Thematische Bibliographien / Australian 20th century History and criticism

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Auswahl der wissenschaftlichen Literatur zum Thema „Australian 20th century History and criticism“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 20. Februar 2023

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Zeitschriftenartikel zum Thema "Australian 20th century History and criticism"

Maritz, P. J. „History reconstruction: Third century parallels to 20th century South African Church 'History Origen Adamantinus“. Verbum et Ecclesia 18, Nr. 2 (04.07.1997): 291–304. http://dx.doi.org/10.4102/ve.v18i2.564.

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History reconstruction: Third century parallels to 20th century South African Church History - Origen Adamantinus. In this paper a possible third century contribution to Church History reconstruction is considered. This is employed as an example for South African church historians who are dedicated to history interpretation, whether it be from the perspective of: acceptance on face value; justification; verification; criticism or renunciation of twentieth century historical events and the WG)'S in which they have influenced the prophetic task of the church in South Africa. To this end, a parallel is drawn between third century Origen and a few South African church figures from the twentieth century, which will highlight the church's continuing prophetic ministry.

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Fitch, Kate. „Rethinking Australian public relations history in the mid-20th century“. Media International Australia 160, Nr. 1 (August 2016): 9–19. http://dx.doi.org/10.1177/1329878x16651135.

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This article investigates the development of public relations in Australia and addresses calls to reconceptualise Australian public relations history. It presents the findings from an analysis of newspaper articles and industry newsletters in the 1940s and 1950s. These findings confirm the term public relations was in common use in Australia earlier than is widely accepted and not confined to either military information campaigns during the war or the corporate sector in the post-war period, but was used by government and public institutions and had increasing prominence through industry associations in the manufacturing sector and in social justice and advocacy campaigns. The study highlights four themes – war and post-war work, non-profit public relations, gender, and media and related industries – that enable new perspectives on Australian public relations history and historiography to be developed.

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SHCHEPIN, D. S. „THEORY OF FACTUAL CONTRACTUAL RELATIONS: HISTORY OF FORMATION AND CRITICISM“. Civil Law Review 21, Nr. 6 (15.03.2022): 59–98. http://dx.doi.org/10.24031/1992-2043-2021-21-6-59-98.

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The present article is devoted to the main provisions and criticism of the theory of factual contractual relations, which arose in Germany in the middle of the 20th century. The author reveals the issues of the emergence of the theory of factual contractual relations and its subsequent perception by the doctrine and judicial practice of Germany and Switzerland, and also correlates this theory with private autonomy and legal certainty. Based on the analysis, it was concluded that there is no need to apply the theory of factual contractual relations in the Russian legal order.

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Zhang, Jie, und Wenxin Lin. „Historical facts of literature and personality in research – about the compilation of the book “History of Russian and Soviet literary criticism of the XX century”“. Neophilology, Nr. 24 (2020): 755–64. http://dx.doi.org/10.20310/2587-6953-2020-6-24-755-764.

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Russian literature is an important part of world literature and is studied all over the world. In comparison with the history of literature, the history of literary criticism is more an interaction between the objectivity of literary facts and the personality of the compiler of this history. This work presents a description of the personality in research using the example of the book “History of Russian and Soviet literary criticism of the XX century” written by Chinese scientist Zhang Jie, the main task of which is to provide a theoretical basis and methods of criticism for analyzing the mechanism of reproducing the meanings of literary texts and images. We analyze the functions of literary criticism and explain the interaction and harmony of objective historical facts of literature and the compiler’s personality in the study. We define three currents of Russian and Soviet literary criticism of the 20th century: religious and cultural criticism, real literary criticism, and aesthetic criticism. We prove that history reflects not only the objectivity of factors, but also its compiler’s personality, which is an indicator. We explain the need to coordinate the objectivity of historical facts and the subjectivity of the compiler, and we present a value-based reflection of a scientific linguistic personality in the Chinese ethnoculture.

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Alheit, Peter, und Bettina Dausien. „A brief history of biographical research in Germany“. Revista Brasileira de Pesquisa (Auto)biográfica 3, Nr. 9 (20.12.2018): 749–64. http://dx.doi.org/10.31892/rbpab2525-426x.2018.v3.n9.p749-764.

