Thematische Bibliographien / Art exploration

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Konferenzberichte
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Auswahl der wissenschaftlichen Literatur zum Thema „Art exploration“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 20. Februar 2023

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Zeitschriftenartikel zum Thema "Art exploration"

Gibson-Smith, Chris. „THE ART OF EXPLORATION“. Business Strategy Review 23, Nr. 2 (Juni 2012): 32–37. http://dx.doi.org/10.1111/j.1467-8616.2012.00841.x.

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Prisco, Brianna. „Living Art: An Exploration of Interactive Art Installations“. Art Education 69, Nr. 5 (15.08.2016): 49–57. http://dx.doi.org/10.1080/00043125.2016.1202078.

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Galvin, Vanessa. „Architectural Exploration of Art Concepts“. International Journal of the Image 1, Nr. 4 (2011): 1–10. http://dx.doi.org/10.18848/2154-8560/cgp/v01i04/44226.

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Widder, Edith. „The Fine Art of Exploration“. Oceanography 29, Nr. 4 (01.12.2016): 170–77. http://dx.doi.org/10.5670/oceanog.2016.86.

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Pei, Hao. „Exploration of Art Content and Form“. International Journal of Education and Humanities 3, Nr. 2 (07.07.2022): 75–76. http://dx.doi.org/10.54097/ijeh.v3i2.805.

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Art as a carrier to show the cultural connotation, its hidden cultural content is very extensive. This paper explores the content and form of art as the main idea, and analyzes, with examples, the content of art, the form of art, and the dialectical unity of the relationship between content and form of art. Since the 1960s, there have been many issues involved in the discussion of the content and form of art in the art academy, and there are still many issues that have not been definitively discussed. However, the issue of art content and form plays an important role in guiding the creation and appreciation of art, so this paper explores the problems of art content and form in depth through the appreciation of some artworks.

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Zhao, Lichang. „Art Exploration of Jiangzhou Dough Modelling“. Science Innovation 5, Nr. 5 (2017): 283. http://dx.doi.org/10.11648/j.si.20170505.17.

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Crouch, Tom D. „NASA art: 50 years of exploration“. Physics Today 64, Nr. 8 (August 2011): 42–47. http://dx.doi.org/10.1063/pt.3.1218.

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Nguyen, D. T., C. Rumeau, P. Gallet und R. Jankowski. „Olfactory exploration: State of the art“. European Annals of Otorhinolaryngology, Head and Neck Diseases 133, Nr. 2 (April 2016): 113–18. http://dx.doi.org/10.1016/j.anorl.2015.08.038.

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Szekely, Ilona. „Art at the Airport: An Exploration of New Art Worlds“. Art Education 65, Nr. 4 (Juli 2012): 33–39. http://dx.doi.org/10.1080/00043125.2012.11519182.

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Greenfield, Gary, und Penousal Machado. „Ant- and Ant-Colony-Inspired ALife Visual Art“. Artificial Life 21, Nr. 3 (August 2015): 293–306. http://dx.doi.org/10.1162/artl_a_00170.

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Ant- and ant-colony-inspired ALife art is characterized by the artistic exploration of the emerging collective behavior of computational agents, developed using ants as a metaphor. We present a chronology that documents the emergence and history of such visual art, contextualize ant- and ant-colony-inspired art within generative art practices, and consider how it relates to other ALife art. We survey many of the algorithms that artists have used in this genre, address some of their aims, and explore the relationships between ant- and ant-colony-inspired art and research on ant and ant colony behavior.

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Dissertationen zum Thema "Art exploration"

Pellicane, Jacqueline Marie. „Medical Art Therapy: A Heuristic Exploration“. Digital Commons at Loyola Marymount University and Loyola Law School, 2011. https://digitalcommons.lmu.edu/etd/88.

