Auswahl der wissenschaftlichen Literatur zum Thema „Arts, american – 20th century – exhibitions“
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Zeitschriftenartikel zum Thema "Arts, american – 20th century – exhibitions"
Linden, Diana L. „Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings“. Prospects 30 (Oktober 2005): 665–84. http://dx.doi.org/10.1017/s0361233300002222.
Der volle Inhalt der QuelleBenetti, Alessandro. „GAIA CARAMELINO; STÉPHANIE DADOUR (a cura di): THE HOUSING PROJECT: DISCOURSES, IDEALS, MODELS, AND POLITICS IN 20TH-CENTURY EXHIBITIONS“. Proyecto, Progreso, Arquitectura, Nr. 27 (2022): 206–7. http://dx.doi.org/10.12795/ppa.2022.i27.12.
Der volle Inhalt der QuellePuerto, Cecilia. „Twentieth century Latin American women artists, discovery and record - a work in progress“. Art Libraries Journal 20, Nr. 3 (1995): 15–18. http://dx.doi.org/10.1017/s0307472200009457.
Der volle Inhalt der QuelleAllen, Nancy S. „History of Western sources on Japanese art“. Art Libraries Journal 11, Nr. 4 (1986): 8–13. http://dx.doi.org/10.1017/s0307472200004867.
Der volle Inhalt der QuelleWagner, Keith B., und Michael A. Unger. „Photographic and cinematic appropriation of atrocity images from Cambodia: auto-genocide in Western museum culture and The Missing Picture“. Visual Communication 18, Nr. 1 (03.01.2018): 83–106. http://dx.doi.org/10.1177/1470357217742333.
Der volle Inhalt der QuelleSenuliene, Jurgita. „Searching for Identity in the 20th-Century Lithuanian-American Food Exhibitions“. Loci Communes 1, Nr. 2 (28.06.2022): 1–19. http://dx.doi.org/10.31261/lc.2022.02.04.
Der volle Inhalt der QuelleBurganova, Maria A. „LETTER FROM THE EDITOR“. Scientific and analytical journal Burganov House. The space of culture 17, Nr. 5 (10.12.2021): 8–9. http://dx.doi.org/10.36340/2071-6818-2021-17-5-8-9.
Der volle Inhalt der QuelleREDMAN, SAMUEL. „Remembering Exhibitions on Race in the 20th-century United States“. American Anthropologist 111, Nr. 4 (17.11.2009): 517–18. http://dx.doi.org/10.1111/j.1548-1433.2009.01160_1.x.
Der volle Inhalt der QuelleIan Shin, K. „The Chinese Art “Arms Race”“. Journal of American-East Asian Relations 23, Nr. 3 (27.10.2016): 229–56. http://dx.doi.org/10.1163/18765610-02303009.
Der volle Inhalt der QuelleBuchli, Victor. „The Destruction of Gemütlichkeit? Programmatic Exhibitions on Domestic Living in the 20th Century“. Home Cultures 4, Nr. 2 (Juli 2007): 201–6. http://dx.doi.org/10.2752/174063107x209028.
Der volle Inhalt der QuelleDissertationen zum Thema "Arts, american – 20th century – exhibitions"
Clarke, Jennifer. „The Effect of Digital Technology on Late 20th Century and Early 21st Century Culture“. [Tampa, Fla. : s.n.], 2003. http://purl.fcla.edu/fcla/etd/SFE0000108.
Der volle Inhalt der QuelleHeron, Elizabeth. „The Unveiling“. PDXScholar, 1988. https://pdxscholar.library.pdx.edu/open_access_etds/2048.
Der volle Inhalt der QuelleDeLong, Kristine L. „Reconstructing 20th century SST variability in the southwest pacific : a replication study using multiple coral Sr/Ca records from New Caledonia“. [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001734.
Der volle Inhalt der QuelleWalsh, James Jason JR. „American Hamlet: Shakespearean Epistemology in Infinite Jest“. Cleveland State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=csu1409079425.
Der volle Inhalt der QuelleMcDivitt, Anne. „I Play to Beat the Machine: Masculinity and the Video Game Industry in the United States“. Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5817.
Der volle Inhalt der QuelleM.A.
Masters
History
Arts and Humanities
History; Public History
McTague, Brian. „Revisiting "Hapworth": The Catharsis of Buddy Glass“. VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/287.
Der volle Inhalt der QuelleBonilla-Puig, Alicia I. „Printmaking, Politics, and the Art of Protest in Modern Mexico“. Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/310769.
Der volle Inhalt der QuelleM.A.
