Auswahl der wissenschaftlichen Literatur zum Thema „Artist’s writing“
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Zeitschriftenartikel zum Thema "Artist’s writing"
Mocherniuk, Nataliia. „To apprehend and to retain a considerable length of time: the memoirs of Sviatoslav Hordynsky“. LITERARY PROCESS: methodology, names, trends, Nr. 16 (2020): 90–96. http://dx.doi.org/10.28925/2412-2475.2020.16.13.
Der volle Inhalt der QuelleMUZYCHENKO, Anna S. „Thomas Wolfe as a writer and citizen in “Hungry Gulliver” by P.H. Johnson“. CULTURE AND SAFETY 1 (2024): 14–24. http://dx.doi.org/10.25257/kb.2024.1.14-24.
Der volle Inhalt der QuelleStewart-Kroeker, Sarah. „‘What Do We Do with the Art of Monstrous Men?’ Betrayal and the Feminist Ethics of Aesthetic Involvement“. De Ethica 6, Nr. 1 (30.06.2020): 51–74. http://dx.doi.org/10.3384/de-ethica.2001-8819.19062502.
Der volle Inhalt der QuelleNozanin, Yusupova. „Comments On The Art Of Utkir Hashimov’s “Inscriptions In The Notebook Frame”“. American Journal of Social Science and Education Innovations 03, Nr. 04 (30.04.2021): 375–79. http://dx.doi.org/10.37547/tajssei/volume03issue04-57.
Der volle Inhalt der QuelleCardoso, Catarina Figueiredo. „Past’s Present: Artist’s Books by José Oliveira“. Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 2, Nr. 1 (08.11.2014): 135–56. http://dx.doi.org/10.14195/2182-8830_2-1_7.
Der volle Inhalt der QuelleSilva, Manuel Gutiérrez. „José Juan Tablada’s Creative Art Writing“. Mexican Studies/Estudios Mexicanos 34, Nr. 3 (2018): 305–46. http://dx.doi.org/10.1525/msem.2018.34.3.305.
Der volle Inhalt der QuelleDorsey, Charlie Hope. „In the Dark“. Art/Research International: A Transdisciplinary Journal 3, Nr. 1 (01.03.2018): 247–57. http://dx.doi.org/10.18432/ari29335.
Der volle Inhalt der QuelleSuminto, RA Sekartaji, und Donna Carollina. „Graffiti Artist’s Historiographical Writing Model “Bansky” The Man Behind The Wall” in The Perspective of Johan Joachim Wincklemann“. IJVCDC (Indonesian Journal of Visual Culture, Design, and Cinema) 2, Nr. 1 (30.04.2023): 134–37. http://dx.doi.org/10.21512/ijvcdc.v2i1.9933.
Der volle Inhalt der QuelleKosiński, Dariusz. „Literatura jako wehikuł tajemnicy. O pisarstwie Jerzego Grotowskiego“. Przestrzenie Teorii, Nr. 38 (11.07.2023): 59–74. http://dx.doi.org/10.14746/pt.2022.38.4.
Der volle Inhalt der QuelleBădulescu, Dana. „Autobiography as Fiction in “A Portrait of the Artist as a Young Man”“. Linguaculture 2, Nr. 1 (30.06.2011): 29–36. http://dx.doi.org/10.47743/lincu-2011-2-1-253.
Der volle Inhalt der QuelleDissertationen zum Thema "Artist’s writing"
Gasper, Kahlil Almustafa. „Writing Ourselves Into Existence: A Spoken Word Artist’s Autoethnography of a Liberatory Hip-Hop Pedagogy“. Digital Commons at Loyola Marymount University and Loyola Law School, 2018. https://digitalcommons.lmu.edu/etd/529.
Der volle Inhalt der QuellePicarel, Gilles. „Photographie & extériorité : une épreuve de l'autre“. Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080003.
