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1
Burns, Kathryn E. „This other Eden exploring a sense of place in twentieth-century reconstructions of Australian childhoods /“. Connect to full text, 2006. http://hdl.handle.net/2123/1691.
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Thesis (Ph. D.)--University of Sydney, 2007.Title from title screen (viewed 25 March 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of English, Faculty of Arts. Degree awarded 2007; thesis submitted 2006. Includes bibliographical references. Also available in print form.
2
Smith, Yvonne J. „Brightness under our shoes the redress of the poetic imagination in the poetry and prose of David Malouf 1960-1982 /“. Connect to full text, 2008. http://hdl.handle.net/2123/5139.
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Thesis (Ph. D.)--University of Sydney, 2009.Title from title screen (viewed July 13, 2009) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of English, Faculty of Arts. Degree awarded 2009; thesis submitted 2008. Includes appendices. Includes bibliography. Also available in print form.
3
Grossman, Michèle 1957. „Entangled subjects : talk and text in collaborative indigenous Australian life-writing“. Monash University, School of Literary, Visual and Performance Studies, 2004. http://arrow.monash.edu.au/hdl/1959.1/5269.
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4
Taaffe, Benjamin James Stewart Douglas. „Douglas Stewart poet, editor, man of letters /“. Connect to full text, 1995. http://hdl.handle.net/2123/5765.
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Thesis (Ph. D.)--University of Sydney, 1996.Title from title screen (viewed December 9, 2009) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of English, Faculty of Arts. Degree awarded 1996; thesis submitted 1995. Includes bibliographical references. Also available in print form.
5
Lindsey, Travis B. „Arthur William Upfield : a biography /“. Access via Murdoch University Digital Theses Project, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20051003.113934.
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6
Burns, Kathryn E. „This Other Eden: Exploring a Sense of Place in Twentieth-Century Reconstructions of Australian Childhoods“. Thesis, The University of Sydney, 2006. http://hdl.handle.net/2123/1691.
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This thesis explores the sense of place formed during childhood, as remembered by adult Australians who reconstruct their youth through various forms of life writing. While Australian writers do utilize traditional tropes of Western autobiography, such as the mythology of Eden and the Wordsworthian image of the child communing with Nature, these themes are frequently transformed to meet a uniquely Australian context. Isolation and distance from Europe, and the apparent indifference of our landscape towards white settlement, have received much critical attention in Australian studies generally and, indeed, broadly influence the formation of children’s sense of place across the continent. However, writers are also concerned with the role of place on a more local level. Through a comparison of writing from Western Australia, Queensland and Victoria, this thesis explores regional landscape preoccupations that create an awareness of local identity, variously contributing to or frustrating the child’s sense of belonging. Western Australian writing is dominated by images of isolation, the fragility of white settlement in a dry land lacking fresh water, and a pervasive beach culture. A strong sense of the littoral pervades writing from this region. Queensland’s frontier mythology is of a different flavour: warm and tropical, nature here is exuberant, constantly threatening to overwhelm culture, already perceived as transient due to the flimsy aspect of the “Queenslander” house. Writing from Victoria, to some extent, tends to more closely follow English models, juxtaposing country and city environments, although there is a distinctly local flavour to many representations of urban Melbourne and its flat, grid-like organization. As Australian society becomes more concentrated on the coastal fringe, the beach is an increasingly significant environment. Though more prominent in writing from some regions than others, coastal imagery broadly reflects the modern Australian’s sense of inhabiting a liminal zone with negotiable boundaries.
7
McDonell, Margaret. „The invisible hand : cross-cultural influence on editorial practice /“. St. Lucia, Qld, 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18021.pdf.
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8
Sun, Christine Yunn-Yu. „The construction of "Chinese" cultural identity : English-language writing by Australian and other authors with Chinese ancestry“. Monash University, School of Languages, Cultures and Linguistics, 2004. http://arrow.monash.edu.au/hdl/1959.1/5438.
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9
Steggall, Stephany. „Colin Thiele : double vision : a biographical study of an Australian writer and educator / Stephany Evans Steggall“. [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18600.pdf.
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10
Kynoch, Hope. „The life and works of Elliot Lovegood Grant Watson“. Monash University, National Centre for Australian Studies, 1999. http://arrow.monash.edu.au/hdl/1959.1/8564.
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11
Miley, Linda. „White writing black : issues of authorship and authenticity in non-indigenous representations of Australian Aboriginal fictional characters“. Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16485/1/Linda_Miley_Thesis.pdf.
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This creative practice-led thesis is in two parts - a novella entitled Leaning into the Light and an exegesis dealing with issues for creative writers who are non-Indigenous engaging with Indigenous characters and inter-cultural relationships. The novella is based on a woman's tale of a cross cultural friendship and is set in a Queensland Cape York Aboriginal community over a period of fifteen years. Leaning into the Light is for the most part set in the late 1960s, and as such tracks some of the social and personal cost of colonisation through its depiction of Indigenous and non-Indigenous relationships within a Christian run mission. In short, Leaning into the Light creates an imaginary space of intercultural relationships that is nevertheless grounded in a particular experience of a 'real' place and time where Indigenous and non-Indigenous subjectivities collide and communicate.
The exegesis is principally concerned with issues of non-Indigenous representation of indigeneity, an area of enquiry and scholarship that is being increasingly theorized and debated in contemporary cultural and literary studies. In this field, two questions raised by Fee (in Ashcroft, Griffiths and Tiffin, 1995) are key concerns in the exegesis. How do we determine who is a member of the Aboriginal minority group, and can majority members speak for this minority? The intensification of interest around these issues follows a period of debate in the 1990s which in turn was spawned by the "unprecedented politicisation of {Australian} history" (Collins and Davis, 2004, p.5) following the important Mabo decision which overturned the "nation's founding doctrine of terra nullius" (ibid, p.2). These debates questioned whether or not non-Aboriginal authors could legitimately include Aboriginal themes and characters in their work (Huggins, 1994; Wheatley, 1994, Griffiths, et al in Tiffin and Lawson, 1994), and covered important political and ethical considerations, at the heart of which were issues of representation and authenticity. Moreover, there were concerns about non-Indigenous authors competing for important symbolic and publishing space with Indigenous authors. In the writing of Leaning into the Light, these issues became pivotal to the representation of character and situation and as such constitute the key points of analysis in the exegesis.
12
Miley, Linda. „White writing black : issues of authorship and authenticity in non-indigenous representations of Australian Aboriginal fictional characters“. Queensland University of Technology, 2006. http://eprints.qut.edu.au/16485/.