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Medical art therapy is a specific type of art therapy practiced primarily in settings where clients are actively ill or in recovery from a medical procedure. This heuristic study will seek to support the advancement of growth in this field, a wide spread use of medical art therapy in every setting catering to the medically or chronically ill. The researcher used her own medical records from a 10-year bout with illness, childhood to late adolescence, to stimulate the production of data in the form of journal entries and artwork. The data collected was then analyzed through both a clinical and personal lens to determine the existence of themes or patterns not only in the artwork, but also in the perceptions of the child then battling illness and now being assessed by their adult self. This research not only supports the benefits of utilizing art making/art therapy in processing and recovering from chronic illness but also in using the heuristic method of research to answer deeper questions from the perspectives of the clinician and the participant simultaneously.

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Trainer, Janette. „Art and ecology : a visual exploration“. Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/852.

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Within the broad theme of art and ecology, local ecological issues were explored through studio practice involving digital imagery, print making, and mixed media. The frame of reference for the creative project included a discussion of the representations of natural, social and cultural environments' by visual artists. As an art educator interested in developing "best practice" including interdisciplinary approaches across the curriculum with an emphasis on visual arts education, the researcher explored the connections between art and ecological concerns. The Curriculum Framework for Kindergarten to Year 12 Education in Western Australia (1998) provided a sound basis for action. In particular, the Values Outcome, Environmental Responsibility and the Present and Future Condition, Global Environmental Issues have significance for this project. Further, The Arts Outcome, Communicating Arts Ideas is a reminder to visual arts educators that ideas, thoughts and feelings may be transformed into art works. In the primary school setting, engagement with ecological issues has the potential to involve students in both group and individual projects. As an art maker, the creative arts project draws on an area of personal significance. The property, Toodyay Gums, at Lot 11 on the Northam/Toodyay Road, in the Avon Valley, north east of Perth became the site for investigation, research and the generation of artworks. The roles of art educator and art maker are brought together in a research question that forms the 'focus of the Creative Arts Project; To what' extent does visual arts practice give rise to a fuller understanding of ecological issues and new insights into a specific site? Documentation for the creative project takes the form of an exegesis, journal entries, visual diaries, and art works. The techniques of print making, digital imagery and mixed media provided the means of representing concepts and layers of experience. The art works produced during the course of the Creative Arts Project were exhibited at The Churchlands Studios, Edith Cowan University, 12•19 December 2002.

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Winther, Per. „The art of John Gardner : instruction and exploration /“. Albany (NY) : State University of New York Press, 1992. http://catalogue.bnf.fr/ark:/12148/cb355876974.

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Niederhumer, Gina. „Mend: a personal exploration of healing“. Master's thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/20624.

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As the title suggests, this dissertation text deals with repair, and while 'mending' also refers to sewing, here I use it in conjunction with healing and the transformation of an inner conflict. Coming from a family of embroiderers in Austria I use needle and thread as my tools and physical objects as triggers in search of what has been forgotten or repressed. The work centers largely around a shared history between my mother and myself, which though marked by many separations, the love for needlework connects us again and provides a meeting place that bridges the divide caused by absences in the past and in the present. Divided into two columns, 'academic' and 'personal', in subtitled paragraphs elaborate and reflect on 'memory', 'family narrative', 'trauma', 'needlework' and 'art-making as a way of personal transformation' in an attempt to understand the story of my life and how it fits into the larger family narrative. The catalog section of the text lists the art works that resulted from this engagement with my personal story, while the accompanying artists book offers an in-death view into the process.

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Swartz, Daniel L. „Man and machine an exploration in oils on canvas /“. Muncie, Ind. : Ball State University, 2008. http://cardinalscholar.bsu.edu/387.

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Choe, Nancy Sunjin. „An Exploration of the Qualities and Features of Digital Art Media in Art Therapy“. Digital Commons at Loyola Marymount University and Loyola Law School, 2013. https://digitalcommons.lmu.edu/etd/19.