Der volle Inhalt der QuelleThis mixed research-creation thesis questions the relationship of photography and exteriority as a trial of the other, from my own artistical practice and the work of contemporary artists. This subject invites us to deal with a complex relationship insofar as photography is in the wake of exteriority and is embarked in the pursuit of the impossible. Therefore, the questioning of the photography/externality couple is based on a trial. It does not go in search of a given, but focuses on experimentation, attempt, and testing. This is also the guiding problem of this thesis, the possibility of an exteriority at work in photography, that is, the possibility of a movement of the same towards the other. This reflection makes it possible to consider the gap between photography and its object not only as a necessary condition for the object’s phenomenality, but as a possibility of the emergence of the other. Since the exteriority is aporetic, in its consubstantiality to the photographic medium, any attempt to define it is illusory. However, to respond methodologically to this problem, this work implements an aesthetic based on a generalized poietic. The photographic works interviewed as well as my personal practice focus on the prism of the work being done and the relationship that the artist maintains with his creation during its development, rather than focusing on the result. Moreover, the problem of exteriority has led research and creation to work from the philosophical concepts of articulatory, dialogue and gap, which in my artistic practice are translated into a collaborative and redoing design
Junod, Karen. „Writing the lives of artists : biography and the construction of artistic identity in Britain (ca. 1760-1810)“. Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419032.
Der volle Inhalt der QuelleWarr, Tracey Karen. „Creative acts : curating and writing with artists“. Thesis, University of Plymouth, 2006. http://hdl.handle.net/10026.1/1150.
Der volle Inhalt der QuelleGodoi, Vagner. „Funcionamento da obra de pesquisa“. Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-20032019-111504/.
Der volle Inhalt der QuelleFrom the years 2000 to 2010, discussions on artistic productions that are related to knowledge, university, research, theory, reflection, education and other fields of knowledge are intensified and renovated. One of the angles of this multifaceted phenomenon, and a reason for the rising interest in it by artists and other art professionals, can be summarized by the expression artistic research. One of the contributions of this thesis is correlating the pioneering creation of postgraduate programs in Visual Arts in Brazil, consistently established and defined since the 1970s, to this recent phenomenon, that took place specially in Europe, initiated by the transformation of art academies into universities, followed by an intense debate on the meanings of artist research. Moreover, this study examines artistic, discursive, pedagogical and theoretical productions by Brazilian artists Jorge Menna Barreto and Ricardo Basbaum in order to find the poetic line of research, contextualizing both as heirs of research in art in Brazil and affiliates of these international shifts on artistic research. The starting point is the uncertainty regarding the multiplicity of meanings and nomenclatures that artist research provokes, not as an ontological enquiry, but with the purpose of understanding their place, an institutional matter of art inserted in the university environment, and, particularly, a problem found in the work of art itself, now considered research.
Junqueira, Lilian Maus. „Escritos de artistas nos arquivos em transformação“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/28622.
Der volle Inhalt der QuelleThis research explores the modes of existence of artists' writings in the documentation and dissemination process of the ephemeral artwork, as well as the practice of filing done by the artists. After all, in documenting their ephemeral experiences through writing and photography, they would be contributing in that way to the historiography of art? During the development of this issue, case studies will be conducted on the artworks "Parangoles" and "Conglomerado" by Helio Oiticica, and "Documento Areal" Series, performed by artists Andre Severo, Maria Helena Bernardes, Elaine Tedesco, Helio Fervenza, Lambrecht and Marcelo Coutinho.
Albertoni, Fernanda Bernardes. „Narrativas verbais : construto ficcional nas artes visuais e em sua documentação“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2007. http://hdl.handle.net/10183/10744.