My thesis seeks to establish a fuller, more nuanced historical account of socially and politically oriented printmaking during the long 20th century in Mexico. In order to remedy what is currently a fragmented and incomplete narrative composed of canonical artists, my project integrates recent studies that acknowledge the role of lesser-known artists from various moments of the 20th and 21st centuries. The broader approach of this thesis reveals that the history of politically oriented Mexican prints spans a longer period of time and a larger geographic area than previously thought. Mexico experienced several waves of political turmoil and social upheaval throughout the 20th century, beginning with the Mexican Revolution (1910-1920), including the 1968 student movement, and extending to present day clashes between citizens and their government leaders. In this context, art and printmaking in particular served as persistent vehicles for Mexican artists to engage in social and political activism. Integrating the critical analysis of earlier research along with newer studies that recognize the impact of Mexican printmakers often overlooked in broad survey texts and exhibitions allows for further conclusions to be drawn regarding the multifaceted relationship between the print medium and the art of protest. My thesis introduces the notion that educational institutions in Mexico played an active part in this historical narrative, highlights the significance of Mexican artists' choice to work in collaborative environments versus individually, and notes modern activist printmakers' strong preference for the woodblock print.
Temple University--Theses
Lindley, Anne Hollinger. „Relating to relational aesthetics“. Pomona College, 2009. http://ccdl.libraries.claremont.edu/u?/stc,74.
Der volle Inhalt der QuelleCrousier, Elsa. „Marta Traba ou l'art en écriture : recherches sur les dialogues entre littérature, critique d'art et arts plastiques dans l'oeuvre de Marta Traba“. Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2125.
Der volle Inhalt der QuelleMarta Traba (1923-1983), an Argentinian-Colombian writer and art critic, is most famous in Latin America for her critiques, her commitment to develop modern art in Colombia, and, more generally, for her “theory of resistance” which advocates the defence of the many cultural Latin-American identities in fine arts. Her literary work, however, is far less well-known. And yet, not only is it very rich, but it also constitutes the narrative counterpart to her critiques – a collection of tales innervated, to different degrees, with Traba’s notions on and knowledge of art. It is consequently about reconsidering these two sides of her written production as a consistent whole, and identifying the influences and interactions between her art critiques and her literary work, as well as between the fine arts which make up her artistic culture and her fictional writings.It then appears that Marta Traba devises and practices her critical writing “literarily” as she does, above all, her literary work “artistically”: the constant enhancement of the aesthetic eye on the world and of an intensified sensory experience shape an ideal of contemplation throughout her literary work; the continuous inserts of a critical terminology and of references to art works, sometimes in a clearly didactic mode, sometimes in a subtly playful manner, invite the reader to read her fiction stories and poems in the light of the artistic subtext which enriches their meaning; finally, the tale becomes the place where Traba’s theories of “resistance” are tested, at the crossroads of the re-affirmation of the place of Latin America on the map of international art, of the defensive distancing from North American influences, and of the local re-appropriation, by “transculturation”, of the foreign artistic models. The study of the artistic mutation of Traba’s literary work is therefore far from boiling down to the analysis of a mere formal process: from our point of view, it reveals an authentic style, Traba’s style, which is the mirror of the writer and her convictions
Mosco, Natalie. „On creating : A brush with Georgia O'Keeffe“. Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/43722.
Der volle Inhalt der QuelleBücher zum Thema "Arts, american – 20th century – exhibitions"
Gavino, Julianne, und Rebecca Tucker. Rethinking regionalism: 20th century American art and visual culture. Colorado Springs, Colo: Colorado Springs Fine Arts Center at Colorado College, 2021.
Den vollen Inhalt der Quelle finden1951-, Craven David, Lozano Luis-Martín und Museum of Fine Arts (Museum of New Mexico), Hrsg. Mexican modern: Masters of the 20th century. Santa Fe: Museum of New Mexico Press, 2006.
Den vollen Inhalt der Quelle findenJeremy, Millar, Hayward Gallery, Baltic Centre for Contemporary Art, John Cage Trust und Hayward Touring (Art organisation), Hrsg. Every day is a good day: The visual art of John Cage. London: Hayward Publishing, 2010.
Den vollen Inhalt der Quelle findenWeiner, Longhauser Elsa, Szeemann Harald, Museum of American Folk Art. und Philadelphia Museum of Art, Hrsg. Self-taught artists of the 20th century: An American anthology. San Francisco: Chronicle Books, 1998.
Den vollen Inhalt der Quelle findenMiami University (Oxford, Ohio). Art Museum. 20th century American prints: Looking back and: 20th century American paintings: looking back / [gallery guide written by exhibition curator Edna Carter Southard]. Oxford, Ohio: Miami University Art Museum, 1993.
Den vollen Inhalt der Quelle findenNorthern Illinois University. Art Gallery in Chicago., Hrsg. 20th century American folk art from the Arient family collection. [DeKalb, Ill: Northern Illinois University, 1987.