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Through the lens of a participatory design (PD) approach, this study explored to find qualifying features and qualities of digital art materials, specifically art apps on iPads for art therapy use. The study comprised of two phases: 1) a questionnaire/interview of four art therapists using iPads with clients and 2) four separate focus groups with 15 art therapist and art therapist trainee participants involving multiple stages of cyclic feedback. The focus groups engaged in art directives with nine art making apps identified by the researcher and questionnaire respondents as potentially useful in art therapy. The results revealed that while there was no single commercial art app that satisfied the needs of all art therapists and vast range of clients’ technology skills, artistic abilities, stylistic preferences, and therapeutic needs, three distinct qualities and six concrete features of an “ideal” art app for art therapy use emerged. Additionally, the study’s results expanded the parameters of art therapy’s artmaking practice and visual vocabulary by illustrating digital art media’s potential therapeutic and expressive use. And most importantly, the protection of privacy and confidentiality of client’s digital artwork emerged as one of the most important issue to consider. While this paper discusses the limitless possibilities of digital art media’s meaningful usage in art therapy, it also acknowledges how its unique characteristics may require thoughtful limitations and restrictions.

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Barber, James. „Installation art and memory : a practice-as-research exploration“. Thesis, University of Plymouth, 2012. http://hdl.handle.net/10026.1/900.

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This practice-as-research project investigates how a piece of site-responsive Installation Art, titled Triple Point Dunnage (exhibited in Royal William Yard, June 2009), can be used to generate knowledge about memory work through experience of site. Working in dialogue with the ideas of Daniel C. Dennett, Lucy Lippard and Gaston Bachelard, I attempted to create a permeable and fluctuating creative setting for the memory work of participants. An approach that used site as a stimulant within a process which also incorporated theoretical themes. During the period of design and construction, I interacted with and recorded interviews with people who had a personal connection with the site or with an interest in how memory works. The final installation presented layers of spoken fragmented content in a dialectic relationship within the installation’s spatial construction. The responses of the installation’s visitors and participants were collated through a response book and interviews. These were analysed in order to discover to what extent, if at all, the properties I had developed and designed into the work had shaped the engagements of the participants. The multi-valented properties of the work generated an array of responses that suggested that the viewers had fashioned their experience by blending the fragmented stories of others with their own personal histories. This engagement resembles Dennett’s concept of “self-narrator” and resonates with Bachelard’s concept of the fusion of physical and psychological space and Lippard’s understanding of place. By exploring memory through site Triple Point Dunnage generated a sense of place that was a fusion of the participants’ responses to the external physical environment and their associative memories stimulated by the affective fragmented properties of the work.

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Adams, Irena Zdena. „Exploration of water-based inks in fine art screenprinting“. Thesis, University of Ulster, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263243.

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Bahauddin, Azizi Bin. „Contemporary Malaysian art : an exploration of the Songket motifs“. Thesis, Sheffield Hallam University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287587.

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This thesis explores the Malay songket motifs in relation to Malaysia's cultural identity and the transformations of these motifs within the context of the researcher's own art works. An examination of Malaysian government's fixed National Culture policy on identity is contrasted with the reality of identity as dynamic. The identity policy was created and asserted on a multi-racial population based on concept of MalaylBumiputera with no recognition of the 'Other', the nonBumiputera culture. Divisions among the populace were created by the privileges of political, economic and social adjustments given only to the Bumiputera. The lack of addressing the concerns of recognition and acknowledgement of the 'Other' and existence of 'difference' and stereotyping becomes the main interest of this research. In this thesis, the Malay songket motifs were used as a vehicle to demonstrate the Malay's strong association with traditional customs and rituals, a culture that became the focus of the National Culture policy. The motifs symbolises the dominance of the Malays clinging on to power to control the nation, echOing the height of the Malacca Malay Sultanate Empire eight centuries ago. The sense of growth, unity and human spirituality associated with animism was expressed in the songket motifs. However, evidence of the motifs assimilation with Hindu-Buddhist and Islamic influences proved that there is no Malay 'purity' in this art form. The researcher's practice transforms the flat images of the songket motifs into installative art works. Foods, light, shadow, images and sound become the media which express the research findings drawn from documentary, visual and oral sources concerning the songket motifs. His practice differs from the normal practice of Malaysian artists, who literally translate Malay culture into art work. The researcher's practice employs specific references to Malaysian sources free from didactic, cultural-political content. Above all, as a Malaysian working in the UK, the researcher not only engages his theoretical findings to inform his practice, he becomes part of the research. He is both a Malaysian artist himself and a contributor to that part of Malay culture that is examined in this thesis. He contributes to the compilation of the songket motifs information into CD-ROM.