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This creative practice-led thesis is in two parts - a novella entitled Leaning into the Light and an exegesis dealing with issues for creative writers who are non-Indigenous engaging with Indigenous characters and inter-cultural relationships. The novella is based on a woman's tale of a cross cultural friendship and is set in a Queensland Cape York Aboriginal community over a period of fifteen years. Leaning into the Light is for the most part set in the late 1960s, and as such tracks some of the social and personal cost of colonisation through its depiction of Indigenous and non-Indigenous relationships within a Christian run mission. In short, Leaning into the Light creates an imaginary space of intercultural relationships that is nevertheless grounded in a particular experience of a 'real' place and time where Indigenous and non-Indigenous subjectivities collide and communicate. The exegesis is principally concerned with issues of non-Indigenous representation of indigeneity, an area of enquiry and scholarship that is being increasingly theorized and debated in contemporary cultural and literary studies. In this field, two questions raised by Fee (in Ashcroft, Griffiths and Tiffin, 1995) are key concerns in the exegesis. How do we determine who is a member of the Aboriginal minority group, and can majority members speak for this minority? The intensification of interest around these issues follows a period of debate in the 1990s which in turn was spawned by the "unprecedented politicisation of {Australian} history" (Collins and Davis, 2004, p.5) following the important Mabo decision which overturned the "nation's founding doctrine of terra nullius" (ibid, p.2). These debates questioned whether or not non-Aboriginal authors could legitimately include Aboriginal themes and characters in their work (Huggins, 1994; Wheatley, 1994, Griffiths, et al in Tiffin and Lawson, 1994), and covered important political and ethical considerations, at the heart of which were issues of representation and authenticity. Moreover, there were concerns about non-Indigenous authors competing for important symbolic and publishing space with Indigenous authors. In the writing of Leaning into the Light, these issues became pivotal to the representation of character and situation and as such constitute the key points of analysis in the exegesis.
13
Skyes, Gillian E. „The new woman in the new world : fin-de-siècle writing and feminism in Australia“. Phd thesis, Faculty of Arts, 2002. http://hdl.handle.net/2123/16473.
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14
Muller, Vivienne. „Imagining Brisbane : narratives of the city 1975-1995 / by Vivienne Muller“. [St. Lucia, Qld.], 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18488.pdf.
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15
Hawryluk, Lynda J., University of Western Sydney, of Arts Education and Social Sciences College und of Communication Design and Media School. „Call waiting“. THESIS_CAESS_CDM_Hawryluk_L.xml, 2001. http://handle.uws.edu.au:8081/1959.7/6.
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This thesis examines the life and career of Bret Easton Ellis, and the influences of his work on the author's development as a writer. Part one encapsulates a novel written specifically for this thesis. 'Call waiting' is a harsh look at modern friendships, the role of work in these relationships and the proliferation of shallow communication through the advent of email. A critical reflection follows, examining the process that led to the novel's creation. Three specific areas are focussed on: the direct influence of Ellis' novel 'The rules of attraction' on the overall themes of 'Call waiting', the realisation of the project and the various editing changes and narrative developments that arose during the writing of the novel, and an examination of the inspiration behind the novel's creation. Part two considers Ellis' role in the literary world of the 1980s, his own complicity in the creation of a career as a celebrity author, and the carefully manufactured persona Ellis presents to the world. In Part three the thesis is concluded with a close analysis of the publication of Ellis' controversial novel 'American psycho'. This chapter explores the negative publicity the novel attracted and the possible causes of the ensuing backlash against the author.Doctor of Philosophy (PhD)
16
Bode, Katherine. „In/visibility : women looking at men's bodies in and through contemporary Australian women's fiction /“. [St. Lucia, Qld.], 2005. http://adt.library.uq.edu.au/public/adt-QU20060120.161127/index.html.
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17
Hawryluk, Lynda J. „Call waiting“. Thesis, View thesis View thesis, 2001. http://handle.uws.edu.au:8081/1959.7/6.
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This thesis examines the life and career of Bret Easton Ellis, and the influences of his work on the author's development as a writer. Part one encapsulates a novel written specifically for this thesis. 'Call waiting' is a harsh look at modern friendships, the role of work in these relationships and the proliferation of shallow communication through the advent of email. A critical reflection follows, examining the process that led to the novel's creation. Three specific areas are focussed on: the direct influence of Ellis' novel 'The rules of attraction' on the overall themes of 'Call waiting', the realisation of the project and the various editing changes and narrative developments that arose during the writing of the novel, and an examination of the inspiration behind the novel's creation. Part two considers Ellis' role in the literary world of the 1980s, his own complicity in the creation of a career as a celebrity author, and the carefully manufactured persona Ellis presents to the world. In Part three the thesis is concluded with a close analysis of the publication of Ellis' controversial novel 'American psycho'. This chapter explores the negative publicity the novel attracted and the possible causes of the ensuing backlash against the author.
18
Hawryluk, Lynda J. „Call waiting /“. View thesis View thesis, 2001. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030422.094611/index.html.
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19
Nanlohy, Elizabeth Mavis, und mikewood@deakin edu au. „Fundamentalism meets feminism: Postmodern confrontation in the work of Janette Turner Hospital“. Deakin University. School of Literary and Communication Studies, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20060720.090953.
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20
Spear, Peta. „Libertine : a novel & A writer's reflection : the Libertine dynamic : existential erotic and apocalyptic Gothic /“. View thesis, 1998. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030909.143230/index.html.
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21
Anderson, Emma Kate School of English UNSW. „Representations of female sexuality in chick-lit texts and reading Anais Nin on the train“. Awarded by:University of New South Wales. School of English, 2006. http://handle.unsw.edu.au/1959.4/27319.