Den vollen Inhalt der Quelle findenHaskell, Barbara. The American century: Art & culture, 1900-1950. New York: Whitney Museum of American Art in association with W.W. Norton, 1999.
Den vollen Inhalt der Quelle findenGermany), Martin-Gropius-Bau (Berlin, Royal Academy of Arts (Great Britain) und Saatchi Gallery, Hrsg. American art in the 20th century: Painting and sculpture, 1913-1993. Munich: Prestel, 1993.
Den vollen Inhalt der Quelle findenGermano, Celant, Dennison Lisa und Grimaldi Forum (Monaco Monaco), Hrsg. New York, New York: Fifty years of art, architecture, cinema, performance, photography and video. Milano: Skira, 2006.
Den vollen Inhalt der Quelle findenTōkyō Kokuritsu Kindai Bijutsukan. Kōgeikan, Hrsg. Nōben na obuje: Gendai Amerika kōgei no tenkai = The eloquent object : the evolution of American art in craft media since 1945. [Kyoto]: Kyōto Kokuritsu Kindai Bijutsukan, 1989.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Arts, american – 20th century – exhibitions"
Peterson, William. „The Master of the Form“. In Asian Self-Representation at World’s Fairs. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985636_ch02.
Der volle Inhalt der QuelleMackenzie, John M. „Arts of Empire and of Nations“. In A Cultural History of the British Empire, 139–76. Yale University Press, 2022. http://dx.doi.org/10.12987/yale/9780300260786.003.0005.
Der volle Inhalt der QuelleBranson, Susan. „Fair America“. In Scientific Americans, 159–87. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501760914.003.0007.
Der volle Inhalt der QuelleRamírez, Mari Carmen. „Critical Documents of 20th-Century Latin American and Latino Art: A DIGITAL ARCHIVE AND PUBLICATIONS PROJECT AT THE MUSEUM OF FINE ARTS, HOUSTON“. In Resisting Categories: Latin American and/or Latino?, 27–32. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300187151-004.
Der volle Inhalt der QuelleGulcur, Ala Sivas. „Historical Epic as a Genre in Popular Turkish Cinema“. In Advances in Media, Entertainment, and the Arts, 264–77. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-6190-5.ch015.
Der volle Inhalt der QuelleRios, Fernando. „Musical Dimensions of Indigenismo“. In Panpipes & Ponchos, 21–57. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190692278.003.0002.
Der volle Inhalt der QuelleEtwaroo, Indira. „Dance Rooted in the Movements of Bedford-Stuyvesant“. In Hot Feet and Social Change, 37–55. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042959.003.0003.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Arts, american – 20th century – exhibitions"
DOSPINESCU, Liviu. „Present-Day Trends in the Research and Creation of Living Arts in the Academia: A North American Model“. In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0011.
Der volle Inhalt der QuelleLopes Dias, Tiago. „La mirada de Pedro Vieira de Almeida a Le Corbusier: una visión desde Portugal en la segunda mitad del siglo XX“. In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.732.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Arts, american – 20th century – exhibitions"
Sanjurjo Casciero, Annick. Paraguay and Its Plastic Arts. Inter-American Development Bank, März 1994. http://dx.doi.org/10.18235/0007910.
Der volle Inhalt der QuelleSchacht, Kayley, Deidre Gonçalves, Aaron Schmidt und Adam Smith. A History and Analysis of the WPA Exhibit of Black Art at the Fort Huachuca Mountain View Officers’ Club, 1943–1946. Engineer Research and Development Center (U.S.), Juni 2023. http://dx.doi.org/10.21079/11681/47184.
Der volle Inhalt der Quelle50 Years, 50 Works: The Art of Latin America and the Caribbean in the 20th Century. Information Bulletin No. 108. Inter-American Development Bank, Juni 2009. http://dx.doi.org/10.18235/0008282.
Der volle Inhalt der QuelleNikkei Latin American Artists of the 20th Century: Featuring Artists of Japanese Descent from Argentina, Brazil, Mexico, and Peru. Inter-American Development Bank, Juni 2005. http://dx.doi.org/10.18235/0005929.
Der volle Inhalt der QuelleTurns and Directions: Changes in the Arts of Central America's Spanish-Speaking Nations and Panama during and after the 1950s. Inter-American Development Bank, August 2010. http://dx.doi.org/10.18235/0005958.
Der volle Inhalt der QuelleNikkei-Latin American Artists of the 20th Century. Inter-American Development Bank, Februar 2005. http://dx.doi.org/10.18235/0008269.
Der volle Inhalt der QuelleParadox & Coexistence 2. Inter-American Development Bank, Mai 2005. http://dx.doi.org/10.18235/0008263.
Der volle Inhalt der QuelleGraphics from Latin America and the Caribbean: September 10 - November 15, 2002. Inter-American Development Bank, September 2002. http://dx.doi.org/10.18235/0005919.
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