Dissertationen zum Thema „Artha“
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Basu, Monidipa. „Artha as a purusartha : a critical study“. Thesis, University of North Bengal, 2005. http://hdl.handle.net/123456789/74.
Der volle Inhalt der QuelleRoy, Pradhan Tapan. „Uttarbanger rajbanshi prabad-prabachan : ekti artha-samajik samikshan উত্তরবঙ্গের রাজবংশী প্রবাদ-প্রবচন : একটি অর্থ-সামাজিক সমীক্ষণ“. Thesis, University of North Bengal, 2014. http://ir.nbu.ac.in/hdl.handle.net/123456789/1682.
Der volle Inhalt der QuelleBarman, বর্মন Kalipada কালিপদ. „Sadhan Chattopadhyayer uponys (1970-2016) : bishoy-bhabna o aangikgoto abhinabottyo সাধন চট্টোপাধ্যায়ের উপন্যাস (১৯৭০- ): বিষয় ভাবনা ও আঙ্গিকগত অভিনবত্ব“. Thesis, University of North Bengal, 2021. http://ir.nbu.ac.in/handle/123456789/4340.
Der volle Inhalt der QuelleBína, Vojtěch. „Hotel Artia“. Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-239948.
Der volle Inhalt der QuelleCorzo, Callirgos Marco Antonio, Olaza Favio Alfredo Flores, Chavez Vda de Tardillo Fiorella Rita Herencia, Herencia Gloria Giovanna Tardillo und Aquino Chanthall Fiorella Vargas. „Artea Infusiones - Frutos nativos andinos y de la amazonia“. Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/655514.
Der volle Inhalt der QuelleArtea is a company that produces tea infusions, made with dried fruits from the Peruvian coast, mountains and jungle for commercialization in the city of Lima. In the business model presented by the work team, we provide the information from the study carried out which shows a developing market niche and in turn potential due to the new consumer behavior in purchasing healthy and natural beverages. The products currently offered on the market have as their main characteristic their flavor and aroma. In addition, they are imported products with essences from various countries. For this reason, Artea marks a differentiated added value by adding essences with nutritional values that are only found in Peru. The Camú Camú is one of the exclusive products of this Country, from the jungle area. It is recognized for being the fruit with the highest concentration of Vitamin "C", even exceeding Lemon 5 times. Other products that are added in this exclusivity due to the characteristics mentioned are blueberry and muña. For this reason, Artea will have them as the main essences to commercialize, differentiating ourselves in the market.
Trabajo de investigación
Kimoto, Yukinori. „A Grammar of Arta: A Philippine Negrito Langage“. Kyoto University, 2017. http://hdl.handle.net/2433/226793.
Der volle Inhalt der QuelleKulasinghe, Arutha Jeevana. „Circulating tumour cells in head and neck cancers“. Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/110534/1/Arutha%20Jeevana_Kulasinghe_Thesis.pdf.
Der volle Inhalt der QuelleTheis, Lioba. „Die Architektur der Kirche der Panagia Parēgorētissa in Arta, Epirus /“. Amsterdam : A. M. Hakkert, 1991. http://catalogue.bnf.fr/ark:/12148/cb35706823k.
Der volle Inhalt der QuelleMendiola, Casey Alexandra. „He koha aroha ki te whanau: deliberate self harm and Maori whanau“. Thesis, University of Auckland, 2011. http://hdl.handle.net/2292/13627.
Der volle Inhalt der QuelleArth, Alexander [Verfasser], und Harald [Akademischer Betreuer] Lesch. „Simulating magnetic fields in galaxy clusters / Alexander Arth ; Betreuer: Harald Lesch“. München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2018. http://d-nb.info/115950685X/34.
Der volle Inhalt der QuelleLuffman, Margie. „Late yellow rust (Pucciniastrum americanum (Farl.) Arth.) of Red raspberry (Rubus idaeus L.)“. Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61841.
Der volle Inhalt der QuelleRamirez, Philippe. „Patrons et clients : étude des relations politiques sur le site d'un ancien royaume indo-népalais, Argha (Népal central)“. Paris 10, 1994. http://www.theses.fr/1994PA100072.
Der volle Inhalt der QuelleArgha is a former principality of the gandaki basin, annexed by Nepal in late xviiith century. The population is mainly indo-Nepalese, being Hindu by religion and divided into a hierarchy of status-groups. Authority and solidarity are based on inter-individual and hierarchical ties, linking, among others, patrons and clients. Local political structures tie up from high-status lineages backed by their clients and taking the form of factions involved in permanent competition. The personal and hierarchical nature of authority prevails right from the domestic and agnatic spheres. The exact limits of the descent units and the process of their development have been scrutinized. An attempt has been made to reconstruct the emergence of today's political organization through simultaneous analyses of historical data, rituals and local elections. Up to 1951, government, particularly at the local level, was based on the delegation of authority along a pyramid of contracts between owners of rights and brokers. Functions pertaining to administration, taxes and justice were not made distinct. Under the new regime, charges are nor granted anymore by the sovereign but allotted through the electoral process. This development had a decisive impact on affiliation mechanisms and, as a consequence, on the political structure of the locality. Old dominant lineages, which legitimacy dated back to the principalities, loose their influence in the context of a global breaking up of former political territories
Liveri, Angeliki. „Die Bauplastiken des 13. und 14. Jahrhunderts in Arta Beitrag zur Kulturgeschichte des "Despotats" von Epiros /“. Online version, 1986. http://bibpurl.oclc.org/web/31122.