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The contribution gives a brief historical insight in the beginning and the drastic change of biographical thinking particularly in the educational sphere. Biography is a theme addressed by German educational sciences ever since its historical beginnings in the late 18th century. The discovery of the autonomous, educated, middle-class subject is rooted in that interest in biography, which also shaped the process of “biographisation” of the lower social strata a century later. Even post-modern and post-structural criticism of the ‘subject’ towards the end of the 20th century has a lasting influence on educational science. Understanding the historical background and the consequences of this threefold change of ideas in the concept of “biography” in the German tradition is the aim of this article.

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Ebanoidse, Igor А. „Karl Jaspers’ “Question of German Guilt” in the Context of the German Self-Criticism“. History of Philosophy Yearbook 27 (28.12.2022): 36–57. http://dx.doi.org/10.21146/0134-8655-2022-37-36-57.

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On the example of German philosophical thought of the first half of the 20th century, the paper examines the problem of collective guilt of the nation for the actions of its state. Particular attention is paid to the formation of the revanchist ideology that led to the domination of National Socialism. The paper also addresses the history of the criticism of the German imperial statehood, which had developed by the end of the 19th century.

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Bijan, Amanj N. B. „Kurdish studies in Russia in the early 20th century“. Tambov University Review. Series: Humanities, Nr. 190 (2021): 158–65. http://dx.doi.org/10.20310/1810-0201-2021-26-190-158-165.

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We consider the history of studying the history of Kurds in Russia in the early 20th century. The plans of cooperation between the Russians and Kurds against the Ottoman Empire are analyzed. We consider the socio-political and research activities of Russian politicians and scientists in the framework of solving the Kurdish issue. Research on Kurdistan, which began in the 19th century, continued and developed in Russia. Along with military and strategic studies, there were studies of Kurdish clans and Kurdish society. In addition to Russian scientists, Russian diplomats also contributed to the development of Kurdish studies. Before World War I, Russia tried to establish consulates and shopping centers in Kurdish cities. In the early of 20th century in Russia, Kurdish studies were developing rapidly, which was due to both the international situation and the activity of well-trained specialists-orientalists. Often they, like V.F. Minorsky and I.A. Orbeli, combined official (diplomatic) and research activities. Active role in the formation and development of Kurdish studies played N.I. Marr and A.S. Shamilov, who had no formal linguistic education and has been at the epicenter of political processes in the Soviet historiography and linguistics (repression, criticism of “marisma”). Despite the complex political processes of the early 20th cen-tury, it was during this period that the main ideas about Kurdish history and the Kurdish language were formed, and the main scientific schools were formed, which were developed after 1945.

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Kuhutiak, Mykola, Ihor Raikivskyi und Oleh Yehreshii. „Halychyna. Journal of Regional Studies: Science, Culture, and Education. Twenty Years of Publishing Activity“. Journal of Vasyl Stefanyk Precarpathian National University 4, Nr. 2 (30.10.2017): 134–38. http://dx.doi.org/10.15330/jpnu.4.2.134-138.

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This is a review of the twenty-year-long publishing activity of Halychyna. Journal of Regional Studies: Science, Culture and Education, one of the first Ukrainian journals for historians, philologists, art critics that appeared in the independent Ukraine. In Halychyna, there has been published the works by well-known scholars of Vasyl Stefanyk Precarpathian National University and many other higher educational establishments of Ukraine. The Journal can boast an array of sections – archaeology, history, ethnology, political science, historiography, source studies, documents and materials, culturology, art criticism, historical biography studies, and others. Most of the studies published in Halychyna focus on the issues of the modern and contemporary history of Ukraine, ethnology. A special attention is given to the issues of the Ukrainian national liberation movement in the 20th century, the Ukrainian national revival in the 19th–20th century, the activity of the political parties in Galicia in the late 19th–early 20th century, source studies and historiography in Ukraine, historical regional studies, the problems of modern state formation in Ukraine, and others

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Sher, S. A., T. V. Yakovleva und V. Yu Al’bitskiy. „About history and significance of the eugenic ideas“. Kazan medical journal 99, Nr. 5 (15.12.2018): 855–59. http://dx.doi.org/10.17816/kmj2018-855.

