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Zeitschriftenartikel zum Thema "Arts and society – Northern Ireland – Belfast"
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FitzGerald, Lisa, Eva Urban, Rosemary Jenkinson, David Grant und Tom Maguire. „Human Rights and Theatre Practice in Northern Ireland: A Round-Table Discussion“. New Theatre Quarterly 36, Nr. 4 (November 2020): 279–91. http://dx.doi.org/10.1017/s0266464x20000664.
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This round-table discussion, edited by Eva Urban and Lisa FitzGerald, took place on 5 July 2019 as part of the conference ‘New Romantics: Performing Ireland and Cosmopolitanism on the Anniversary of Human Rights’ organized by the editors at the Brian Friel Theatre, Queen’s University Belfast. Lisa FitzGerald is a theatre historian and ecocritic who completed postdoctoral fellowships at the Centre de Recherche Bretonne et Celtique (CRBC), Université Rennes 2 and the Rachel Carson Centre for Environment and Society, Ludwig Maximilian University of Munich. She is the author of Re-Place: Irish Theatre Environments (Peter Lang, 2017) and Digital Vision and the Ecological Aesthetic (forthcoming, Bloomsbury, 2020). Eva Urban is a Senior Research Fellow at the Senator George J. Mitchell Institute for Global Peace, Security, and Justice, Queen’s University Belfast, and an Associate Fellow of the Institute of Irish Studies, QUB. She is the author of Community Politics and the Peace Process in Contemporary Northern Irish Drama (Peter Lang, 2011) and La Philosophie des Lumières dans le Théâtre Breton: Tradition et Influences (Université de Rennes, 2019). Rosemary Jenkinson is a Belfast playwright and writer of five short story collections. Her plays include The Bonefire (Rough Magic), Planet Belfast (Tinderbox), White Star of the North, Here Comes the Night (Lyric), Lives in Translation (Kabosh Theatre Company), and Michelle and Arlene (Accidental Theatre). Her writing for radio includes Castlereagh to Kandahar (BBC Radio 3) and The Blackthorn Tree (BBC Radio 4). She has received a Major Individual Artist Award from the Arts Council of Northern Ireland to write a memoir. Tom Maguire is Head of the School of Arts and Humanities at Ulster University and has published widely on Irish and Scottish theatre and in the areas of Theatre for Young Audiences and Storytelling Performance. His heritage research projects include the collection Heritage after Conflict: Northern Ireland (Routledge, 2018, co-edited with Elizabeth Crooke). David Grant is a former Programme Director of the Dublin Theatre Festival and was Artistic Director of the Lyric Theatre in Belfast. He has worked extensively as a theatre director throughout Ireland and is co-investigator of an AHRC-funded research project into Arts for Reconciliation. He lectures in drama at Queen’s University Belfast.
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HILL, SHONAGH. „‘Circles of Women’: Feminist Movements in the Choreography of Oona Doherty“. Theatre Research International 48, Nr. 3 (Oktober 2023): 229–45. http://dx.doi.org/10.1017/s0307883323000159.
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The focus of this article is the range of feminisms which circulate through Belfast-based Oona Doherty's choreographies for groups of women, namely the second episode of Hard to Be Soft: A Belfast Prayer (2017), which is titled ‘Sugar Army', and Lady Magma: The Birth of a Cult (2019). This analysis is motivated by the need to expand discussion of feminisms in tandem with examination of more complex identities in Northern Ireland: to look beyond a Nationalist–Unionist binary within post-conflict society and examine the intersections of gender, class and race. Tracking the movement of feminisms through Doherty's choreographies will explore how they mobilize, and fail, these women, as well as revealing the potential for, and pitfalls of, community and solidarity. Doherty's work has the potential to mobilize a dynamic intergenerational and intersectional feminism which recognizes the experiences of ‘differently positioned women’.
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MCCLELLAND, ANDREW G. „A ‘ghastly interregnum’: the struggle for architectural heritage conservation in Belfast before 1972“. Urban History 45, Nr. 1 (31.01.2017): 150–72. http://dx.doi.org/10.1017/s0963926816000870.
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ABSTRACTThis article explores the creation of the system for the conservation of architectural heritage in Northern Ireland, evidencing the struggle for convergence within the UK before 1972. The agency of networked individuals, close state–civil society interrelationships and the innovative actions of conservationist groups in response to legislative and practice inadequacies in the 1960s are discussed. In particular, a series of ‘pre-statutory lists’ are introduced, highlighting the burgeoning interest in industrial archaeology and Victorian architecture in Belfast and the prompt provided to their creation by redevelopment. The efforts of conservationists were eventually successful after the collapse of Devolution in the early 1970s.
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Brunsdon, Charlotte. „The New Northern Ireland as a Crime Scene“. Journal of British Cinema and Television 20, Nr. 3 (Juli 2023): 305–28. http://dx.doi.org/10.3366/jbctv.2023.0678.
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This article explores the increased attractiveness of a ‘post-conflict’ Belfast as a television setting for British television police series. The Fall (2013, 2016), Bloodlands (2021) and Marcella (2021) are all set in Belfast, while most of the hit series Line of Duty (2012–) has been filmed in Northern Ireland. How do these new Belfast-set crime dramas negotiate the tropes and iconography of twentieth-century Troubles Belfast, while also participating in the transformation of the city associated with the arrival of transnational audiovisual industries? While recognising that much recent scholarship focuses on the creation of the Titanic Quarter through the redevelopment of the Harland & Wolff shipyard and the production of the HBO-Warner series, Game of Thrones, this article pursues the recent appearances of contemporary Belfast on screen in Bloodlands, Marcella (2021) and Line of Duty. Building on scholarship, such as the work of John Hill, Martin McLoone and Ruth Barton which has established the contours of the Troubles film, the history of Belfast on film and genre in the Northern Ireland context, the existence of an identifiable chronotope ‘Troubles Belfast’ is proposed. Is Belfast recognisable as a specific place outside a Troubles chronotope? What are the stories that can be told of Northern Ireland outside a Troubles chronotope? In particular, which is pertinent to an industry desperate to maintain its attractiveness to transnational productions, the tension between the identification of Belfast as a specific place and the generation of new and different stories is explored in the case studies. To what extent is the televisual use of the new screen Belfast caught in the paradox that it is the old Belfast which makes it an attractive setting for crime drama?