Der volle Inhalt der QuelleIkkurthy, Praveen Chiranjeevi. „Software Testing Testbed for MPEG-4 Video Traffic Over IEEE 802.11b Wireless LANs“. Scholar Commons, 2003. https://scholarcommons.usf.edu/etd/1397.
Der volle Inhalt der QuelleHardarson, Gunnar. „Littérature et spiritualité en Scandinavie médiévale : la traduction norroise du "De arrha animae" de Hugues de Saint-Victor : étude historique et édition critique /“. Paris ; Turnhout (Belgique) : Brepols, 1995. http://catalogue.bnf.fr/ark:/12148/cb37620577r.
Der volle Inhalt der QuelleBibliogr. p. 247-260. Index. Contient le texte norrois et latin en parallèle du "De arrha animae"
Andreazza, Cícero Jonatas, Marcelo Diniz Vitorino und Universidade Regional de Blumenau Programa de Pós-Graduação em Engenharia Ambiental. „Perspectivas de utilização de Propodium appendiculatum (Wint.) Arth. (Uredinales: Pucciniaceae) no controle biológico de Tecoma stans (L.) Juss. ex Kunth (Bignoniaceae) /“. reponame:Biblioteca Digital de Teses e Dissertações FURB, 2004. http://www.bc.furb.br/docs/TE//296151_1_1.pdf.
Der volle Inhalt der QuelleRicciardi, Francesco. „Automatic search of missing people in avalanches“. Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/15282/.
Der volle Inhalt der QuelleJennings, Rosalind Maria. „Disappearance in deceptive landscapes : borderlines of identity in the Canadian wilderness with particular reference to selected works by Margaret Atwood, Robert Kroetsch, Michael Ondaatje and Aritha Van Herk“. Thesis, University of York, 1996. http://etheses.whiterose.ac.uk/10902/.
Der volle Inhalt der QuelleMichaud, Catherine. „Histoire des pratiques et de l'exploitation des espaces dans les collines préhimalayennes du Népal districts de Gulmi et de Argha-Kanchi : stratégies actuelles et anciennes d'alimentation des troupeaux“. Université Joseph Fourier (Grenoble), 1993. http://www.theses.fr/1993GRE19064.
Der volle Inhalt der QuelleAT LOW ALTITUDE WHERE GRAZING LANDS AND FORESTS ARE VERY FEW, ANIMALS ARE FED IN STALLING with THE PRODUCT OF PRIVATE FIELDS. THE INCREASE IN FOOD PRODUCTION IS NECESSARY IN ORDER TO HAVE MORE ANIMALS OF A BETTER QUALITY. THE PRESENT ANIMAL FEEDING STRATEGY HAS EVOLUTED VERY QUICKLY SINCE 50 OR 60 YEARS. ANIMAL HUSBANDRY USED TO BE VERY IMPORTANT AND ON AN EXTENSIVE BASIS, BOTH FOR HIGH CASTS AND FOR MAGAR. IT WAS BASED ON A HUGE COMMON FOREST LAND AFFORDING FOOD FOR THE CATTLE. INCOME WAS PROVIDED BY SELLING BUTTER OR LIVING ANIMALS. AN HUGE DEMOGRAPHIC GROWTH WAS AT THE ORIGIN OF FOREST CLEARING, MIGRATION TO INDIA AND EVOLUTION OF AGRARIAN SYSTEMS. THE HIGH ALTITUDE HAMLET HAVE SOME CHARACTERISTICS OF THE PREVIOUS SYSTEM, DUE TO THE REMAINING FORESTS ON THE TOP OF THE HILLS. AT LOW ALTITUDE WHERE GRAZING LANDS AND FORESTS ARE VERY FEW, ANIMALS ARE FED IN STALLING with THE PRODUCT OF PRIVATE FIELDS. THE INCREASE IN FOOD PRODUCTION IS NECESSARY IN ORDER TO HAVE MORE ANIMALS OF A BETTER QUALITY FOR AN ALWAYS GROWING POPULATION
Black, Taiarahia. „Kāore te aroha-- : te hua o te wānanga : a thesis presented for the degree of Doctor of Philosophy in Māori Studies at Massey University, Palmerston North, Aotearoa, New Zealand“. Massey University, 2000. http://hdl.handle.net/10179/1117.
Der volle Inhalt der QuelleJakupi, Arta [Verfasser], Guerra Max [Akademischer Betreuer] Welch, Frank [Akademischer Betreuer] Eckardt, Naser [Akademischer Betreuer] Kabashi, Meier Hans [Gutachter] Rudolf und Jens [Gutachter] Geelhaar. „The Effect of the International Community Presence in the Urban Development of Post Conflict City Case Study: Kosova / Arta Jakupi ; Gutachter: Hans Rudolf Meier, Jens Geelhaar ; Max Welch Guerra, Frank Eckardt, Naser Kabashi“. Weimar : Institut für Europäische Urbanistik, 2013. http://d-nb.info/1115807315/34.