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Gee, Sarah. „An exploration of impermanence in contemporary ceramic art practice“. Thesis, University of Sunderland, 2016. http://sure.sunderland.ac.uk/8320/.

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This practice-led research investigates clay-based impermanent creativity, exploring this means of expression as a contribution to knowledge in the expanded field of contemporary ceramic art practice. The research considers recent developments in innovative work by practitioners from the ceramic tradition, characterised by unconventional uses of material, natural decay and weathering, deliberate destruction, performance and physicality. A key aspect of the research exploration is phenomenographic alignment of personal praxical development with that of contemporaries sharing backgrounds in the ceramic tradition. A case study approach based on a reflexive Schönian and Kolbian cycle is utilised and research material is viewed from trans-disciplinary perspectives to explore and elucidate its nature, impacts and implications. Impermanence in clay is found to de-familiarise art work, altering and enhancing the creative role of percipients. Relationships between work, maker and percipient are explored. Mediatisation of impermanent clay-based art is considered for its impact on work’s reception and interpretation. A perceptible shift is detected in such art practice from the arena of visual art towards that of performance, moving artist and audience relationships towards shared ownership in ceramic creativity, in which co-presence of work and percipient are essential. Aspects of relational aesthetics offer a cogent framework. Consideration is given to clay’s shared significance with other basic materials such as textile in holding meaning beyond its physicality. The thesis contributes to the discourse on methodological frameworks for practice-led research and to academic writing on contemporary ceramic art in its exploration of clay-based impermanence, encompassing maker intentionality, material alteration and destruction, site/location and significance, performativity and unrepeatability, and record. It provides a transferable research model for considering creative impermanence. Areas identified for further research include artist/audience relationships and the nature of creativity, the role of location, performativity as an aspect of contemporary practice, and curation of performance and impermanence.

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Bücher zum Thema "Art exploration"

Wells, Liz. Landscapes of exploration. Plymouth: University of Plymouth Press, 2012.

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Bertram, Ulrich, Hrsg. NASA/art: 50 years of exploration. New York: Abrams in association with NASA and the Smithsonian Institute, 2008.

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On art and therapy: An exploration. London: Free Association Books, 1997.

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Kubota, Nobuo. Nobuo Kubota: The exploration of possibility. [Kelowna, BC]: Kelowna Art Gallery, 1999.

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Scharfstein, Ben-Ami. Art without borders: A philosophical exploration of art and humanity. Chicago: University of Chicago Press, 2009.

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Breniaux, Guy. Mythologies: Exploration d'un nouveau continent artistique = Mythologies : exploration of a new artistic continent. Lons-le-Saunier [France]: Aréopage, 2004.

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Chiyo, Ishikawa, und Seattle Art Museum, Hrsg. Spain in the age of exploration, 1492-1819. Seattle: Seattle Art Museum, 2004.

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Wendy, Doniger, und Jordan Ariel Orr, Hrsg. Bed as autobiography: A visual exploration of. Chicago: Clarissa Editions ; Distributed by The University Chicago Press, 2004.

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United States. National Aeronautics and Space Administration. Selections from the NASA art collection. [s.l.]: National Aeronautics and Space Administration, 1987.

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Geske, Norman A. Why art history?: An exploration of Tem & Ptah. [Lincoln, Neb.]: College of Fine and Performing Arts, the University of Nebraska-Lincoln, 1995.

