Dissertationen zum Thema „Art néolithique“
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Lee, Sang-Mog. „Les gravures rupestres du site de Bangu-dae dans la partie méridionale de la péninsule coréenne“. Paris, Muséum national d'histoire naturelle, 2003. http://www.theses.fr/2003MNHN0025.
Der volle Inhalt der QuelleIn the Korean peninsula there is now 14 know rock art sites: they only have engravings obtained by pecking or scraping. Most of the sites have been noted over the last thirty years; before, only one site was knows, mentioned in old texts from the XVIth century. There types of sites can be distinguished from their material context and the environment surrounding them : vertical walls on the edge of a river, open air rocks, the slabs of dolmens or menhirs. The site of Bangu-dae is on the left bank of the Taewa, which runs east and joins the Sea of East. The site is like a cliff measuring around 3 m high and 10 m wide. Most of the engraved faced, of smooth reddish sandstone, are oriented toward the north. 231 representations, of which 170 figures are identifiable and 61 motifs unidentifiable, are observable. Representations of cetaceans are the most frequent, being 19, 9 % of the figures. There are also 25 artiodactyls, 23 carnivores, 6 tortoises, 3 birds, 2 pinnipeds, 2 fish, etc. From the abundant representations of marine animals, the site seems to be in close relation with hunter-fishers, attributed to the Neolithic era (between 6000 B. C. And 1000 B. C. )
Bleibtreu, Jasna. „Esthétique de la période néolithique en Bosnie-Herzégovine“. Paris 1, 1995. http://www.theses.fr/1995PA010575.
Der volle Inhalt der QuelleKhaled, Fatma Zohra. „La représentation du bubale antique dans l'art rupestre de l'Atlas saharien (Algérie)“. Thesis, Montpellier 3, 2015. http://www.theses.fr/2015MON30070.
Der volle Inhalt der QuelleAmong the carved animal figures that appeared in North Africa during prehistory, the antique buffalo, omnipresent throughout the Saharan Atlas during the Neolithic, features prominently.Our study focused on 141 of these hartebeest engravings, spread over the various links constituting the Saharan Atlas of which 79 have been studied by us on the spot. This study consolidates and analyses data scattered in multiple works, to which are added our discoveries which have enriched the record and expanded the spatial distribution of these engravings. This wealth is not only quantitative, it is also qualitative. This important spring stylistic, thematic and technical highlights the regional schools and Saharan influences. Our research has allowed a better understanding of the stylistic and iconographic traditions of figuration of this animal and allowed us to situate them in their chrono-cultural and geographical context.The representations of the antique buffalo whose developed some forms, involved in defining cultural provinces, reveal the investment and the choice of artists in a varied bestiary that was represented differently depending on the region and atlasiques schools
Gauvry, Yoann. „L' exploitation minérale à la protohistoire ancienne dans la moitié nord de l'Europe : émergence d'un art mineur“. Paris 1, 2006. http://www.theses.fr/2006PA010568.
Der volle Inhalt der QuelleRobin, Guillaume. „L'art pariétal des tombes à couloir néolithiques autour de la Mer d'Irlande : iconographie et organisation spatiale“. Phd thesis, Université de Nantes, 2008. http://tel.archives-ouvertes.fr/tel-00360165.
Der volle Inhalt der Quelleexclusivement de signes géométriques, considérés généralement comme abstraits et non structurés.
Une analyse spatiale révèle au contraire une réelle organisation des signes. Cette analyse, menée sur plus
de 630 dalles gravées, met en avant un grand nombre de récurrences dans l'association des signes, dans
leur positionnement sur les pierres ainsi que dans leur emplacement dans l'architecture complexe des
tombeaux. Il est ainsi possible de définir une véritable « syntaxe » régissant l'agencement des signes à
différentes échelles de l'espace. Cette syntaxe permet par ailleurs de retrouver la position d'origine de
dalles gravées en réemploi dont les gravures, en position secondaire, sont « désorganisées ». Enfin, une
étude de l'organisation des éléments architecturaux et des dépôts funéraires montrent que ceux-ci
forment avec l'art pariétal un seul et même modèle symbolique de représentation spatiale.
Iddir, Smaïl. „Peuplement holocène du bas Mertoutek, zone centrale de la chaîneTéfedest, Massif de l'Ahaggar (Algérie)“. Electronic Thesis or Diss., Toulouse 2, 2013. http://www.theses.fr/2013TOU20037.