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Kitchin, Rob, und Karen Lysaght. „Sexual citizenship in Belfast, Northern Ireland“. Gender, Place & Culture 11, Nr. 1 (März 2004): 83–103. http://dx.doi.org/10.1080/0966369042000188567.
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Brcathnach, Proinnsias, James G. Cruickshank, M. B. Quigley, Anngret Simms, Stu Daultrey, K. M. Barbour, James E. Killen et al. „Reviews of Books and Maps“. Irish Geography 14, Nr. 1 (22.12.2016): 126–41. http://dx.doi.org/10.55650/igj.1981.788.
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IRELAND IN THE YEAR 2000. Dublin: An Foras Forbanha, 1980. 82 pp. IR£2.50.THE PEATLANDS OF IRELAND: TO ACCOMPANY NEW PEATLAND MAP OF IRELAND, by R. F. Hammond. Dublin: An Foras Taluntais, Soil Survey Bulletin No. 35. 1979. 58 pp. IR£2.50.PROVISIONAL DISTRIBUTION ATLAS OF AMPHIBIANS, REPTILES AND MAMMALS IN IRELAND, edited by Eanna Ni Lamhna. Dublin: An Foras Forbartha, second edition, 1979. 76 pp. IRfl.OO.IRISH NATURE, by Norman Hickin. Dublin: O'Brien Press, 1980. 240 pp. IR£11.50.HORSE BREEDING IN IRELAND, by Colin Lewis. London: J. A. Allen & Co. Ltd., 1980. 232 pp. £12.50 stg.TRANSPORT POLICY, by C. D. Foster, T.J. Powell and D.J, Parish. National Economic and Social Council Report Number 48. Dublin: Stationery Office, 1979. 161 pp. IR£1.80.LE ROYAUME-UNI ET LA RÉPUBLIQUE D'IRLANDE, by Annie Reffay. Paris: Masson. 1979. 264 pp. No price stated.IRELAND FROM MAPS. Dublin: National Library of Ireland. Facsimile Documents (sixteen maps and a 20 pp. booklet). 1980. IR£2.00.MEDIEVAL IRISH SETTLEMENT: A REVIEW, by B. J . Graham. Norwich: Ceo Books. Historical Geography Research Series No 3, 1980. 53 pp. £1.00 stg.IRISH MIDLAND STUDIES: ESSAYS IN COMMEMORATION OF N.W. ENGLISH, edited by Harman Murtagh. Athlone: The Old Alhlone Society, 1980. 255 pp. IR£9.00.FASSADININ: LAND, SETTLEMENT AND SOCIETY IN SOUTH EAST IRELAND 1600–1850, by William Nolan, Dublin: Geography Publications, 1979. 259 pp. IR£9.00.THE SOUTH WEXFORD LANDSCAPE, by Edward Culleton. Published by the author 1980. 56 pp. IR£1.10.SPATIAL VARIATIONS IN INTRA-ORGANISATIONAL RETAIL PRICES, by A. J. Parker. Dublin: Department of Geography, University College, 1980. 77 pp. IR£2.50.DIGGING UP DUBLIN, edited by Nicholas C. Maxwell. Dublin: O'Brien Press, 1980. 64 pp. IR£2.75.A COMMUNITY UNDER SIEGE 1970–77, by R. Common. Belfast: Renewal Design and Print, no date. 66 pp. £1.25 stg.MONEYMORE AND DRAPERSTOWN: THE ARCHITECTURE AND PLANNING OF THE ESTATES OF THE DRAPERS' COMPANY IN ULSTER, by J. T. Curl Belfast: Ulster Architectural Heritage Society. 1979. 72 pp. £4.00 stg.A WALK THROUGH TULLAMORE, by M. Byrne. Tullamore: Esker Press, 1980. 65 pp. IR£1.00.KINSALE: ARCHITECTURAL HERITAGE, by W. Garner. Dublin: An Foras Forbartha. 1980. 90 pp. IR£1.90.IRISH JOURNAL OF ENVIRONMENTAL SCIENCE. Dublin: An Foras Forbartha. Vol. 1, No. 1. 1980. 84 pp. IR£2.00.MAP REVIEWSTHE ARAN ISLANDS, a map and guide, 2.2 inches to the mile. Drawn and published by T. D. Robinson, Kilronan, Aran. 1980. On paper, folded and covered, IR£1.20.GREATER BELFAST STREET MAP, 1:10,000. Belfast: Ordnance Survey of Northern Ireland. 1980. On paper, folded and covered, with index. £1.75 stg.1:50,000 MAP OF NORTHERN IRELAND. Sheets 4 (Coleraine), 8 (Ballymoney), 15 (Belfast). Belfast: Ordnance Survey of Northern Ireland, 1980. On paper, folded with plastic container. £1.20 stg each.
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Vieten, Ulrike M., und Fiona Murphy. „The Imagination of the Other in a (Post-)Sectarian Society: Asylum Seekers and Refugees in the Divided City of Belfast“. Social Inclusion 7, Nr. 2 (27.06.2019): 176–86. http://dx.doi.org/10.17645/si.v7i2.1980.