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Buchteile zum Thema "Art exploration"

Gussak, David E. „Deepening the Exploration through Research“. In Art and Art Therapy with the Imprisoned, 96–118. New York, NY: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429286940-6.

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Pardo Echarte, Manuel Enrique, und Jorge Luis Cobiella Reguera. „The State of Art“. In Oil and Gas Exploration in Cuba, 1–7. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56744-0_1.

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Liner, Christopher L., und T. A. (Mac) McGilvery. „Seismic Interpretation in Petroleum Exploration“. In The Art and Science of Seismic Interpretation, 57–96. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03998-1_3.

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Jade, Laura, und Sam Gentle. „New Ways of Knowing Ourselves. BCI Facilitating Artistic Exploration of Our Biology“. In Brain Art, 229–62. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14323-7_8.

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Everitt, Dave. „Art as Digital Exploration (Vectors and Nodes)“. In Springer Series on Cultural Computing, 173–81. London: Springer London, 2018. http://dx.doi.org/10.1007/978-1-4471-7367-0_17.

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Karadag, Zekeriya. „Euclidean Exploration of Geometry in Islamic Art“. In Transdisciplinarity in Mathematics Education, 3–24. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63624-5_1.

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Koo, Ahran. „Korean Immigrant's Identity Exploration With Visual Storying“. In Counternarratives from Asian American Art Educators, 36–44. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003222293-6.

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Leonard, Naomi E., George F. Young, Kelsey Hochgraf, Daniel T. Swain, Aaron Trippe, Willa Chen, Katherine Fitch und Susan Marshall. „In the Dance Studio: An Art and Engineering Exploration of Human Flocking“. In Controls and Art, 27–49. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-03904-6_2.

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Luke, Sean. „Stochastic Synthesizer Patch Exploration in Edisyn“. In Computational Intelligence in Music, Sound, Art and Design, 188–200. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-16667-0_13.

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Winter, Robert. „Blackboxing Data—Conceptualizing Data-Driven Exploration from a Business Perspective“. In The Art of Structuring, 153–63. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06234-7_15.

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Konferenzberichte zum Thema "Art exploration"

Li, Xu. „Exploration of Graffiti Art in Children's Art Teaching Reform“. In 2017 7th International Conference on Mechatronics, Computer and Education Informationization (MCEI 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/mcei-17.2017.49.

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Seevinck, Jennifer, Linda Candy und Ernest A. Edmonds. „Exploration and reflection in interactive art“. In the 20th conference of the computer-human interaction special interest group (CHISIG) of Australia. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1228175.1228202.

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Chrysanthakopoulou, Agapi, Konstantinos Kalatzis, George Michalakis, Isidoros Michalellis und Konstantinos Moustakas. „ArtScape: Gamified Virtual Reality Art Exploration“. In 2022 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). IEEE, 2022. http://dx.doi.org/10.1109/vrw55335.2022.00302.

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Lioret, Alain. „Quantum computing for art exploration and creation“. In ACM SIGGRAPH 2014 Studio. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2619195.2656283.

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Mohanty, Namrata, Camron Gorguinpour und Barbara Thomson. „Science in Art Youth Auction (SAYA)“. In 1st Space Exploration Conference: Continuing the Voyage of Discovery. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2005. http://dx.doi.org/10.2514/6.2005-2580.

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Hu, Xiaoming. „Is Takashi Murakami’s Art an Exploration of Symbolism?“ In 2021 6th International Conference on Modern Management and Education Technology（MMET 2021）. Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211011.101.

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Kharbanda, Mohina, und Nikesh Bajaj. „An exploration of fractal art in fashion design“. In 2013 International Conference on Communications and Signal Processing (ICCSP). IEEE, 2013. http://dx.doi.org/10.1109/iccsp.2013.6577048.