Der volle Inhalt der QuelleJakupi, Arta Verfasser], Guerra Max [Akademischer Betreuer] [Welch, Frank [Akademischer Betreuer] Eckardt, Naser [Akademischer Betreuer] Kabashi, Meier Hans [Gutachter] Rudolf und Jens [Gutachter] Geelhaar. „The Effect of the International Community Presence in the Urban Development of Post Conflict City Case Study: Kosova / Arta Jakupi ; Gutachter: Hans Rudolf Meier, Jens Geelhaar ; Max Welch Guerra, Frank Eckardt, Naser Kabashi“. Weimar : Institut für Europäische Urbanistik, 2013. http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20130130-18314.
Der volle Inhalt der QuelleSicard, Patrice. „Images et spiritualité au XIIe siècle : le "Libellus de formatione arche" de Hugues de Saint-Victor : étude d'histoire littéraire et doctrinale“. Paris 4, 1989. http://www.theses.fr/1989PA040085.
Der volle Inhalt der QuelleHugh of Saint-Victor gave several lectures at the cloister of the parisian abbey of St Victor : the subject furnished the matter of the treatise 'De Archa Noe'. .
Čepeláková, Hana. „Křivoklátská archa“. Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-305622.
Der volle Inhalt der QuelleKidd, Jacqueline Dianne. „Aroha mai: nurses, nursing and mental illness“. 2008. http://hdl.handle.net/2292/2414.
Der volle Inhalt der QuelleYahi, Alexandre. „Simulating drug responses in laboratory test time series with deep generative modeling“. Thesis, 2019. https://doi.org/10.7916/d8-arta-jt32.
Der volle Inhalt der QuelleSU, ZHUO-JIN, und 蘇灼謹. „Arth pressure computations by self generating failure planes“. Thesis, 1992. http://ndltd.ncl.edu.tw/handle/93344989561985219601.
Der volle Inhalt der QuelleWen, Chia-Min, und 溫佳敏. „Where Is Home? Aritha van Herk's Restlessness and Its Translation“. Thesis, 2016. http://ndltd.ncl.edu.tw/handle/27195540381392964122.
Der volle Inhalt der Quelle佛光大學
外國語文學系
104
This thesis focuses on the sense of restlessness and the search for identity and a sense of belonging in Aritha van Herk’s Restlessness. The narrator and protagonist, Dorcas, is a Dutch Canadian emigrating at a very young age from the Netherlands to Canada with her parents and her aunt. She works as an international courier and therefore has to travel all over the world. Weariness and restlessness arise in her mind. However, when Dorcas returns to her place at Calgary, she feels more homesick and restless and has to leave again. Paradoxically, Dorcas also carries out the search for peace of mind and a sense of belonging through traveling, but traveling does not bring her what she desires. In order to resolve this dilemma, she makes several attempts at suicide but never succeeds. Then she starts hiring assassins. In fact, Dorcas hires many assassins in different cities to kill her, but no one makes it. It is also because she has been trying for many years to find a place where she can terminate her life. Finally, she goes back to Calgary, where she grows up, and hires a professional assassin, Derrick Atman, to end her life at the Palliser Hotel. Dorcas arranges her own death and wants to become a ghost haunting the Palliser Hotel. In this way, it seems that she tries to turn Calgary as her home. The whole plot of Restlessness develops during the evening when Dorcas meets Derrick Atman in the hotel in order to complete their deal. Within the few hours she spends with Atman, Dorcas recalls important people and events in her past life. Through the mix of a large number of dialogues and interior monologues, we readers can discover Dorcas’s restlessness in her search for home and self-identity.
Ciciola-Izzo, Rosanna. „Mother/Art:A Search Into Selfhood, Motherhood and Art Education through Personal Works“. Thesis, 2014. http://spectrum.library.concordia.ca/978600/1/Ciciola%2DIzzo_MA_S2014.
Der volle Inhalt der QuelleLiu, Fang-Gui, und 劉芳桂. „Ecocriticism from Art:A Study of Ecological Art of Helen Mayer and Newton Harrison“. Thesis, 2010. http://ndltd.ncl.edu.tw/handle/fymwr5.
Der volle Inhalt der Quelle國立臺北藝術大學
美術史研究所
99
As environmental concern become one of the most important issues in recent years, this thesis, on the basis of the Harrisons’ project, develops the study of the relations between the sociality, ecological awareness and the landscape presented by contemporary art when faced with ecological themes. From the exploration of such linage, this thesis returns and further examines and criticizes the artistic works of the Harrisons. Three separate angles of research are then revealed: the linage of art history, ecological awareness of Ecocriticism and the creative link between art and society. Helen Mayer and Newton Harrison first cooperated in the 1970s, the blooming age of ecology. Different from that of other “landscape artists”, who incorporated nature into their works but neglected the development of ecology, their work, through collaborative conversations with experts of other disciplines, discussed and interpreted professional environmental issues and ecological awareness, and attempted the restoration of ecology system and the solution of its problems. Such works were evident in their critical texts, for instance Suzanne Lacy’s “Mapping the Terrain: New Genre Public Art” and Grant Kester’s “Conversation Pieces: Community and Communication in Modern Art” are both important references to the Harrisons’ works. With these texts, as the foundation in the exploration of the relations between art and social practices, the publicity and sociality of the Harrisons’ works are further discussed. Through the discussion of awareness, it is deduced that the social orientation of contemporary art is the descendant of the awareness and reflection constructed by the overall criticism to the development of modern society. The works addressing ecological issues in contemporary art are the precise reflection of this linage, as they aim to restore the lost links of man to nature, and people to society. With the exploration of this linage, works of the Harrisons are of pioneering value in both ecological art and ecocriticism, as well as in the social connections of contemporary art.
