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Thematische Bibliographien / Auditory perception

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Auswahl der wissenschaftlichen Literatur zum Thema „Auditory perception“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Juli 2024

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Zeitschriftenartikel zum Thema "Auditory perception"

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Deny Nitalia Mindrawati, Grahita Chandrarin und Harianto Respati. „The Determinant Of Auditor Career Survivability Adopting The Blockchain Technology“. Brilliant International Journal Of Management And Tourism 4, Nr. 1 (26.01.2024): 151–73. http://dx.doi.org/10.55606/bijmt.v4i1.2758.

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This empirical study examined the influence of the auditor perspective on the supportive factors of blockchain technology adoption and the implication on auditory career survivability. The current research population consisted of all auditors in Indonesia, 6.034 individuals. The researchers used the Slovin formula to take 375 respondents. The researchers analyzed the obtained data with a validity test, reliability test, and path analysis. The results found the perception of the auditor about the positive and significant influencing factors toward the blockchain technology adoption and survivability of the auditor's career. Blockchain technology adoption could not moderate the survivability of an auditor's career. The current research novelty dealt with the examined variables, from the qualitative study. Then, the researchers developed the research into quantitative research to provide significant evidence.

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Haas, Ellen C. „Auditory Perception“. Proceedings of the Human Factors Society Annual Meeting 36, Nr. 3 (Oktober 1992): 247. http://dx.doi.org/10.1518/107118192786751817.

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Auditory perception involves the human listener's awareness or apprehension of auditory stimuli in the environment. Auditory stimuli, which include speech communications as well as non-speech signals, occur in the presence and absence of environmental noise. Non-speech auditory signals range from simple pure tones to complex signals found in three-dimensional auditory displays. Special hearing protection device (HPD) designs, as well as additions to conventional protectors, have been developed to improve speech communication and auditory perception capabilities of those exposed to noise. The thoughtful design of auditory stimuli and the proper design, selection, and use of HPDs within the environment can improve human performance and reduce accidents. The purpose of this symposium will be to discuss issues in auditory perception and to describe methods to improve the perception of auditory stimuli in environments with and without noise. The issues of interest include the perception of non-speech auditory signals and the improvement of auditory perception capabilities of persons exposed to noise. The first three papers of this symposium describe the perception of non-speech auditory signals. Ellen Haas defines the extent to which certain signal elements affect the perceived urgency of auditory warning signals. Michael D. Good and Dr. Robert H. Gilkey investigate free-field masking as a function of the spatial separation between signal and masker sounds within the horizontal and median planes. Jeffrey M. Gerth explores the discrimination of complex auditory signal components that differ by sound category, temporal pattern, density, and component manipulation. The fourth paper of this symposium focuses upon the improvement of auditory perception capabilities of persons exposed to hazardous noise, and who must wear hearing protection. Special HPD designs, as well as additions to conventional protectors, have been developed to improve speech communication and auditory perception capabilities of persons exposed to noise. Dr. John G. Casali reviews several new HPD technologies and describes construction features, empirical performance data, and applications of each device. These papers illustrate current research issues in the perception of auditory signals. The issues are all relevant to the human factors engineering of auditory signals and personal protective gear. The perception of auditory stimuli can be improved by the thoughtful human factors design of auditory stimuli and by the proper use of HPDs.

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PURWINS, HENDRIK, BENJAMIN BLANKERTZ und KLAUS OBERMAYER. „Computing auditory perception“. Organised Sound 5, Nr. 3 (Dezember 2000): 159–71. http://dx.doi.org/10.1017/s1355771800005069.

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In this paper the ingredients of computing auditory perception are reviewed. On the basic level there is neurophysiology, which is abstracted to artificial neural nets (ANNs) and enhanced by statistics to machine learning. There are high-level cognitive models derived from psychoacoustics (especially Gestalt principles). The gap between neuroscience and psychoacoustics has to be filled by numerics, statistics and heuristics. Computerised auditory models have a broad and diverse range of applications: hearing aids and implants, compression in audio codices, automated music analysis, music composition, interactive music installations, and information retrieval from large databases of music samples.

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Kiela, Douwe, und Stephen Clark. „Learning Neural Audio Embeddings for Grounding Semantics in Auditory Perception“. Journal of Artificial Intelligence Research 60 (26.12.2017): 1003–30. http://dx.doi.org/10.1613/jair.5665.