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Ashlock, Daniel, und Julie Greensmith. „Further Exploration of Necrotic Control of Evolved Art“. In 2020 IEEE Symposium Series on Computational Intelligence (SSCI). IEEE, 2020. http://dx.doi.org/10.1109/ssci47803.2020.9308363.

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Pu, Lijuan. „Initial Exploration of Aesthetic Value of Calligraphic Art“. In 2016 International Conference on Education, Sports, Arts and Management Engineering. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icesame-16.2016.80.

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Joyodiharjo, Bismo, Yasraf Piliang und Dwinita Larasati. „Angklung Biomimicry Exploration“. In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294858.

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Berichte der Organisationen zum Thema "Art exploration"

McClenaghan, M. B., W. A. Spirito, S. J. A. Day, M. W. McCurdy und R. J. McNeil. Overview of GEM surficial geochemistry and indicator mineral surveys and case studies in northern Canada. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/330473.

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As part of the Geo-mapping for Energy and Minerals (GEM) program between 2008 and 2020, the Geological Survey of Canada carried out reconnaissance-scale to deposit-scale geochemical and indicator mineral surveys and case studies across northern Canada. In these studies, geochemical methods were used to determine the concentrations of 65 elements in lake sediment, stream sediment, stream water, lake water and till samples across approximately 1,000,000 km2 of northern Canada. State-of the-art indicator methods were used to examine the indicator mineral signatures in regional-scale stream sediment and till surveys. This research identified areas with anomalous concentrations of elements and/or indicator minerals that are indicative of bedrock mineralization, developed new mineral exploration models and protocols, trained a new generation of geoscientists and transferred knowledge to northern communities. The most immediate impact of the GEM surveys has been the stimulation of mineral exploration in Canada's north, focussing exploration efforts into high mineral potential areas identified in GEM regional-scale surveys. Regional- and deposit-scale studies demonstrated how transport data (till geochemistry, indicator minerals) and ice flow indicator data can be used together to identify and understand complex ice flow and glacial transport. Detailed studies at the Izok Lake, Pine Point, Strange Lake, Amaruq deposits and across the Great Bear Magmatic Zone demonstrate new suites of indicator minerals that can now be used in future reconnaissance- and regional-scale stream sediment and till surveys across Canada.

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McClenaghan, M. B., W. A. Spirito, S. J. A. Day, M. W. McCurdy, R. J. McNeil und S. W. Adcock. Overview of Geo-mapping for Energy and Minerals program surficial geochemistry and indicator-mineral surveys and case studies in northern Canada. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/331421.

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As part of the Geo-mapping for Energy and Minerals (GEM) program, which ran from 2008 to 2020, the Geological Survey of Canada carried out reconnaissance-scale to deposit-scale geochemical and indicator-mineral surveys and case studies across northern Canada. In these studies, geochemical methods were used to determine the concentrations of 65 elements in lake-sediment, lake-water, stream-sediment, stream-water, and till samples across approximately 1 000 000 km2 of northern Canada. State-of the-art methods were used to examine the indicator-mineral signatures identified through regional-scale stream-sediment and till surveys. As a result of this research, areas with anomalous concentrations of elements and/or indicator minerals that are indicative of bedrock mineralization were identified, new mineral exploration models and protocols were developed, a new generation of geoscientists was trained, and knowledge was transferred to northern communities. The most immediate impact of the GEM surveys has been the stimulation of mineral exploration in Canada's north, with exploration efforts being focused on high mineral-potential areas identified in GEM regional-scale surveys. Regional- and deposit-scale studies demonstrated how transport data (till geochemistry, indicator minerals) and ice-flow indicator data can be used together to identify and understand complex ice flow and glacial transport. Detailed studies at the Izok Lake, Pine Point, Strange Lake, and Kiggavik deposits, and across the Great Bear magmatic zone, demonstrate new suites of indicator minerals that can now be used in future reconnaissance- and regional-scale stream-sediment and till surveys across Canada.