Der volle Inhalt der QuelleThis research analyses the use of verbal narratives as fictional constructs by artists from the visual field, through the work of these artists and their documentation, particularly focusing in three aspects of these artist’s writings: as autobiographical, as biographical in relation to the historical world, and when the artist becomes the author of a particular art history. For investigating the subject it was selected a group of artists and artworks that could be considered representatives of these occurrences – as seen in writings from Sophie Calle, Lucas Samaras, Ad Reinhardt, Joseph Beuys, Robert Morris and Jannis Kounellis. The analysis explore questions as what would classifies a work of fiction within from the visual arts field instead of literary; why these artists chose this form of expression as medium for their significations; and how the verbal field influences the fictional in visual art.
Lam, Yung, und 林勇. „Writing in the shadow, or writing the present in the past and writing the past for the present“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31950620.
Der volle Inhalt der QuelleLam, Yung. „Writing in the shadow, or writing the present in the past and writing the past for the present“. [Hong Kong : University of Hong Kong], 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13762084.
Der volle Inhalt der QuelleJacobson, Malcolm. „Getting paid writing graffiti : How graffiti artists produce value within marketing“. Thesis, Stockholms universitet, Sociologiska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-114878.
Der volle Inhalt der QuelleBücher zum Thema "Artist’s writing"
Davids, Betsy. Artists writing. Los Angeles: Alliance for Contemporary Book Arts, 1994.
Den vollen Inhalt der Quelle findenDavid, Levithan, Hrsg. Best Young Writers And Artists In America. New York: Scholastic, 2002.
Den vollen Inhalt der Quelle findenFusco, Maria. What am I? London: Book Works, 2010.
Den vollen Inhalt der Quelle findenSeed, John. Artist's statements of the old masters. [Place of publication not identified]: PoetsArtists., 2015.
Den vollen Inhalt der Quelle findenMirea, Maria. Cenaclul literar-artistic "Pasăre de nea". Târgoviște: Editura Bibliotheca, 2017.
Den vollen Inhalt der Quelle findenLiese, Jennifer. Social medium: Artists writing, 2000-2015. Brooklyn, New York: Paper Monument, 2016.
Den vollen Inhalt der Quelle findenGrande, John K. Art allsorts: Writing on art & artists. [Montréal]: Random Tree Editions - Go If Press, 2008.
Den vollen Inhalt der Quelle findenRothko, Mark. Writings on art. New Haven: Yale University Press, 2006.
Den vollen Inhalt der Quelle findenCorazón, Alberto. Damasco Suite, somos imágenes. Boadilla del Monte (Madrid): A. Machado Libros, 2011.
Den vollen Inhalt der Quelle findenEllmann, Maud. The hunger artists: Starving, writing, and imprisonment. Cambridge, Mass: Harvard University Press, 1993.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Artist’s writing"
Renk, Kathleen. „“The Female Artist’s Erotic Gaze in Neo-Victorian Fiction”“. In Women Writing the Neo-Victorian Novel, 23–51. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-48287-9_2.
Der volle Inhalt der QuelleSheridan, Bridget. „Following Footprints: Photography, Writing, and the Artist’s Book in Art Walking“. In Walking and the Aesthetics of Modernity, 99–114. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-60364-7_7.
Der volle Inhalt der QuelleSarti, Lisa. „Annie Vivanti’s Multicultural Identity and the Shaping of the Artist’s Body“. In The Palgrave Handbook of Transnational Women’s Writing in the Long Nineteenth Century, 503–20. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-40494-8_27.
Der volle Inhalt der QuelleFerreira-Meyers, Karen, und Bontle Tau. „Visual Autofiction: A Strategy for Cultural Inclusion“. In Palgrave Studies in Life Writing, 161–83. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78440-9_9.
Der volle Inhalt der QuelleFunch, Bjarne Sode. „Solitude is writing“. In The Psychology of Artistic Creativity, 13–27. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003248576-3.
Der volle Inhalt der QuellePannewick, Friederike. „The Year 1979 as a Turning Point in Syrian Theatre: From Politicization to Critical Humanism“. In Re-Configurations, 277–87. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-31160-5_18.
Der volle Inhalt der QuelleKnights, Ben. „The Portrait of the Artist as a Man“. In Writing Masculinities, 49–72. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1057/9780230389250_3.