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Multi-modal semantics, which aims to ground semantic representations in perception, has relied on feature norms or raw image data for perceptual input. In this paper we examine grounding semantic representations in raw auditory data, using standard evaluations for multi-modal semantics. After having shown the quality of such auditorily grounded representations, we show how they can be applied to tasks where auditory perception is relevant, including two unsupervised categorization experiments, and provide further analysis. We find that features transfered from deep neural networks outperform bag of audio words approaches. To our knowledge, this is the first work to construct multi-modal models from a combination of textual information and auditory information extracted from deep neural networks, and the first work to evaluate the performance of tri-modal (textual, visual and auditory) semantic models.

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Zahorik, Pavel. „Auditory/visual distance perception“. Journal of the Acoustical Society of America 137, Nr. 4 (April 2015): 2374. http://dx.doi.org/10.1121/1.4920626.

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Merchel, Sebastian, und M. Ercan Altinsoy. „Auditory-tactile music perception“. Journal of the Acoustical Society of America 133, Nr. 5 (Mai 2013): 3256. http://dx.doi.org/10.1121/1.4805254.

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Hirsh, Ira J. „Timing in auditory perception“. Journal of the Acoustical Society of America 81, S1 (Mai 1987): S90. http://dx.doi.org/10.1121/1.2024468.

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Hirsh, Ira J., und Charles S. Watson. „AUDITORY PSYCHOPHYSICS AND PERCEPTION“. Annual Review of Psychology 47, Nr. 1 (Februar 1996): 461–84. http://dx.doi.org/10.1146/annurev.psych.47.1.461.

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Specht, Karsten, C. Paul Stracke und Jürgen Reul. „Laterality of auditory perception“. NeuroImage 13, Nr. 6 (Juni 2001): 942. http://dx.doi.org/10.1016/s1053-8119(01)92284-0.

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Munkong, Rungsun, und Biing-Hwang Juang. „Auditory perception and cognition“. IEEE Signal Processing Magazine 25, Nr. 3 (Mai 2008): 98–117. http://dx.doi.org/10.1109/msp.2008.918418.

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Dissertationen zum Thema "Auditory perception"

1

Akeroyd, Michael Alexis. „Auditory perception of temporal asymmetry“. Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243023.

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Lea, Andrew P. „Auditory modelling of vowel perception“. Thesis, University of Nottingham, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315235.

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Talling, Janet C. „Porcine perception of auditory stimuli“. Thesis, University of Edinburgh, 1996. http://hdl.handle.net/1842/13076.

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Animals are adapted to live in fluctuating environments. Some stimuli to which they are exposed will be ignored, some will be avoided and others will be approached. Stimuli perceived as a threat or associated with a painful stimulation will tend to be avoided. Therefore to understand more fully how an animal copes with a particular situation, e.g. transportation, its perception of all stimuli needs to be determined. The aim of the study reported in this thesis was to determine how auditory stimuli, to which pigs are exposed during production, are perceived by individual pigs. A field study was carried out to characterise the sounds to which pigs are exposed during production and studies were made of pig responses to sound under experimental conditions. The sound pressure level in artificially ventilated fattening units was quite loud (70 to 80 dB(Lin)), but relatively constant. In contrast, naturally ventilated units were quieter (60 to 70 dB(Lin)), but more variable. Sound pressure levels during transport were more than 88 dB(Lin) and highly variable. Similar levels were measured in articulated transporters and small livestock trailers. Sound pressure levels measured in abattoir lairages varied from 77 dB(Lin) to 89 dB(Lin). Equivalent sound pressure levels (Leq 20 min) of 97 dB(Lin) were measured in the stun pen of one abattoir that used electric stunning. Pigs' perception of mechanical sounds between 85 and 100 dB(Lin) was assessed. The onset of sound activity and visual searching. Stronger responses were measured for louder sounds. Over a constant exposure period of 15 to 20 minutes the responses observed decreased towards basal levels.

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Wilkie, Sonia. „Auditory manipulation of visual perception“. Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/39802.

