Dissertationen zum Thema „Art – Italy – Florence“
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Mariani, Irene. „Vespucci family in context : art patrons in late fifteenth-century Florence“. Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/15740.
Der volle Inhalt der QuelleGatti, Luca. „The art of freedom : meaning, civic identity and devotion in Early Renaissance Florence“. Thesis, Birkbeck (University of London), 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283367.
Der volle Inhalt der QuelleNuttall, Paula. „Early Netherlandish painting in Florence : acquisition, ownership and influence c.1435-1500“. Thesis, University of London, 1989. http://books.google.com/books?id=AurVAAAAMAAJ.
Der volle Inhalt der QuelleFrangenberg, Thomas. „Der Betrachter Studien zur florentinischen Kunstliteratur des 16. Jahrhunderts /“. Berlin : Gebr. Mann, 1990. http://catalog.hathitrust.org/api/volumes/oclc/23070909.html.
Der volle Inhalt der QuelleAllan, Judith Rachel. „Simonetta Cattaneo Vespucci : beauty, politics, literature and art in early Renaissance Florence“. Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/5616/.
Der volle Inhalt der QuelleBailie, Lindsey Leigh. „Staging Privacy: Art and Architecture of the Palazzo Medici“. Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11049.
Der volle Inhalt der QuelleThe Palazzo Medici was a site of significant social and political representation for the Medici. Access to much of the interior was limited, ostensibly, to the family. In republican Florence, however, visitors were a crucial component in the maintenance of a political faction. Consequently, the "private" spaces of the Palazzo Medici were designed and decorated with guests in mind. Visitor accounts reveal that the path and destination of each visitor differed according to his status and significance to the family. The common citizen waited, sometimes for great lengths, in the courtyard, taking in the anti-tyrannical message of the space. The privileged guest, who had more to provide the Medici, was given access to the more private spaces of the residence. Surrounded by art and architecture that demonstrated the faith, education, and wealth of the Medici, he was assured that his support of the family was beneficial to his own pursuits.
Committee in charge: James Harper, Chairperson; Jim Tice, Member; Jeff Hurwit, Member
Simons, Patricia. „Portraiture and patronage in quattrocento Florence with special reference to the Tornaquinci and their chapel in S. Maria Novella /“. Connect to thesis, 1985. http://eprints.unimelb.edu.au/archive/00000836.
Der volle Inhalt der QuelleEmery, Beth A. „Lorenzo Monaco's Man of sorrows“. Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33283.
Der volle Inhalt der QuelleMaldon, Justine Antonia. „Escaping 'the fetters of custom' : Victorian women in Florence 1825-1875 /“. Connect to this title, 2005. http://theses.library.uwa.edu.au/adt-WU2006.0071.
Der volle Inhalt der QuelleHamilton, Desirae. „The Captain of the People in Renaissance Florence“. Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc804880/.
Der volle Inhalt der QuelleNorred, Patricia A. „Girolamo Savonarola and the Problem of Humanist Reform in Florence“. Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc500716/.
Der volle Inhalt der QuelleSwisher, Samuel J. (Samuel James). „Humanism and the Council of Florence, 1438-1439“. Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc277649/.
Der volle Inhalt der QuelleKim, Hae-Jeong. „Liturgy, Music, and Patronage at the Cappella di Medici in the Church of San Lorenzo in Florence, 1550-1609“. Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278255/.
Der volle Inhalt der QuelleGrover, Sean Thomas. „A Tuscan Lawyer, His Farms and His Family: The Ledger of Andrea di Gherardo Casoli, 1387-1412“. Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11041/.
Der volle Inhalt der QuelleCarlson, Raymond Edward. „Michelangelo between Florence and Rome: Art and Literary Culture in Sixteenth-Century Italy“. Thesis, 2020. https://doi.org/10.7916/d8-mnyb-pv07.
Der volle Inhalt der QuelleAmy, Michaël J. Michelangelo Buonarroti. „Michelangelo's commission for apostle statues for the Cathedral of Florence“. 1997. http://catalog.hathitrust.org/api/volumes/oclc/54102488.html.
Der volle Inhalt der QuelleIncludes catalogs of the sculptures and the drawings for Michelangelo's commission for the apostle statues. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
Maratsos, Jessica. „The Devotional Imagination of Jacopo Pontormo“. Thesis, 2014. https://doi.org/10.7916/D8CN722C.
Der volle Inhalt der QuelleMarsova, Liubov. „Přátelské portréty v italském renesančním malířství“. Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-369962.
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