Auswahl der wissenschaftlichen Literatur zum Thema „Asian Motion pictures“
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Zeitschriftenartikel zum Thema "Asian Motion pictures"
Vukoder, Bret. „Screening sovereignty: Cold War mediations of nationhood in USIA motion picture operations in the SWANA region“. Journal of Contemporary Iraq & the Arab World 18, Nr. 1 (01.03.2024): 23–45. http://dx.doi.org/10.1386/jciaw_00118_1.
Der volle Inhalt der QuellePaksiutov, Georgii D. „Transformation of the Global Film Industry: Prospects for Asian Countries“. Russia in Global Affairs 19, Nr. 2 (2021): 111–32. http://dx.doi.org/10.31278/1810-6374-2021-19-2-111-132.
Der volle Inhalt der QuelleJuknevičiūtė, Laima. „The soft power implications of the new South Korean cinema: Approaching audiences in East Asia and Lithuania“. Acta Orientalia Vilnensia 12, Nr. 1 (01.01.2011): 121–37. http://dx.doi.org/10.15388/aov.2011.0.1100.
Der volle Inhalt der QuelleImai, Yuji, Biao Zhou, Yoshiharu Ito, Hiroki Fijimori, Akiko Kobayashi, Zhe-Ming Wang und Hayao Kobayashi. „Cover Picture: Freezing of Ring-Puckering Molecular Motion and Giant Dielectric Anomalies in Metal-Organic Perovskites (Chem. Asian J. 12/2012)“. Chemistry - An Asian Journal 7, Nr. 12 (26.11.2012): 2733. http://dx.doi.org/10.1002/asia.201290047.
Der volle Inhalt der QuelleAbdul Rani, Mohd Khairul Azahari, und Sharulnizam Ramli. „Development of Tawaf Simulation in Hajj Training in the New Norms“. Environment-Behaviour Proceedings Journal 7, SI7 (31.08.2022): 571–78. http://dx.doi.org/10.21834/ebpj.v7isi7.3831.
Der volle Inhalt der QuelleYetimova, Serhat, und Abdrasul İsakov. „An Analysis of the Kurmanjan Datka Movie in the Context of Historical and Ideological Film Criticism“. Galactica Media: Journal of Media Studies 6, Nr. 2 (20.05.2024): 96–120. http://dx.doi.org/10.46539/gmd.v6i2.434.
Der volle Inhalt der QuelleWall, Barbara, und Dong Myong Lee. „Stability in Variation: Visualizing the Actantial Core of The Journey to the West “,. Korean Studies 47, Nr. 1 (2023): 117–44. http://dx.doi.org/10.1353/ks.2023.a908620.
Der volle Inhalt der QuellePratley, Gerald. „The Irresistible Rise of Asian Cinema 1“. Kinema: A Journal for Film and Audiovisual Media, 10.04.1994. http://dx.doi.org/10.15353/kinema.vi.754.
Der volle Inhalt der QuelleTeh, Limin, und Hai Leong Toh. „Hong Kong 1995“. Kinema: A Journal for Film and Audiovisual Media, 20.11.1995. http://dx.doi.org/10.15353/kinema.vi.772.
Der volle Inhalt der QuelleVoicu, Alina-Alexandra, Michael Krützen und Tugce Bilgin Sonay. „Short Tandem Repeats as a High-Resolution Marker for Capturing Recent Orangutan Population Evolution“. Frontiers in Bioinformatics 1 (16.08.2021). http://dx.doi.org/10.3389/fbinf.2021.695784.
Der volle Inhalt der QuelleDissertationen zum Thema "Asian Motion pictures"
Tateishi, Ramie. „Film genre and the Asian subject /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9992385.
Der volle Inhalt der QuelleLiu, Zhan. „Communicating race and culture in media appropriating the Asian in American martial arts films /“. Pullman, Wash. : Washington State University, 2008. http://www.dissertations.wsu.edu/Thesis/Fall2008/l_zhan_091108.pdf.
Der volle Inhalt der QuelleTitle from PDF title page (viewed on Dec. 31, 2008). "Edward R. Murrow College of Communication." Includes bibliographical references (p. 72-85).
Bae, Juyeon. „The representation of Asian others in Korean cinema since 2003 : multiculturalism, nationalism and sub-imperialism“. Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33610/.
Der volle Inhalt der QuelleKumar, Priya Haryant. „Ruptured nations, collective memory & religious violence : mapping a secularist ethics in post-partition South Asian literature and film“. Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37904.
Der volle Inhalt der QuelleKhor, Denise. „Asian Americans at the movies race, labor, and migration in the Transpacific West, 1900-1945 /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3291752.
Der volle Inhalt der QuelleTitle from first page of PDF file (viewed March 17, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 297-213).
Huang, Tsung-yi Michelle. „Amidst slums and skyscrapers the politics of walking and the ideology of open space in East Asian global cities /“. online access from Digital dissertation consortium, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3051067.
Der volle Inhalt der QuelleHurlstone, Lise Danielle. „Performing Marginal Identities: Understanding the Cultural Significance of Tawa'if and Rudali Through the Language of the Body in South Asian Cinema“. PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/154.
Der volle Inhalt der QuelleArora, Kulvinder. „Assimilation and its counter-narratives twentieth-century European and South Asian immigrant narratives to the United States /“. Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3200730.
Der volle Inhalt der QuelleTitle from first page of PDF file (viewed March 1, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 240-248).
Bao, Ying. „In Search Of Laughter In Maoist China: Chinese Comedy Film 1949-1966“. The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1218342529.
Der volle Inhalt der QuelleTerry, Patrick Alan 1984. „Space In-Between: Masumura Yasuzo, Japanese New Wave, and Mass Culture Cinema“. Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11477.