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This article explores the ways a salient sectarian community division in Northern Ireland frames the imagination of newcomers and the experiences of asylum seekers and refugees. We examine the dominant ethno-national Christian communities and how their actions define the social-spatial landscape and challenges of manoeuvring everyday life in Northern Ireland as an ‘Other’. We argue all newcomers are impacted to some degree by sectarianism in Northern Ireland, adding a further complexified layer to the everyday and institutional racism so prevalent in different parts of the UK and elsewhere. First, we discuss the triangle of nation, gender and ethnicity in the context of Northern Ireland. We do so in order to problematise that in a society where two adversarial communities exist the ‘Other’ is positioned differently to other more cohesive national societies. This complication impacts how the Other is imagined as the persistence of binary communities shapes the way local civil society engages vulnerable newcomers, e.g. in the instance of our research, asylum seekers and refugees. This is followed by an examination of the situation of asylum seekers and refugees in Northern Ireland. We do so by contextualising the historical situation of newcomers and the socio-spatial landscape of the city of Belfast. In tandem with this, we discuss the role of NGO’s and civil support organisations in Belfast and contrast these views with the experiences of asylum seekers and refugees. This article is based on original empirical material from a study conducted in 2016 on the experiences of asylum seekers and refugees with living in Northern Ireland.
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Hughes, T. J., R. H. Buchanan, K. A. Mawhinney, J. P. Haughton, F. W. Boal, Robert D. Osborne, Anngret Simms et al. „Reviews of Books and Maps“. Irish Geography 10, Nr. 1 (26.12.2016): 116–30. http://dx.doi.org/10.55650/igj.1977.861.
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REVIEWS OF BOOKSIRELAND IN PREHISTORY, by Michael Herity and George Eogan. London: Routledge and Kegan Paul, 1977. 302 pp. £8.95. Reviewed by: T. J. HughesTHE LIVING LANDSCAPE: KILGALLIGAN, ERRIS, CO. MAYO, by S. Ó Catháin and Patrick O'Flanagan. Dublin: Comhairle Bhéaloideas Éireann, 1975. 312 pp. Reviewed by: R. H. BuchananTHE IRISH TOWN: AN APPROACH TO SURVIVAL, by Patrick Shaffrey. Dublin: The O'Brien Press, 1975. 192 pp. £5.00. Reviewed by: K. A. MawhinneyLOST DEMESNES: IRISH LANDSCAPE GARDENING 1660–1845, by Edward Malins and the Knight of Glin. London: Barrie and Jenkins, 1976. 208 pp. ,£15.00. Reviewed by: K. A. MawhinneyNORTH BULL ISLAND, DUBLIN BAY — A MODERN COASTAL NATURAL HISTORY, edited by D. W. Jeffrey and others. Dublin: Royal Dublin Society, 1977. 158 pp. Hardback .£6.50, paperback £3.60. Reviewed by: J. P. HaughtonCONFLICT IN NORTHERN IRELAND: THE DEVELOPMENT OF A POLARISED COMMUNITY, by John Darby. Dublin: Gill and Macmillan, 1976. 268 pp. £7.95. Reviewed by: F. W. BoalBELFAST: AREAS OF SPECIAL SOCIAL NEED. REPORT BY PROJECT TEAM. Belfast: Her Majesty's Stationery Office, 1976. 85 pp. £3.25. Reviewed by: Robert D. OsborncDUBLIN: A CITY IN CRISIS, edited by P. M. Delany. Dublin: Royal Institute of the Architects of Ireland, 1975. 108 pp. £3.25. Reviewed by: Anngret SimmsIRELAND'S VERNACULAR ARCHITECTURE, by Kevin Danaher. Cork: Mercier Press for the Cultural Relations Committee of Ireland, 1975. 82 pp., 68 plates. £1.50. Reviewed by: F. H. A. Aalen18TH CENTURY ULSTER EMIGRATION TO NORTH AMERICA, Public Record Office of Northern Ireland Education Facsimiles 121–140. Belfast: H.M.S.O., 1972. £0.45.; PLANTATIONS IN ULSTER, c. 1600–41, by R. J. Hunter. Public Record Office of Northern Ireland Education Facsimilies 161–180. Belfast: H.M.S.O., 1975. £1.00.; RURAL HOUSING IN ULSTER IN THE MID-NINETEENTH CENTURY, prepared by Alan Gailey, Victor Kelly and James Paul with an introduction by E. Estyn Evans, for the Teachers' Centre of the Queen's University, Belfast in association with the Ulster Folk Museum and the Public Record Office Northern Ireland. Belfast: H.M.S.O., 1974. £0.70.; LETTERS OF A GREAT IRISH LANDLORD: A SELECTION FROM THE ESTATE CORRESPONDENCE OF THE THIRD MARQUESS OF DOWNSHIRE, 1809–45, edited with an introduction by W. A. Maguire, for the Public Record Office of Northern Ireland. Belfast: H.M.S.O., 1974. 189 pp. £1–65.; ORDNANCE SURVEY MEMOIR FOR THE PARISH OF DONEGORE, Belfast: Department of Extra-Mural Studies, Queen's University, and the Public Record Office of Northern Ireland, 1974. v + 64 pp. 1 map and 31 plates. £0.75. Reviewed by: A. A. HornerTHE LANDED GENTRY. Facsimile documents with commentaries. Dublin: The National Library of Ireland, 1977. 20 sheets and introduction. £1.00. Reviewed by: J. A. K. GrahameSANITATION, CONSERVATION AND RECREATION SERVICES IN IRELAND, by Michael Flannery. Dublin: Institute of Public Administration, 1976. 178 pp. £5.75. Reviewed by: Michael J. BannonGEOGRAPHY, CULTURE AND HABITAT, SELECTED ESSAYS (1925–1975) OF E. G. BOWEN, selected and introduced by Harold Carter and Wayne K. D. Davies. Llandysul: Gomer Press, 1976. 275 pp. £6. Reviewed by: J. H. AndrewsDICTIONARY OF LAND SURVEYORS AND LOCAL CARTOGRAPHERS OF GREAT BRITAIN AND IRELAND 1550–1850 edited by Peter Eden. Folkestone: William Dawson & Sons. Part I, 1975; Parts II and III, 1976. 377 pp. £6.00 per part. Reviewed by: A. A. HornerFIELDS, FARMS AND SETTLEMENT IN EUROPE, edited by R. H. Buchanan, R. A. Butlin and D. McCourt. Belfast: Ulster Folk and Transport Museum, 1976. 161 pp. £5. Reviewed by: J. H. AndrewsREVIEWS OF MAPSNORTHERN IRELAND — A MAP FOR TOURISTS. 1:250,000(1970); CASTLEWELLAN FOREST PARK. 1:10,000(1975); ADMINISTRATIVE MAPS; MAP CATALOGUE (1975 edition). 26 pp. Reviewed by: J. A. K. Grahame
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Yong, Ji Fung, und Laoise Griffin. „H11 The pioneer of dermatology in Northern Ireland: what a legacy!“ British Journal of Dermatology 191, Supplement_1 (28.06.2024): i170. http://dx.doi.org/10.1093/bjd/ljae090.359.
