolonising the Exhibitionary Complex: Australian and Latin American Art and Activism in the Era of the Global Contemporary“. In Mapping South-South Connections, 23–57. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-78577-6_2.
Der volle Inhalt der QuelleReddel, Tim, Kelly Hand und Lutfun Nahar Lata. „Influencing Social Policy on Families through Research in Australia“. In Family Dynamics over the Life Course, 297–312. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-12224-8_14.
Der volle Inhalt der QuelleMallinson, Jonathan. „1. 1897–1900: The Making of a Potter“. In William Moorcroft, Potter, 7–30. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.01.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Australian Centre for Contemporary Art"
Marquis, Jenefer, und Theodor Wyeld. „Ancestral Forces in Contemporary Indigenous Australian Women's Art: 3 Case Studies of Multi-dimensional Cultural Heritage Knowledge“. In 2010 14th International Conference Information Visualisation (IV). IEEE, 2010. http://dx.doi.org/10.1109/iv.2010.60.
Der volle Inhalt der QuelleChun Wai, Wilson Yeung, und Estefanía Salas Llopis. „THE SPACE BETWEEN US“. In INNODOCT 2020. Valencia: Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/inn2020.2020.11901.
Der volle Inhalt der QuelleZammit, Sarah-Jane. „Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation“. In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.
Der volle Inhalt der QuelleOzola, Silvija. „SPATIAL AND ARTISTIC DEVELOPMENT OF THE HANSEATIC CITIES ON THE BALTIC SEACOAST IN THE 13TH AND 14TH CENTURIES“. In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs09.14.
Der volle Inhalt der QuellePilar, Martin. „EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE“. In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.06.
Der volle Inhalt der QuellePilar, Martin. „EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE“. In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.06.
Der volle Inhalt der QuelleMonteiro, Caique Cahon. „Aesthetic Experience and Digital Culture: New Flows in The Space of Art Exhibition“. In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.67.
Der volle Inhalt der QuelleFaroldi, Emilio, und Maria Pilar Vettori. „Architecture as a heteronomous discipline. Debate, theories, perspectives“. In 3rd Valencia International Biennial of Research in Architecture, VIBRArch. València: Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/vibrarch2022.2022.15481.
Der volle Inhalt der QuelleGolubkova, Ekaterina. „The Potential for the Transformation of Public Space in Yekaterinburg via Non-Standard Advertising Media“. In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-53.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Australian Centre for Contemporary Art"
McIntyre, Phillip, Susan Kerrigan und Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.
Der volle Inhalt der QuelleKerrigan, Susan, Phillip McIntyre und Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Ballarat. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206963.
Der volle Inhalt der QuelleCoombs, HC opening exhibition of contemporary Australian paintings at Art Gallery - September 1955. Reserve Bank of Australia, September 2022. http://dx.doi.org/10.47688/rba_archives_pn-002886.
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