Auswahl der wissenschaftlichen Literatur zum Thema „Attention poétique“
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Zeitschriftenartikel zum Thema "Attention poétique"
Guérin, Olivia. „Poétique du recueil dans la Vie immédiate de Paul Éluard“. Études littéraires 30, Nr. 2 (12.04.2005): 37–54. http://dx.doi.org/10.7202/501201ar.
Der volle Inhalt der QuelleDucroux, Amélie. „Écritures poétiques modernes et dépaysements dans la langue“. Textures, Nr. 24-25 (01.01.2018): 65–86. http://dx.doi.org/10.35562/textures.246.
Der volle Inhalt der QuelleLaranjeira, Mário. „Sens et signifiance dans la traduction poétique“. Meta 41, Nr. 2 (30.09.2002): 217–22. http://dx.doi.org/10.7202/003399ar.
Der volle Inhalt der QuelleGarziano, Svetlana. „Perception et expression du temps dans les écrits autobiographiques d'Osip Mandel'štam de Vladimir Nabokov“. Modernités Russes 10, Nr. 1 (2010): 147–66. http://dx.doi.org/10.3406/modru.2010.906.
Der volle Inhalt der QuelleCull, Laura. „There is transition“. Cahiers de danse N° 0, Nr. 1 (05.04.2023): 22–25. http://dx.doi.org/10.3917/cdd.001.0022.
Der volle Inhalt der QuelleSzilágyi, Ildikó. „Questions de forme et de genre en traduction poétique“. Translationes 5, Nr. 1 (01.01.2013): 62–74. http://dx.doi.org/10.2478/tran-2014-0090.
Der volle Inhalt der QuelleSzczur, Przemysław. „Du dédoublement auctorial au dédoublement lectoral. À propos de Poetyckie podwojenie. Marian Pankowski – polski poeta języka francuskiego / Dédoublement poétique. Marian Pankowski – poète polonais de langue française de Dorota Walczak-Delanois“. Romanica Cracoviensia 22, Nr. 1 (30.06.2022): 115–19. http://dx.doi.org/10.4467/20843917rc.22.010.15642.
Der volle Inhalt der QuelleNash, Suzanne. „La présence de Jean Tortel“. Études françaises 40, Nr. 3 (20.12.2004): 43–54. http://dx.doi.org/10.7202/009734ar.
Der volle Inhalt der QuelleArrivé, Michel. „Greimas et la linguistique, la poétique et la sémiotique au quotidien, d’après sa correspondance inédite avec Michel Arrivé“. Semiotica 2017, Nr. 214 (01.01.2017): 67–90. http://dx.doi.org/10.1515/sem-2016-0183.
Der volle Inhalt der QuelleVámos, Violetta. „Vörösmarty Mihály gimnáziumi latintankönyveinek azonosítása Ovidius-fordításai alapján“. Magyar Könyvszemle 136, Nr. 2 (30.12.2020): 125–37. http://dx.doi.org/10.17167/mksz.2020.2.125-137.
Der volle Inhalt der QuelleDissertationen zum Thema "Attention poétique"
Essoukan, epee Hermann. „La Vision poétique du 'Monde' dans les films-essais Méditerranée de Jean-Daniel Pollet, Sans soleil de Chris Marker et Asientos de François L. Woukoache“. Electronic Thesis or Diss., Université Grenoble Alpes, 2023. http://www.theses.fr/2023GRALL024.
Der volle Inhalt der QuelleThe present study does not only examine the idea of a cinema that thinks and participates in the poetic thought, as stated by Norman McLaren as: ‟the flowing movement of the film that echoes that of the thought”, but it also argues for the idea of a poetic cinema and a poetics of cinema focused on a new aesthetic of mediation and creation that explores the poetic universe. In addition to engaging in the definition of a cinema of poetry and a poetics of cinema, this study intends to offer a deeper insight into the understanding of certain aesthetic and artistic mechanisms that poetically affect the attention of percept’acteurs (poetic attention) when they are faced with filmic effects/texts and processes that no longer rely on immersion and determining factors such as observed in popular cinemas, entertainment, storytelling, and documentary films. The attention of the percept’acteurs is rather drawn to the visual/perceptual indeterminacy, of the ‟aesthetic walk”, to sound like Jean-Marie Schaeffer and on the ‟poetics of idleness”.The essay-films Méditerranée by Jean-Daniel Pollet, Sans soleil by Chris Marker and Asientos by François L. Woukoache, make the percept’acteurs – a neologism that we use instead of spectator, since these films no longer deal with spectacle – to navigate in a timeless sphere and export them beyond the time, in order to break the relationship they maintain with classic films and to encourage a new look towards the artwork. For these filmmakers of poetry and memory, it’s about an ambivalent way to uproot and bury the word in order to defy conventions and break habits through a poetic and ‟political” vision in the broaden sense (Political-historical) of the world, a new aesthetic, a diy and artistic poaching, leading to a kind of reinvention of the language.Keywords: Essay films, Modern cinematography, a poetic cinema, aesthetic attention, poetic attention, percept’acteurs, artistic creation
Reymond, Emmanuel. „Dispositifs poétiques : écosystèmes et agentivités dans la littérature contemporaine : (États Unis, France, Norvège)“. Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080138.
Der volle Inhalt der QuelleThis thesis takes as its starting point the notion of “poetic apparatus,” as developed by the poet and theoretician of poetry Christophe Hanna, in order to investigate how it can help us rethink the critical discourse about literature in a pragmatist perspective. In that respect, the original theorization is read inside a comparatist framework that allows defining some global reconfigurations of the thinking on the practical action of poetry. This extended critical frame shows the need for an ecosystem approach, in which poetry is not only thought of as a writing practice, but gets its medialities relocated within the collective environments and forms of life in which it makes sense and on which it can act. The study of a corpus of recent publications in three geographical areas (United States, France, Norway) between which theoretical links exist on these questions performs in that respect a set of critical gestures and framings, leading to a theorization of the agency of literature in terms of attention, locating it at the heart of the most contemporary political issues
Buchteile zum Thema "Attention poétique"
Hanna, Christophe. „Chapitre 15. Attention et valorisation : esquisse d'une poétique de la remarque“. In L'économie de l'attention, 239–51. La Découverte, 2014. http://dx.doi.org/10.3917/dec.citto.2014.01.0239.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Attention poétique"
Marcheix, Daniel. „Pierre Bergounioux et le paysage corrézien“. In Paysages & valeurs : de la représentation à la simulation. Limoges: Université de Limoges, 2008. http://dx.doi.org/10.25965/as.3451.
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