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My critical essay uses Foucault???s theory of discursive formation to chart the emergence of the figure of the single modern woman as she is created by the various discourses surrounding her. It argues that representations of the single modern woman continue a tradition of perceiving the female body as a source of social anxiety. The project explores ???chick-lit??? as a site within the discursive formation from which the single modern woman emerges as a paradoxical figure; the paradoxes fundamentally linked to her sexuality. This essay, then, essentially seeks to investigate representations of female sexuality within chick-lit, exposing for scrutiny the paradoxes inherent in and around the figure of the single modern woman. My fictional piece is a work of erotica. It is divided into four sections: The Reader, The Writer, The Muse and The Critic. Essentially it explores the relationships between female sexuality and literature; between female sexuality and feminist, post-feminist and patriarchal values and between literature and issues of truth, perspective and representation. The two works complement each other to illuminate the paradox of female sexuality: one from a theoretical perspective and the other from a fictional perspective. The critical work focuses on female sexuality and its relationship to, and development within, the current social context. Chick-lit, as a new and immensely popular genre of fiction which holistically explores the lives of single modern women was useful for examining the relationship between the sexual persona of the single modern woman and society. The fiction is concerned with a narrower focus: specifically the sexual life of the single modern woman. Through the creative process, it became apparent that working within the genre of ???erotica??? would be not only more useful than working within chick-lit, but more powerful in exploring the themes I was interested in. The creative work draws on numerous points of interest raised in the critical work from, for example, the grander notions of the relationship between object and discourse ??? in this case female sexuality and literature ??? and the female body as a source of social fascination and anxiety to finer observations such as what it means to have sex ???like a man.??? In essence, the creative work seeks to examine the many faces of the single modern woman as a sexual being and to illuminate, on an intimate level, the many conflicts between and surrounding those faces and to suggest that while paradox remains in female sexual ideology, the single modern woman will remain suspended in a kind of sexual paralysis.
22
Kato, Megumi Humanities & Social Sciences Australian Defence Force Academy UNSW. „Representations of Japan and Japanese people in Australian literature“. Awarded by:University of New South Wales - Australian Defence Force Academy. School of Humanities and Social Sciences, 2005. http://handle.unsw.edu.au/1959.4/38718.
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This thesis is a broadly chronological study of representations of Japan and the Japanese in Australian novels, stories and memoirs from the late nineteenth century to the twenty-first century. Adopting Edward Said???s Orientalist notion of the `Other???, it attempts to elaborate patterns in which Australian authors describe and evaluate the Japanese. As well as examining these patterns of representation, this thesis outlines the course of their development and change over the years, how they relate to the context in which they occur, and how they contribute to the formation of wider Australian views on Japan and the Japanese. The thesis considers the role of certain Australian authors in formulating images and ideas of the Japanese ???Other???. These authors, ranging from fiction writers to journalists, scholars and war memoirists, act as observers, interpreters, translators, and sometimes ???traitors??? in their cross-cultural interactions. The thesis includes work from within and outside ???mainstream??? writings, thus expanding the contexts of Australian literary history. The major ???periods??? of Australian literature discussed in this thesis include: the 1880s to World War II; the Pacific War; the post-war period; and the multicultural period (1980s to 2000). While a comprehensive examination of available literature reveals the powerful and continuing influence of the Pacific War, images of ???the stranger???, ???the enemy??? and later ???the ally??? or ???partner??? are shown to vary according to authors, situations and wider international relations. This thesis also examines gender issues, which are often brought into sharp relief in cross-cultural representations. While typical East-West power-relationships are reflected in gender relations, more complex approaches are also taken by some authors. This thesis argues that, while certain patterns recur, such as versions of the ???Cho-Cho-San??? or ???Madame Butterfly??? story, Japan-related works have given some Australian authors, especially women, opportunities to reveal more ???liberated??? viewpoints than seemed possible in their own cultural context. As the first extensive study of Japan in Australian literary consciousness, this thesis brings to the surface many neglected texts. It shows a pattern of changing interests and interactions between two nations whose economic interactions have usually been explored more deeply than their literary and cultural relations.
23
Brooklyn, Bridget. „Something old, something new : divorce and divorce law in South Australia, 1859-1918“. Title page, contents and summary only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phb872.pdf.
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McFarland, Michele. „The intellectual life of Catherine Helen Spence“. Thesis, University of Ballarat, 2004. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/60437.
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This thesis will argue that Catherine Helen Spence, a writer, preacher and reformer who migrated from Scotland to Australia in 1839, performed the role of a public intellectual in Australia similar to that played by a number of women of letters in Victorian England. While her ideas were strongly influenced by important British and European nineteenth-century intellectual figures and movements, as well as by Enlightenment thought, her work also reflects the different socio-political, historical and cultural environment of Australia. These connections and influences can be seen in her engagement with what were some of the "big ideas" of the nineteenth century, including feminism, socialism, religious scepticism, utopianism and the value of progress. In arguing that Spence was a public intellectual, I will consider the ways in which she used the literary genres of fiction and journalism, as well as her sermons, to try to help her fellow citizens make sense of the world, attempting to organise and articulate some of the significant ideas affecting the political, social and cultural climates in which they lived. Through the exploration of Spence's intellectual work, I will show how she can be regarded as making a significant contribution to nineteenth-century Australian intellectual life, one that has been under-recognised and under-valued.Doctor of Philosophy
25
Spear, Peta. „Libertine : a novel and A writer's reflection : the Libertine dynamic: existential erotic and apocalyptic Gothic“. Thesis, View thesis, 1998. http://handle.uws.edu.au:8081/1959.7/26115.
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This thesis comprises two works: a novel ‘Libertine’ and a monograph ‘A writer’s reflection’. ‘Libertine’contemplates the eroticising and brutalising of being, and sex as currency, as need and as sacrament. It is set in a city where war is the norm, nightmare the standard, and ancient deities are called upon to witness the new order of killing technologies. The story is narrated by a woman chosen to be the consort of the General, a despostic war leader who believes that he has been chosen by the goddess Kali. She journeys deep into a horror which exists not only around her, but also within her. ‘Libertine’, by melding the erotic and the Gothic, tells the story of a woman enacting the role cast for her in the complex theatres of war. ‘A writer’s reflection’ discusses the themes of the novel, introducing the notion of existential erotica. The existential experience particular to the expression of the erotic being is discussed, and the dilemma which arises from a self yearning to merge ecstatically with an/other in order to obtain a heightened or differently valued self. This theme is elaborated in ‘Libertine’ with regard to subjectivity and the broader issues of nausea, horror and choice, drawing on the conventions of Gothic literature and apocalyptic visioning. This visioning, as eroticised death worship, is found in a Sadian credo of cruelty, the tantric rituals of Kali devotion, and the annihilating erotic excess propounded by Bataille. The monograph illustrated that ‘Libertine’ is not a re-representation of these elements, but an original contribution to the literature of erotica.
26
Watkins, Catherine, und mikewood@deakin edu au. „Celebrating difference“. Deakin University. School of Communication and Creative Arts, 2004. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.120943.