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Abstract Henry Samuel Purdon (1843–1906) was the pioneer of dermatology in Northern Ireland. Born into a family of doctors, Purdon qualified as a physician in Scotland, earning an M.D. (Glasglow) and an L.R.C.P. (Edinburgh). His interest in dermatology started under the influence of McCall Anderson’s dermatological teaching in Glasglow. After his return to Belfast, he quickly gained the public approval in an open meeting at 12 Wellington Place, resulting in the establishment of ‘The Belfast Dispensary for Diseases of the Skin’ in 1865. With creativity, he made wax models of skin diseases to gain financial support to fund the institute. The models included lupus vulgaris, which was very prevalent during that time. With the steady increase in attendance, the dispensary was renamed ‘The Belfast Hospital for Diseases of the Skin’ in 1866. In 1868, the Belfast Charitable Society funded the construction of a new hospital in Regent Street, which was opened in 1869. This new building provided mainly outpatient facilities with consultation rooms and an operating theatre, which were deemed sufficient, in addition with eight inpatient beds. Despite hectic clinical commitments, in 1870 Purdon became the editor of the Journal of Cutaneous Medicine, which invited articles from the USA, and from Europe and the UK. Further, Purdon published three dermatology textbooks, titled On Neurotic Cutaneous Disease, Including Erythema (1869), Classification, Correct Dietary, and Treatment of Diseases of the Skin: as Practised at the Belfast Hospital of the Skin (1889) and A Treatise on Cutaneous Medicine and Disease of the Skin (1875), which recorded his clinical experience. With Purdon’s famous reputation in dermatology, the need of the service had drastically increased. His fame attracted funding of £4000 from philanthropist Edward Benn, to build a new skin hospital on Glenravel Street in 1873. The Benn Skin Hospital was opened in 1875. This hospital was fully furnished with the finest amenities, with 30 hospital beds and a suite of baths to meet service demand. Purdon was elected president of Benn’s hospital and held this position until his death, at the age of 62. Purdon’s legacy in dermatology was carried down by his son, Elias Bell Purdon, until the hospital was destroyed by a Luftwaffe bomb during the Belfast Blitz in 1941. In 1957, ‘The Purdon Skin Ward’ in the Royal Victoria Hospital Belfast was established to recognize Purdon’s service to dermatology.
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H., J. P., A. F., T. W. F. und D. V. H. „Reviews of Books“. Irish Geography 2, Nr. 1 (06.01.2017): 38–42. http://dx.doi.org/10.55650/igj.1949.1193.
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IRISH FORESTRY, Vol. IV, No. 2. April, 1948. Published by the Society of Irish Foresters. Price 3 /‐.IRISH HISTORICAL STUDIES, Vol. VI, No. 21 (March, 1948).THE LAND UTILISATION SURVEY IN NORTHERN IRELAND. A review of “ The Land of Ulster …” the Report of the Land Utilisation Survey. 1. The Belfast Region, by D. A. Hill. Belfast, H.M.S.O., 1948. 7s. 6d.ROMANTIC INISHOWEN. By H. P. Swan. Hodges Figgis & Co., Ltd., Dublin, 1947. 160 pp. 10s. 6d.
Dissertationen zum Thema "Arts and society – Northern Ireland – Belfast"
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Cuny, Lara. „Between the State and the Arts ˸ Council for the Encouragement of Music and the Arts/Arts Council of Northern Ireland (1943-2016)“. Thesis, Paris 3, 2019. http://www.theses.fr/2019PA030041.