Der volle Inhalt der QuelleThe present work focuses on several themes. It is the archaeological study of the Lower Mertoutek in Tefedest. This research deals with all archaeological materials present on the ground. The analysis of Neolithic settlement sites and the study of the remains collected during the excavations allowed to situate them among the Neolithic cultures of the Ahaggar and central Sahara. Similarly, studies of monuments, the analysis of their geographical distribution and the excavation of certain architectural forms, led to refine our knowledge of these monuments and understand the various funeral rites and different burial positions. The study of rock art, painted and engraved, located in the funerary context and prehistoric settlement, has contributed greatly to the understanding of the modalities of the establishment of these cultural groups, producers of these lithic industries and pottery, funerary monuments and cave paintings abounding in the region. This research has also contributed to better understanding of the Holocene settlement of the desert regions, its lifestyle, its evolution and possible relationships between all the remains that have been taken over in this work
Huet, Thomas. „Etude des gravures protohistoriques de la zone des lacs (zones I, II, III et V) de la région du mont Bego, Tende, Alpes-Maritimes (Master 2)“. Phd thesis, Université de Nice Sophia-Antipolis, 2006. http://tel.archives-ouvertes.fr/tel-00715386.
Der volle Inhalt der QuelleIddir, Smaïl. „Peuplement holocène du bas Mertoutek, zone centrale de la chaîneTéfedest, Massif de l'Ahaggar (Algérie)“. Thesis, Toulouse 2, 2013. http://www.theses.fr/2013TOU20037/document.
Der volle Inhalt der QuelleThe present work focuses on several themes. It is the archaeological study of the Lower Mertoutek in Tefedest. This research deals with all archaeological materials present on the ground. The analysis of Neolithic settlement sites and the study of the remains collected during the excavations allowed to situate them among the Neolithic cultures of the Ahaggar and central Sahara. Similarly, studies of monuments, the analysis of their geographical distribution and the excavation of certain architectural forms, led to refine our knowledge of these monuments and understand the various funeral rites and different burial positions. The study of rock art, painted and engraved, located in the funerary context and prehistoric settlement, has contributed greatly to the understanding of the modalities of the establishment of these cultural groups, producers of these lithic industries and pottery, funerary monuments and cave paintings abounding in the region. This research has also contributed to better understanding of the Holocene settlement of the desert regions, its lifestyle, its evolution and possible relationships between all the remains that have been taken over in this work
Favrel, Quentin. „Études technologiques des assemblages céramiques du néolithique final du Nord-Ouest de la France : la place des cultures locales et l'impact du campaniforme sur la façade atlantique au troisième millénaire avant notre ère“. Electronic Thesis or Diss., Paris 1, 2022. http://www.theses.fr/2022PA01H070.
Der volle Inhalt der QuelleThe appearance of the Bell Beaker in the middle of the third millennium BC marks a major turning point for the societies of north-western France, as in many other parts in Europe or the Maghreb. Thin and carefully decorated beakers constitute the best evidence on archaeological site, although others objects are often associated with them, especially in grave (paraphernalia made of various materials, copper daggers, arrowheads). The introduction of these objects and the techniques and practices related with them necessarily raises questions, especially as the phenomenon covered a vast territory in a period of less than two centuries while preserving a certain homogeneity. Numerous theories have been developed to account for this situation, including migrations, long-distance exchanges, the development of new belief systems, and prospectors looking for metal ore deposits. The origin of this phenomenon has long been questioned and is thought to originate in the Iberian Peninsula. The north-west of France is one of the best known areas in Europe regarding the Bell Beaker phenomenon, but has not been the subject of a dedicated synthesis for more than sixty years. It has become critical since the rise of development-led archaeology, which has largely revamped the available data. It is crucial to fill this gap and to focus on the ceramic production related to the Bell Beaker. This is the most widespread and best contextualised material, therefore the most likely to help us to make progress on the definition of the Bell Beaker phenomenon. We have compiled a database integrating sites, the discovery contexts of the material, radiocarbon dating and the ceramics in order to take stock of the Bell Beaker question in north-west France. The ceramics assemblage’s from reference sites were subjected to typo-technological analysis to determine the manufacturing chaînes opératoires of Bell Beaker vessels. All of this data was then combined with multiple statistical analyses (CA, PCA, MCA, seriation, etc.) to compare the different Bell Beaker productions in our study area across time and space. This research allows, on the basis of the ceramics, to establish a new chronological, spatial and stylistic framework for the Bell Beaker in northwestern France. It also allows us to discuss the significance of the Bell Beaker and its relationship with earlier, later and contemporary cultural complexes. It is crucial to fill this gap and to focus on the ceramic production related to the Bell Beaker
Sweydan, Francois. „Recherches sur le système de représentations symboliques de l’art néolithique aux textes des pyramides- Origines et formation des éléments de la religion solaire de l’Egypte antique“. Thesis, Lyon 2, 2011. http://www.theses.fr/2011LYO20009.