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This thesis examines short fiction and some poetry by writers from four different Australian cultural communities, the Indigenous community, and the Jewish, Chinese and Middle-Eastern communities. I have chosen to study the most recent short fiction available from a selection of writing which originates from each culture. In the chapters on Chinese-Australian and Middle-Eastern Australian fiction I have examined some poetry if it contributes to the subject matter under discussion. In this study I show how the short story form is used as a platform for these writers to express views on their own cultures and on their identity within Australian society. Through a close examination of texts this study reveals the strategies by which many of these narratives provide an imaginative literary challenge to Anglo-Celtic cultural dominance, a challenge which contributes to the political nature of this writing and the shifting nature of the short story genre. This study shows that by celebrating difference these narratives can act as a site of resistance and show a capacity to reflect and instigate cultural change. This thesis examines the process by which these narratives create a dialogue between cultures and address the problems inherent in diverse cultural communities living together.
27
Sawada, Keiji. „From The floating world to The 7 stages of grieving the presentation of contemporary Australian plays in Japan /“. Phd thesis, Australia : Macquarie University, 2005. http://hdl.handle.net/1959.14/13213.
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Thesis (PhD)--Macquarie University, Division of Society, Culture, Media & Philosophy, Department of Critical and Cultural Studies, 2005.Bibliography: p. 274-291.
Introduction -- The emergence of "honyakugeki" -- Shôgekijô and the quest for national identity -- "Honyakugeki" after the rise of Shôgekijô -- The presentation of Australian plays as "honyakugeki" -- Representations of Aborigines in Japan -- Minorities in Japan and theatre -- The Japanese productions of translated Aboriginal plays -- Significance of the productions of Aboriginal plays in Japan -- Conclusion.
Many Australian plays have been presented in Japan since the middle of the 1990s. This thesis demonstrates that in presenting Australian plays the Japanese Theatre has not only attempted to represent an aspect of Australian culture, but has also necessarily revealed aspects of Japanese culture. This thesis demonstrates that understanding this process is only fully possible when the particular cultural function of 'translated plays' in the Japanese cultural context is established. In order to demonstrate this point the thesis surveys the history of so-called 'honyakugeki' (translated plays) in the Japanese Theatre and relates them to the production of Western plays to ideas and processes of modernisation in Japan. -- Part one of the thesis demonstrates in particular that it was the alternative Theatre movement of the 1960s and 1970s which liberated 'honyakugeki' from the issue of 'authenticity'. The thesis also demonstrates that in this respect the Japanese alternative theatre and the Australian alternative theatre of the same period have important connections to the quest for 'national identity'. Part one of the thesis also demonstrates that the Japanese productions of Australian plays such as The Floating World, Diving for Pearls and Honour reflected in specific ways this history and controversy over 'honyakugeki'. Furthermore, these productions can be analysed to reveal peculiarly Japanese issues especially concerning the lack of understanding of Australian culture in Japan and the absence of politics from the Japanese contemporary theatre. -- Part two of the thesis concentrates on the production of translations of the Australian Aboriginal plays Stolen and The 7 Stages of Grieving. 'This part of the thesis demonstrates that the presentation of these texts opened a new chapter in the history of presenting 'honyakugeki' in Japan. It demonstrates that the Japanese theatre had to confront the issue of 'authenticity' once more, but in a radically new way. The thesis also demonstrates that the impact of these productions in Japan had a particular Japanese cultural and social impact, reflecting large issues about the issue of minorities and indigenous people in Japan and about the possibilities of theatre for minorities. In particular the thesis demonstrates that these representations of Aborigines introduced a new image of Australian Aborigines to that which was dominant amongst Japanese anthropologists.
Mode of access: World Wide Web.
291 p
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Ribas, Segura Catalina. „“Neither here and nor there does water quench our thirst”: Duty, Obedience and Identity in Greek-Australian and Chinese Australian Prose Fiction, 1971-2005“. Doctoral thesis, Universitat de Barcelona, 2013. http://hdl.handle.net/10803/132804.
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This thesis presents original research: it examines the constructs of duty and obedience in post-World War II Greek-Australian and Chinese Australian literature and compares the strategies these first- and second-generation authors use to make their fictional characters deal with these concepts while living in Australia, the problems their characters face and the solutions they encounter.
This thesis analyses ten texts: six written by Greek-Australian authors and four by Chinese Australian writers. It aims to examine how the above-mentioned cultural concepts appear in these texts and influence the behaviour and thoughts of the characters. In doing so, this thesis aims to state and compare the strategies used.
This study looks at texts published in English by first- and second-generation Greek-Australian and first-generation Chinese Australian migrants during the period 1971- 2005. The date 1971 is significant because that year Australia saw the publication of the first English-language book written by a Greek-Australian. It was the poetry collection A Tree at the Gate, by Aristides George Paradissis. Also, it was the year when the People’s Republic of China and Australia re-established diplomatic relations twenty years after all ties between the two nations had been suspended. Likewise, the year 2005 is relevant as the racist Cronulla riots took place in December. The riots marked the end of the spirit of the 2000 Sydney Olympic Games and of the 2001 centennial celebrations of the Federation of Australia…
This thesis begins with an analysis of the immigration policies in Australia from the British invasion of the country in 1788 until 2011 and an analysis of the policy of multiculturalism. It then looks at the concepts of duty and obedience in Greek culture and in Chinese culture, how these concepts evolved especially during the nineteenth and twentieth centuries and how they affect marriage and divorce, interpersonal and intergenerational relations, patriotism and migration. This historical-cultural section is followed by a theoretical chapter where the concept of “identity” is explored. The final step is to analyse these notions in the literary texts chosen and compare the strategies used by the authors to make the characters confront (or not) certain specific situations.
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Thoday, Heather Frances. „Lived spaces of representation : thirdspace and Janette Turner Hospital's political praxis of postmodernism /“. Title page, abstract and table of contents only, 2004. http://web4.library.adelaide.edu.au/theses/09PH/09pht449.pdf.
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Taaffe, Benjamin James. „Douglas Stewart : poet, editor, man of letters“. Phd thesis, Department of English, 1995. http://hdl.handle.net/2123/5765.
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Pratt, Catherine Cecilia English Australian Defence Force Academy UNSW. „Gender ideology and narrative form in the novels of Henry Handel Richardson“. Awarded by:University of New South Wales - Australian Defence Force Academy. School of English, 1994. http://handle.unsw.edu.au/1959.4/38688.