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En 1939, le Council for the Encouragement of Music and the Arts (CEMA) est créé en Grande-Bretagne afin de financer la production artistique. Quatre ans plus tard, sous les pressions du gouvernement de Londres, la même institution est constituée en Irlande du Nord. N’étant pas le fruit d’une volonté politique locale, le CEMA (NI) mettra de longues années à faire accepter le principe d’un soutien public aux arts. Ce travail étudie cette institution, renommée Arts Council of Northern Ireland (ACNI) en 1963, dans toutes ses dimensions : politique, économique, sociale, identitaire, culturelle et, bien sûr, artistique. En effet, si les fonctions et le budget du CEMA sont extrêmement restreints en 1943, le Conseil acquiert de nombreuses responsabilités et s’affirme progressivement, même si sa ligne directrice reste très influencée, voire contrôlée, par le gouvernement unioniste. A partir des année 1970, le conflit opposant républicains et loyalistes l’oblige néanmoins à se replier sur lui-même et à se murer dans une politique souvent critiquée comme élitiste, afin de maintenir une neutralité qu’il juge irréprochable. Par la suite, le processus de paix lui confère un réel rôle en termes de promotion de la réconciliation entre les communautés. La création d’un ministère de la Culture en 1998 augmente son intégration dans une politique culturelle menée par un gouvernement local de coalition. La culture, en tant que révélatrice des identités régionales, demeure cependant un point controversé et clivant, certains universitaires allant jusqu’à dire qu’il s’agit maintenant d’une guerre non plus armée, mais culturelleIn 1939, as war had just broken out, the Council for the Encouragement of Music and the Arts (CEMA) was created in Great Britain to finance the arts. Four years later, the same organisation was established in Northern Irelad because of the pressure coming from the London government. As it was not born out of regional political conviction, CEMA (NI) struggled for years to get the principle of public support for the arts accepted.The present work studies this organisation, which was renamed Arts Council of Northern Ireland (ACNI) in 1963, under various angles: political, economic, social, cultural and, of course, artistic. It will also question the arm’s length principle and the separation between the realm of politics and that of the arts that the Council was supposed to guarantee. Indeed, even though the role and the budget of CEMA were extremely limited in 1943, the Council progressively acquired numerous responsibilities. This did not go unnoticed by the unionist government, which sought to control CEMA/ACNI and how it distributed grants. With the outbreak of the Troubles in the late 1960s, the Council increasingly isolated itself in order to be recognised as neutral in the conflict. However, this also pushed it to put in place a policy that was perceived as elitist and cut out from the population. In the 1990s, the Peace Process gave ACNI a new role in the promotion of reconciliation between the communities. With the creation of the Department of Culture, Arts and Leisure in 1998, the Council was further integrated into the cultural policy framework of the regional and power-sharing government. Nevertheless, culture remained a sore point and a divisive issue in Northern Ireland, with academics going as far as to say that the conflict has now become a cultural war
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Hamayon-Alfaro, Hélène. „Les arts communautaires à Belfast de 1979 à 2006 : de la marge au consensus ?“ Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030143.
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Ce travail de recherche explore les raisons et les enjeux de l’essor des arts communautaires à Belfast de 1979 à 2006. Il a pour objectif de mettre en relief une interdépendance entre les stratégies déployées pour résoudre le conflit nord-irlandais et le développement des arts communautaires. Nous avons, dans un premier temps, analysé le contexte dans lequel les arts communautaires ont émergé à Belfast. Nous avons, ensuite, étudié en parallèle le développement des stratégies mises en œuvre tant sur le plan national qu’européen et l’essor des arts communautaires. Principalement présents dans les quartiers catholiques, les arts communautaires ont d’abord été l’expression d’une résistance aussi bien artistique que politique. Au cours des années 90, le regard que les milieux décisionnels portent sur les arts communautaires évolue, notamment sous l’impulsion de l’Europe dont les Programmes pour la Paix et la Réconciliation encouragent la participation des habitants à des projets variés. Identifiés comme moteur de changement, les arts communautaires apparaissent en mesure de répondre aux attentes gouvernementales et européennes en termes de construction de la paix, de cohésion sociale, de relations communautaires et de développement économique. Dans un contexte de sortie de conflit, la municipalité de Belfast, désireuse de transformer l’image de la ville et de s’ouvrir sur l’extérieur, place les arts et la culture au cœur d’une stratégie de reconversion urbaineThis dissertation looks into the factors that have caused the Belfast community arts sector to grow over a period of time that was marked by major political changes. Indeed, in the 80s community arts, which developed primarily in Catholic working-class areas against a backdrop of communal violence and community activism, were marginalised, undervalued and underfunded. In the 90s, this situation gradually changed as the British government and Europe came to realise the contribution community arts could make to peace building, social cohesion, community relations and economic development by enhancing community confidence. The impact this shift in approach has had, has been particularly impressive in the field of arts and culture where cultural trends promoting greater participation and wider access to the arts have gained momentum. In practice, the gradual move from arts policy to cultural policy has meant that community arts have been placed! at the heart of Belfast’s regeneration process and increasingly used as a tool to further public policies
Bücher zum Thema "Arts and society – Northern Ireland – Belfast"
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Keyes, John. Going dark: Two Ulster theatres. Belfast: Lagan Press, 2001.
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1972-, Allen Nicholas, und Kelly Aaron, Hrsg. The cities of Belfast. Dublin, Ireland: Four Courts Press, 2003.
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Linen Hall Library (Belfast, Northern Ireland). A catalogue of the books, belonging to the Belfast Society for Promoting Knowledge. Belfast]: Linen Hall Library, 2004.
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Great Britain. Northern Ireland Audit Office. Imagine Belfast 2008: Report by the Comptroller and Auditor General. London: Stationery Office, 2004.
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Mare, Ann Le, und Felicity McCartney. Coming from the silence: Quaker peacebuilding initiatives in Northern Ireland 1969-2007. Belfast: Quaker Service, 2011.
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Mare, Ann Le, und Felicity McCartney. Coming from the silence: Quaker peacebuilding initiatives in Northern Ireland 1969-2007. Belfast: Quaker Service, 2011.
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(Belfast), St Anne's Cathedral, Hrsg. Belfast Cathedral: Multiple Sclerosis Society Northern Ireland Branch 30th anniversary, 1956-1986 : A service will be held in St. Anne's Cathedral, Belfast on Sunday, 18th May, 1986 at 3.30p.m.. [Belfast]: [s.n.], 1986.
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Fisheries Society of the British Isles. Symposium. Biochemical genetics and taxonomy of fish: The Fisheries Society ofthe British Isles Symposium, held at the Queen's University of Belfast, Northern Ireland 22-26 July 1991. London: Academic Press, 1991.
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Gerry, Mulhern, Joseph Stephen und British Psychological Society. Northern Ireland Branch., Hrsg. Psychosocial perspectives on stress and trauma: From disaster to political violence : an occasional paper for the Northern Ireland Branch of the British Psychological Society based on a one-day conference held at Queen's University Belfast. Leicester: British Psychological Society, 1996.