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Psychological research on cross-modal auditory-visual perception has focused predominantly on the manipulation of sensory information by visual information. There are relatively few studies of the way auditory stimuli may affect other sensory information. The Sound-induced Illusory Flash is one illusory paradigm that involves the auditory system biasing visual information. However, little is known about this cross-modal illusion. More research is needed into the structure of the illusion that investigates the different conditions under which the Sound induced Illusory Flash manifests and is enhanced or reduced. The research conducted for this thesis investigates the effect of new auditory stimulus variables on the Sound-induced Illusory Flash. The variables to be discussed concern the formation of a contrast in the auditory stimuli, with the contrast creating a rhythm that emphasises the discontinuous nature of the auditory stimuli, and therefore emphasises the illusory percept. The auditory stimulus contrasts include pitch separation with the octave interval, using the frequencies of 261.5 and 523Hz; and spatial separation in the auditory stimuli, presenting the monophonic auditory stimuli binaurally so that individual tones alternate between the left and right channels. I furthered this concept of auditory stimuli separation biasing an illusory percept, by investigating pitch and spatial presentation and localisation of the visual stimuli presentation, when multiple dots were presented. I also conducted analyses to determine if factors other than the auditory stimuli biased the illusory percept. These included the use of non-illusory trials and determining if their inclusion biased the illusory trial percept; and the impact of physical factors such as handedness, eye dominance, corrected vision, and musical experience on the illusory percept. My ultimate aim is to develop the illusory effect as a basis for new intermedia techniques to create the perceptual synchronisation of sound with images. These would be perceived as visually spliced according to the rhythm of the music on the micro time scale.

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Wilkie, Sonia. „Auditory manipulation of visual perception“. View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/39802.

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Thesis (M.A. (Hons.))--University of Western Sydney, 2008.
Thesis accompanied by CD-ROM with demonstration of possible creative applications. A thesis presented to the University of Western Sydney, College of Arts, MARCS Auditory Laboratories, in fulfilment of the requirements for the degree of Master of Arts (Honours). Includes bibliographies. Thesis minus demonstration CD-ROM also available online at: http://handle.uws.edu.au:8081/1959.7/39849.

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Storms, Russell L. „Auditory-visual cross-modal perception phenomena“. Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 1998. http://handle.dtic.mil/100.2/ADA355474.

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Dissertation (Ph.D. in Computer Science) Naval Postgraduate School, September 1998.
Dissertation supervisor(s): Michael J. Zyda. "September 1998." Includes bibliographical references (p. 207-222). Also Available online.

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Ash, Roisin L. „Perception of structure in auditory patterns“. Thesis, University of Stirling, 1998. http://hdl.handle.net/1893/26669.

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The present research utilised five tasks to investigate non-musicians' perception of phrase, rhythm, pitch and beat structure in unaccompanied Gaelic melodies and musical sequences. Perception of phrase structure was examined using: i) a segmentation task in which listeners segmented Gaelic melodies into a series of meaningful units and ii) a novel click localisation task whereby listeners indicated where they perceived a superimposed click in the melody had occurred. Listeners consistently segmented the melodies into units of 2.4 - 5.4 seconds. Clicks which were positioned before and after perceived boundaries (identified by segmentation) were perceptually migrated towards the boundary. These results suggest that listeners perceptually differentiate between phrasal groups in melodies (See Sloboda & Gregory, 1980; Stoffer, 1985, for similar results with musicians). Short term memory for rhythmic structure was examined using rhythm recall of computer generated sequences and Gaelic melodies. Computer generated rhythms with small tonal pitch intervals (1 - 4 semitones) were easier to recall than large atonal intervals (predominantly greater than 4 semitones). Recall of Gaelic melodies, containing repetitive rhythmic units, was better than recall of computer sequences. Pitch reversal of Gaelic melodies did not effect recall. Beat-tapping with three Gaelic melodies revealed that the majority of listeners established the underlying beat 1.5 - 3 seconds (5 - 6 notes) after the start of the melodies. Perception of meaning and content in two note melodic intervals and three Gaelic melodies was examined using an adjective pair two-alternative forced choice task. Responses to musical intervals showed evidence of perceptual similarity based mainly on interval size. Perceived information content in the melodies increased significantly by the fourth note. The results suggest that the amounts of Gaelic melody which are: i) required to establish an underlying beat, ii) remembered after one hearing, and iii) perceptually grouped into a meaningful unit, include the unit of melody which is necessary to establish a basic meaning.

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Butcher, Andrew. „Free field auditory localization and perception“. Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Mathematics and Computer Sciencce, c2011, 2011. http://hdl.handle.net/10133/3113.

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We have designed a system suitable for auditory electroencephalographic (EEG) experiments, with the objective of enabling studies of auditory motion. This thesis details the perceptual cues involved in spatial auditory experiments, and compares a number of spatial panning algorithms while examining their suitability to this purpose. A behavioural experiment involving perception of static auditory objects was used in an attempt to differentiate these panning algorithms. This study was used to inform the panner choice used in an auditory EEG experiment. This auditory EEG experiment involved the effects of discontinuity in velocity and position, and their affects on object perception. A new event related potential (ERP) component – the lateralized object related negativity (LORN) – was identified, and we consider its significance. libnetstation, a library for connecting with the NetStation (EEG) system has been developed, and released as open source software.
viii, 61 leaves : ill. ; 29 cm

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Dooley, Gary John. „The perception of auditory dynamic stimuli“. Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253843.