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This thesis is a feminist reading of the work of Henry Handel Richardson (1870-1946), which considers her four major novels: Maurice Guest (1908), The Getting of Wisdom (1910), The Fortunes of Richard Mahony (1930), and The Young Cosima (1939). It proposes that Richardson foregrounds the work of gender ideology in her novels, and that her work is also conscious about its own fictional procedures. This thesis argues that Richardson consciously examines the ideological aspect of narrative modes, such as naturalism, the Bildungsroman, and popular romance. Moreover, it illustrates her attempts to invent narrative strategies which subvert the conventional assumptions about gender inherent in those forms. ???Gender Ideology and Narrative Form??? draws on recent theoretical approaches to narrative, ideology, subjectivity, and dialogism, to argue that Richardson makes the ideological shaping of her stories most visible through manipulations of genre, plot, narrative voice, and point of view. Aspects of ideology examined include the Victorian and late-Victorian equation of masculinity with public rationality, mind, public achievement, and genius: and, on the other hand, the association of femininity with the body, passion, and private or domestic spaces. The thesis also considers some of the values and assumptions about gender implicit in nineteenth-century scientific thinking. Henry Handel Richardson has been viewed as a conservative writer, in both aesthetic and political terms. By contrast, I suggest that she resists the moral and representational codes of the realist or naturalist form, and that her uncompromising oppositional strategy achieves a number of radical results. It exposes and criticises the masculinist bias of certain representational methods; it offers new ways of representing female experience; and it insists that the private sphere must be treated also as a political space in which crucial power relationships are at work. My approach to Henry Handel Richardson???s fiction opens new ways to see her work as the product of a distinctive feminist consciousness.
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Rukavina, Alison Jane. „Cultural Darwinism and the literary canon, a comparative study of Susanna Moodie's Roughing it in the Bush and Caroline Leakey's The broad arrow“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ61491.pdf.
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Hawryluk, Lynda J. „Semi-detached“. Thesis, View thesis, 1997. http://handle.uws.edu.au:8081/1959.7/28403.
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This collection of short stories is about being a twenty-something in the 90s, trying to get by, have a little fun and make somewhat of a mark in the process. It’s about the process of growing up, and the seemingly desperate need to hold onto all those youthful pursuits. It’s about finding out that life as an adult tries to suck the life out of you, rather than allowing you to suck the life out of it. That constant struggle, the battle of wills between attending to your needs or just satisfying your wants. This is a time for you when your needs and wants are siblings, bickering in the back of the car on a long drive up the coast. The characters in these stories are having their good time while it lasts. Avoiding the inevitable: maturity, responsibility, adulthood. And so they should. After all, these aren’t called ‘the best years of our lives’ for nothing. The stories celebrate your life as a twenty-something.
34
Clarke, Patricia, und n/a. „Life Lines to Life Stories: Some Publications About Women in Nineteenth-Century Australia“. Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040719.150756.
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This thesis consists of an introduction and six of my books, published between 1985 and 1999, on aspects of the history of women in nineteenth-century Australia. The books are The Governesses: Letters from the Colonies 1862-1882 (1985); A Colonial Woman: The Life and Times of Mary Braidwood Mowle 1827-1857 (1986); Pen Portraits: Women Writers and Journalists in Nineteenth Century Australia (1988); Pioneer Writer: The Life of Louisa Atkinson, Novelist, Journalist, Naturalist (1990); Tasma: The Life of Jessie Couvreur (1994); and Rosa! Rosa! A Life of Rosa Praed, Novelist and Spiritualist (1999). At the time they were published each of these books either dealt with a new subject or presented a new approach to a subject. Collectively they represent a body of work that has expanded knowledge of women's lives and writing in nineteenth-century Australia. Although not consciously planned as a sequence at the outset, these books developed as a result of the influence on my thinking of the themes that emerged in Australian social and cultural historical writing during this period. The books also represent a development in my own work from the earlier more documentary-based books on letters and diaries to the interpretive challenge of biographical writing and the weaving of private lives with public achievements. These books make up a cohesive, cumulative body of work. Individually and as a whole, they make an original contribution to knowledge of the lives and achievements of women in nineteenth-century Australia. They received critical praise at the time of publication and have led to renewed interest and further research on the subjects they cover. My own knowledge and expertise has developed as a result of researching and writing them. The Governesses was not only the first full-length study of a particular group of letters but it also documented aspects of the lives of governesses in Australia, a little researched subject to that time. A Colonial Woman, based on a previously unpublished and virtually unknown diary, pointed to the importance of 'ordinary' lives in presenting an enriched view of the past. Pen Portraits documented the early history of women journalists in Australia, a previously neglected subject. Three of the women I included in Pen Portraits, Louisa Atkinson, Tasma and Rosa Praed, the first two of whom were pioneer women journalists as well as novelists, became the subjects of my full-length biographies. In my biographies of women writers, Pioneer Writer, Tasma, and Rosa! Rosa!, I recorded and interpreted the lives of these important writers placing them in the context of Australian cultural history as women who negotiated gender barriers and recorded this world in their fiction. My books on Louisa Atkinson and Tasma were the first full-length biographies of these significant but largely forgotten nineteenth-century women writers, while my biography of Rosa Praed was the first for more than fifty years. Each introduced original research that changed perceptions of the women's lives and consequently of attitudes to their creative work. Each provided information essential for further research on their historical significance and literary achievements. Each involved extensive research that led to informed interpretation allowing insightful surmises essential to quality biography.
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Clarke, Patricia. „Life Lines to Life Stories: Some Publications About Women in Nineteenth-Century Australia“. Thesis, Griffith University, 2004. http://hdl.handle.net/10072/365578.
Der volle Inhalt der QuelleAnnotation:
This thesis consists of an introduction and six of my books, published between 1985 and 1999, on aspects of the history of women in nineteenth-century Australia. The books are The Governesses: Letters from the Colonies 1862-1882 (1985); A Colonial Woman: The Life and Times of Mary Braidwood Mowle 1827-1857 (1986); Pen Portraits: Women Writers and Journalists in Nineteenth Century Australia (1988); Pioneer Writer: The Life of Louisa Atkinson, Novelist, Journalist, Naturalist (1990); Tasma: The Life of Jessie Couvreur (1994); and Rosa! Rosa! A Life of Rosa Praed, Novelist and Spiritualist (1999).