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John, Kremer, Crawford Wendy und British Psychological Society. Northern Ireland Branch., Hrsg. The psychology of sport: Theory and practice : an occasional paper for the Northern Ireland Branch of the British Psychological Society based on a one day conference held at the Physical Education Centre, Queen's University of Belfast, March 1989. Leicester: British Psychological Society, 1989.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Arts and society – Northern Ireland – Belfast"
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Taylor, Rupert. „The Belfast Agreement and the Limits of Consociationalism“. In Global Change, Civil Society and the Northern Ireland Peace Process, 183–98. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230582552_9.
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Farrington, Christopher. „Introduction: Political Change in a Divided Society — The Implementation of the Belfast Agreement“. In Global Change, Civil Society and the Northern Ireland Peace Process, 1–21. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230582552_1.
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Blake, Jonathan S. „Identity on Parade in Northern Ireland“. In Contentious Rituals, 24–50. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190915582.003.0001.
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This chapter introduces the history and political context of loyalist parades in Northern Ireland. It traces how parades have changed over the past two centuries in response to shifting political conditions. The chapter then shows how parades influence and are influenced by politics in the post–Good Friday/Belfast Agreement era. In the discussion of contemporary parading, the chapter presents data on the number of parades, paraders, and spectators, which demonstrate the prominence of the movement in Protestant society. It also describes the major parading organizations, including the Orange Order, the other loyal orders, and marching bands, and explains the main sources of disputes between Protestants and Catholics over parades.
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Corcoran, Neil. „Ulsters of the Mind: The Writing of Northern Ireland“. In After Yeats and Joyce, 131–74. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780192892317.003.0005.
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Abstract Introducing Sam Thompson’s Belfast play Over the Bridge (1960) for an edition published in 1970, Stewart Parker said that ‘if making “works of fiction” is not treated as an honest day’s work in western society at large, in Northern Ireland it’s scarcely countenanced as a furtive hobby’. This is consonant with Derek Mahon’s satirical evocation, in 1972, of ‘that once birdless, if still benighted province’. Nevertheless, since the late 1960s writing from the North of Ireland has come to be widely regarded as among the most significant contemporary work in the English language.
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Seal, Lizzie, und Maggie O’Neill. „Imagining Spaces of Violence and Transgression in Vancouver and Northern Ireland“. In Imaginative Criminology, 93–116. Policy Press, 2019. http://dx.doi.org/10.1332/policypress/9781529202687.003.0006.
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This chapter focuses specifically on the issue of space, place, violence and transgression drawing on case studies in Canada and Northern Ireland. ‘Imagining spaces of violence and transgression in Vancouver and Northern Ireland’ focuses first of all on the lives of indigenous women and sex workers in Vancouver’s Downtown Eastside (DTES). For 26 years, on 14 February, Valentine’s Day, women of the DTES have led a memorial march through the city, stopping at the places and spaces where women were murdered or went missing. The chapter draws on material from walking methods, participatory photographs and interviews with women who attended the march in 2016 to examine spaces of past, present and future in their lives. Continuing the theme of the construction and impact of space and borders explored in the previous chapter, this chapter also examines the history of the ‘peace walls’, ‘peace lines’ or ‘border lines’ in Belfast in the context of spaces of war, violence and conflict in Northern Ireland. Specifically,the ‘architecture of conflict’ is explored through criminological scholarship on the conflict in Northern Ireland. As with the Vancouver case study, arts-based walking methods are utilised that explore these border spaces through sensory, kinaesthetic, multi-modal research with citizens of Belfast.
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Campbell, Joseph. „Partnering with Mennonites in Northern Ireland“. In From The Ground Up, 97–103. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195136425.003.0006.
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Abstract Meeting Mennonites Was For Me an oasis in the dry and barren desert. A Presbyterian from birth and elder in my local congregation, this “new” denomination came into my frame of reference in casual conversation in 1980 with a colleague who was working with youth on urban justice issues in England. He had visited the London Mennonite Centre and counted among his friends Alan and Eleanor Kreider. He spoke of a quality of community life, worship where justice and peace issues were not on the edge but central, and a people who took Jesus’ call to peacemakers as a serious call for today. To say I was interested would be an understatement. I read John Howard Yoder’s Politics of Jesus (1972), and I knew then I had to learn more about this church. At that point in my life, I was youth director of the Belfast YMCA, at that time a mainly Protestant and evangelical youth organization. I was responsible for running a social education and recreation program for several hundred youth in the sixteen to twenty-five age group, mostly from low-income inner city backgrounds, with a healthy mix of male and female, Catholic and Protestant. Young people with regular jobs were the exception, as the youth often came from neighborhoods where over 70 percent of the people were on welfare. Few experiences in my life had prepared me for the hopeless injustice faced by those youth. I understood in stark terms the connection between social deprivation and political violence. Many of the young people I worked with had lives outside the YMCA in the junior ranks of paramilitary organizations on both sides of our divided society.
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Kane, Frances, Justin Ó Gliasáin und Úna Bhreathnach. „North and South of the Border: Parallel Place Name Research in Ireland“. In Onomastics in Interaction With Other Branches of Science Volume 1 Keynote Lectures Toponomastics, 237–50. Jagiellonian University Press, 2023. http://dx.doi.org/10.4467/k7501.45/22.23.18060.