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Holdmann, Gwen. Recovery Act Validation of Innovative Exploration Techniques Pilgrim Hot Springs, Alaska. Office of Scientific and Technical Information (OSTI), April 2015. http://dx.doi.org/10.2172/1182279.

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Borchmann, Daniel. Exploration by Confidence. Technische Universität Dresden, 2013. http://dx.doi.org/10.25368/2022.194.

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Within formal concept analysis, attribute exploration is a powerful tool to semiautomatically check data for completeness with respect to a given domain. However, the classical formulation of attribute exploration does not take into account possible errors which are present in the initial data. We present in this work a generalization of attribute exploration based on the notion of confidence, which will allow for the exploration of implications which are not necessarily valid in the initial data, but instead enjoy a minimal confidence therein.

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Fairbank, Brian D. Recovery Act. Sub-Soil Gas and Fluid Inclusion Exploration and Slim Well Drilling, Pumpernickel Valley, Nevada. Office of Scientific and Technical Information (OSTI), März 2015. http://dx.doi.org/10.2172/1176929.

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Bingham-Koslowski, N., T. McCartney, J. Bojesen-Koefoed und C. Jauer. Hydrocarbon resource potential in the Labrador-Baffin Seaway and onshore West Greenland. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/321859.

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Exploration for hydrocarbons began in the Labrador-Baffin Seaway in the 1960s; activity along the Labrador margin is still ongoing. A moratorium on exploration activities in the Canadian Arctic was enacted in 2016, halting drilling and data acquisition in western Davis Strait and along the Baffin Island margin. The exploration for hydrocarbons along the West Greenland margin ceased in 2021. Despite the presence of all hydrocarbon system elements as well as direct indicators of at least one working hydrocarbon system (e.g. slicks and/or seeps, oil and/or gas shows), no commercially viable accumulations of hydrocarbons have been discovered in the region. Potential sea-surface hydrocarbon slicks have been identified throughout the study region using synthetic aperture radar, but only the slick offshore Scott Inlet (Nunavut) has been directly linked to seafloor hydrocarbon seepage.

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McCulloch, Neil, Davide Natalini, Naomi Hossain und Patricia Justino. An Exploration of the Association Between Fuel Subsidies and Fuel Riots. Institute of Development Studies, Oktober 2021. http://dx.doi.org/10.19088/ids.2021.058.

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Between 2005 and 2018, 41 countries had at least one riot directly associated with popular demand for fuel. We make use of a new international data set on fuel riots to explore the effects of fuel prices and price regimes on fuel riots. In line with prior expectations, we find that large domestic fuel price shocks – often linked to international price shocks – are a key driver of riots. In addition, we report a novel result: fuel riots are closely associated with domestic price regimes. Countries that maintain fixed price regimes – notably net energy exporters – tend to have large fuel subsidies. When such subsidies become unsustainable, domestic price adjustments are large, often leading to riots.

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Britt, Allison, und Anthony Senior. Australian Resource Reviews: Antimony 2020. Geoscience Australia, 2021. http://dx.doi.org/10.11636/9781922446534.

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Foley, Paul, Kirsten Skeehan, Jerome Smith, Roy Mink und Mink Geohydro. Recovery Act. Direct Confirmation of Commercial Geothermal Resources in Colorado Using Remote Sensing and On-Site Exploration, Testing, and Analysis. Office of Scientific and Technical Information (OSTI), Februar 2016. http://dx.doi.org/10.2172/1238072.

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Bickel, V. T., B. Moseley, E. Hauber, M. Shirley, J. P. Williams und D. A. Kring. CHARACTERIZATION OF SHADOWED REGIONS AT THE LUNAR SOUTH POLE. Frontier Development Lab, Juli 2022. http://dx.doi.org/10.56272/gqkz6227.

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This image repository contains a total of 576 non map-projected HORUS (Hyper-effective nOise Removal Unet Software) post-processed images of permanently shadowed regions (PSRs) located across the Artemis exploration zone at the lunar south pole (144 individual images).

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