Der volle Inhalt der QuelleSince the beginning of the first dynasties, the pictogram in writing was the extension of naturalistic figurative representations, logograms in the decorated funerary protodynastic palettes. This statement carry us to link them with the parietal art of Neolithic Nubia, the egyptian Predynastic, and peripheral cultural areas. We have reconsidered the petroglyphs as polysemic symbols and ideograms, i.e. mythograms as well polysemic logograms-phonograms, allowing us to draw up a structural system of symbolic representations, universal in the Nile valley. Basically funerary, the system is organised around a new reading in connection with the founding of the ‘Eye of Horus’/solar myths, and express itself in primitive Neolithic and Predynastic rites of revivification, rebirth, more explicit afterwards during the first dynasties on labels, votive cylinder-seals, and anointing the deads with the seven holy canonical oils, finally in the Pyramid Texts. Contrary to the common idea which opposite the Nature-Culture notions, there is some question to combine them, to reconcile the non-binary duality and to see, for example, the heliotrope functions and/or heliophore animals of the sub-Saharan bestiary, with Sokar the funerary hawk, the benevolent guarantors for the rebirth and metamorphosis of the sun/deads; otherwise felids, canids, antelopes…, invested by the numinous of the protecting divinities. In consequence of a new reading of the primitive ‘osirian’ myth of metamorphosis, we have reconsidered the conceptions about animal sacrifice on the basis of religious anthropology. Far from bringing under control and submission of nature, and diffusionnism, the intercultural (cross-cultural) of the first archaic mythic thought in the multi-ethnic nubian-egyptian valley and associated neighbouring areas involves, towards the natural world and the numinous spiritual strengths, the cross-cultural of solar conceptions and multicultural, trans-historic sharing of the polycyclic resurrectional believes. Thus, the animal petroglyphs, cynegetic scenes, boats and sandals representations, etc., are of funerary votive, apotropaic nature
Bianchi, Nicoletta. „ART RUPESTRE EN EUROPE OCCIDENTALE : CONTEXTE ARCHEOLOGIQUE ET CHRONOLOGIQUE DES GRAVURES PROTOHISTORIQUES DE LA REGION DU MONT BEGO. De la typologie des armes piquetées à l'étude des gravures schématiques-linéaires“. Phd thesis, Université de Perpignan, 2013. http://tel.archives-ouvertes.fr/tel-00915928.
Der volle Inhalt der QuelleHuet, Thomas. „Organisation spatiale et sériation des gravures piquetées du mont Bego“. Phd thesis, Université de Nice Sophia-Antipolis, 2012. http://tel.archives-ouvertes.fr/tel-00712290.
Der volle Inhalt der QuelleRobin, Guillaume. „L' art pariétal des tombes à couloir néolithiques autour de la Mer d'Irlande : iconographie et organisation spatiale“. Nantes, 2008. http://www.theses.fr/2008NANT3022.
Der volle Inhalt der QuelleThe parietal art of the Neolithic passage tombs distributed around the Irish Sea is composed exclusively of geometrical signs generally considered as abstract and not structured designs. A spatial analysis reveals on the contrary a real organisation of the signs. This analysis, carried out on more than 630 carved stones, shows that a great number of recurrences occur in the association of the signs, their layout on the stones and their location in the complex architecture of the tombs. It is thus possible to define a « syntax » ruling the arrangement of the signs on various scales of the space. In addition, this syntax allows to find the original position of reused carved stones whose carvings, in a secondary position, are « disorganised ». Lastly, a study of the organisation of the architectural elements and grave deposits shows that they form, together with parietal art, a single symbolical model of spatial representation
Honoré, Emmanuelle. „L'appropriation de la nature par l'homme au Sahara égyptien (Gilf el-Kebir) au cours de l'optimum holocène“. Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010693.
Der volle Inhalt der QuelleWith its foothills carved by numerous dry valleys, the sandstone plateau of the Gilf el-Kebir has been used as a refuge area in the Eastern Sahara during the Holocene optimum, from around 8000 to 4000 Be. Archaeological data allow understanding the daily practices and also the medium- and long-term strategies of the groups who settled in the region. Housing and mobility, management of resources and procurement and organization of the activities are ail witnesses of the relationship of man to his environment, and how he uses it for his needs. In the Gilf el-Kebir, the appropriation of nature is reflected in the material and conceptual fields. During the VIth millennium BC, the adoption of cattle pastoralism involves changes both in domestic economies and in social and symbolic life. In the northwestern shelters, rock art translates into images the conception that the painters and the engravers had of their own place and role among their environment. The atypical representations of half-human half-animal beasts take part in our understanding of the process for socializing nature
Battentier, Janet. „Gestion des espaces forestiers provençaux et ligures au Néolithique : approche anthracologique“. Thesis, Université Côte d'Azur (ComUE), 2018. http://www.theses.fr/2018AZUR2009.