Der volle Inhalt der QuelleDuring the early stage of Japan's High Economic Growth Period (1955-1970), a group of directors and films, labeled the Japanese New Wave, emerged to strong critical acclaim and scholarly pursuit. Over time, Japanese New Wave Cinema has come to occupy a central position within the narrative history of Japanese film studies. This position has helped introduce many significant films while inadvertently ostracizing or ignoring the much broader landscape of film at this time. This thesis seeks to complexify the New Wave's central position through the career of Daiei Studios' director, Masumura Yasuzo. Masumura signifies a "space in-between" the cultural elite represented by the New Wave and the box office focus of mass culture cinema. Utilizing available English language and rare Japanese sources, this thesis will re-examine Masumura's position on the periphery of film studies while highlighting the larger film environment of this dynamic period.
Committee in charge: Prof. Steven Brown, Chair; Dr. Daisuke Miyao, Advisor
Bücher zum Thema "Asian Motion pictures"
Willis, Andrew, und Wing-Fai Leung. East Asian film stars. Houndmills, Basingstoke, Hampshire: Palgrave MacMillan, 2014.
Den vollen Inhalt der Quelle findenLent, John A. The Asian film industry. Austin: University of Texas Press, 1990.
Den vollen Inhalt der Quelle findenLent, John A. The Asian film industry. London: Christopher Helm, 1990.
Den vollen Inhalt der Quelle findenWeisser, Thomas. Asian cult cinema. New York: Boulevard Books, 1997.
Den vollen Inhalt der Quelle findenServer, Lee. Asian pop cinema: Bombay to Tokyo. San Francisco, Calif: Chronicle Books, 1999.
Den vollen Inhalt der Quelle findenWimal, Dissanayake, Hrsg. Melodrama and Asian cinema. Cambridge: Cambridge University Press, 1993.
Den vollen Inhalt der Quelle findenWimal, Dissanayake, Hrsg. Melodrama and Asian cinema. Cambridge: Cambridge University Press, 2005.
Den vollen Inhalt der Quelle findenKyung, Chang Elaine, Hrsg. Reel Asian: Asian Canada on screen. Toronto: Coach House Books, 2007.
Den vollen Inhalt der Quelle findenVick, Tom. Asian cinema: A field guide. New York: Collins, 2007.
Den vollen Inhalt der Quelle findenGrossman, Andrew. Queer Asian cinema: Shadows in the shade. New York: Harrington Park Press, 2000.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Asian Motion pictures"
Lee, Sangjoon. „Introduction“. In Cinema and the Cultural Cold War, 1–14. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.003.0001.
Der volle Inhalt der QuelleLee, Sangjoon. „The Asia Foundation’s Motion Picture Project“. In Cinema and the Cultural Cold War, 17–46. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.003.0002.
Der volle Inhalt der QuelleLee, Sangjoon. „The FPA, US Propaganda, and Postwar Japanese Cinema“. In Cinema and the Cultural Cold War, 47–67. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.003.0003.
Der volle Inhalt der QuelleLee, Sangjoon. „The Rise and Demise of a Developmental State Studio“. In Cinema and the Cultural Cold War, 137–70. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.003.0007.
Der volle Inhalt der Quelle„1. The Asia Foundation’s Motion Picture Project“. In Cinema and the Cultural Cold War, 17–46. Cornell University Press, 2020. http://dx.doi.org/10.1515/9781501752322-004.
Der volle Inhalt der QuelleTekin, Hasan. „How Do Financial Constraints and Financial Crises Matter in Cash Management?“ In Handbook of Research on Current Trends in Asian Economics, Business, and Administration, 228–48. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-7998-8486-6.ch012.
Der volle Inhalt der Quelle„Viral Visions: The Pandemic Archive in Miasma, Plants, Export Paintings (2017) and Many Undulating Things (2019)“. In Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463728355_ch09.
Der volle Inhalt der QuelleFreiberg, Freda. „China Nights (Japan, 1940): The Sustaining Romance of Japan at War“. In World War II, Film, and History, 31–46. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195099669.003.0003.
Der volle Inhalt der QuelleHee, Wai-Siam. „New Friend“. In Remapping the Sinophone, 30–57. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888528035.003.0002.
Der volle Inhalt der QuelleIslam, S. Nazrul. „Commercial approach to rivers“. In Rivers and Sustainable Development, 21–59. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190079024.003.0002.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Asian Motion pictures"
MAEDA, Toshiyuki, Masumi YAJIMA und Akiyoshi WAKATANI. „Frequency-based Skill Analysis for Motion Pictures“. In 2018 12th France-Japan and 10th Europe-Asia Congress on Mechatronics. IEEE, 2018. http://dx.doi.org/10.1109/mecatronics.2018.8495892.
Der volle Inhalt der QuelleLiu, Fang, Xi Guang Liang, Yue Jin Zhao, Li Chang Wang und Fei Yu. „Improved measurement methods for motion picture resolution of LCD“. In Photonics Asia 2007, herausgegeben von Anbo Wang, Yimo Zhang und Yukihiro Ishii. SPIE, 2007. http://dx.doi.org/10.1117/12.756045.
Der volle Inhalt der QuelleHirokazu Takahashi, Takahiro Murooka und Kan Toyoshima. „A secure stream multicasting architecture for 4K motion picture“. In 2007 Asia-Pacific Conference on Communications. IEEE, 2007. http://dx.doi.org/10.1109/apcc.2007.4433539.
Der volle Inhalt der QuelleKakue, Takashi, Takashi Nishitsuji, Tetsuya Kawashima, Tomoyoshi Shimobaba und Tomoyoshi Ito. „Real-time electro-holography with parabolic mirrors for projecting floating 3D motion pictures“. In SA'15: SIGGRAPH Asia 2015. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2820926.2820968.
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