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Aim. To show the short history of the origin and development of the eugenic ideas at the beginning of the 20th century. Methods. Historical-genetic and historical-comparative methods were used. Results. The article presents the results of historical and medical research that demonstrated that close by the tasks to medicine eugenics studied inherited properties, their social manifestations and historical changes. Science eugenics gained wide circulation and recognition in 1920s in USSR. The ideas became popular that achievements of the Soviet health care, its preventive direction lead to creation of higher sanitary culture and realization of eugenic tasks for creation of the harmonious Soviet identity. Since the early 1930s in the Soviet Union the eugenics underwent severe criticism. The eugenic ideas were completely discredited by Nazi programs of fascist Germany in 1933-1945 when millions of people were exterminated. In the end of the 20th century interest in eugenics has renewed because of development of genetics. Conclusion. Despite the ambiguous past, the eugenics had played a certain positive role as it allowed understanding genetic and anthropological human features, and served as an incentive for development of medical genetics and study of genetic diseases.

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Bahri, Saeful. „SHEIKH DJAMIL DJAHO AND SOCIO-RELIGIOUS CRITICISM OF MINANGKABAU MUSLIM: A Study on Tazkirat al-Qulub Fi Mu‘amalat ‘Allam al-Guyub“. Analisa: Journal of Social Science and Religion 3, Nr. 02 (28.12.2018): 239–53. http://dx.doi.org/10.18784/analisa.v3i02.651.

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This article discusses the socio-religious critique of Sheikh Djamil Djaho on the religious and socio-society conditions in Minangkabau. Analysis of the content and approach of social history-intellectuals was used to dissect the contents of the book Tazkirat al-Qulub associated with social-religious context in the policy at the beginning of the 20th century. Based on the analysis of texts it is known that Sheikh Djaho expressed his criticism towards several groups. Among the groups are (1) scholars, (2) worshippers, (3) Sufism experts, and (4) experts of the world. According to Sheikh Djaho, the four groups might include gurur (faction), when they use intelligence in their respective fields as masks, not in honesty. This study shows three points. First, the presence of Sheikh Djaho's criticism departs from the reality of the life of the clergy and layman at that time. Second, the reality of social life keeps a text alive in society. Third, the solution to social-religious reality in the early 20th century was the practice of tasawwuf.

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Dissertationen zum Thema "Australian 20th century History and criticism"

Wang, Labao. „Australian short fiction in the 1980s : continuity and change“. Thesis, The University of Sydney, 1999. https://hdl.handle.net/2123/27583.

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This thesis offers a critical survey and a comprehensive bibliography of the Australian short story in the 1980s. Conceived partly as an continuation of Stephen Torre’s study of Australian short fiction of the 1940-1980 period, it starts where Torre’s thesis stopped, focusing on Australian short story writing published in the ten years between 1981 and 1990. Torre has summed up the 1940-1980 period as ‘a time of development and innovation’ in the history of Australian short fiction. In comparison, the 1980s is probably best described as a decade of unprecedented expansion and diversification. During that time, Australian short fiction broke away from its earlier domination by monolithic traditions and became a much more eclectic and pluralistic form. Contributing to this eclecticism and plurality were five different streams of story writing created by five separate groups of writers. Due to constraints of space, the critical text of the thesis examines only four of them.

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Bell, Pamela. „Art that never was : representations of the artist in twentieth-century Australian fiction“. Thesis, The University of Sydney, 2003. http://hdl.handle.net/2123/7310.

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This thesis traces the development of the artist figure as a leading character in twentieth-century Australian novels. In Australia there have always been complex interconnections between the worlds of art and literature, perhaps the most obvious being the cluster of artists and writers centred on the journal Vision, co-edited by Norman Lindsay’s son Jack with Kenneth Slessor, who was heavily influenced by Lindsay. Slessor’s poem “Five Bells”, an elegy for his artist friend Joe Lynch, later became the subject of a mural painted for Sydney Opera House by John Olsen. Although this and other connections between poetry and art are of interest, this thesis concentrates on fiction only.