Der volle Inhalt der QuelleThe Liguro-Provençal region extends from the Northern Apennines to the Rhone River and from the Southern Alps to the Mediterranean Sea. In this region, the emergence and the development of agro-pastoral subsistence economies, at the beginning of the VIth mill. BCE, led to changes in pre-existing forest cover and in interactions between societies and the landscapes they exploited. This work specifies the modalities of these transformations through charcoal analyses of remains from 6 well-documented archaeological sites that were occupied from the end of the Mesolithic (Castelnovian) to the late Neolithic (6500-2000 cal. BCE), including la Font-aux-Pigeons (Châteauneuf-les-Martigues, Bouches-du-Rhône), l’abri Pendimoun (Castellar, Alpes-Maritimes), « RD 560/RD 28 déviation de St-Maximin » and « le Clos de Roques/Route de Barjols » (Saint-Maximin-la-Sainte-Baume, Var), la Grotte de Pertus II (Méailles, Alpes-de-Haute-Provence), Ponteau (Martigues, Bouches-du-Rhône) and Limon-Raspail (Bédoin, Vaucluse). These sites occupied a variety of environments ranging from the coast to regions reaching 1000 m a.s.l, and include occupations that were temporary to sub-permanent. As a result, this research has filled previously existing chronological, geographical and settlement pattern lacunae. Examination of a broad corpus of charcoal and pollen data (78 botanical sequences from archaeological and natural contexts) permits us to propose nuanced scenarios on landscape evolution and its relation to practices carried out across the Liguro-Provençal region.While vegetation dynamics seem relatively synchronous across this zone, their translation in terms of landscape is more variable. During the Castelnovian and Impressa (6500-5600/5400 cal. BCE) periods, our study reveals the predominance of forest taxa such as deciduous oak (Quercus deciduous), elm (Ulmus sp.), lime (Tilia sp.) and the expansion of fir (Abies sp.), which supports the importance of dense, diversified and sub-mature forests, on a broad altitudinal gradient. Open landscapes (evergreen taxa and light-demanding conifers) also prevailed in the lowlands and at high altitudes. These open landscapes appear to have been more attractive for settlement than fir forests, maybe because they are more favourable for the main subsistence activities of both groups (hunting, farming, pastoralism). From the mediterranean to alpine stages, there was a discreet rise in plant-types that are more competitive to the opening up of the canopy, and a decrease of taxa that are more sensitive to open conditions as a response to the first anthropogenic disturbances of the forest cover, from as early as the second half of the VIth mill. BCE. This trend increased with time as forests opened up and were replaced by more disturbance-adapted formations that grew in the form of coppices. This process unfolded in parallel with the diversification of territorial exploitation (lowland to upland) and of its woody resources. However, despite concordance between the development of the staged exploitation of the environment and anthropogenic pressures related to the expansion of agro-pastoral systems, the maintenance of deciduous oak forests in the hinterland is attested by charcoal sequences from sites such as Limon-Raspail and Saint-Maximin-la-Sainte-Baume until the late Neolithic. Thus, over the course of the Neolithic, the anthropogenic opening of the forest cover probably unfolded in the form of increasingly widespread thinning but which remained limited in space. These landscape transformations are characterized by a decline of forest cover and by a decrease of their diversity on the one hand, and by the rise and the diversification of taxa related to open landscapes on the other hand, highlighting the contribution of Neolithic practices to the genesis of the current vegetal landscape
Dias-Meirinho, Marie-Hélène. „Des Armes et des Hommes. L'archerie à la transition fin du Néolithique/Age du Bronze en Europe occidentale“. Phd thesis, Université Toulouse le Mirail - Toulouse II, 2011. http://tel.archives-ouvertes.fr/tel-00655169.
Der volle Inhalt der QuelleOnda, François-Joseph. „Le féminin dans les paysages pré-chrétiens irlandais“. Phd thesis, Université Rennes 2, 2012. http://tel.archives-ouvertes.fr/tel-00725801.
Der volle Inhalt der QuelleMaffi, Maria. „Componenti culturali nei siti neolitici emiliani tra Neolitico recente e finale“. Doctoral thesis, Università degli studi di Trento, 2014. https://hdl.handle.net/11572/367949.
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