At the time they were published each of these books either dealt with a new subject or presented a new approach to a subject. Collectively they represent a body of work that has expanded knowledge of women's lives and writing in nineteenth-century Australia. Although not consciously planned as a sequence at the outset, these books developed as a result of the influence on my thinking of the themes that emerged in Australian social and cultural historical writing during this period. The books also represent a development in my own work from the earlier more documentary-based books on letters and diaries to the interpretive challenge of biographical writing and the weaving of private lives with public achievements. These books make up a cohesive, cumulative body of work. Individually and as a whole, they make an original contribution to knowledge of the lives and achievements of women in nineteenth-century Australia. They received critical praise at the time of publication and have led to renewed interest and further research on the subjects they cover. My own knowledge and expertise has developed as a result of researching and writing them. The Governesses was not only the first full-length study of a particular group of letters but it also documented aspects of the lives of governesses in Australia, a little researched subject to that time. A Colonial Woman, based on a previously unpublished and virtually unknown diary, pointed to the importance of 'ordinary' lives in presenting an enriched view of the past. Pen Portraits documented the early history of women journalists in Australia, a previously neglected subject. Three of the women I included in Pen Portraits, Louisa Atkinson, Tasma and Rosa Praed, the first two of whom were pioneer women journalists as well as novelists, became the subjects of my full-length biographies. In my biographies of women writers, Pioneer Writer, Tasma, and Rosa! Rosa!, I recorded and interpreted the lives of these important writers placing them in the context of Australian cultural history as women who negotiated gender barriers and recorded this world in their fiction. My books on Louisa Atkinson and Tasma were the first full-length biographies of these significant but largely forgotten nineteenth-century women writers, while my biography of Rosa Praed was the first for more than fifty years. Each introduced original research that changed perceptions of the women's lives and consequently of attitudes to their creative work. Each provided information essential for further research on their historical significance and literary achievements. Each involved extensive research that led to informed interpretation allowing insightful surmises essential to quality biography.Thesis (PhD Doctorate)
Doctor of Philosophy by Publication (PhD)
School of Arts, Media and Culture
Full Text
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Williams, Carol. „Whose story is it anyway? : the screenwriter as author in the process of adaptation“. Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/74500/1/Carol_Williams_Thesis.pdf.
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This project explores issues confronted when authoring a previously authored story, one received from history. Using the defection of Soviet spies, Vladimir and Evdokia Petrov as its focal point, it details how a screenwriter addresses issues arising in the adaptation of both fictional and biographical representations suitable for contemporary cinema.
Textual fidelity and concepts of interpretation, aesthetics and audience, negotiating factual and fictional imperatives, authorial visibility and invisibility, moral and ethical conundrums are negotiated and a set of guiding principles emerge from this practice-led investigation.
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Pavis, Mathilde Goizane Alice. „The author-performer divide in intellectual property law : a comparative analysis of the American, Australian, British and French legal frameworks“. Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/23692.
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Western intellectual property frameworks have at least one feature in common: performers are less protected than authors. This situation knows many justifications, although all but one have been dismissed by the literature: performers are simply less creative than authors. As a result, the legal protection covering their work has been proportionally reduced compared to that of their authorial peers. This thesis investigates this phenomenon that it calls the 'author-performer divide'. It uncovers the culturally-rooted principles and legal reasoning that policy-makers and judges of Australia, France, the United Kingdom and the United States have developed to create in the legal narrative a hierarchy between authors and performers. It reveals that those intellectual property systems, though continuously reformed, still contain outdated conceptions of creativity based on the belief in ex nihilo creation and over-intellectualised representations of the creative process. Those two precepts combined have led legal discourse to portray performers as their authors' puppets, thus underserving of authorship themselves. This thesis reviews arguments raised against improving the performers' regime to challenge the preconception of performers as uncreative agents and questions the divide it supports. To this end, it seeks to update the representations of creativity currently conveyed in the law by drawing on the findings of other academic disciplines such as creativity research, performance theories as well as music, theatre and dance studies. This comparative inter-disciplinary study aims to move current legal debates on performers' rights away from the recurring themes and repeated arguments in the scholarship such as issues of fixation or of competing claims, all of which have made conversations stagnate. By including disciplines beyond the law, this analysis seeks to advance the legal literature on the question of performers' intellectual property protection and shift thinking about performative forms of creativity.
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Brown, Diane. „Publishing Culture : Commissioning Books in Australia, 1970-2000“. Connect to this title online, 2003. http://eprints.vu.edu.au/304/1/Brown_Diane.pdf.
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This study primarily examines the cultural and commercial practices of editors and publishers who commission and acquire content in independent Australian publishing houses. My research spans a 30-year transitional period in book publishing from 1970 to 2000 - a period marked by rapid and unstable shifts in publishing culture, reflecting wider social, political, economic and technological change. In a global market economy, more than ever before, the acquisition of local content is critical in fostering original ideas and works by Australian authors. A series of semi-structured interviews with editors and publishers provides a direct source of personal experience and professional industry-based knowledge. These narratives address and engage with individual and collective values, beliefs, assumptions and attitudes which reflect particular personalities and publishing styles. They also contribute to an understanding of the editors' and publishers' commissioning role, where knowledge and content are taken up and developed and publishing decisions are made. An analysis of editors' and publishers' responses further explores the diversity of commissioning and acquisitions environments in which they live and work. Publishing houses are profiled and works of fiction and non-fiction are identified and discussed in an attempt to unpack how and why they were commissioned and developed for publication, and to what social and cultural effect. The dynamics of organisational structure and publishing culture are explored by analysing general and specific publishing models. Editors and publishers discuss how publishing companies operate and offer insights into, and perceptions of, organisational structure and publishing culture and, importantly, how both impact on commissioning practice. Issues of identity, representation and institutionalisation are identified as they relate to developments and trends within publishing and public culture, as a whole, and the ways in which they intersect. This nexus of culture and power is explored through the cultural production of Australian content, and in particular, in Chapters Five and Six, with the impact of second-wave feminism on Australian publishing culture and cross-currents in the production and publication of Aboriginal and Torres Strait Islander works.
39
Brown, K. „The Effects of Teaching a Specific Top-Level Structure on the Organization of Written Texts“. Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1994. https://ro.ecu.edu.au/theses/1697.
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The purpose of this study was to investigate the effectiveness of teaching a specific top-level structure on students' recall and organization of expository text. The hypothesis to be investigated was that students explicitly taught the scientific report text structure schema would show improved recall and organization of written report text protocols. The report text structure utilized in this study was derived from Sloan and Latham's top-level structure of text organization devised from schema theory and semantic memory models.
