Auswahl der wissenschaftlichen Literatur zum Thema „Auditors in fiction“
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Zeitschriftenartikel zum Thema "Auditors in fiction"
Czarniawska, Barbara. „Research Note. A Culture of Costs versus A Culture of Expenses“. Valuation Studies 5, Nr. 2 (02.05.2018): 131–44. http://dx.doi.org/10.3384/vs.2001-5992.1852131.
Der volle Inhalt der QuelleRauch, Bernhard, Max Göttsche, Stefan Engel und Gernot Brähler. „Fact and Fiction in EU-Governmental Economic Data“. German Economic Review 12, Nr. 3 (01.08.2011): 243–55. http://dx.doi.org/10.1111/j.1468-0475.2011.00542.x.
Der volle Inhalt der QuelleLeenhardt, Jacques. „Existence et objet de la « sociologie de la littérature », aujourd’hui“. Sociologias 20, Nr. 48 (August 2018): 30–46. http://dx.doi.org/10.1590/15174522-020004802.
Der volle Inhalt der QuelleKUZ, Valentyna. „GENRE AND STYLISTIC PECULIARITIES OF YURII KLEN’S FLASH FICTION“. Current issues of linguistics and translations studies, Nr. 23 (30.03.2022): 19–23. http://dx.doi.org/10.31891/2415-7929-2022-23-4.
Der volle Inhalt der QuelleBrownlee, Shannon. „Imaginative Animated Non-Fiction: Educating Adults about Child Soldiers“. Animation 18, Nr. 3 (November 2023): 227–39. http://dx.doi.org/10.1177/17468477231206670.
Der volle Inhalt der QuelleSlote, Ben. „Narrative Jujitsu: Twain's “Studied Fictions” and Their Plot Against Audience“. Prospects 20 (Oktober 1995): 87–118. http://dx.doi.org/10.1017/s0361233300006025.
Der volle Inhalt der QuelleGleeson-White, Sarah. „Auditory Exposures: Faulkner, Eisenstein, and Film Sound“. PMLA/Publications of the Modern Language Association of America 128, Nr. 1 (Januar 2013): 87–100. http://dx.doi.org/10.1632/pmla.2013.128.1.87.
Der volle Inhalt der QuelleZhang, Rui. „On Auditory Narratology in The Ivory Acrobat“. Arts Studies and Criticism 3, Nr. 2 (27.06.2022): 115. http://dx.doi.org/10.32629/asc.v3i2.836.
Der volle Inhalt der QuelleTian, Hua. „The Technological Landscape and Artistic Illusion: A Case Study of Avatar“. Journal of Research in Social Science and Humanities 3, Nr. 4 (April 2024): 18–21. http://dx.doi.org/10.56397/jrssh.2024.04.04.
Der volle Inhalt der QuelleWaugh, Patricia. „Muriel Spark’s ‘informed air’: the auditory imagination and the voices of fiction“. Textual Practice 32, Nr. 9 (21.10.2018): 1633–58. http://dx.doi.org/10.1080/0950236x.2018.1533171.
Der volle Inhalt der QuelleDissertationen zum Thema "Auditors in fiction"
Bünger, Maja. „Janet Cardiff : Portholes into other Worlds“. Thesis, Södertörn University College, The School of Culture and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-2068.
Der volle Inhalt der QuelleThis essay is about the relationship between the spatial reality and the imaginary reality in the auditory artwork The Missing Voice (case study b) by Janet Cardiff. The analysis is based on a semiotic model that differentiate between two types of signifieds; a denotative signified and a connotative signified. Those terms, with focus on connotation, is used in relation to sound and linguistic signs in the auditory reality of the artwork.
The first chapter “Den okroppsliga rösten” discusses the relationship between the several voices of fiction and the spatial reality in The Missing Voice (case study b). There are four versions of the voice of cardiff and two other masculine voices that reach out, through the auditory reality, to the participant of the artwork. The participant throws therefore between the spatial reality and the reality of fiction.
The second chapter “Den akustiska upplevelsen” discusses what happens when the aucoustic reality is in and out of sync with the spatial reality in The Missing Voice (case study b). When the two soundscapes, the real and the auditory, synchronize it’s difficult for the participant to separate between reality and fiction. Those recorded sounds originate from the spatial reality and therefore connotes this reality. Sometimes Cardiff refers to sounds that are invisible in the spatial reality, the soundscapes are then not in sync with each other, but still the sounds are so close to the spatial reality that they feel real.