HUANG, SHIH-YUN, und 黃士芸. „Using “Zen” for the Design of Campus Installation Art:A Case Study of NYUST“. Thesis, 2016. http://ndltd.ncl.edu.tw/handle/38323k.
Der volle Inhalt der Quelle國立雲林科技大學
設計學研究所
104
This research focuses on application of “Zenism” in Designing Installation Art of Campus. Through the concept of “Art Corner” to campus environment, then to make Installation Art blend into the environment of campus, not only Humanities and Art but also effect of landscaping is reached. The research subjects include the faculty and students of National Yunlin University of Science & Technology and the community public. The research methodology adopts “Focus group” and “Questionnaire survey” by observation and descriptive analysis to get the following results: (1) In relation to the combination of “Zen” to the Installation Art, 91.2% of respondents are satisfied with the design works of Installation Art, which is called “Yo-Yun Avenue” in this research. (2) 49.3% respondents of 1,037 people (55.4 % of the subjects), who have walked on this Installation Art road in recent half the year, feel pleased with the whole decoration. (3) The four view topics related to the satisfaction toward the Installation Art are in the sequence of “Windmill”、”Bicycle”、”Windmill House” and the last one “Wood frame”. (4) Three factors which attract people in the landscaping of “Yo-Yun Avenue” contain “self-factor of psycho-spiritual aspects”, “outside-factor of installation aspects” and “sitting-factor of environment aspects”. The conclusion of this research consists of: (1) The campus of National Yunlin University of Science & Technology is suitable to be an installation art area because it has peaceful and leisurely unique features of campus. And the public support colorful feeling and make the campus more vigorous. (2) The use of “Zen” thought is involved in the installation art. Most of the public love this kind of campus environment which is full of creation space and art landscaping. (3) Installation art landscaping of “Yo-Yun Avenue” makes not only relaxing but also comforting people physically and mentally to reach self-healing and to accommodate physio-psycho-spirits. The public are completely and fully satisfied.
Huan-Tang, Lin. „The Statistical Design of the Xbar Control Chart for ARTA processes“. 2006. http://www.cetd.com.tw/ec/thesisdetail.aspx?etdun=U0017-1901200710300638.
Der volle Inhalt der QuelleLin, Huan-Tang, und 林煥唐. „The Statistical Design of the Xbar Control Chart for ARTA processes“. Thesis, 2006. http://ndltd.ncl.edu.tw/handle/51369073638804575308.
Der volle Inhalt der Quelle中原大學
工業工程研究所
94
This thesis is to explore the control chart design for application to the corre-lated data. We assume that the quality characteristic X follows an ARTA(p) process, which is a covariance stationary process with an arbitrary marginal distribution. A considerable number of previous works have been dealing with the control chart de-sign for correlated normality data, little has been endeavored to the effect of the cor-related non-normality data. In this thesis, we assume that each item is inspected and its quality characteristic is measured at the moment it is produced. Hence, we consider only two parameters: sample size m and control-limit factor k for the design chart. We develop an op-timization model for the control chart design with correlated non-normality data. The rationale for the model is to look for the optimal design parameters so as to maximize the out-of-control performance with specific mean shift, under a fixed performance of in-control process. We propose a procedure of simulation, incorporated with retro-spective approximation, to find the optimal design of control chart. In addition, we also examine the effects of correlated non-normality data on the design parameters. From the results of simulation experiments, our findings reveal that the control chart design requires larger sample size as the data get higher positively correlated. For stronger negative correlation, the sample size does not change monotonically with the magnitude of correlation. Additionally, a larger sample is required for non-normal marginal distributions, such as exponential, lognormal, and t distributions, than for the normal marginal distribution with same lag-p autocorrelations. (Our empirical results only show p=1.) In addition, we compare the chart to the ARMAST chart in different corre-lated data. The data processes we selected are AR(1) process and ARTA(1) with U(0,1) marginal distribution. The results indicate that the application of chart is more robust than ARMAST chart with non-normality marginal distribution.
Fiřt, Jan. „Archa velmistra Puchnera a vlivy nizozemského realismu na pozdně gotickou deskovou malbu v Čechách“. Master's thesis, 2008. http://www.nusl.cz/ntk/nusl-293978.
Der volle Inhalt der QuelleFANG, CHEN YU, und 陳玉芳. „Life Education through Campus Public Art:A Case Study of Beisin Elementary School, Taipei County“. Thesis, 2008. http://ndltd.ncl.edu.tw/handle/55761887645293658992.
