Zeitschriftenartikel zum Thema „Art exhibition“
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Maistrovskaya, Mariya T. „EXHIBITION AS A GENRE OF PLASTIC ART: "DIOR"“. RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, Nr. 2 (2020): 138–50. http://dx.doi.org/10.28995/2073-6401-2020-2-138-150.
Readshaw, Grahame. „Art Exhibition“. Medical Journal of Australia 158, Nr. 5 (März 1993): 364. http://dx.doi.org/10.5694/j.1326-5377.1993.tb121824.x.
Veerapen, Nadarajen. „Art exhibition“. ACM SIGEVOlution 10, Nr. 4 (05.06.2018): 6–7. http://dx.doi.org/10.1145/3231555.3231557.
JOHN Ph.D, IDIBEKE AMOS, SUNDAY ETIM EKWERE Ph.D und PROFESSOR EDEM ETIM PETERS. „VISUAL ART EXHIBITION: A CATALYST FOR SOCIAL UNIFICATION IN NIGERIA“. International Journal of Applied Science and Research 05, Nr. 04 (2022): 01–04. http://dx.doi.org/10.56293/ijasr.2022.5401.
Işıtman, Ödül. „Exhibiting Art: The Case of ODTÜSanat“. Global Journal of Arts Education 6, Nr. 1 (30.05.2016): 26. http://dx.doi.org/10.18844/gjae.v6i1.541.
Khiatthong, Thongchue, Chakrit Ketruangroch und Samutcha Apisitsuksonti. „DIGITAL EXHIBITION DESIGN OF THONBURI ART“. Journal of Southwest Jiaotong University 56, Nr. 6 (24.12.2021): 588–98. http://dx.doi.org/10.35741/issn.0258-2724.56.6.51.
Widjono, Rani Aryani, und Shania Geraldine. „Modifikasi Interaksi Fisik dalam Pameran Virtual“. Idealogy Journal 7, Nr. 2 (01.09.2022): 59–67. http://dx.doi.org/10.24191/idealogy.v7i2.341.
Ciric, Biljana. „Building archives through curatorial practice“. Art Libraries Journal 39, Nr. 2 (2014): 10–13. http://dx.doi.org/10.1017/s0307472200018253.
Jo, Young Hoon, Jikio Kim, Yong Hyun Yun, Nam Chul Cho und Chan Hee Lee. „Developing Experiential Exhibitions Based on Conservation Science Content of Bronze Mirror“. Journal of Conservation Science 37, Nr. 4 (31.08.2021): 362–69. http://dx.doi.org/10.12654/jcs.2021.37.4.05.
Critical Resistance, Oakland. „Prisoners' Art Exhibition“. Journal of Prisoners on Prisons 16, Nr. 2 (01.12.2007): 140–41. http://dx.doi.org/10.18192/jpp.v16i2.5414.
Martin, Colin. „Exhibition Corporeal art“. Lancet 376, Nr. 9749 (Oktober 2010): 1292. http://dx.doi.org/10.1016/s0140-6736(10)61902-2.
Zarobell, John. „Global Art Collectives and Exhibition Making“. Arts 11, Nr. 2 (01.03.2022): 38. http://dx.doi.org/10.3390/arts11020038.
Lee, Soo-jin, und Kwang-yun Wohn. „The Media-Art Exhibition TenYearsAfter_v4.0_OuterSpace“. Leonardo 41, Nr. 5 (Oktober 2008): 454–59. http://dx.doi.org/10.1162/leon.2008.41.5.454.
Luba, Iwona. „Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)“. Ikonotheka 26 (26.06.2017): 137–66. http://dx.doi.org/10.5604/01.3001.0010.1676.
Atkinson, Jeanette, Tracy Buck, Simon Jean, Alan Wallach, Peter Davis, Ewa Klekot, Philipp Schorch et al. „Exhibition Reviews“. Museum Worlds 1, Nr. 1 (01.07.2013): 206–40. http://dx.doi.org/10.3167/armw.2013.010114.
Cacchione, Orianna. „Related rhythms: Situating Zhang Peili and contemporary Chinese video art in the globalizing art world“. Journal of Contemporary Chinese Art 5, Nr. 1 (01.03.2018): 21–39. http://dx.doi.org/10.1386/jcca.5.1.21_1.
Nakagawa, Katsushi, und Tomotaro Kaneko. „A Documentation of Sound Art in Japan: Sound Garden (1987–1994) and the Sound Art Exhibitions of 1980s Japan“. Leonardo Music Journal 27 (Dezember 2017): 82–86. http://dx.doi.org/10.1162/lmj_a_01024.