The last chapter “Det imaginära rummet” is about the meeting between the real spatiality and the imaginäry. On many occations in the artwork the voice of Cardiff transforms the real room to a room from the past. Then her words connotations reinforces the experience of the presence of the imaginäry room in the real room.
Sinatra, Anne M. „The Impact of Degraded Speech and Stimulus Familiarity in a Dichotic Listening Task“. Doctoral diss., University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5502.
Der volle Inhalt der QuelleID: 031001451; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Adviser: Valerie K. Sims.; Title from PDF title page (viewed July 2, 2013).; Thesis (Ph.D.)--University of Central Florida, 2012.; Includes bibliographical references (p. 168-173).
Ph.D.
Doctorate
Psychology
Sciences
Psychology; Human Factors Psychology
Bücher zum Thema "Auditors in fiction"
Kilby, Joan. Two against the odds. Toronto: Harlequin Books, 2011.
Den vollen Inhalt der Quelle findenKilby, Joan. Two against the odds. Toronto: Harlequin, 2011.
Den vollen Inhalt der Quelle findenFesperman, Dan. Layover in Dubai. New York: Alfred A. Knopf, 2010.
Den vollen Inhalt der Quelle findenDALTON, MARGOT. Cottonwood creek. Toronto: Harlequin Books, 1998.
Den vollen Inhalt der Quelle findenShwartz, Susan. Hostile takeover. New York: Tor, 2004.
Den vollen Inhalt der Quelle findenBrowne, Marshall. The eye of the abyss. New York: Thomas Dunne Books, 2003.
Den vollen Inhalt der Quelle findenGregg, Stacy. The auditions. London: HarperCollins Children's Books, 2010.
Den vollen Inhalt der Quelle findenLoebbecke, James K. The auditor: An instructional novella. Upper Saddle River, N.J: Prentice Hall, 1999.
Den vollen Inhalt der Quelle findenSims, Kassandra. Falling upwards. New York: Tom Doherty, 2007.
Den vollen Inhalt der Quelle findenPhillips, Joanne Fox. Revenge of the cube dweller. Austin, TX: River Grove Books, 2014.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Auditors in fiction"
Al-Adeem, Khalid. „Perspective Chapter: Governing Corporations in Appearance but Not in Fact – A Possible Unintended Consequence of the Corporate Governance Movement“. In Corporate Governance - Evolving Practices and Emerging Challenges [Working Title]. IntechOpen, 2024. http://dx.doi.org/10.5772/intechopen.1005075.
Der volle Inhalt der QuelleCubitt, Sean. „Temporalities of the Glitch: Déjà Vu“. In Indefinite Visions. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474407120.003.0018.
Der volle Inhalt der QuelleFrattarola, Angela. „Turning Words into Sounds“. In Modernist Soundscapes, 141–61. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9780813056074.003.0007.
Der volle Inhalt der QuelleBernini, Marco. „A Brain Listening to Itself“. In Beckett and the Cognitive Method, 45–84. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190664350.003.0002.
Der volle Inhalt der QuelleEpstein, Hugh. „Introduction“. In Hardy, Conrad and the Senses, 1–20. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474449861.003.0001.
Der volle Inhalt der QuelleFrattarola, Angela. „Inner Speech as a Gramophone Record“. In Modernist Soundscapes, 114–40. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9780813056074.003.0006.
Der volle Inhalt der QuelleWatson, Jay. „The Unsynchable William Faulkner“. In William Faulkner and the Faces of Modernity, 148–70. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198849742.003.0005.
Der volle Inhalt der QuelleK, Yuvaraj, und Ms K. Shanmugapriya. „THE EVOLUTIONARY TRAJECTORY OF INDIAN STORY TELLING“. In Research Trends in Language, Literature & Linguistics Volume 3 Book 3, 17–22. Iterative International Publishers, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3bilt3p3ch1.
Der volle Inhalt der QuelleMcDonagh, Josephine. „John Galt’s ‘Whole Art of Colonization’“. In Literature in a Time of Migration, 70–111. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192895752.003.0003.
Der volle Inhalt der QuelleAngus, Bill. „The Knight of the Burning Pestle and the Menace of the Audience“. In Intelligence and Metadrama in the Early Modern Theatre, 92–109. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474432917.003.0004.
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