Der volle Inhalt der Quelle國立臺北教育大學
藝術學系碩士班
97
The campus public art is taking on an increasingly important role in future development of school environment and of the integrated planning of the community. It affects students’ learning motivation, habit and behavior by being public, artistic, and interactive. In the spirit of incorporating art into life and life into art, campus public art can be extensively integrated as part of the larger curriculum without special financing. In a survey conducted by the current study exploring elementary school students’ and teachers’ preferred forms of getting involved in campus public art, it was found that campus public art forms most to least preferred are artistic creation, artistic performance, and artistic appreciation. The current study was mainly a qualitative one in which surveys, observations of and participation in activities and interviews were analyzed, generalized, and calculated. The results were quantified and resented simple percentages. The research sample is students from Beisin Elementary School, who helped complete surveys. Among the returned surveys, some were chosen at random and the informants, who would fill out a different version of survey and had an interview. In this doing, we get to understand students’ thinking about how campus public art meant to teach about life should be conducted. It turned out that life education supplemented with campus public art to address the topics such as individual and him/herself, individual and others, individual and society and individual and nature enabled teachers and students to know and like themselves and respect others more. The implementation of it also made the school environment greener and more beautiful, reinforced teachers’ and students’ attachment for the school, and further connected the school and the community. As the model worked effectively, it may be an example for schools to follow in life education campaign at the beginners’ level, campus landscape designing, and implementation of public art.
Su, Fu-lung, und 蘇福隆. „The Virtual Image of Digital Art:A Study of Art Creation from Traditional Plastic Art to Digital Art“. Thesis, 2004. http://ndltd.ncl.edu.tw/handle/28241015198341488792.
Der volle Inhalt der Quelle國立嘉義大學
視覺藝術研究所
92
The ‘computer art’ came into being by the computer technology developed since World War Ⅱ. By the ingenious ways of usage of artists, the computer technology, originally, used as tools of trajectory distance computing and information decoding, becomes the material of artistic creation. Up to present time, the steady progress in computer technology has had immense influence over daily life, entertainment, industry, commerce, and even national defense in different areas. For the artistic creation perspectively speaking, the emergence of computer technology, hence traditional painting and design develop new artistic areas and artists use it as creative materials to have an unpredictable brilliant future. After entering the era of digital, the ‘spatial’ presentation of artistic creation is not only entering into 4D, but also the new presentations of so-call ‘virtual reality’ and ‘interactive space.’ For art creators, it is worth studying and discussing this new trend. Facing the new coming era, the artistic materials and presentation should have forms and characteristics of contemporaneity. The core of contemporary arts lies in looking for a new set of ‘visual languages’, and inventing new content and a new means of presentation. The information technology is providing a whole new creative form, and thought. For instance, artists can meet the demands of faster images or make the presentation of imaginative image easier, copy, print and store images in a digital environment, and diffuse artworks widely without the boundaries of Internet. For the author, this study of artistic creation of myself focuses on cognition of digital creation materials and it’s revolutionary influence on the presentation of space and on understanding of it’s distinctive characteristics from traditional materials by the experiments on digital materials. Chapter One gives a description of motives & purposes, methods & steps, and limitation of restriction and boundary. Chapter Two, mainly, discusses the issue of ‘space’: first, from cognition to presentation of painting ‘space’; second, influence of digital technology on creating ‘space’. Chapter Three, it chiefly concerns with the transitional progress of the creation materials of creator from traditional to digital. It starts from the discussion of oeuvres review and period division to digital material experiments, and further analysis and comparison of ‘spatial simulacrum’ presentation of material. Chapter Four, applying the what creator learned from the experiments on digital material in creation of ‘digital spatial virtual image’, and interpreting the connotation of works and analyzing the forms of works. Chapter Five, according to what the creator got from artistic creation, coming to conclusion and offering suggestions, and providing the developmental direction of digital artistic creation and research in the future.
Lin, Huei-yu, und 林慧瑜. „Samurai Spirit Being Practiced in Art:A Study on Huo Sung, Chiou''s Clay Sculpture Creation“. Thesis, 2012. http://ndltd.ncl.edu.tw/handle/57540138429484406048.
Der volle Inhalt der Quelle國立臺南大學
台灣文化研究所碩士班
100
By means of field research, interview, and analysis of images, this paper will develop a systematical argument about a clay sculpture artist, Huo sung, Chiou, by his background, the process of studying independently, and concept and essence of his creations. Besides, Chiou’s sophisticated clay sculpture skill and his core of samurai spirit are pointed out here to be an effective method to understand the culture inside Chiou’s artistic works, and realize his motivation that he performs by his artistic creations and the vitality that he gives to his works in addition. First, the rough sketch of Taiwanese sculptures history which time is from Japanese colonial period to postwar and today to comprehend Chiou’s background will be mentioned in the research. Additionally, a glance into Chiou’s life and experiences will be helpful to understand how his sculpture skill proceeds steadily. Chiou courageously exhibited at official exhibitions when he is unknown to the public. His artistic works won prizes in many exhibitions so he gradually became popular and owned his own studio for creating space. Furthermore, Chiou enthusiastically embarked on social and religious affair so Chiou was offered many excellent chances to publicly display his art works. Chiou was born in Japanese colonial period. By means of training of Kendo, Chiou aimed at revising his moral conduct to cultivate its mature mental attitude. His lift attitude and creation concept were affected by samurai spirits a lot, such as industrious manner, austere style life, self-restrain, acquired manners, and incorruptible attitude towards job and so forth. These self-cultivations for decades have him becoming an unrestricted creative artist. Memorial statue is Chiou’s representative work of realistic style. He finds a balance between Realism and Idealism by means of professional clay sculpture skills, acute observation of people, and documentary textual research. Consequently, Chiou enables to embody the abstract idea in his works to present its essence. Heroic totem that Chiou made symbolizes samurai spirit. He empowers such moralities as loyalty, justice, benevolence, and brave, to heroes. Heroic totem is not a decoration only, but an art work which is provided with dignity and thousands of ideas that Chiou would like to express. His statues of gods are not only splendid decorated, but also solemn imposing. Every statue of god is full of vigor with pithy style. Moreover, every statue is the only one work which is not reproduction by machinery. His works are close connection with his own religious belief, which is identification of religion and a heritage of spirit. Public artistic works of Chiou are contributed by non-governmental organizations. Therefore, the status of Chiou’s creations is able to have a place to be one of important landmarks in Tainan. In the conclusion, the paper will deeply discuss how famous Tainan clay sculpture artist Huo sung, Chiou insists his strong life force and willpower of creation concept without being drowned in mainstream. His human integrity and expression of artistic idea reveal the essence of culture and the value of society; reflect culture identity and elevated life attitude as well. The rarity, Chiou who is almost forgotten by people, completely put the spirit of Taiwanese into practice in his whole life.