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Conte, Susannah. „The Fifth Sparrow: In Memory of Mollie Skinner“. Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2018. https://ro.ecu.edu.au/theses/2080.
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This thesis offers a case study in adapting Australian literary biography to the theatre, specifically in the form of a one woman show or monologue performance. The thesis consists of a novel play script, together with exegetical writing which outlines the source materials used and the process and themes under consideration. These themes include those of family (specifically a difficult relationship with her mother), love (including a lesbian affair), life as an aspiring writer, and the protagonist’s difficult to shake sense of damage, pain and struggle. The play offers a portrait of West Australian writer Mollie Skinner (1876- 1955). Sources included her autobiography (both the original manuscript and that edited and published by Mary Durack), Mollie’s novels and her letters—particularly her extensive correspondence with the British author D.H. Lawrence, who she met in WA—and secondary writings. Skinner’s writing has been described as akin to an “untended garden,” rich in imagery, but scattered and often difficult to follow. In recognition of this, my play takes the form of a series of vignettes and images, a succession of heightened moments, choreographed with sound and movement elements for dramatic impact. Mollie’s life thereby emerges as one marked by pain and suffering, yet suffused with rich language and visions. Although Mollie was more than just a friend of D.H. Lawrence, it is nevertheless clear that the better known author offered her support and encouragement that few others did. Together with her Sybil these two figures emerge as Mollie’s only true loves and companions, figures physically separated from her, yet who enabled her life and many of her joys. Skinner emerges then as a modest but indomitable spirt, poised on the veranda, looking at the world through her failing eyesight; touched by the beauty of it all.
The aim of the play is thus to do justice to the spirit of Skinner, without presenting an exhaustive account of her entire life, and in doing so, to present her story to a new generation of West Australians.
41
Brown, Diane. „Publishing Culture : Commissioning Books in Australia, 1970-2000“. Thesis, Connect to this title online, 2003. https://vuir.vu.edu.au/304/.
Der volle Inhalt der QuelleAnnotation:
This study primarily examines the cultural and commercial practices of editors and publishers who commission and acquire content in independent Australian publishing houses. My research spans a 30-year transitional period in book publishing from 1970 to 2000 - a period marked by rapid and unstable shifts in publishing culture, reflecting wider social, political, economic and technological change. In a global market economy, more than ever before, the acquisition of local content is critical in fostering original ideas and works by Australian authors. A series of semi-structured interviews with editors and publishers provides a direct source of personal experience and professional industry-based knowledge. These narratives address and engage with individual and collective values, beliefs, assumptions and attitudes which reflect particular personalities and publishing styles. They also contribute to an understanding of the editors' and publishers' commissioning role, where knowledge and content are taken up and developed and publishing decisions are made. An analysis of editors' and publishers' responses further explores the diversity of commissioning and acquisitions environments in which they live and work. Publishing houses are profiled and works of fiction and non-fiction are identified and discussed in an attempt to unpack how and why they were commissioned and developed for publication, and to what social and cultural effect. The dynamics of organisational structure and publishing culture are explored by analysing general and specific publishing models. Editors and publishers discuss how publishing companies operate and offer insights into, and perceptions of, organisational structure and publishing culture and, importantly, how both impact on commissioning practice. Issues of identity, representation and institutionalisation are identified as they relate to developments and trends within publishing and public culture, as a whole, and the ways in which they intersect. This nexus of culture and power is explored through the cultural production of Australian content, and in particular, in Chapters Five and Six, with the impact of second-wave feminism on Australian publishing culture and cross-currents in the production and publication of Aboriginal and Torres Strait Islander works.
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Clarke, Sally. „In the space behind his eyes : Donald R. Stuart : a biography“. Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2004. https://ro.ecu.edu.au/theses/857.
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The major part of this thesis, In the Space Behind His Eyes, is a biography of Western Australian author, Donald Robert Stuart (1913-1983), a colourful life story woven around accepted and persistent myths found in the Australian psyche. In his childhood, Donald Stuart listened to stories about his Scottish immigrant grandfather finding gold on the Victorian fields and his father's part in the 1891 Queensland Shearers strike. His poverty-stricken, but peaceful, upbringing in suburban Perth, Western Australia, was overtaken by the 1930s Depression and, as a rebellious fourteen-year old, he left home and took to the road. In the next decade or so, as he adopted the north-west outback life, he was exposed further to Australia's traditional yarns and philosophies. He emerged from this period as the outrageous ‘Scorp’ Stuart, who drank too much and took advantage of the freedoms on offer. At the start of World War II, Scorp volunteered for the 2nd AlF. He served in the Middle East and somehow survived three-and-a-half years as a Prisoner of the Japanese, including a time on the infamous Burma-Thailand railway. On his return to Australia, he began to tread the writer's path, supplementing his memories with renewed visits to the outback of his youth and working on yet another railway. Encouraged by his sister and her friends, supported by two of his wives and recognised by the Western Australian writh1g community, Donald R. Stuart played the role of noted author, a construct only possible because of Scorp Stuart's adventures. Calling on these experiences, in eleven novels and many short stories, he set down his record of a particular Australian life. The varying facets of his complex character come together in his writing, notably through his deep love of the land and in his sympathetic examination of the north-west Aborigines' position since white settlement. This biography of a writer sets out to trace the life of Donald Stuart, examine the disparity between Stuart the bushman and Stuart the noted author, and to shed light on the man behind the writing. In the essay following In the Space Behind His Eyes, I explore the biographical form, consider directions the genre has taken in recent years, discuss aspects of biography generally and support choices made in the writing of this biography.
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Carroll, Richard J. „Re-presenting the past : authenticity and the historical novel“. Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/68033/1/Richard_Carroll_Thesis.pdf.
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This project involved writing Turrwan (great man), a novel set in Queensland in the nineteenth century, and an investigation into the way historical novels portray the past. Turrwan tells the story of Tom Petrie, who was six when he arrived with his family at the notorious Moreton Bay Penal Colony in 1837. The thesis examines historical fiction as a genre with particular focus on notions of historical authenticity. It analyses the complexities involved in a non-Indigenous person writing about the Australian Aboriginal people, and reflects on the process of researching, planning and writing a historical novel.
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Holzer, Valarie. „Unveiling the female `I' : autobiographies by Australian women born in the 1920s“. Thesis, 1991. https://eprints.utas.edu.au/20353/1/whole_HolzerValarie1992_thesis.pdf.