Gwoździewicz-Matan, Paulina. „MUSEUM EXHIBITION VERSUS COPYRIGHT“. Muzealnictwo 60 (02.09.2019): 225–32. http://dx.doi.org/10.5604/01.3001.0013.4132.
Verling, Luke. „Exhibition Curation: Art Unlimited“. Circa, Nr. 71 (1995): 30. http://dx.doi.org/10.2307/25562772.
Su, Stephanie. „Exhibition as Art Historical Space: The 1933 Chinese Art Exhibition in Paris“. Art Bulletin 103, Nr. 3 (03.07.2021): 125–48. http://dx.doi.org/10.1080/00043079.2021.1882808.
Isto, Raino. „“I Lived without Seeing These Art Works”: (Albanian) Socialist Realism and/against Contemporary Art“. ARTMargins 10, Nr. 2 (Juni 2021): 29–49. http://dx.doi.org/10.1162/artm_a_00291.
Świtek, Gabriela. „The Borderlines of the Thaw: Graphic Art from the Federal Republic of Germany in Warsaw’s “Exhibition Factory” (1956–1957)“. Biuletyn Historii Sztuki 82, Nr. 1 (06.05.2020): 127–58. http://dx.doi.org/10.36744/bhs.638.
KARAKAŞ TABAK, Dilara. „EXHIBITING EVERYTHING: A REVIEW ON DAMIEN HIRST’S “REAL” EXHIBITION“. ATLAS JOURNAL 7, Nr. 44 (24.09.2021): 2178–94. http://dx.doi.org/10.31568/atlas.763.
Kapoor, Punita. „The Punjab Exhibition of 1881 and Politics of the British Raj“. Past and Present: Representation, Heritage and Spirituality in Modern India 4, Special Issue (25.12.2021): 40–48. http://dx.doi.org/10.12944/crjssh.4.special-issue.05.
Mount, Sigrid Docken. „Evolutions in exhibition catalogues of African art“. Art Libraries Journal 13, Nr. 3 (1988): 14–19. http://dx.doi.org/10.1017/s0307472200005769.
Cai, Gangwei, Lei Xu, Weijun Gao, Yan Hong, Xiaoyu Ying, Yan Wang und Fanyue Qian. „The Positive Impacts of Exhibition-Driven Tourism on Sustainable Tourism, Economics, and Population: The Case of the Echigo–Tsumari Art Triennale in Japan“. International Journal of Environmental Research and Public Health 17, Nr. 5 (26.02.2020): 1489. http://dx.doi.org/10.3390/ijerph17051489.
Selwood, Sara, und Lillia McEnaney. „Exhibition Reviews“. Museum Worlds 8, Nr. 1 (01.07.2020): 216–28. http://dx.doi.org/10.3167/armw.2020.080116.
Kolokolceva, N. Yu, K. V. Valkova und I. V. Pyanzina. „The Importance of the Position of an Exhibition Organizer at the Association of Artists-Peredvizhniki (on the Example of A.D. Chirkin's Activities in 1872-1881)“. Izvestiya of Altai State University, Nr. 3(125) (12.07.2022): 23–27. http://dx.doi.org/10.14258/izvasu(2022)3-03.
Kenigsberg, Ekaterina. „THE GENESIS OF THE DOCUMENTA INTERNATIONAL EXHIBITION OF CONTEMPORARY ART AS A DIALOGUE PLATFORM FOR ELITE ART AND MASS CULTURE“. Herald of Culturology, Nr. 3 (2022): 158–75. http://dx.doi.org/10.31249/hoc/2022.03.10.
Pawłowska, Aneta. „African Art: The Journey from Ethnological Collection to the Museum of Art“. Muzeológia a kultúrne dedičstvo 8, Nr. 4 (2020): 161–76. http://dx.doi.org/10.46284/mkd.2020.8.4.10.
Krzysztofowicz-Kozakowska, Stefania. „„Raumkunst” autorstwa Teodora Axentowicza“. Lehahayer 8 (19.12.2021): 185–90. http://dx.doi.org/10.12797/lh.08.2021.08.06.
Braden, L. E. A. „Networks Created Within Exhibition: The Curators’ Effect on Historical Recognition“. American Behavioral Scientist 65, Nr. 1 (15.10.2018): 25–43. http://dx.doi.org/10.1177/0002764218800145.