FANG, YEN-TING, und 方彥婷. „Research on Awards in National Student Competition of Creative Drama Art:A Case Study of Jiangcui Junior High School“. Thesis, 2018. http://ndltd.ncl.edu.tw/handle/bxd8x5.
Der volle Inhalt der Quelle國立臺灣藝術大學
戲劇學系
106
“National Student Competition of Creative Drama Art” has come to 14th year. The competition is divided into three major categories: Modern Puppetry, Traditional Puppetry, and Drama.“Jiangcui Puppet Theatre Group” was founded in 2012 by New Taipei Municipal Jiangcui Junior High School in Taiwan. However, it was renamed as “Jiangcui Drama Club” in 2015 because of competition system. Until the end of 2016 academic year, Jiangcui Drama Club has participated in the national competition, four works has produced and fallen into two categories called Modern Puppetry and mixed-style Puppetry as well as Drama. The study focuses on the two award winning submissions from Jiangcui Drama Club, “Three Monsters” in 2012, and “Sweet Quarresome” from 2015, the analysis of this study was based on Aristotle´s Six Elements of Drama. In Aristotle´s “Poetics”, the drama consists of plot, character, thought, language, music, and spectacle. The study is divided into five chapters, the first describes research background and motivation, previous studies, research scope, methodology, and expected outcome. The second chapter discusses the details regarding National Student Competition of Creative Drama Art and Jiangcui Drama club, explaining their respective rise and structure. The third chapter analyzes the two award winning dramas respectively, the fourth focuses on the analysis of script, space utilization, and rehearsal. The last chapter will offer research conclusion and suggestions for future research. In the research, the researcher will participate as an observer to record the effects of club’s journey from conception of drama to participation in the contest. The students learned the beauty of theatrical and stage performance in it’s execution through participation, further enhancing the creativity and value of the submission during contest. And from the instructor’s perspective, how to best lead students to explore their inner selves to maximize their performance and increase their interest in order to further promote drama education. Using the analysis and discussion above, the research strives to provide a comprehensive outlook on the current status of drama education and provide future directions for enhancing what and how to teach and lead in order to help institutes intent on providing drama educations in the future.
Arth, Inko [Verfasser]. „Nitrifikation und Denitrifikation in der Rhizosphäre von Reis : kleinräumige Lokalisation der mikrobiellen Prozesse / vorgelegt von Inko Arth“. 2000. http://d-nb.info/959520953/34.
Der volle Inhalt der Quelle周湘玲. „A study of installation art teaching in the field of primary school visual art:a case study of seniro grades in primary school“. Thesis, 2005. http://ndltd.ncl.edu.tw/handle/62595254991324615852.