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This study fulfils the need for research into
autobiographies of writers who have a number ot common
traits which will provide specific conclusions about
the art of autobiography. Unveiling the Female ' I' ;
Autobiographies by Australian Women Born in the 1920s
looks at works by fourteen writers who share the same
nationality, gender and decade of birth.
The Introduction documents the elusiveness of
women's autobiographies and briefly surveys the
critical situation to date, noting the lack of
consensus in just what an autobiography is. Criteria
have been established for extracting women's
autobiographies from the large range of female
autobiographical writings and the validity of the
linguistic devices used to examine these works is
justified.
Working from the proposition by Chodorow that
women are defined through process and by "other".
Chapter 1 looks at character and style in four autobiographies
of childhood to establish how this
forms the identity ot Australian women born in the
1920s.
Chapter 2 discusses two autobiographies of
childhood which focus on other aspects of personal
development: Spence's Another October Child presents a
portrait of the development of a writer and Lindsay's Portrait of Pa is argued to be an autobiograpby of Jane
rather than a biography or Norman Lindsay.
The life stories of adults treated in Chapter 3
demonstrate the fallacy of the "quest" metaphor for female
writers and offer other life metaphors as more
appropriate for conveying their truths of identity.
The position of women in Australian society has
received close attention in recent years, and the
autobiographies by migrant and Aboriginal women which
are the topic of Chapter 4 illustrate their alienation
through their lack of cultural experience. Place
becomes cultural as well as physical for these women.
Dorothy Hewett's recently published Wild Card both
confirms and confounds the pattern of Australian
women's autobiography depicting the same period in a
highly and elaborately patterned way. Chapter 5
examines its statement about the role of truth in
autobiography.
Chapter 6 continues this direction and breaks new
ground by looking at the implications of "naming" and
photographs in both the structural and metaphoric
strands of the re-creation of identity.
The Conclusion considers how Australian women born
in the 1920s see their world and their values in
comparison with the male view of history. The study
draws together the threads of identity, world and truth
as represented in these self- life-writings.
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Court, David Compton. „Shakespeare's Fortune: how copyright has failed authors and why it matters“. Phd thesis, 2013. http://hdl.handle.net/1885/12432.
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A key policy rationale for the system of copyright is to give authors an incentive to create new works. But what if actual financial returns to authors were very poor — so poor that no rational agent could be
expected to respond to the incentive? In this thesis I present data from a large sample of Australian films showing that returns are consistently poor even for ‘hit’ films. Data from other countries confirms the finding and there is evidence that returns from other forms of copyright asset such as literary works are also poor.
The thesis explores how this situation can have persisted for so longwithout the system breaking down or eliciting strong protests from authors. Drawing on a survey of Australian film producers, I confirm
anecdotal evidence that authors are driven by non-financial considerations as well as financial incentives. The Hollywood studios have evolved sophisticated business practices that take advantage of these non-financial motivations. In this they are following the example of London’s
booksellers of the early 18th century.
Does it matter that authors earn low returns from their copyright assets? Iidentify two classes of author for whom poor returns present a real obstacle to authoring — authors whose work requires independence (such as dissidents) and authors who do not have access to patronage or other forms of subsidy to offset the poor returns from copyright (such as authors from the ‘third world’). Finally, I consider possible reforms to copyright that might improve returns to authors and examine the public
policy case for pursuing these reforms.
46
Waese, Rebecca. „When novels perform history : dramatic modes in Australian and Canadian fiction /“. 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR51491.
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Thesis (Ph.D.)--York University, 2008. Graduate Programme in English.Typescript. Includes bibliographical references (leaves 218-234). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR51491
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Shoemaker, Adam. „Black words, white page : the nature and history of Aboriginal literature, 1929-1984“. Phd thesis, 1985. http://hdl.handle.net/1885/139397.
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48
Capili, Jose Wendell P. „Migrations and mediations : the emergence of Southeast Asian diaspora writers in Australia, 1972-2006“. Phd thesis, 2007. http://hdl.handle.net/1885/150957.
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Tan, Yvette Ek Hiang. „Discourses of multiculturalism and contemporary Asian-Australian literature / Yvette Ek Hiang Tan“. 2003. http://hdl.handle.net/2440/22044.
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"April 2003"Bibliography: leaves 233-258.
vii, 258 leaves ; 30 cm.
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
Thesis (Ph.D.)--University of Adelaide, School of Humanities, Discipline of English, 2004
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Vines, HMM. „The secret life of us : Eve Langley and her family“. Thesis, 2008. https://eprints.utas.edu.au/22212/1/whole_VinesHelenMargaretMcDonald2008_thesis.pdf.
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Eve Langley (1904-1974) is an enigmatic figure who made her mark on Australian literature with the publication of The Pea Pickers (1942). As Eve destroyed the original journals and letters upon which The Pea Pickers-and subsequent fiction-was based, her two published and ten unpublished novels stand as the only existing account of her life up until 1942. Although all researchers have been mindful of the hazards of reading the fiction as autobiography, in the absence of an alternative account of her "self," the fiction has segued into her biography and her biography has leached into readings of her fiction. In this thesis the often contradictory material available about Eve Langley from primary and secondary sources has been meticulously examined from the perspective of the distanced investigator, in order to provide a fuller history of the Langley family, and to deal with the fiction from a new critical perspective. I adopt the role of literary detective to unravel the story of Eve and her texts, a task made more complex by the Langley family's pervasive culture of secrecy.
My first chapter is a biography of the Langley family that is constructed through reference to historically verifiable, publicly available documents, and excludes the fiction as a source of biographical evidence. This family biography provides a back-ground for the chapters that follow. In the second chapter I provide a reading of Eve's texts, focusing on the representation of family. The third chapter deals with June Langley's commentary on the family, using a variety of sources. June was Eve's muse, audience and subject and later, biographer; the relationship between the two sisters was intense, fraught and significant. Drawing on anecdotal and documentary evidence, in the fourth chapter I put forward an overtly speculative but, I believe, persuasive explanation for Eve's unusual life and writing.
This thesis untangles the web of misrepresentation that has surrounded the enigmatic Eve Langley. As a "literary detective," my initial goal was to create borders between the life and the writing. Having met this objective, the imperative to maintain the separation diminished: the gaps, silences, and obfuscations by both Eve and June became increasingly transparent, leading to a re-evaluation of the relationship between the fiction and the life. The blurring that has confronted all critics has been addressed through the meticulous review of available sources, which has provided a framework for reading the fiction and the life.