Dissertationen zum Thema „Asian Motion pictures“
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Tateishi, Ramie. „Film genre and the Asian subject /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9992385.
Der volle Inhalt der QuelleLiu, Zhan. „Communicating race and culture in media appropriating the Asian in American martial arts films /“. Pullman, Wash. : Washington State University, 2008. http://www.dissertations.wsu.edu/Thesis/Fall2008/l_zhan_091108.pdf.
Der volle Inhalt der QuelleTitle from PDF title page (viewed on Dec. 31, 2008). "Edward R. Murrow College of Communication." Includes bibliographical references (p. 72-85).
Bae, Juyeon. „The representation of Asian others in Korean cinema since 2003 : multiculturalism, nationalism and sub-imperialism“. Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33610/.
Der volle Inhalt der QuelleKumar, Priya Haryant. „Ruptured nations, collective memory & religious violence : mapping a secularist ethics in post-partition South Asian literature and film“. Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37904.
Der volle Inhalt der QuelleKhor, Denise. „Asian Americans at the movies race, labor, and migration in the Transpacific West, 1900-1945 /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3291752.
Der volle Inhalt der QuelleTitle from first page of PDF file (viewed March 17, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 297-213).
Huang, Tsung-yi Michelle. „Amidst slums and skyscrapers the politics of walking and the ideology of open space in East Asian global cities /“. online access from Digital dissertation consortium, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3051067.
Der volle Inhalt der QuelleHurlstone, Lise Danielle. „Performing Marginal Identities: Understanding the Cultural Significance of Tawa'if and Rudali Through the Language of the Body in South Asian Cinema“. PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/154.
Der volle Inhalt der QuelleArora, Kulvinder. „Assimilation and its counter-narratives twentieth-century European and South Asian immigrant narratives to the United States /“. Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3200730.
Der volle Inhalt der QuelleTitle from first page of PDF file (viewed March 1, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 240-248).
Bao, Ying. „In Search Of Laughter In Maoist China: Chinese Comedy Film 1949-1966“. The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1218342529.
Der volle Inhalt der QuelleTerry, Patrick Alan 1984. „Space In-Between: Masumura Yasuzo, Japanese New Wave, and Mass Culture Cinema“. Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11477.
Der volle Inhalt der QuelleDuring the early stage of Japan's High Economic Growth Period (1955-1970), a group of directors and films, labeled the Japanese New Wave, emerged to strong critical acclaim and scholarly pursuit. Over time, Japanese New Wave Cinema has come to occupy a central position within the narrative history of Japanese film studies. This position has helped introduce many significant films while inadvertently ostracizing or ignoring the much broader landscape of film at this time. This thesis seeks to complexify the New Wave's central position through the career of Daiei Studios' director, Masumura Yasuzo. Masumura signifies a "space in-between" the cultural elite represented by the New Wave and the box office focus of mass culture cinema. Utilizing available English language and rare Japanese sources, this thesis will re-examine Masumura's position on the periphery of film studies while highlighting the larger film environment of this dynamic period.
Committee in charge: Prof. Steven Brown, Chair; Dr. Daisuke Miyao, Advisor
Murphree, Hyon Joo Yoo. „Toward an "accented" critique of culture theorizing postcolonial East Asia /“. Related electronic resource:, 2007. http://proquest.umi.com/pqdweb?did=1342729001&sid=1&Fmt=2&clientId=3739&RQT=309&VName=PQD.
Der volle Inhalt der QuelleAponte, Elena M. „Either 'Shining White or Blackest Black': Grey Morality of the Colonized Subject in Postwar Japanese Cinema and Contemporary Manga“. Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1491495352122861.
Der volle Inhalt der QuelleLi, Chun-hoi Benjamin. „Madame butterfly and orientalism“. Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B22535305.
Der volle Inhalt der QuelleChang, Ellen Y. „Cinematic Remapping of the Taiwanese Sense of Self: On the Transitions in Treatments of History and Memory from "The Taiwanese Experience" to "The Taipei Experience"“. Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1345130562.
Der volle Inhalt der Quellede, Feo-Giet Danielle Karanjeet J. „Fantasies of authenticity, anxieties of culture : global capital, entertainment and cultural nationalism in the contemporary popular cinemas of India and China since 1990“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:39cbae3c-354c-4ebc-be09-386af42f78d0.
Der volle Inhalt der QuelleYuan, Yilei. „Subtitling Chinese cinema : a case study of Zhang Yimou's films“. Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7724/.
Der volle Inhalt der QuelleBrown, James, und katsuben@internode on net. „South Korean Film Since 1986: The Domestic and Regional Formulation of East Asias Most Recent Commercial Entertainment Cinema“. Flinders University. School of Humanities (Screen Studies), 2006. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20071122.143238.
Der volle Inhalt der QuelleLim, Kevin. „Asian North American film : images, reactions and criticisms /“. 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR38801.
Der volle Inhalt der QuelleTypescript. Includes bibliographical references (leaves 86-91). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR38801
Park, Chi Hyun. „Orientalism in U.S. cyberpunk cinema from Blade runner to the Matrix“. Thesis, 2004. http://hdl.handle.net/2152/2159.
Der volle Inhalt der QuellePark, Chi Hyun Watkins S. Craig Downing John. „Orientalism in U.S. cyberpunk cinema from Blade runner to the Matrix“. 2004. http://repositories.lib.utexas.edu/bitstream/handle/2152/2159/parkch042.pdf.
Der volle Inhalt der QuelleDong, Lan. „Cross -cultural palimpsest of Mulan: Iconography of the woman warrior from premodern China to Asian America“. 2006. https://scholarworks.umass.edu/dissertations/AAI3242314.
Der volle Inhalt der QuelleKoh, Alvin Kok-yong. „Asian scopic modernities: alternative visibilities of transnational Chinese masculinity in global cinema“. 2006. http://repository.unimelb.edu.au/10187/2360.
Der volle Inhalt der QuelleWestfall, Mandy R. K. „An elegy to Charlie Chan : Chang Apana, Earl Derr Biggers and Asian America“. Thesis, 2007. http://hdl.handle.net/10125/20390.
Der volle Inhalt der QuelleHua, Anh. „Memory and cultural trauma : women of color in literature and film /“. 2005. http://wwwlib.umi.com/cr/yorku/fullcit?pNR11579.
Der volle Inhalt der QuelleTypescript. Includes bibliographical references (leaves 192-201). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNR11579
Bhrugubanda, Uma Maheswari. „Genealogies of the Citizen-Devotee: Popular Cinema, Religion and Politics in South India“. Thesis, 2011. https://doi.org/10.7916/D8ZS33KN.
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