Der volle Inhalt der Quelle國立新竹教育大學
人資處美勞教學碩士班
94
The objective of the present study was to discuss the development and trend of contemporary installation art in Taiwan, and to analyze the contents and value of theart; it was expected that by summarizing the meaning of practicing installation art in the field of visual art in primary senior grades through literature reviews, an integrated art curriculum using” installation art” as the core would be established. The researcher adopted the method of action research for conducting an one-semester teaching research on students of a fifth grade class of Action Primary School (Anonym) in Taoyuan County. During the course of research, the author repeatedly reflected on shortcomings and identified problems, and lastly discussed the appropriateness and teaching strategies basing on the research outcomes, on top of that, the researcher also provided recommendations for practicing installation art in the field of art and cultural teaching in primary schools in the. The following is the summary of the research outcome and conclusion: (1) The developmental trend of the contemporary installation art in Taiwan: The development of installation art in Taiwan took place through the treacherous social transformation. The causes of the development are summarized into the following points: 1) the stimulation of new artistic concepts brought by the return of Peoples studying abroad;2) the construction of three major contemporary fine art Museums (Taipei Fine Arts Museum, National Taiwan Museum of Fine Arts, and Kaohsiung Museum of Fine Arts);3) the establishment of national colleges of fine Arts in the Northern and Southern Taiwan;4)the rise of the using replacing spaces And spare spaces;5) the rise of localism and cultural self-awareness;6) the Participation and hosting of international bi-annual exhibition; 7) the establishments And spare spaces;5) the rise of localism and cultural self-awareness;6) the Participation and hosting of international bi-annual exhibition; 7) the establishments of public and private fine art foundations;8) the establishment of art subsidizing acts; 9) the establishment of public arts; 10) the trend of strategic exhibition; 11) the trend of internationalization and the surging wave of globalization; 12) the establishment of fine art villages; 13) the plan of overseas village stationing of artists; 14) the encouragement of awards for art; 15) the promotion of relevant artistic magazines. (2) The value of content quality of contemporary installation art in the art and cultural curriculum in senior grades of primary high schools: The characteristics of installation art stress the reflection of self and the environment , and the spirit of fully displaying the care for the culture through in-depth understanding of the society. Furthermore, the techniques for creating are often trans-fields. Therefore, the use of installation art as the theme for teaching art and cultural curriculum corresponds to the spirit and philosophy. (3) The results for the teaching research of establishing an integrated art curriculum with installation art as its core are as following: The highly diverse teaching contents stimulated the interest for learning; the Reflection and care for the environment elevated the understanding’ the students had Developed the abilities of actively exploring and independent thinking; the students Gradually learned the way of expressing to and sharing with others; integrated Knowledge was obtained; the students developed the ability of examining works of Themselves and of others; the students experienced the basic art educating concept that art originates from life and merges with life: the sense of self-concept, self-respect, and self-discipline were enhanced in students. (4)Recommendations regarding the integrated curriculum of installation art: The times needed should be estimated before designing the curriculum and the Teaching hours should be designed flexibly. School activities or extramural resources should be used for a more multi-faceted and comprehensive assessment; the teachers should appropriately guide the students, increase their sense of confidence and independence, and help them to actively involve in the curriculum of installation art. In the future, the practice of horizontally and vertically linked installation curriculum in the primary school art and cultural field could be developed.
Yen, Chih-Yun, und 顏芝芸. „The Interactive Play and Sharing of Creative Behaviours among Children in the Kaohsiung Children’s Museum of Art:A Case Study of the “ Pattern, Really Wonderful !” Exhibition“. Thesis, 2013. http://ndltd.ncl.edu.tw/handle/5f3m82.
Der volle Inhalt der Quelle國立臺北藝術大學
博物館研究所碩士班
101
The children''s art museum as a cultural and educational institution provides a learning choice different from other venues. Through the display design and educational activities, the museum promotes children''s appreciation of artworks and creates diverse interactions and learning experiences. What are the influences of the exhibition design to children’s play and appreciation of artwork behaviours? How do the family members interact in the museum? Furthermore, how do children of different ages interact with artworks? These are the research questions that this thesis is going to explore. The “Pattern, Really Wonderful!” exhibition is applied as case study in the Kaohsiung Children''s Museum of Art. By observation and video recording, the researcher recorded the interaction among children and their family members at four artworks. Analysis shows that different designs of artworks and the exhibition design influenced the interactive play and sharing of creation among children. For example, corner space and overall display environmental influenced the space of play and interaction experience. The dynamic projection on the floor promotes bodily play and teaching aids which can be touched and played benefits children’s role play. The area set for children to display their own works facilitates sharing and discussion. The location and height of setting the artists’ works influences children’s imitation and discussion. Besides, interactive teaching aids can facilitate family members’ interaction, and children also invited adults to join their play. In addition to cooperative play, sometimes adult’s guidance might interfere children’s play. Children of different ages interact with artworks differently. Infants use their body to touch and play most, preschoolers are more devoted themselves into the role play, and school-age children will develop rules of game with their peers. In addition, there are occasional conflicts between children, especially when the resources are unevenly distributed or their own works were destroyed by other children. The children’s art museum can enrich children’s museum experiences and family’s interaction, if the museum staff and artists can make good use of the nature of children''s fond of playing, designing artworks and interactive display that the family loves, and creating an interactive environment suitable for children of different ages, in addition to games and activities to enhance the reading rate of exhibition edition text, and the exhibition requires attention needed to increasing the closed, and considering the height suitable for children to appreciate the artworks as well as providing adequate resources and teaching aids.
吳仁潔. „A research on the realationship between the creators' concept and the society apprehension of public art:a case study on public art work in Hsin-Chu area“. Thesis, 2006. http://ndltd.ncl.edu.tw/handle/31315613227145372961.
