Bücher zum Thema „Arts and society – Northern Ireland – Belfast“

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1

Keyes, John. Going dark: Two Ulster theatres. Belfast: Lagan Press, 2001.

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2

1972-, Allen Nicholas, und Kelly Aaron, Hrsg. The cities of Belfast. Dublin, Ireland: Four Courts Press, 2003.

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3

Linen Hall Library (Belfast, Northern Ireland). A catalogue of the books, belonging to the Belfast Society for Promoting Knowledge. Belfast]: Linen Hall Library, 2004.

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4

Great Britain. Northern Ireland Audit Office. Imagine Belfast 2008: Report by the Comptroller and Auditor General. London: Stationery Office, 2004.

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5

Mare, Ann Le, und Felicity McCartney. Coming from the silence: Quaker peacebuilding initiatives in Northern Ireland 1969-2007. Belfast: Quaker Service, 2011.

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6

Mare, Ann Le, und Felicity McCartney. Coming from the silence: Quaker peacebuilding initiatives in Northern Ireland 1969-2007. Belfast: Quaker Service, 2011.

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7

(Belfast), St Anne's Cathedral, Hrsg. Belfast Cathedral: Multiple Sclerosis Society Northern Ireland Branch 30th anniversary, 1956-1986 : A service will be held in St. Anne's Cathedral, Belfast on Sunday, 18th May, 1986 at 3.30p.m.. [Belfast]: [s.n.], 1986.

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8

Fisheries Society of the British Isles. Symposium. Biochemical genetics and taxonomy of fish: The Fisheries Society ofthe British Isles Symposium, held at the Queen's University of Belfast, Northern Ireland 22-26 July 1991. London: Academic Press, 1991.

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9

Gerry, Mulhern, Joseph Stephen und British Psychological Society. Northern Ireland Branch., Hrsg. Psychosocial perspectives on stress and trauma: From disaster to political violence : an occasional paper for the Northern Ireland Branch of the British Psychological Society based on a one-day conference held at Queen's University Belfast. Leicester: British Psychological Society, 1996.

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10

John, Kremer, Crawford Wendy und British Psychological Society. Northern Ireland Branch., Hrsg. The psychology of sport: Theory and practice : an occasional paper for the Northern Ireland Branch of the British Psychological Society based on a one day conference held at the Physical Education Centre, Queen's University of Belfast, March 1989. Leicester: British Psychological Society, 1989.

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11

Re-Imagining Belfast: A Manifesto for the Arts. n/a, 2003.

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12

Keyes, John. Going Dark: Two Ulster Theatres. Lagan Press, 2002.

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13

McCartney, Christopher R. Belfast Travel Guide 2020: Shops, Arts, Entertainment and Places to Drink and Eat Good Food in Belfast, Northern Ireland. Independently Published, 2019.

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14

Wright, Jonathan Jeffrey. 'Natural Leaders' and Their World: Politics, Culture and Society in Belfast, C. 1801-1832. Liverpool University Press, 2017.

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15

Wright, Jonathan Jeffrey. 'Natural Leaders' and Their World: Politics, Culture and Society in Belfast, C. 1801-1832. Liverpool University Press, 2013.

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16

'Natural Leaders' and Their World: Politics, Culture and Society in Belfast, C. 1801-1832. Liverpool University Press, 2013.

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17

Scanlan, Margaret. Culture and Customs of Ireland. Greenwood, 2006. http://dx.doi.org/10.5040/9798400635458.

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Annotation:
Ireland and the Irish are beloved today in the United States, not the least because of the large Irish-American population. The Irish have contributed a great deal to the Western literary canon and to the arts, and their way of life on the Emerald Isle is fabled.Culture and Customs of Irelandisthesource for those interested in learning about the real Ireland and how its culture and customs came to be. Scanlan has her finger on the pulse of the country as it booms into the twenty-first century. This insightful survey of the contemporary scene is a one-stop resource for country study reports, general reading, and travel preparation. Scanlan excels at portraying the vibrancy of Ireland, which has undergone a remarkable transformation since the 1980s and is now the second-wealthiest country in the European Union. At the same time, embattled Northern Ireland has taken key steps toward security and peace. This book surveys the cultural and political heritage of the Irish people, North and South. It highlights the remarkable accomplishments of Ireland's artists, writers, musicians and performers. It investigates the role of religion in Irish life, and the ways in which prosperity, feminism, and scandals within the churches have weakened that role. It looks at the impact of immigrants and refugees on contemporary society, at the increasing visibility of women on both sides of the border, and at the growing acceptance of gays. It also looks at daily life in Ireland—people going to work, shopping, finding someone to care for their children and the like. Most particularly, it shows the challenges of maintaining Irish identity in the face of globalization.
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18

Merriman, Victor. ‘As We Must’. Herausgegeben von Nicholas Grene und Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.25.

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Annotation:
By the 1970s, arts funding for theatre in Ireland had become concentrated in three organizations: the Abbey and the Gate in the Republic, the Lyric Theatre in Northern Ireland. Changes in arts policy, North and South, beginning in the late 1970s, radically transformed the Irish theatre landscape over the following decades. Many of the most exciting and challenging developments in Irish theatre in the 1980s and 1990s thus came from the margins, whether on the social margins of society (such as work done at the the Axis Theatre in Ballymun) or from the geographical periphery of what had been a theatre culture centred in Dublin, in the work of companies such as Red Kettle in Waterford and in the construction of performance spaces around the island. This chapter provides an overview of this transformation of the Irish theatre world, focusing on the policy decisions that lay behind it.
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