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Behin, Bahram. „Aspects of the role of language in creating the literary effect : implications for the reading of Australian prose fiction /“. Title page, contents and abstract only, 1997. http://web4.library.adelaide.edu.au/theses/09PH/09phb419.pdf.

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Sun, Christine Yunn-Yu. „The construction of "Chinese" cultural identity : English-language writing by Australian and other authors with Chinese ancestry“. Monash University, School of Languages, Cultures and Linguistics, 2004. http://arrow.monash.edu.au/hdl/1959.1/5438.

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McLaren, Greg 1967. „Translations under the trees : Australian poets' integration of Buddhist ideas and images“. Phd thesis, Department of English, 2005. http://hdl.handle.net/2123/6830.

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Thoday, Heather Frances. „Lived spaces of representation : thirdspace and Janette Turner Hospital's political praxis of postmodernism /“. Title page, abstract and table of contents only, 2004. http://web4.library.adelaide.edu.au/theses/09PH/09pht449.pdf.

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Penazzi, Leonardo. „The fellow (novel) ; and Australian historical fiction, debating the perceived past (dissertation)“. University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0070.

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Novel The Fellow What is knowledge? Who should own it? Why is it used? Who can use it? Is knowledge power, or is it an illusion? These are some of the questions addressed in The Fellow. At the time of Australian federation, the year 1901, while a nation is being drawn into unity, one of its primary educational institutions is being drawn into disunity when an outsider challenges the secure world of The University of Melbourne. Arriving in Melbourne after spending much of his life travelling around Australia, an old Jack-of-all-trades bushman finds his way into the inner sanctum of The University of Melbourne. Not only a man of considerable and varied skill, he is also a man who is widely read and self-educated. However, he applies his knowledge in practical ways, based on what he has experienced in the

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Weeda-Zuidersma, Jeannette. „Keeping mum : representations of motherhood in contemporary Australian literature - a fictocritical exploration“. University of Western Australia. School of Social and Cultural Studies, 2007. http://theses.library.uwa.edu.au/adt-WU2007.0054.

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[Truncated abstract] This thesis argues that the non-representation and under-representation of mothering in contemporary Australian literature reflects a much wider cultural practice of silencing the mother-as-subject position and female experiences as a whole. The thesis encourages women writers to pay more attention to the subjective experiences of mothering, so that women’s writing, in particular writing on those aspects of women’s lives that are silenced, of which motherhood is one, can begin to refigure motherhood discourses. This thesis examines mother-as-subject from three perspectives: mothering as a corporeal experience, mothering as a psychological experience, and the articulations and silences of mothering-as-subject. It engages with feminist, postmodern and fictocritical theories in its discussion of motherhood as a discourse through these perspectives. In particular, the thesis employs the theoretical works of postmodern feminists Hélène Cixous, Luce Irigaray and Julia Kristeva in this discussion . . . A fictional narrative also runs through the critical discussion on motherhood. This narrative, Catherine’s Story, gives a personal and immediate voice to the mother-as-subject perspective. In keeping with the nature of fictocriticism, strict textual boundaries between criticism and fiction are blurred. The two modes of writing interact and in the process inform and critique each other.

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Lyons, Sara J. „The sacrifice of honey (fiction) ; The depiction of the media in The shark net, Evil angels and The sacrifice of honey (thesis)“. University of Western Australia. English, Communication and Cultural Studies Discipline Group, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0055.

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Reddy, Colleen. „Ecological consciousness in modern Australian poetry“. Thesis, Queensland University of Technology, 1998.