Garg, Ruchi. „THEME DISPLAY IN NATIONAL ART EXHIBITION“. ShodhKosh: Journal of Visual and Performing Arts 2, Nr. 1 (11.04.2021): 13–20. http://dx.doi.org/10.29121/shodhkosh.v2.i1.2021.23.
Pepper, Andrew. „The Gallery as a Location for Research-Informed Practice and Critical Reflection“. Arts 8, Nr. 4 (27.09.2019): 126. http://dx.doi.org/10.3390/arts8040126.
Guseva, Anna V. „Chinese Paintings from Western Museum Collections at the International Exhibition of Chinese Art in London, 1935: On the History of Collecting and Attributing Chinese Paintings“. Izvestia of the Ural federal university. Series 2. Humanities and Arts 24, Nr. 2 (2022): 287–302. http://dx.doi.org/10.15826/izv2.2022.24.2.040.
de Ridder-Vignone, Kathryn D. „Public Engagement and the Art of Nanotechnology“. Leonardo 45, Nr. 5 (Oktober 2012): 433–38. http://dx.doi.org/10.1162/leon_a_00440.
Bao, Hongwei. „Curating queerness and queering curation: Exhibiting queer Chinese art in Europe“. Journal of Contemporary Chinese Art 9, Nr. 3 (01.11.2022): 313–32. http://dx.doi.org/10.1386/jcca_00069_1.
Juříčková, Miluše. „Two Art Exhibitions as Dialogic Events in the History of Czech-Norwegian Cultural Relations“. AUC PHILOLOGICA 2021, Nr. 1 (30.08.2021): 121–27. http://dx.doi.org/10.14712/24646830.2021.16.
Waryanti, Dessy Rachma. „KLASIFIKASI PRIORITAS KETERTARIKAN PERILAKU PENGUNJUNG PAMERAN TERHADAP KARYA SENI RUPA KONTEMPORER“. INVENSI 1, Nr. 2 (26.04.2017): 1–12. http://dx.doi.org/10.24821/invensi.v1i2.1611.
Sun, Dan, und Xiaoyan Wang. „From the Inside to the Outside:Study on Exhibition Design and Communication of University Art Museum“. Learning & Education 10, Nr. 5 (13.03.2022): 91. http://dx.doi.org/10.18282/l-e.v10i5.2683.
Rentschler, Ruth, Kerrie Bridson und Jody Evans. „Exhibitions as sub-brands: an exploratory study“. Arts Marketing: An International Journal 4, Nr. 1/2 (30.09.2014): 45–66. http://dx.doi.org/10.1108/am-07-2014-0023.
Dunaway, Judy. „The Forgotten 1979 MoMA Sound Art Exhibition“. Resonance 1, Nr. 1 (2020): 25–46. http://dx.doi.org/10.1525/res.2020.1.1.25.
Lønstrup, Ansa. „Facing sound – voicing art“. SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 3, Nr. 1-2 (01.12.2013): 153–71. http://dx.doi.org/10.7146/se.v3i1-2.15646.
Crenshaw. „The Dynamic Display of Art Holography“. Arts 8, Nr. 3 (19.09.2019): 122. http://dx.doi.org/10.3390/arts8030122.
Cameron, Gordon. „Envisioning the future art exhibition“. ACM SIGGRAPH Computer Graphics 33, Nr. 4 (04.11.1999): 69–74. http://dx.doi.org/10.1145/345370.345419.
Bier, Carol. „Bridges Coimbra 2011: Art Exhibition“. Journal of Mathematics and the Arts 6, Nr. 1 (März 2012): 43–52. http://dx.doi.org/10.1080/17513472.2011.628616.
Calter, Paul. „Bridges Towson 2012 Art Exhibition“. Journal of Mathematics and the Arts 7, Nr. 1 (März 2013): 40–49. http://dx.doi.org/10.1080/17513472.2013.765327.
du Plessis, Rory. „Unisa ‘Staff/Stuff’ Art Exhibition“. de arte 48, Nr. 87 (Januar 2013): 61–67. http://dx.doi.org/10.1080/00043389.2013.11877182.
Robinson, Andrew. „Exhibition Art of the elements“. Lancet 386, Nr. 10005 (Oktober 2015): 1730. http://dx.doi.org/10.1016/s0140-6736(15)00685-6.
Matallana, Andrea. „BUILDING ART DIPLOMACY: THE CASE OF CONTEMPORARY AMERICAN ART EXHIBITION IN LATIN AMERICA, 1941“. ShodhKosh: Journal of Visual and Performing Arts 3, Nr. 2 (20.10.2022): 272–86. http://dx.doi.org/10.29121/shodhkosh.v3.i2.2022.172.