Der volle Inhalt der QuelleSmith, Andy W. „Writing Catastrophe: Howard Barker’s Theatre“. In Researching and Writing on Contemporary Art and Artists, 151–72. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39233-8_7.
Der volle Inhalt der QuelleJones, Suzanne W. „Introduction“. In Writing the Woman Artist, herausgegeben von Suzanne W. Jones, 1–20. Philadelphia: University of Pennsylvania Press, 1991. http://dx.doi.org/10.9783/9781512809596-002.
Der volle Inhalt der QuelleLaurent, Anna. „Artist’s Statement“. In Life Writing in the Anthropocene, 267–68. Routledge, 2021. http://dx.doi.org/10.4324/9781003146315-17.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Artist’s writing"
Nascimento, Suely. „Marlene's house“. In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.106.
Der volle Inhalt der QuelleДини (Куприева), Ирина Анатольевна, und Расул Халимович Батчаев. „EXPERIMENTAL LANGUAGE OF ANDREI BELY: KOSNOYAZYCHIE AND WORD-FORMATION“. In Проблемы управления качеством образования: сборник статей XLVI Международной научной конференции (Вологда, Май 2023). Crossref, 2023. http://dx.doi.org/10.37539/230529.2023.82.81.003.
Der volle Inhalt der QuelleGorbunova, Natalia. „Time out for Scriabin (the composer’s image in the soviet music journal of the stalinist era)“. In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.10.
Der volle Inhalt der QuelleHtaw, Mi Chan, Daria Pipa, Namkang Sriwattanarothai, Chailerd Pichitpornchai, Reto Gubelmann, Sabine Seufert, Christina Niklaus und Siegfried Handschuh. „Argumentative Writing Software: Perceptions of Undergraduate Students toward Artist Prototype“. In 2024 IEEE 7th Eurasian Conference on Educational Innovation (ECEI). IEEE, 2024. http://dx.doi.org/10.1109/ecei60433.2024.10510808.
Der volle Inhalt der QuelleMercean-Țârc, Mirela. „The genre of symphony in the transylvanian school of composition – the last seven decades“. In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.04.
Der volle Inhalt der QuelleRingendahl, Elisa. „Lied versus Oper – Pole musikalischer Gattungen bei Oscar Bie“. In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.70.
Der volle Inhalt der QuelleBandalo, Višnja. „ICONOGRAPHIC DEPICTION AND LITERARY PORTRAYING IN BERNARD BERENSON'S DIARY AND EPISTOLARY WRITING“. In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/18.
Der volle Inhalt der QuelleYandim Aydin, Sercan. „„RENAISSANCE“ BEFORE THE RENAISSANCE: HUMANLY ASPECTS OF LATE BYZANTINE PAINTING. CASE: “THE ANASTASIS: AN IMAGE OF LIBERATION AND RESURRECTION”, STUDENICA MONASTERY“. In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.629ya.
Der volle Inhalt der QuelleRufova, Elena. „ARTISTIC IDENTITY OF RUSSIAN-WRITING ETHNIC WRITERS WRITERS (IN A CASE OF P. CHERNYKH-YAKUTSKY�S WORKS)“. In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s27.052.
Der volle Inhalt der QuelleCosciug, Svetlana, und Victoria Melnic. „Excentric dances by Vitaly Verhola: a young composer in search of his own style“. In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.06.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Artist’s writing"
Gratzke, Michael. ‘Confessions of a MILF (I chose being an artist over being a wife)’. Love and relationships in Viv Albertine’s memoirs. University of Dundee, Februar 2022. http://dx.doi.org/10.20933/100001240.
Der volle Inhalt der QuelleCox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.621671.
Der volle Inhalt der QuelleBabenko, Oksana. Ідеї екуменізму в публіцистиці митрополита Андрея Шептицького: сучасне прочитання. Ivan Franko National University of Lviv, März 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11717.
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