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Irish language place-names were largely recorded in non-standardized anglicized spelling, which is variously subject to influences like diverging dialects, and socio-historical change. Following the partition of Ireland in 1921, place name research and authority is disconnected. In the Republic of Ireland, Irish is the first official language, reflected in support via a number of statutory bodies. The Placenames Committee within the Department of Arts, Heritage and the Gaeltacht (Government of Ireland) is the main authority on place names, and advises government on official place names as defined in legislation (Official Languages Act, 2003). The Logainm.ie place names database and Meitheal Logainm.ie community place name collection project, developed by Dublin City University, reflect further Government support for place-name scholarship and usage. Irish has (currently) no similar legal protection in Northern Ireland, and therefore no official requirement for Irish versions of names for administrative or other purposes. Despite this, the Northern Ireland Place-Name Project (NIPNP), based in Queen’s University, Belfast (currently funded by the Northern Ireland Executive, conducts research on the origins of place names. This paper outlines the background and current state of place name research in Ireland in both jurisdictions, and highlights areas of overlap and future all-Ireland collaboration.
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Bolton, David. „The Omagh bombing and the community’s response“. In Conflict, Peace and Mental Health. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9780719090998.003.0002.
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In this Chapter the author describes the circumstances and impact of the Omagh bombing which occurred in Northern Ireland in August 1998, just as the peace process was beginning to see political progress and violence had significantly reduced. The impact on casualties and their families in Omagh, Buncrana in the Irish Republic, and in Madrid, Spain, is described, as are the distress and traumatic consequences for the wider community. The responses of neighbours and friends, the wider Omagh community, its medical, education, not-for-profit and civic services, are described. The contribution of commemorative and arts based events is demonstrated. The risk to the developing peace process and the Belfast Agreement is outlined and how this impacted upon the development of therapeutic services for the local community. The role of politics and politicians in ensuring services were developed, is described.
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McAtackney, Laura. „Repercussions of Differential Deindustrialization in the City: Memory and Identity in Contemporary East Belfast“. In Contemporary Archaeology and the City. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198803607.003.0019.
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Contemporary archaeology has often combined the study of material culture with a strong social justice imperative, including examining the causes of abandonment of social housing (Buchli and Lucas 2001) and constructing lived experiences of homelessness (Zimmerman et al. 2010). Within this burgeoning field, archaeologies of cities have a significant role to play in interpreting the social implications of transition and change in the city by engaging with the spatial and temporal dimensions of material realities. By explicitly materializing the forgotten or hidden aspects of the post-industrial city, contemporary archaeology allows us to view global processes through the lens of local material expressions. Hilary Orange’s edited volume Reanimating Industrial Spaces (2014) is indicative of the current fascination in contemporary archaeology with the meaning of abandoned places of industry, the link between people and places and the often difficult transition from functional industrial places to post-industrial heritage spaces. Such volumes use a variety of methodological approaches to show how people, place and materials constitute the contemporary, post-industrial city. In doing so they reveal how contemporary archaeology has the potential to critique official narratives that frequently highlight resurgence and development while ignoring inconvenient truths of degradation, unemployment and poverty (see also Ernsten, Chapter 10). The latter experiences speak to this case study of East Belfast in Northern Ireland. For a society of its size Northern Ireland has been the subject of intense political and academic scrutiny, indeed often being accused of over-analysis to the point of exceptionalism (including Whyte 1990). Much of the research has centred on social relationships in urban areas impacted by internecine violence, however, in recent years this focus has shifted to the persisting problems of segregation and sectarianism as a remnant from the Troubles (c.1968–c.98) into the peace process. With the fifteen-year anniversary of the Belfast Agreement of 1998 (hereafter ‘the Agreement’) in 2013—a peace accord that at the time was positively greeted as the end of violence and initiating a move toward ‘normalisation’ (Irish News 2005)—there has been much debate as to the ongoing lack of substantive societal change. At the level of civic politics progress has been made, even if it has been non-linear and at times in danger of derailment.
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Herbert, James. „In Due Course: The Government Decides“. In Creating the AHRC. British Academy, 2008. http://dx.doi.org/10.5871/bacad/9780197264294.003.0008.
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This chapter discusses how the government agreed to the commitment of establishing an Arts and Humanities Research Council. Following the achievement, aspiration, and resistance in the early years of the AHRB, Margaret Hodge, who was the Minister of Lifelong Learning and Higher Education in the UK Department of Education and Skills, formulated a Review of Arts and Humanities Research Funding. This review was carried out on behalf of the Ministers responsible for the higher education in England, Northern Ireland, Wales and Scotland. The review aimed to recommend how to enhance support for arts and humanities, including how to encourage government support on such relevant issues. Of the 117 responses from the formal consultations, 114 – 97 per cent – agreed to the need for an organisation dedicated to arts and humanities. The review was subjected to the deliberations and considerations of the Steering Group. The report made by the group was eventually given to the Education Ministers. The Report of the Steering Group lauded the AHRB which despite its provisional start and status made contributions to society and the sciences. Whilst the government made slow progress on the approval of the creation of the AHRB, in January 22, 2003 the government approved the establishment of an Arts and Humanities Research Council which according to the government should be a fully functioning and statutory research council by 2005.
Konferenzberichte zum Thema "Arts and society – Northern Ireland – Belfast"
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McAleer, SF, und CG Owens. „41 Cardiogenic shock outcomes following primary percutaneous coronary intervention: an audit of the service at the royal victoria hospital belfast“. In Irish Cardiac Society Annual Scientific Meeting & AGM, Thursday October 5th – Saturday October 7th 2017, Millennium Forum, Derry∼Londonderry, Northern Ireland. BMJ Publishing Group Ltd and British Cardiovascular Society, 2017. http://dx.doi.org/10.1136/heartjnl-2017-ics17.41.
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Linden, K., L. Swales, S. Davenport, J. Collins, M. Carleton, G. McKeeman, P. Shortt und N. Johnston. „26 Use of a one hour high sensitivity troponin t measurement in the initial assessment of patients presenting with cardiac chest pain to emergency departments in the belfast trust“. In Irish Cardiac Society Annual Scientific Meeting & AGM, Thursday October 5th – Saturday October 7th 2017, Millennium Forum, Derry∼Londonderry, Northern Ireland. BMJ Publishing Group Ltd and British Cardiovascular Society, 2017. http://dx.doi.org/10.1136/heartjnl-2017-ics17.26.