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Merchel, Sebastian [Verfasser]. „Auditory-Tactile Music Perception / Sebastian Merchel“. Aachen : Shaker, 2014. http://d-nb.info/106326569X/34.

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Bücher zum Thema "Auditory perception"

1

Yost, William A., Arthur N. Popper und Richard R. Fay, Hrsg. Auditory Perception of Sound Sources. Boston, MA: Springer US, 2008. http://dx.doi.org/10.1007/978-0-387-71305-2.

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College), NATO Advanced Research Workshop on Auditory Frequency Selectivity (1986 Wolfson. Auditory frequency selectivity. New York: Plenum Press, 1986.

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1938-, Hawkins Harold L., Hrsg. Auditory computation. New York: Springer Verlag, 1996.

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Warren, Richard. Auditory Perception: An Analysis and Synthesis. 3. Aufl. Leiden: Cambridge University Press, 2008.

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Warren, Richard M. Auditory perception: An analysis and synthesis. 3. Aufl. New York: Cambridge University Press, 2008.

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Werner, Lynne A. Human auditory development. Madison: Brown & Benchmark Publishers, 1996.

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Lopez-Poveda, Enrique A., Alan R. Palmer und Ray Meddis, Hrsg. The Neurophysiological Bases of Auditory Perception. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-5686-6.

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Urszula, Jorasz, Hrsg. Auditory perception: Some principles and applications. Poznań: Wydawn. Nauk. Uniwersytetu im. Adama Mickiewicza w Poznaniu, 1996.

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Storms, Russell L. Auditory-visual cross-modal perception phenomena. Monterey, Calif: Naval Postgraduate School, 1998.

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Parsloe, Rachael. GRASPS: Graded auditory speech perception screen. Ponteland: STASS Publications, 1996.

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Buchteile zum Thema "Auditory perception"

1

McDermott, Hugh. „Music Perception“. In Auditory Prostheses, 305–39. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-9434-9_13.

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Yost, William A., und Stanley Sheft. „Auditory Perception“. In Springer Handbook of Auditory Research, 193–236. New York, NY: Springer New York, 1993. http://dx.doi.org/10.1007/978-1-4612-2728-1_6.

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Baldwin, Carryl L. „Auditory perception.“ In APA handbook of human systems integration., 247–60. Washington: American Psychological Association, 2015. http://dx.doi.org/10.1037/14528-016.

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Talsma, Durk. „Auditory perception“. In The Psychology of Cognition, 195–222. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003319344-10.

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Grondin, Simon, Emi Hasuo, Tsuyoshi Kuroda und Yoshitaka Nakajima. „Auditory Time Perception“. In Springer Handbook of Systematic Musicology, 423–40. Berlin, Heidelberg: Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-55004-5_21.

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Xiugui, Qin. „Auditory domain 1“. In Perception and Metaphor, 108–43. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003186786-3.

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Panneton, Robin, und Rochelle Newman. „Development of Speech Perception“. In Human Auditory Development, 197–222. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4614-1421-6_7.

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Eilers, Rebecca E., und D. Kimbrough Oller. „Infant Speech Perception“. In Auditory Development in Infancy, 197–213. Boston, MA: Springer US, 1985. http://dx.doi.org/10.1007/978-1-4757-9340-6_11.

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Morse, Philip A. „Infant Speech Perception“. In Auditory Development in Infancy, 215–30. Boston, MA: Springer US, 1985. http://dx.doi.org/10.1007/978-1-4757-9340-6_12.

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Kulvicki, John. „Auditory Perspectives“. In Current Controversies in Philosophy of Perception, 83–94. 1 [edition]. | New York : Routledge-Taylor & Francis, 2016. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315733029-8.

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Konferenzberichte zum Thema "Auditory perception"

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Kapralos, Bill, Daniel Zikovitz und Saad Khattak. „Auditory Motion Perception Threshold“. In 2007 IEEE International Workshop on Haptic, Audio and Visual Environments and Games. IEEE, 2007. http://dx.doi.org/10.1109/have.2007.4371576.

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Merchel, Sebastian, und M. Ercan Altinsoy. „Auditory-Tactile Music Perception“. In ICA 2013 Montreal. ASA, 2013. http://dx.doi.org/10.1121/1.4799137.