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One of the most significant issues confronting humanity as the twentieth century draws to a close is that concerning environmental degradation. This study posits the dual notion that at the centre of any movement to protect the earth from further degradation there must be a change in the predominant anthropocentric worldview, and that there is a role for poets to help bring about such change by writing ecologically-conscious poetry. The study explains what is meant by ecological consciousness as distinct from a conservation or environmental ethic. There follows a brief discussion of Deep Ecology (the philosophical perspective which, along with others, critiques human domination of nature) and a survey of relevant literature. The growth of an Australian poetic and the concomitant development of an Australian relationship with the land are also surveyed. Then, through a process of close reading, comparative analysis and discourse, the work of a number of poets (both indigenous and non-indigenous) is considered for its ecological awareness. The study highlights some pivotal ideas for the development of a new worldview: these are the development of a non-anthropocentric perspective of nature similar to that embraced by adherents of Deep Ecology; acceptance of the notion that nature is ambivalent (that the cycle of life is also a cycle of death and decay); and the possible use of indigenous people's deeply ecological relationship with the land as a basic model on which to build a new worldview. The study contends that only poetry which is grounded in ecocentrism, rather than anthropocentrism, can claim to be ecologically-conscious. It concludes by reaffirming the need for poets to encourage a change in the prevailing anthropocentric worldview by adopting a deeply-ecological focus on nature in some of their poetry.

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Bücher zum Thema "Australian 20th century History and criticism"

McCallum, John. Belonging: Australian playwriting in the 20th century. Sydney: Currency Press, 2009.

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McCallum, John. Belonging: Australian playwriting in the 20th century. Sydney: Currency Press, 2009.

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Belonging: Australian playwriting in the 20th century. Sydney: Currency Press, 2009.

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McGregor, Andrew. Film criticism as cultural fantasy: The perpetual French discovery of Australian cinema. Bern: Peter Lang, 2010.

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McGregor, Andrew. Film criticism as cultural fantasy: The perpetual French discovery of Australian cinema. Bern: Peter Lang, 2010.

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Film criticism as cultural fantasy: The perpetual French discovery of Australian cinema. New York: Peter Lang, 2010.

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Roger Smalley: A case study of late twentieth-century composition. Burlington: Ashgate, 2012.

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Peter Carey. New York: Manchester University Press, 1996.

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Peter Carey. New York: Manchester University Press : Distributed exclusively in the USA by Palgrave, 2003.

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1951-, Williams Mark, Hrsg. Maoriland: New Zealand literature, 1872-1914 / Jane Stafford and Mark Williams. Wellington: Victoria University Press, 2006.

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Buchteile zum Thema "Australian 20th century History and criticism"

Vinogradov, Igor A. „“Taras Bulba” and Russian History of the 19th–20th Centuries“. In Literary Process in Russia of the 18th–19th Centuries. Secular and Spiritual Literature. Issue 3, 97–168. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/lit.pr.2022-3-97-168.

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The article is devoted to the study of readers’ receptions of N.V. Gogol “Taras Bulba” in Russia. This work, imbued with a deep religious and patriotic intention, occupies such a significant place in Russian culture that the reviews of readers and critics, the assessments and interpretations of its researchers, dramatizations in the theater, opera and ballet, etc. allows to analyze not only history of the story’s existence, but also to trace the key moments of Russian life in the second half of the 19th–20th centuries. The interaction of the patriotic story’s spiritual lyricism with the contradictory socio-political processes of the era identifies the most significant features of the poetics of Gogol’s work. Enthusiastically received by contemporaries, including A.S. Pushkin, “Taras Bulba” was subsequently met with hostility from domestic liberalradical and Polish nationalist criticism. Continuing to be one of the favorite works of the domestic and foreign readers, the story after 1917 was removed from the Soviet school curriculum and again restored in rights only during the Great Patriotic War. The article presents a detailed analysis of the assessments and interpretations of “Taras Bulba” for more than a century and a half.

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Pavelieva, Yulia Е. „Literary Critics of ‛Grani’ on the Works of Ivan Bunin“. In I.A. Bunin and his time: Context of Life — History of Work, 357–64. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/ab-978-5-9208-0675-8-357-364.

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“Grani” is one of the most famous magazines of Russian abroad. This publication was intended as a large literary magazine. Literary criticism is an essential section of such editions. Writers and poets of the Russian abroad were the authors of the section of literary criticism in the magazine “Grani”. Leonid Rzhevsky, Boris Narcissov, Alexander Nejmiroc were the authors of very interesting articles on the of Bunin’s creativity. These authors were real “artists of the word”, they had a special creative sensitivity. Such quality allows the critic to discern the creative features of another writer or poet. It is not accidental that literary critics of “Grani” were able to see specific features in Bunin’s talent. They explored the issues that would be a matter of concern for the literary critics many decades later. The authors of the “Grani” magazine wrote literary and critical articles in the middle of the 20th century. They addressed the problems that are relevant up to our days.