Der volle Inhalt der Quelle國立新竹教育大學
美勞教育研究所
94
in the case of public art work,the creation of art is not strictly a release of personal emotion and presentation of style, but also includes more profound thoughts. Besides the art worker’s personal style and professional background, public art needs to express and face complicated and direct problems of its society. The public art which can’t establish a communicational relationship with its society, which ignores the society’s perspective, would lose its purpose and meaning. Therefore, it is a thoughtful topic that a public artist in his works should maintain a balance, expressing both artistic and public aspects. The main purpose of this survey is to understand the public art workers’ thoughts and to investigate the relationship between their works and the surrounding societal environment. For the purposes of this research, I tried to determine the main topics and ideas relevant to public art. The tools I intend to use to answer the aforementioned questions are; literature analysis of many artist’s works and their biographies in order to build the basic concepts of public art creation, personal interviews trying to determine public art workers’ creative concepts and their original notions, and questionnaire-based research in order to acquire information concerning the public’s apprehension of public art works related to my main research topics. The conclusions of this survey are extracted from the results of the interviews and questionnaires. The following presents a summary of the findings: 1. There are three aspects that the public art workers should consider when creating their works. From an artistic aspect, public artists take major consideration of the place where their works are to be exhibited. From a spatial aspect, drawing from the “tangible environment” and “intangible environment” that physically surrounds the work of art, the workers also intent to shape their works in such a way so as to craft public art works that suit these surroundings. Moreover, from a public aspect, they aim to call attention to the viewers’ aesthetic visual receptiveness and provoke in an emotional and sentimental manner. 2. The public art workers faced some difficulties in the public aspect. Firstly, excessive bureaucracy and red-tape. Secondly, the public art works and the buildings or other surroundings couldn’t keep in harmony. Thirdly, the government tended to misinterpret public art works as engineering. Fourthly, the art workers and the executive administrations had different perceptions about the works. Fifthly, seeking materials and factories sometimes was not easy to find because of the great quantities needed. In that case, the solutions were joining public art work teams, looking for enthusiastic administration, developing the art workers’ patience and communicative abilities and altering the art workers’ mindset. 3. The differences of perception of the public art works between the workers and the viewers focuses on their understanding of the titles and contents of art works, as well as their perception concerning the locations and the space of the public art works. For balance to be maintained, the workers should take the viewers’ consciousness into consideration, and then create detailed explanation boards for their works. Furthermore, the art workers should investigate the public’s perception concerning the surrounding environment before starting the work. According to these results, I propose some suggestions concerning the public art workers, the administrations as well as future researches.
SU, YU-WEN, und 蘇郁雯. „The Museum Exhibition and Appreciation Education of Ink Art:A Case Study of “A Passionate Journey:Huang Kuang-nan’s Literati Art” Exhibition in the Kaohsiung Museum of Fine Arts“. Thesis, 2018. http://ndltd.ncl.edu.tw/handle/9pg5eg.
Der volle Inhalt der Quelle國立臺北藝術大學
博物館研究所
106
The development of Ink-art in Taiwan is influenced by its society, way of living, school’s art education, and ideology. Comparing with western art, Ink-art’s aesthetic-value is relatively unrecognized by the people of this country. How can a museum express the aesthetic value of Ink-art with it’s own limited resource while still being dedicated to the community’s education, and being a cultural institution? With this in mind, the purpose of this research is to investigate Ink-art’s exhibitions in museums, and the practice of education of appreciation. In response to the following questions, this study will focus on an exhibition held by Kaohsiung Museum of Fine Arts (KMFA, Kaohsiung), “A passionate journey: Huang Kuang-nan’s Literati Art” as a research target: How is Ink-art’s aesthetic value reproduced and demonstrated through this exhibition? How does a museum express its content in order to facilitate the education of appreciation? How is Huang Kuang-nan’s personal experiences reflected through his Ink-art creations and his concept of art education? As a response for those questions mentioned above, through thorough analysis of related articles, this research will first clarify the effectiveness of the museum’s ability to educate through exhibitions, and the theory on Ink-art’s education of appreciation. Furthermore, this research aims to understand how Ink-art’s education of appreciation is practiced in a museum through these points of view. Secondly, via the analysis of Huang Kuang-nan’s experience in art education and his concept of it, this research will further investigate his idea of Ink-art creation and his views on art. Lastly, this research will focus on its purpose, the space arrangement, and the guide lines on this particular event, “A Passionate journey: Huang Kuang-nan’s Literati Art” to further analyze and discuss the questions above as feedback. Affected by his environment, learning and working experience, Huang Kuang-nan used intellectual vision of Ink-art to represent his heart and soul in attempt to turn it into a modern symbol. The exhibition “A Passionate journey: Huang Kuang-nan’s Literati Art” makes its own interpretation through a “intellectual’s vision” with the intention to present Huang Kuang-nan’s complete experience in art. The construction of this exhibition was presented in alignment with its style properties to effectively highlight the feature of Huang Kuang-nan's Ink-art, and has successfully matched it with the exhibition’s scheme. During the exhibition tour, the speaker provides a sequence and pathway to judgement on Ink-art, as well as encourages viewers to link their personal life experiences to guide them on how to appreciate Ink-art.
Leaver, Jonathan David. „Identification and Interpretation of Characteristic Periodic Variations of Near Surface Fluids in the Te Aroha, Rotorua, and Orakeikorako Geothermal Fields of New Zealand using Wavelet and Fourier Analysis“. 2006. http://hdl.handle.net/2292/346.
Der volle Inhalt der QuelleMatějka, Miroslav Pacifik. „Analýza biblické důvěry ve světě Pentateuchu“. Doctoral thesis, 2011. http://www.nusl.cz/ntk/nusl-311419.
Der volle Inhalt der QuelleFiřt, Jan. „Recepce nizozemského realismu v pozdně gotické deskové malbě v Čechách“. Doctoral thesis, 2016. http://www.nusl.cz/ntk/nusl-353532.
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