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Zhuo, Guangping, und Xueli Yu. „Real-world Audititory Perception Based on Auditory Feature Binding“. In 2010 International Conference on Computational Aspects of Social Networks (CASoN 2010). IEEE, 2010. http://dx.doi.org/10.1109/cason.2010.86.

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Merchel, Sebastian, M. Ercan Altinsoy und Anna Schwendicke. „Tactile intensity perception compared to auditory loudness perception“. In 2015 IEEE World Haptics Conference (WHC). IEEE, 2015. http://dx.doi.org/10.1109/whc.2015.7177738.

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Ainsworth, William A. „Auditory mechanisms for speech perception“. In 4th European Conference on Speech Communication and Technology (Eurospeech 1995). ISCA: ISCA, 1995. http://dx.doi.org/10.21437/eurospeech.1995-2.

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Speigle, J. M., und J. M. Loomis. „Auditory distance perception by translating observers“. In 1993 IEEE Research Properties in Virtual Reality Symposium. IEEE Comput. Soc. Press, 1993. http://dx.doi.org/10.1109/vrais.1993.378257.

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Burnham, Denis, Valter Ciocca und Stephanie Stokes. „Auditory-visual perception of lexical tone“. In 7th European Conference on Speech Communication and Technology (Eurospeech 2001). ISCA: ISCA, 2001. http://dx.doi.org/10.21437/eurospeech.2001-63.

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Watanabe, Hiroki, und Tsutomu Terada. „Manipulatable Auditory Perception in Wearable Computing“. In AHs '20: Augmented Humans International Conference. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3384657.3384792.

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Grandjean, Didier, und Klaus R. Scherer. „Neuronal synchronization during auditory emotional perception“. In Speech Prosody 2008. ISCA: ISCA, 2008. http://dx.doi.org/10.21437/speechprosody.2008-48.

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*, Sheng-Hann, Li * und Sheue-Ling Hwang. „The Effect of Auditory Feedback on Websites Users Perception“. In Applied Human Factors and Ergonomics Conference. AHFE International, 2020. http://dx.doi.org/10.54941/ahfe100450.

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In this investigation, we design a website named UN.com that has three scenes and with different numbers of auditory feedback. An experiment was designed to explore the application of auditory feedback. The better situation to use auditory feedback has been found out. We found a significant correlation between auditory feedback and website usability. Too many auditory feedbacks may cause negative effect. The result may provide web designer some suggestion on auditory feedback to prevent negative effects.

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Berichte der Organisationen zum Thema "Auditory perception"

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Cohen, Marion F. Auditory Perception. Fort Belvoir, VA: Defense Technical Information Center, Dezember 1993. http://dx.doi.org/10.21236/ada277414.

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Cohen, Marion F. Auditory Perception. Fort Belvoir, VA: Defense Technical Information Center, Oktober 1997. http://dx.doi.org/10.21236/ada379396.

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Cohen, Marion F. Auditory Perception. Fort Belvoir, VA: Defense Technical Information Center, November 1989. http://dx.doi.org/10.21236/ada217012.

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Letowski, Tomasz R., und Szymon T. Letowski. Auditory Spatial Perception: Auditory Localization. Fort Belvoir, VA: Defense Technical Information Center, Mai 2012. http://dx.doi.org/10.21236/ada562292.

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Watson, Charles S. Perception of Complex Auditory Patterns. Fort Belvoir, VA: Defense Technical Information Center, November 1987. http://dx.doi.org/10.21236/ada190218.

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Feth, Lawrence L. Demodulation Processes in Auditory Perception. Fort Belvoir, VA: Defense Technical Information Center, März 1992. http://dx.doi.org/10.21236/ada250203.

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Hirsh, Ira J. Auditory Perception of Complex Sounds. Fort Belvoir, VA: Defense Technical Information Center, März 1990. http://dx.doi.org/10.21236/ada219927.

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Feth, Lawrence L. Demodulation Processes in Auditory Perception. Fort Belvoir, VA: Defense Technical Information Center, März 1990. http://dx.doi.org/10.21236/ada226824.

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Thompson, Eric, und Billy Swayne. Perception of Complex Auditory Scenes. Fort Belvoir, VA: Defense Technical Information Center, Juli 2014. http://dx.doi.org/10.21236/ada618207.

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Wakefield, Gregory H. Time-Frequency Factors in Auditory Perception. Fort Belvoir, VA: Defense Technical Information Center, Juni 1989. http://dx.doi.org/10.21236/ada211491.

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