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Smith, Adam, Minna Korhonen, Haidee Kotze und Bertus van Rooy. „Modal and Semi-modal Verbs of Obligation in the Australian, New Zealand and British Hansards, 1901–2015“. In Exploring the Ecology of World Englishes in the Twenty-first Century, 301–23. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474462853.003.0015.

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Research by Adam Smith, Minna Korhonen, Haidee Kotze and Bertus van Rooy is reported in this longitudinal study of changes in the language of parliamentary discourse, focusing on the modals and semi-modals of obligation: must, should, need to, have to. The researchers used a large diachronic corpus of material from the three regional Hansards (Australian, New Zealand and British), to compare the profiles of modal usage at five key points from the early 20th to 21st century. They found overall declining frequencies for must, should and have to in all three Hansards, but also remarkably high levels and peaks in Australian and New Zealand usage when the subject of the verb was we or the Government. Some of these co-occur with key points in national history, suggesting waves of collective sentiment in parliamentary rhetoric and setting national priorities. Other contextual factors – such as changing editorial conventions, and newer parliamentary practices in presenting speeches and broadcasting debates – may also have modulated the expression of obligation in individual Hansards over time.

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Saunders, Peter. „The development, value and application of budget standards: reflecting on the Australian experience“. In Minimum Income Standards and Reference Budgets, 139–54. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781447352952.003.0010.

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This chapter draws attention to Australia's very rich tradition of family budget research, which was associated with the Social Policy Research Centre. It explains that the idea of a basic living standard enshrined in wage laws became a reality in Australia at the start of the 20th century. It also charts the history of budget standards research in Australia, focusing on the four major studies that were coordinated during the 1990s, 2000s and 2010s. The chapter looks at the latest work that relates to the budget for healthy living and combines public health knowledge and focus group deliberations. It concludes that budget standards only provide a rough-and-ready adequacy benchmark, which should be used with care and in conjunction with other measurement approaches to living standards whenever possible.

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Winner, Ellen. „Making Art Education Academic“. In An Uneasy Guest in the Schoolhouse, 77–90. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190061289.003.0006.

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This chapter discusses the revolt against progressive art education spearheaded by Elliot Eisner in the form of Discipline-Based Art Education (DBAE). Whereas progressive art education was a reaction against the mind-numbing method inflicted on children in the 19th century, DBAE was a reaction against an extreme form of progressive art education that resulted in a hands-off, laissez-faire approach. DBAE called for art education to include not only studio art but also art history, art criticism, and aesthetics. It called for the development of a sequential curriculum by experts and rigorous assessment of learning. The strengths of DBAE included the insistence that art be a necessary part of general education with funding equivalent to that given to other school subjects, as well as a refusal to justify arts education in terms of something else—whether manual dexterity and skills for industry (as in the 19th century) or personal and emotional development (as in the first half of the 20th century). However, DBAE stoked controversy as art educators rebelled against the idea that there was one right way to teach art which they believed was being pushed on them.

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Kaznina, Olga A. „The Book by I.A. Bunin “Liberation of Leo Tolstoy” in the Context of Russian Emigre Literary and Philosophical Criticism“. In Russian Émigré Literature, 1920–1940. Writer in Literary Process (to the 150th Anniversary of I.A. Bunin’s Birth), 95–206. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0685-7-97-208.