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Shobeiri, Sanaz. „Age-Gender Inclusiveness in City Centres – A comparative study of Tehran and Belfast“. In SPACE International Conferences April 2021. SPACE Studies Publications, 2022. http://dx.doi.org/10.51596/cbp2021.xwng8060.
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Extended Abstract and [has] the potential to stimulate local and regional economies” (p.3). A city centre or town centre has been recognised as the beating heart and public legacy of an urban fabric either in a small town, medium-sized city, metropolis or megalopolis. Within this spectrum of scales, city centres’ scopes significantly vary in the global context while considering the physical as well as the intangible and the spiritual features. Concerns such as the overall dimensions, skyline, density and compactness, variety of functions and their distribution, comfort, safety, accessibility, resilience, inclusiveness, vibrancy and conviviality, and the dialectics of modernity and traditionalism are only some examples that elucidate the existing complexities of city centres in a city of any scale (overall dimension) (for further details see for instance Behzadfar, 2007; Gehl, 20210; Gehl and Svarre, 2013; Hambleton, 2015; Lacey et al., 2013; Madanipour, 2010; Roberts, 2013). Regardless of the issue of the context, Gehl (2010) define city centres as interconnected with new concepts such as “better city space, more city life” and “lively and attractive hub for the inhabitants” (pp. 13–15). Roberts (2006) explains the notion of a city centre or town centre as a space “in which human interaction and therefore creativity could flourish”. According to her, the point can realise by creating or revitalising 24-hour city policies that can omit the “‘lagerlout’ phenomenon, whereby drunken youths dominated largely empty town centres after dark” (pp. 333–334). De Certeau (1984) explains that a city and subsequently a city centre is where “the ordinary man, a common hero [is] a ubiquitous character, walking in countless thousands on the streets” (p. V). Paumier (2004) depicts a city centre particularly a successful and a vibrant one as “the focus of business, culture, entertainment … to seek and discover… to see and be seen, to meet, learn and enjoy [which] facilitates a wonderful human chemistry … for entertainment and tourism These few examples represent a wide range of physical, mental and spiritual concerns that need to be applied in the current and future design and planning of city centres. The term ‘concern’, here, refers to the opportunities and potentials as well as the problems and challenges. On the one hand, we —the academics and professionals in the fields associated with urbanism— are dealing with theoretical works and planning documents such as short-to-long term masterplans, development plans and agendas. On the other hand, we are facing complicated tangible issues such as financial matters of economic growth or crisis, tourism, and adding or removing business districts/sections. Beyond all ‘on-paper’ or ‘on-desk’ schemes and economic status, a city centre is experienced and explored by many citizens and tourists on an everyday basis. This research aims to understand the city centre from the eyes of an ordinary user —or as explained by De Certeau (1984), from the visions of a “common hero”. In a comparative study and considering the scale indicator, the size of one city centre might even exceed the whole size of another city. However, within all these varieties and differences, some principal functions perform as the in-common formative core of city centres worldwide. This investigation has selected eight similar categories of these functions to simultaneously investigate two different case study cities of Tehran and Belfast. This mainly includes: 1) an identity-based historical element; 2) shopping; 3) religious buildings; 4) residential area; 5) network of squares and streets; 6) connection with natural structures; 7) administrative and official Buildings; and 8) recreational and non-reactional retail units. This would thus elaborate on if/how the dissimilarities of contexts manifest themselves in similarities and differences of in-common functions in the current city centres. With a focus on the age-gender indicator, this investigation studies the sociocultural aspect of inclusiveness and how it could be reflected in future design and planning programmes of the case study cities. In short, the aim is to explore the design and planning guidelines and strategies —both identical and divergent— for Tehran and Belfast to move towards sociocultural inclusiveness and sustainability. In this research, due to the COVID-19 Pandemic, the studies of the current situation of inclusiveness in Belfast city centre have remained as incomplete. Thus, this presentation would like to perform either as an opening of a platform for potential investigations about Belfast case study city or as an invitation for future collaborations with the researcher for comparative studies about age-gender inclusiveness in city centres worldwide. In short, this research tries to investigate the current situation by identifying unrecognised opportunities and how they can be applied in future short-to-long plans as well as by appreciating the neglected problems and proposing design-planning solutions to achieve age-gender inclusiveness. The applied methodology mainly includes the direct appraisal within a 1-year timespan of September 2019 – September 2020 to cover all seasonal and festive effects. Later, however, in order to consider the role of the COVID-19 Pandemic, the direct appraisal was extended until January 2021. The complementary method to the direct appraisal is the photography to fast freeze the moments of the ordinary scenes of the life of the case study city centres (John Paul and Caponigro Arts, 2014; Langmann and Pick, 2018). The simultaneous study of the captured images would thus contribute to better analyse the age-gender inclusiveness in the non-interfered status of Tehran and Belfast. Acknowledgement This investigation is based on the researcher’s finding through ongoing two-year postdoctoral research (2019 – 2021) as a part of the Government Authorised Exchange Scheme between Fulmen Engineering Company in Tehran, Iran and Queen’s University Belfast, Northern Ireland. The postdoctoral research title is “The role of age and gender in designing inclusive city centres – A comparative study of different-scale cities: Tehran and Belfast” in School of Natural and Built Environment of the Queen’s University of Belfast and is advised by Dr Neil Galway in the Department of Planning. This works is financially supported by Fulmen Company as a sabbatical scheme for eligible company’s senior-level staff. Keywords: Age-gender, Inclusiveness, Sociocultural, City Centre, Urban Heritage, Tehran, Belfast