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The present article is devoted to the multidimensional analysis of the book by I.A. Bunin “Liberation of Leo Tolstoy” (1937). Attention is devoted to the history of its creation and to its unique structure, combining the genres of memoirs, journalistic sketch, diary, epistles and literary portrait with philosophical contemplation. Special consideration is paid to the properties of style of the text as well as to the development of the artistic image of Leo Tolstoy. The center of the research is occupied by the problem of the spiritual and religious quest of Tolstoy in the latest decades of his life, to his multifaceted concept of liberation and also to the enigma of his last flight from Yasnaya Poliana. Bunin’s interpretations are investigated on the complex background of literary, philosophical and theological evaluations of Tolstoy’s worldview, as it took shape after the spiritual crisis of his later years. Different reactions to his final escape are also taken into account. The article reflects the positions of G. Adamovitch, V. Hodasevitch, V. Maklakov, I. Shahovskoy, S. Bulgakov, as well as many other literary critics, philosophers and theologians. Bunin’s book is investigated as a source for the studies of spiritual and intellectual quest on the verge of the centuries, i.e. the end of the 19th and the beginning of the 20th century. Bunin’s book is presented also in the context of Russian émigré literary and philosophical criticism.

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Harold, Franklin M. „The Darwinian Outlook“. In On Life, 53–63. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197604540.003.0005.

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The contemporary view of evolution crystallized in the mid-20th century in a hard-edged form that puts genes central: It sees organisms as vehicles for their genes, the material basis of the instructions encoded therein. Heredity, variation, natural selection, and adaptation all result from events that take place at the gene level. Organisms evolve by small mutational steps, never by sudden jumps. Mutations occur at random, not in response to need. Acquired characteristics are never inherited. Ongoing research challenges all these premises, and reinforces the criticism that the received doctrine is too narrow. Two important sources of novelty are lateral gene transfer across all boundaries, and the creation of new patterns of order by symbiosis. (The origin and history of the eukaryotic cell is a prime example.) In the renovated synthesis now emerging, genes retain their hold on organismal identity that is passed from parents to offspring and not easily altered. But this genetic framework is supplemented by a variety of more cellular mechanisms to acquire new traits, making cells more flexible and cohesive than imagined in classical theory.

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Konferenzberichte zum Thema "Australian 20th century History and criticism"

Moulis, Antony. „Architecture in Translation: Le Corbusier’s influence in Australia“. In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.752.

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Abstract: While there is an abundance of commentary and criticism on Le Corbusier’s effect upon architecture and planning globally – in Europe, Northern Africa, the Americas and the Indian sub-continent – there is very little dealing with other contexts such as Australia. The paper will offer a first appraisal of Le Corbusier’s relationship with Australia, providing example of the significant international reach of his ideas to places he was never to set foot. It draws attention to Le Corbusier's contacts with architects who practiced in Australia and little known instances of his connections - his drawing of the City of Adelaide plan (1950) and his commission for art at Jorn Utzon's Sydney Opera House (1958). The paper also considers the ways that Le Corbusier’s work underwent translation into Australian architecture and urbanism in the mid to late 20th century through the influence his work exerted on others, identifying further possibilities for research on the topic. Keywords: Le Corbusier; post-war architecture; international modernism; Australian architecture, 20th century architecture. DOI: http://dx.doi.org/10.4995/LC2015.2015.752

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Valero, Alicia, Antonio Valero und Inmaculada Arauzo. „Exergy as an Indicator for Resources Scarcity: The Exergy Loss of Australian Mineral Capital — A Case Study“. In ASME 2006 International Mechanical Engineering Congress and Exposition. ASMEDC, 2006. http://dx.doi.org/10.1115/imece2006-13654.

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Over the span of the 20th century, the global demand for metals and minerals has increased dramatically. This is associated with a general trend of declining ore grades from most commodities, meaning higher quantities of ore needed to be processed and thus more energy. Hence, quantifying the loss of mineral capital in terms of mass is not enough since it does not take into account the quality of the minerals in the mine. Exergy is a better indicator than mass because it measures at the same time the three features that describe any natural resource: quantity, composition and a particular concentration. For the sake of better understanding the exergy results, they are expressed in tons of Metal equivalent, tMe, which are analogously defined to tons of oil equivalent, toe. The aim of this paper is 1) to show the methodology for obtaining the exergy loss of mineral resources throughout a certain period of time and 2) to apply it to the Australian case. From the available data of production and ore grade trends of Australian mining history, the tons of Metal equivalent lost, the cumulative exergy consumption, the exergy decrease of the economic demonstrated reserves and the estimated years until depletion of the main base-precious metals are provided, namely: for gold, copper nickel, silver lead and zinc.

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